Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper
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A Quest for the Golden Fleece
A Quest for the Golden Fleece Donald Farnsworth Copyright © 2017 Donald Farnsworth, all rights reserved. Any person is hereby authorized to view, copy, print and distribute this document for informational and non-commercial purposes only. Any copy of this document or portion thereof must include this copyright notice. Note that any product or technology described in the document may be the subject of other intellectual property rights reserved by Don- ald Farnsworth and Magnolia Editions or other entities. 2 A Quest for the Golden Fleece Rarely have I encountered an entangled mat of cellulose fibers I didn’t appreciate in one way or another. Whether textured or smooth, pre- cious or disposable, these hardy amalgams of hydrogen-bonded fibers have changed the world many times over. For centuries, human history has been both literally written on the surface of paper and embedded deep within its structure. In folded and bound form, mats of cellulose fibers ushered in the Enlightenment; by enabling multiple iterations and revisions of an idea to span generations, they have facilitated the design of airships and skyscrapers, or the blueprints and calculations that made possible the first human footsteps on the moon. Generally speaking, we continue to recognize paper by a few basic characteristics: it is most often thin, portable, flexible, and readily ac- cepting of ink or inscription. There is, however, a particular sheet that is superlatively impressive, exhibiting an unintentional and unpreten- tious type of beauty. At first glance and in direct light, it may trick you into thinking it is merely ordinary paper; when backlit, the care- ful viewer may detect subtle hints of its historical pedigree via telltale watermarks or chain and laid lines. -
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OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] - __ , 15b3~... : r . ~ '1'0 'DIE MINIS'.l'RY CF DUEft ;,-"-......#_ ' IP/mfl8()/U)l -· . -
Preservation and Conservation (PAC) Programme Frequently Asked Questions
Preservation and Conservation (PAC) Programme Frequently Asked Questions Paper conservation by using Japanese paper, washi Prepared by PAC Japan Q: What is washi? A: Washi, or Japanese paper, can be made from the fibre of kozo (paper mulberry family), mitsumata (daphne family), or gampi (daphne family), but the most commonly used material is kozo. The traditional papermaking process for kozo starts by steaming bundles of kozo bark to remove the outer dark layer and often the intermediate green layer. The white inner bark is cooked in a mild alkaline solution such as wood ash or soda ash to remove lignin and other impurities. Strong alkali such as caustic soda were not traditionally used during this process. Next, the fibre is beaten by hand until it is fine enough to be dispersed in water with a small amount of a dispersion agent, neri, a mucilagenous substance from tororo-aoi (abelmoschus manihot) plants. Finally, the paper maker dips a flexible Japanese papermaking mould in the vat of fibres and water to form sheets of paper using a technique called nagashizuki. Washi has been manufactured and used in Japan from more than 1000 years. In 2014, three kinds of washi were added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity: sekishu-banshi, hon-minoshi, and hosokawa-shi. Nowadays there is no clear definition of what can or can’t be called washi. It can be manufactured by machine or by hand, using a flexible Japanese mould or a fixed paper mould, with or without chemicals. Some kinds of washi contain imported kozo or wood pulp fibres. -
Summer 2017 Summer 2017 Ssa Community Calendar All Events Are FREE and Open to the Public Unless Otherwise Noted
art classes adults • teens • children summer 2017 summer 2017 ssa community calendar All events are FREE and open to the public unless otherwise noted. 44th Annual FIESTA ARTS FAIR | Sat & Sun, Apr 22 & 23 Historic Ursuline Campus | Paid Admission Over 110 regionally and nationally recognized artists are the highlight of this favorite Fiesta event—great music, food, and a Young Artists Garden add to the enjoyment. Proceeds benefit the SSA’s programs. Advance tickets available online at www.swschool.org/FiestaArtsFair. ClOSEd | Battle of Flowers | Fri, Apr 28 SAVOR THE ARTS | Thurs, May 18 | 7:00 – 11:00pm Paid Admission | Santikos Building Join us for the 16th annual friendraiser event to benefit the Young Artist Programs of the SSA! Enjoy a preview of the exhibition, complimentary libations, and culinary creations by some of San Antonio’s finest chefs. Advance tickets available online at www.swschool.org/savorthearts. EXHIBITIONS | May 19 – Jul 16 OPENING RECEPTION | Fri, May 19 | 5:30 – 7:30 pm Victor Pérez-Rul: The Odds Russell Hill Rogers Gallery I Mexican artist Pérez-Rul (Mexico City) exhibits works that detail. kristy Perez. Self-Portrait, 2017, Staedtler pigment liner explore and exploit the relationships between energy, pen on Fabriano paper matter, and consciousness through sculpture, installations, interactivity, sound, and performance. Esteban Delgado: Paintings Russell Hill Rogers Gallery II Referencing the minimalist works of Josef Albers and apr.may.jun.jul.aug Ad Reinhardt, San Antonio artist Delgado exhibits abstract paintings that present a contemporary investigation of REGISTRATION for Summer 2017 Term abstracted enviroments and the landscape, represented Members Priority Online | Tues, Apr 4 | 9:00am through bold shapes and colors. -
