Rolling Stone Magazine's Top 500 Songs
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The Stranglers - Peaches (The Very Best Of)
The Stranglers - Peaches (The Very Best Of) 24-09-2020 15:00 CEST The Stranglers - Peaches (The Very Best Of) blir tilgjengelig på vinyl For første gang på vinyl skal The Stranglers «Peaches (The Very Best Of)» gjøres tilgjengelig som dobbelt-LP-sett. Dette vil være den eneste «Best Of»- samlingen av The Stranglers som vil være tilgjengelig på vinyl. Stranglers «Peaches (The Very Best Of)» er tilgjengelig for forhåndsbestilling nå. The Stranglers ble dannet tidlig i 1974, og ble oppdaget via punkrock-scenen. Bandet etablerte sitt omdømme og store fanskare gjennom deres aggressive og kompromissløse stil. Bandets sound utviklet seg derimot gjennom hele karrieren, og ble aldri kategorisert til en spesifikk sjanger. Som et resultat av dette, er deres verk svært variert og enormt verdsatt. Hittil har bandet oppnådd 23 britiske Top 40 singler og 17 britiske Top 40 album. The Stranglers er et av de lengst overlevende og mest kjente bandene som har sitt utspring fra den britiske punk-scenen. «Peaches (The Very Best Of)» er en samling av deres mest berømte låter fra de første to tiårene av deres berømte karriere, inkludert ikoniske spor som «Peaches», «Golden Brown», «No More Heroes» og «Hanging Around». Side A 1. Peaches 2. Golden Brown 3. Walk On By 4. No More Heroes 5. Skin Deep Side B 1. Hanging Around 2. All Day And All Of The Night 3. Straighten Out 4. Nice ‘N’ Sleazy 5. Strange Little Girl 6. Who Wants The World Side C 1. Something Better Change 2. Always The Sun (Sunny Side Up Mix) 3. European Female 4. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Multiple Grammy Award-Winner Aaron Neville Comes to Parker Playhouse for One Night Only on February 12
February 3, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 MULTIPLE GRAMMY AWARD-WINNER AARON NEVILLE COMES TO PARKER PLAYHOUSE FOR ONE NIGHT ONLY ON FEBRUARY 12 FORT LAUDERDALE – With a voice that has led to Grammy Awards in the vocal, pop and country categories on top of his Grammy nominations for R&B, jazz and traditional soul gospel works, Aaron Neville comes to Parker Playhouse on Thursday, February 12 at 8 p.m. A member of the Louisiana Music Hall of Fame and a Big Easy Award-winner for Best Gospel Singer, Neville has enjoyed an incredible career between his solo work and his iconic role with the first family of New Orleans music, the Neville Brothers. "Tell It Like It Is," Neville’s first hit single, held the number one spot on the R&B charts for five weeks and was recently added to the Grammy Hall of Fame collection for 2015, which acknowledges singles and albums of all genres at least 25 years old that have a historical significance. His collaborations “I Fall to Pieces” with Trisha Yearwood and “All My Life” and “Don’t Know Much” with Linda Ronstadt won Grammy Awards as did “Healing Chant,” which he recorded as part of the Neville Brothers. In his latest release, My True Story, Neville performs in his utterly inimitable vocal style classic doo-wop numbers he grew up with including "Tears on My Pillow," "Under the Boardwalk " and "This Magic Moment." Tickets to the concert at the Parker Playhouse are $37.50 - $67.50. -
Jeff Dewbray Music Artists Covered
JEFF DEWBRAY MUSIC ARTISTS COVERED Al Green Frank Sinatra Paul McCartney B52's Florida Georgia Line Police Bachman-Turner Overdrive Frankie Vallie Rare Earth Backstreet Boys Garth Brooks Rascal Flatts Barry Manilow Georgia Satellites Rascals Beatles Gin Blossoms Ray Charles Ben E. King Grand Funk Railroad Rick James Big & Rich Honeydrippers Rick Springfield Bill Withers Hootie and the Blowfish Robert Palmer Billy Idol INXS Sam & Dave Billy Joel J Geils Band Sam Cooke Billy Ocean James Taylor Santana Billy Paul Jason Mraz Simple Minds Billy Ray Cyrus Jerry Lee Lewis Sir Mix-a-Lot Black Crowes Jim Croce Smash Mouth Blake Shelton Jimmy Buffet Soft Cell Blues Brothers Joe Cocker Spin Doctors Bob Marley John Legend Steely Dan Bob Seger John Mellencamp Steppenwolf Bobby Brown Johnny Mathis Stevie Wonder Bobby Darin KC & The Sunshine Band Stone Temple Pilots Bobby McFerrin Kenny Loggins Sugarloaf Brain Setzer Kings of Lean The Box Tops Brooks & Dunn Kool and the Gang The Cure Bruce Springsteen Lenny Kravitz The Four Seasons Bruno Mars Lionel Ritchie The Grass Roots Bryan Adams Loggins & Messina The Human League Buster Poindexter Looking Glass The Isley Brothers Cheap Trick Lou Bega The Kingsmen Chuck Berry Louis Armstrong The Knack Commodores Luke Bryan The Righteous Brothers Contours Lynyrd Skynyrd The Rolling Stones Counting Crows Mambo Kings The Spinners Darius Rucker Manfred Mann The Temptations David Lee Roth Maroon 5 The Trammps Dean Martin Marvin Gaye Tom Cochrane Dishwalla Marvin Gaye & Tammi Terrell Tom Jones Dobie Gray Modern English Tom Petty Don McClean Monkees Tommy Tutone Duran Duran Nat King Cole Train Earth Wind & Fire Neil Diamond UB40 Eddie Floyd Nine Days Van Halen Elton John NSYNC Van Morrison Elton John w/Kiki Dee Otis Redding Village People Elvis Presley OutKast Walk The Moon. -
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
Cic004 Bowie.Pdf
