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Ngo Documents 2007-08-06 00:00:00 Banks, Pulp And
Banks, Pulp and People A Primer on Upcoming International Pulp Projects Published by: urgewald e.V. Editing: Lydia Bartz, Heffa Schücking, Patrick Anderson Author: Chris Lang Layout by: Kirsten Everwien, [konzept+gestaltung], Köln, Germany Printed by: Darpe Industriedruck GmbH & Co KG, Warendorf, Germany V.I.S.d.P: Heffa Schücking, Von Galen Str. 2, 48336 Sassenberg, Germany Copyright: © Juni 2007 urgewald Many thanks to the following institutions for their support 2 urgewald – Advocacy for the Environment and Human Rights urgewald is a German non-profit organization, movements, which are challenging the massive whose mission is to address the underlying causes impacts of the pulp industry in their countries. of global environmental destruction and poverty. Time and again, we have experienced that both We monitor the activities of German banks and development and commercial banks are seldom companies abroad and educate the German public aware of the environmental and social impacts of about the negative impacts of our consumption the pulp industry in these countries, when they patterns on people and nature in far-away places. make investment decisions. After years of working with consumers, our forest program has therefore urgewald works closely with affected communities begun to actively reach out to financial institutions and NGOs in the global South. Over the years, we and to encourage them to recognize indigenous have become an important contact point for anti- and local peoples’ rights as well as environmental nuclear campaigners in Eastern Europe, indigenous concerns, when making decisions, that will affect people in Brazil, whose cultures are threatened by the future of communities and ecosystems. -
Preservation and Conservation (PAC) Programme Frequently Asked Questions
Preservation and Conservation (PAC) Programme Frequently Asked Questions Paper conservation by using Japanese paper, washi Prepared by PAC Japan Q: What is washi? A: Washi, or Japanese paper, can be made from the fibre of kozo (paper mulberry family), mitsumata (daphne family), or gampi (daphne family), but the most commonly used material is kozo. The traditional papermaking process for kozo starts by steaming bundles of kozo bark to remove the outer dark layer and often the intermediate green layer. The white inner bark is cooked in a mild alkaline solution such as wood ash or soda ash to remove lignin and other impurities. Strong alkali such as caustic soda were not traditionally used during this process. Next, the fibre is beaten by hand until it is fine enough to be dispersed in water with a small amount of a dispersion agent, neri, a mucilagenous substance from tororo-aoi (abelmoschus manihot) plants. Finally, the paper maker dips a flexible Japanese papermaking mould in the vat of fibres and water to form sheets of paper using a technique called nagashizuki. Washi has been manufactured and used in Japan from more than 1000 years. In 2014, three kinds of washi were added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity: sekishu-banshi, hon-minoshi, and hosokawa-shi. Nowadays there is no clear definition of what can or can’t be called washi. It can be manufactured by machine or by hand, using a flexible Japanese mould or a fixed paper mould, with or without chemicals. Some kinds of washi contain imported kozo or wood pulp fibres. -
Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper
DOCUMENT RESUME ED 440 909 SO 031 615 AUTHOR Vickerman, Kathrine D. TITLE Papermaking: Then and Now. A History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers To Make Paper. PUB DATE 1995-00-00 NOTE 93p.; Photographs by Lyssa O'Riley. PUB TYPE Guides Non-Classroom (055)-- Reports Descriptive (141) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Art Education; Art History; Elementary Secondary Education; *Handicrafts; *Paper (Material) IDENTIFIERS Applied Arts; *Grasses; Historical Background; Historical Research; *Papermaking ABSTRACT In addition to a historic overview of papermaking, this book explains the painstaking process of papermaking and details the results of actually making paper from samples of grass gathered from Arizona to ;:ianesota, and Maine to California, including 11 sL.a;:es ana :iimates. The book describes how to teach papermaking and offers a list of equipment suppliers as resources for help getting started. A study of the effects of rainfall and altitude on the grasses used in making paper was conducted. The handmade paper shown in this book is only an example of what can be accomplished. Since there are so many different varieties of grass, this project has only scratched the surface of the potential for decorative paper made from grasses. The book is divided into the following sections: (1) "The Beginning of Papermaking"; (2) "Renaissance of Hand Papermaking"; (3) "Chemistry of Hand Papermaking"; (4) "A Little Bit about Grasses"; (5) "Papermaking from Grasses"; (6) "Papermaking Results"; and (7)"Teaching Hand Papermaking." (Contains 25 resources and 13 relevant Web sites.) (BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
The Tales of the Grimm Brothers in Colombia: Introduction, Dissemination, and Reception