The Fundamentals of Papermaking Materials
Preferred citation: D. Radoslavova, J.C. Roux and J. Silvy. Hydrodynamic modelling of the behaviour of the pulp suspensions during beating and its application to optimising the refi ning process. In The Fundametals of Papermaking Materials, Trans. of the XIth Fund. Res. Symp. Cambridge, 1997, (C.F. Baker, ed.), pp 607–639, FRC, Manchester, 2018. DOI: 10.15376/frc.1997.1.607. HYDRODYNAMIC MODELLING OF THE BEHAVIOUR OF THE PULP SUSPENSIONS DURING BEATING AND ITS APPLICATION TO OPTIMISING THE REFINING PROCESS Authors: D Radoslavova, J C Roux, J Silvy* UMR Génie des Procédés Papeties 5518 CNRS EFPG-INPG Domaine Universitaire, BP 65, 461 rue de la Papeterie 38402 Saint-Martin d'Héres, Cedex FRANCE * Presentaddress : Universidade da Beira Interior Rua Marques d'Avila e Bolama 6200 Covilhà PORTUGAL 608 INTRODUCTION The theoretical approach proposed in this research paper aims to relate the energy efficiency coefficient ofthe refiner to the rheological pulp properties . The theory is then used to predict the observed energy consumption as a function of the desired paper properties . Various aspects of the beating process have been previously discussed in review articles [1],[2] and this discussion will not be repeated in this paper. Even in the sixties, the major characteristics of the beating as a dynamic process, were pointed out very clearly. Halme [3], in an interesting survey , mentioned that the pressure in the beating zone must be combined with the relative motion of the surfaces to produce acceptable beating effects on the fibres. It was also clear that the beating effect of the turbulence alone was negligible. -
Eco-Friendly Handmade Paper Making
Booklet on ECO-FRIENDLY HANDMADE PAPER MAKING Shri AMM Murugappa Chettiar Research Centre Taramani, Chennai –600113. December 2010 Booklet on ECO-FRIENDLY HANDMADE PAPER MAKING Shri AMM Murugappa Chettiar Research Centre Taramani, Chennai –600113. December 2010 Title : ECO-FRIENDLY HANDMADE PAPER MAKING Authors : Dr. Hari Muraleedharan, Sr. Programme Officer Dr. K. Perumal, Dy. Director (R&D and Admin.) Shri AMM Murugappa Chettiar Research Centre, Taramani, Chennai 600 113. Email : [email protected] Web : amm-mcrc.org Financial Support : DST-Core support Programme SEED Division - SP/RD/044/2007 Department of Science and Technology (DST) Ministry of Science & Technology, Block-2, 7th Floor C.G.O Complex, Lodi Road, New Delhi- 110 003. Publisher : Shri AMM Murugappa Chettiar Research Centre, Taramani, Chennai 600 113. Email : [email protected] Web : amm-mcrc.org Phone : 044-22430937; Fax: 044-22430369 Printed by : J R Designing, Printing and Advertisement Solutions, Palavakkam, Chennai - 600 041. Ph. +91-9962391748 Email : [email protected] Year of Publishing : December 2010 2 Contents 1. Introduction 4 2. Significance of eco-friendly paper making 5 3. Handmade paper making for rural development 5 4. Materials Required for Hand Made Paper Production 6 4.1 Mould and deckle 8 5. MCRC’s technology on Hand made Paper Production 10 5.1 Raw material selection 10 5.2 Extraction of Fiber from Plants 10 5.3 Screening of Microoraganisms for Biotreatment 11 5.4 Bio Pulping & Bio-bleaching 12 5.5 Washing 12 5.6 Beating and blending 12 5.7 Placing Hand VAT in the sink 13 5.8 Adding Binding materials 13 5.9 Processing of sizing 13 5.10 Refining 13 6. -
A Microscopic Examination to Monitor the Historical Paper Dyeing Techniques
SCIENTIFIC CULTURE, Vol. 6, No. 2, (2020), pp. 1-10 Open Access. Online & Print www.sci-cult.com DOI: 10.5281/zenodo.3724838 A MICROSCOPIC EXAMINATION TO MONITOR THE HISTORICAL PAPER DYEING TECHNIQUES Wahba W.N, Salim, E. and Rushdya Rabee Ali Hassan* Restoration and Conservation Department, Faculty of Archaeology, Cairo University, 12613 Giza, Egypt Received: 10/01/2020 Accepted: 14/03/2020 *Corresponding author: [email protected] ABSTRACT The study aims to determine the type of technique used in dyeing old Arab paper (ca. 8th century A.D.) by examining a number of colored historical manuscripts and comparing them with modern samples by using a microscopic examination. Studying these historical references not only adds a new strategy to the identifica- tion of dyes and materials used in dyeing paper manuscripts under study, but also can help to preserve the colors by providing a better understanding of their composition, manufacture and use. SEM microscopy of archaeological dyed papers in different shades were evaluated and compared with the morphological struc- ture of known dyed samples were dyed in different techniques. The type of dyeing used in dyed papers was determined according to the results of surface morphology investigation. SEM images confirmed that there are dramatic differences between dyed paper by beating and dyed by dipping, whereas, the dye molecules linked on the outer surface of the fiber in the dipping method. On the other hand, in the beating method, fibers were affected dramatically and were destructive. This work proved that dipping was the method used in the dyeing of Arabic manuscripts. -
Mechanical Pretreatment of Waste Paper for Biogas Production