4 Conversations in Creativity Explorations in inspiration Bowie • 2016 creativelancashire.org Creative Lancashire is a service provided by Lancashire County Council through its economic development company - Lancashire County Developments Ltd (LCDL). They support creative and digital businesses and work with all sectors to realise creative potential. Hemingway Design Lemn Sissay In 2011, Creative Lancashire with local design agencies Wash and JP74 launched ‘Conversations in Creativity’ - a network and series of events where creatives from across the crafts, trades and creative disciplines explore how inspiration from Simon Aldred (Cherry Ghost) around the world informs process. Previous events have featured Hemingway Design, Gary Aspden (Adidas), Pete Fowler (Animator & Artist), Donna Wilson (Designer), Cherry Ghost, I am Kloot, Nick Park (Aardman), Lemn Sissay (Poet) and Jeanette Winterson (Author) - hosted by Dave Haslam & John Robb. Donna Wilson Who’s Involved www.wash-design.co.uk www.jp74.co.uk Made You Look www.sourcecreative.co.uk Pete Fowler THE VERY BEST OF BRITANNIA 1. 2. 3. David Bowie:1947-2016 A wave of sadness and loss rippled through the This provides the context for our next creative world after legendary star man David Conversations in Creativity talk at Harris Bowie (David Robert Jones), singer, songwriter Museum as part of the Best of Britannia (BOB) and actor died on 10 January 2016. North 2016 programme, Bowie’s creative process evolved throughout his As a companion piece to the event we’ve 40+ year career, drawing inspirations from the collaborated with artists and designers including obvious to the obscure. Stephen Caton & Howard Marsden at Source Creative, and Andy Walmsley at Wash and artists; 4. -
DJ Skills the Rise of the Hip-Hop DJ 3
The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
Mott the Hoople and Ian Hunter: All the Young Dudes - the Biography Free Download
MOTT THE HOOPLE AND IAN HUNTER: ALL THE YOUNG DUDES - THE BIOGRAPHY FREE DOWNLOAD Campbell Devine | 423 pages | 09 Aug 2007 | Cherry Red Books | 9781901447958 | English | London, United Kingdom Ian Hunter (singer) Jonesy and Coop went and when I finally tracked them down for a full report, their eyes were still ricocheting around like pinballs, all fan-boy struck and gloating more than just a little bit. Hunter and Ronson then parted professionally, reportedly due to Hunter's refusal to deal with Ronson's manager, Tony DeFries. The new lineup toured in lateand the concerts were documented on 's Mott the Hoople Live. No trivia or quizzes yet. Ditto Bender, with a pair of his own with the criminally overlooked and underappreciated Widowmaker not the wanky Dee Snider outfit. Greg Reeves marked it as to-read Nov 29, Jane marked it as to-read Jun 07, Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography they were interviewed extensively for the book, following publication both Dale Griffin and Overend Watts disowned the book and were scathing about it and the Mott The Hoople and Ian Hunter: All the Young Dudes - The Biography. An album of the same name was released on Columbia Records in the fall, and it became a hit in the U. Lauren Griffin marked it as to-read Dec 30, Queenonce an opening act for Mott the Hoople, provided backing vocals on one track. Hunter's entry into the music business came after a chance encounter with Colin York and Colin Broom at a Butlin's Holiday Campwhere the trio won a talent competition performing " Blue Moon " on acoustic guitars. -
LMS-525C DF & LMS-520C Manual
Pub. 988-0151-461 www.lowrance.com LMS-520C & LMS-525C DF Fish-finding Sonar & Mapping GPS Installation and Operation Instructions Copyright © 2006 Lowrance Electronics, Inc. All rights reserved. No part of this manual may be copied, reproduced, republished, trans- mitted or distributed for any purpose, without prior written consent of Lowrance. Any unauthorized commercial distribution of this manual is strictly prohibited. Lowrance® is a registered trademark of Lowrance Electronics, Inc. MapCreate™, FreedomMaps™ and NauticPath™ are trademarks of LEI. Fishing Hot Spots® is a registered trademark of Fishing Hot Spots Inc. LakeMaster® and Pro Maps are trademarks or registered trade- marks of WayPoint Technologies, Inc. Navionics® is a registered trademark of Navionics, Inc. DURACELL® is a registered trademark of Duracell, Inc. RAYOVAC® is a registered trademark of Rayovac Corpo- ration. Energizer® and e2® are registered trademarks of Energizer Hold- ings, Inc. Points of Interest Data in this unit are by infoUSA, copyright © 2001-2006, All Rights Reserved. infoUSA is a trademark of infoUSA, Inc. Lowrance Electronics may find it necessary to change or end our poli- cies, regulations and special offers at any time. We reserve the right to do so without notice. All features and specifications subject to change without notice. All screens in this manual are simulated. On the cover: LMS-525CDF. For free owner's manuals and the most current information on this product, its operation and accessories, visit our web site: www.lowrance.com Lowrance Electronics Inc. 12000 E. Skelly Dr. Tulsa, OK USA 74128-2486 Printed in USA. Table of Contents Section 1: Read Me First! ........................................................