Wayne State University Wayne State University Dissertations 1-1-2012 The alest of the grimm brothers in colombia: introduction, dissemination, and reception Alexandra Michaelis-Vultorius Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the German Literature Commons, and the Modern Languages Commons Recommended Citation Michaelis-Vultorius, Alexandra, "The alet s of the grimm brothers in colombia: introduction, dissemination, and reception" (2012). Wayne State University Dissertations. Paper 386. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE TALES OF THE GRIMM BROTHERS IN COLOMBIA: INTRODUCTION, DISSEMINATION, AND RECEPTION by ALEXANDRA MICHAELIS-VULTORIUS DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: MODERN LANGUAGES (German Studies) Approved by: __________________________________ Advisor Date __________________________________ __________________________________ __________________________________ __________________________________ © COPYRIGHT BY ALEXANDRA MICHAELIS-VULTORIUS 2011 All Rights Reserved DEDICATION To my parents, Lucio and Clemencia, for your unconditional love and support, for instilling in me the joy of learning, and for believing in happy endings. ii ACKNOWLEDGEMENTS This journey with the Brothers Grimm was made possible through the valuable help, expertise, and kindness of a great number of people. First and foremost I want to thank my advisor and mentor, Professor Don Haase. You have been a wonderful teacher and a great inspiration for me over the past years. I am deeply grateful for your insight, guidance, dedication, and infinite patience throughout the writing of this dissertation. -
A Primer on Upcoming International Pulp Projects Published By: Urgewald E.V
Banks, Pulp and People A Primer on Upcoming International Pulp Projects Published by: urgewald e.V. Editing: Lydia Bartz, Heffa Schücking, Patrick Anderson Author: Chris Lang Layout by: Kirsten Everwien, [konzept+gestaltung], Köln, Germany Printed by: Darpe Industriedruck GmbH & Co KG, Warendorf, Germany V.I.S.d.P: Heffa Schücking, Von Galen Str. 2, 48336 Sassenberg, Germany Copyright: © Juni 2007 urgewald Many thanks to the following institutions for their support 2 urgewald – Advocacy for the Environment and Human Rights urgewald is a German non-profit organization, movements, which are challenging the massive whose mission is to address the underlying causes impacts of the pulp industry in their countries. of global environmental destruction and poverty. Time and again, we have experienced that both We monitor the activities of German banks and development and commercial banks are seldom companies abroad and educate the German public aware of the environmental and social impacts of about the negative impacts of our consumption the pulp industry in these countries, when they patterns on people and nature in far-away places. make investment decisions. After years of working with consumers, our forest program has therefore urgewald works closely with affected communities begun to actively reach out to financial institutions and NGOs in the global South. Over the years, we and to encourage them to recognize indigenous have become an important contact point for anti- and local peoples’ rights as well as environmental nuclear campaigners in Eastern Europe, indigenous concerns, when making decisions, that will affect people in Brazil, whose cultures are threatened by the future of communities and ecosystems. -
Handmade Gampi
Table of Contents Introduction ........................................................................ 2 About Us & Ordering Terms ............................................ 3 History of Washi ................................................................ 4 Japanese Papermaking .................................................... 5 Differences Between Washi and Western Paper ................... 7 Where our Washi Comes From ...................................... 8 Paper Specifications ........................................................ 11 Pricelist ............................................................................... 16 Fine Art and Conservation Handmade Papers ............................................. 20 Machinemade Papers ....................................... 26 Gampi Papers ..................................................... 29 Large Size Papers .............................................. 31 Small Size/ Specialty Papers .......................... 34 Rolls 100% Kozo Rolls ................................................ 36 Kozo Mix Rolls ................................................... 38 100% Sulphite Pulp Rolls ................................. 38 Inkjet Coated Rolls ........................................... 39 Gampi Rolls ........................................................ 39 Rayon Rolls ......................................................... 40 Decorative Rolls ................................................ 40 Decorative ........................................................................ -
Characterization of Korean Handmade Papers Collected in a Hanji
Han et al. Herit Sci (2021) 9:96 https://doi.org/10.1186/s40494-021-00570-9 RESEARCH ARTICLE Open Access Characterization of Korean handmade papers collected in a Hanji reference book Bin Han1,2* , Léon‑Bavi Vilmont2, Hyoung‑Jin Kim3, Bertrand Lavédrine2, Shouji Sakamoto4 and Michel Sablier2 Abstract Korean hand papermaking is a renowned cultural tradition in the Korean peninsula. It is still practiced while scientifc analysis of paper itself from a large data set is rare. In this study, a set of more than three hundred Korean handmade papers, collected in a reference collection book Hanji: Korean handmade paper, were chemically investigated, and their property data such as colour, pH, grammage, thickness, tensile strength, folding endurance were statistically analysed in order to determine general features for Korean papers. The infuence of diferent paper sheet formation methods (Heullimtteugi vs Gadumtteugi) were revealed by multivariate data analysis and the chemical profles of raw materi‑ als were studied by pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS). The Korean handmade paper samples display colour gamut in the colour space L* (69.9–95.9), a* [( 3)-3], b* (0–20), most have neutral/alkaline pH values. Paper density, fber orientation and physical properties are infuenced− by the sheet formation techniques. For instance, Gadumtteugi tends to produce papers with strong fber orientation while Heullimtteugi produces papers with more evenly distribution of fbers. In addition, Py-GC/MS analysis results show that paper mulberry fbers contain less intensity lignin monomers and more terpenic compounds in comparison with gampi and mitsumata fbers. This study provides paper analysis from large sample set, statistics reveal that the material preparing and making craft determined the paper structure which refected in their physical properties. -
Handmade Paper: a Review of Its History, Craft, and Science
REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
A Posthumanist Account of the Río Cruces Disaster in Valdivia, Chile
SWANS, ECOLOGICAL STRUGGLES AND ONTOLOGICAL FRACTURES: A Posthumanist Account of the Río Cruces Disaster in Valdivia, Chile by Claudia Sepúlveda A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in The Faculty of Graduate and Postdoctoral Studies (Geography) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2016 © Claudia Sepúlveda, 2016 Abstract This is a dissertation on ontological struggles –that is, struggles between competing ways of performing the world. More precisely, I study the ontological opening resulting from such struggles once what I call dominant performations are exposed to revision and room is made for non-dominant ontologies, such as alternative human/nature entanglements. I analyze the ontological opening provoked by a landmark event in Valdivia, Chile: the Río Cruces ecological disaster that since 2004 has affected a protected wetland and its colony of black-necked swans. The disaster, that followed the installation of a new pulp-mill by ARAUCO, one of the world’s largest pulpwood companies, sparked an unprecedented mobilization with long-lasting effects. Staying close to the “doings” of the actors, my political ontological interpretation describes, first, how the disaster exposed ARAUCO’s environmental practices as constitutive of its way of performing the forest business and, doing so, also fractured Chile’s until then dominant business model. Second, I describe how the disaster revealed the workings of environmental procedures and the techno-scientific knowledges upon which they were based provoking the breakdown of Chile’s environmental edifice and its ensuing reform. Third, I follow the ontological struggle that the disaster unleashed around Valdivia’s identity once dominant performations tied to the city’s industrial past were confronted. -
Information Sanitization and Destruction Federal, State & Local Government Resource and Purchasing Guide
Information Sanitization and Destruction Federal, State & Local Government Resource and Purchasing Guide 2012 Veteran Owned Small Business paper shredders | disintegrators | magnetic media degaussers hard drive destroyers | optical media destroyers | mixed media destroyers briquetting systems | deployment cases | destruction services www.semshred.com | 800.225.9293 SECURITY ENGINEERED MACHINERY...A Tradition of Innovation and Excellence SEM is in the business of providing customers with information destruction solutions. Regardless of the media that information is stored on, we provide solutions for all levels of destruction up to and including NSA specifications for classified information. In fact, unlike our competitors, who sell everything from pens and paper to time clocks and paper folding equipment, SEM’s only business is providing destruction solutions. Whether it's an off-the- shelf product or an engineered system designed from the ground up, our business focus is to provide the absolute best solution for our customers' information destruction requirements. SEM is a Veteran Owned Small Business founded in 1967 and based in Westboro, Massachusetts. Our first product was a destruction solution for the U.S. Navy - the world's first disintegrator. Since then, SEM has expanded our products to coincide with the development of various other storage media. Our customers include leading FORTUNE 500 Companies, the Federal Government, U.S. Military, and scores of other Federal and State Agencies. Today, every U.S. Embassy in the world uses -
Anniversary of Arrival of Pershing in France
PUBLISIZED DAZLY under order of fIfE PRErZDRYT of THE UNZTED STATE by COMMITTEE oa PUBLIC ZNFORMATION GEORGE CREEL, Chairman * * * COMPLETE Record of V. X. GOVERJ[MEJTI Activities VoL. 2 WASHINGTON, FRIDAY, JUNE 14, 1918. No. 335 ANNIVERSARY OF ARRIVAL Men 32 to 42 Years Old UNIFORMS OF STANDARD CLOTH OF PERSHING INFRANCE Eligible for Commissions AT COST PRICE TO OFFICERS The following statement is authorized Placed and by the War Department: All Orders to Be OCCASION FOR TRIBUTES To correct an erroneous report regard- Paid for Through the Local ing the ages of men desired, the office of Army Quartermasters. FROM FRENCH LEADERS the Chief of Engineers states that appli- cations for commissions as first lieuten- the ants in the Engineer Corps shall be be- The War Department authorizes U. S. TROOPS PRAISED tween 32 and 36 years of age and for following statement from the Director of commissions as captains between 36 and Operations, General Staff: Poincaire, Pre- 42. The Engineer Corps is conducting a Army officers will soon be able to have President campaign for 2,000 more commissioned standard uniforms made at cost. Stand- mier Clemenceau, Gen- officers. The examining board will leave ard cloths have been adopted for officers' for a tour of principal cities of the uniforms, and all uniforms for officers erals Foch and Petain country in about 10 days. made in the future in the United States will be made of standard materials. Or- Send Messages of Con- ders will be placed with local quarter- DISLOYALTY ON THE PART masters, who will have supervision over gratulations and Grati- the contractor's agent, settling for uni- OF A NATURAIED CITIZEN forms as soon as they are accepted and tude to Commander in paid for by the officers.