1 Mechanical pretreatment of waste paper for biogas production 2 C. Rodriguez1,*, A. Alaswad2, Z. El-Hassan1, A.G. Olabi1 3 1 Institute of Engineering and Energy Technologies, School of Engineering and Computing, University of 4 the West of Scotland, Paisley PA1 2BE, UK. 5 2 School of Engineering and the Built Environment, Birmingham City University, Birmingham B5 5JU, UK. 6 7 Abstract 8 In the anaerobic digestion of lignocellulosic materials such as waste paper, the accessibility of 9 microorganisms to the fermentable sugars is restricted by their complex structure. A mechanical pre- 10 treatment with a Hollander beater was assessed in order to reduce the biomass particle size and to 11 increase the feedstock’ specific surface area available to the microorganisms, and therefore improve the 12 biogas yield. Pretreatment of paper waste for 60 min improves the methane yield by 21%, from a value of 13 210 ml/gVS correspondent to untreated paper waste to 254 ml/gVS. 30 min pretreatment have no 14 significant effect on the methane yield. A response surface methodology was used in order to evaluate 15 the effect of the beating time and feedstock/inoculum ratio on the methane yield. An optimum methane 16 yield of 253 ml/gVS resulted at 55 min beating pretreatment and a F/I ratio of 0.3. 17 Keywords: renewable energy, biogas, biomass, waste paper, mechanical pretreatment, anaerobic 18 digestion 19 20 Abbreviations: AD, anaerobic digestion; ANOVA, analysis of variance; BT, beating time; CCD, central 21 composite design; CHPP, combustion and heat power plant; F/I, feedstock/inoculum; KDP, potassium 22 dihydrogen phosphate; MC, moisture content; MSW, municipal solid waste; RSM, response surface 23 methodology; TS, total solids; VFA, volatile fatty acids; VS, volatile solids. -
Handmade Gampi
Table of Contents Introduction ........................................................................ 2 About Us & Ordering Terms ............................................ 3 History of Washi ................................................................ 4 Japanese Papermaking .................................................... 5 Differences Between Washi and Western Paper ................... 7 Where our Washi Comes From ...................................... 8 Paper Specifications ........................................................ 11 Pricelist ............................................................................... 16 Fine Art and Conservation Handmade Papers ............................................. 20 Machinemade Papers ....................................... 26 Gampi Papers ..................................................... 29 Large Size Papers .............................................. 31 Small Size/ Specialty Papers .......................... 34 Rolls 100% Kozo Rolls ................................................ 36 Kozo Mix Rolls ................................................... 38 100% Sulphite Pulp Rolls ................................. 38 Inkjet Coated Rolls ........................................... 39 Gampi Rolls ........................................................ 39 Rayon Rolls ......................................................... 40 Decorative Rolls ................................................ 40 Decorative ........................................................................ -
Characterization of Korean Handmade Papers Collected in a Hanji
Han et al. Herit Sci (2021) 9:96 https://doi.org/10.1186/s40494-021-00570-9 RESEARCH ARTICLE Open Access Characterization of Korean handmade papers collected in a Hanji reference book Bin Han1,2* , Léon‑Bavi Vilmont2, Hyoung‑Jin Kim3, Bertrand Lavédrine2, Shouji Sakamoto4 and Michel Sablier2 Abstract Korean hand papermaking is a renowned cultural tradition in the Korean peninsula. It is still practiced while scientifc analysis of paper itself from a large data set is rare. In this study, a set of more than three hundred Korean handmade papers, collected in a reference collection book Hanji: Korean handmade paper, were chemically investigated, and their property data such as colour, pH, grammage, thickness, tensile strength, folding endurance were statistically analysed in order to determine general features for Korean papers. The infuence of diferent paper sheet formation methods (Heullimtteugi vs Gadumtteugi) were revealed by multivariate data analysis and the chemical profles of raw materi‑ als were studied by pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS). The Korean handmade paper samples display colour gamut in the colour space L* (69.9–95.9), a* [( 3)-3], b* (0–20), most have neutral/alkaline pH values. Paper density, fber orientation and physical properties are infuenced− by the sheet formation techniques. For instance, Gadumtteugi tends to produce papers with strong fber orientation while Heullimtteugi produces papers with more evenly distribution of fbers. In addition, Py-GC/MS analysis results show that paper mulberry fbers contain less intensity lignin monomers and more terpenic compounds in comparison with gampi and mitsumata fbers. This study provides paper analysis from large sample set, statistics reveal that the material preparing and making craft determined the paper structure which refected in their physical properties. -
Handmade Paper: a Review of Its History, Craft, and Science
REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland.