Characterization of Korean Handmade Papers Collected in a Hanji
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New Hanji a Korean Paper Tradition Re-Imagined
New Hanji A Korean Paper Tradition Re-Imagined OCTOBER 9, 2015 - JANUARY 3, 2016 curated by Chelsea Holton and Rina Yoon 2 Foreword Chelsea Holton Paper changed everything. From humble origins, this product has allowed us to spread knowledge, record history, and express ourselves in myriad ways. Much as the digital revolution today is dramatically changing the speed and ways in which we communicate, so did the invention of paper almost 2,000 years ago. And yet, even as the use of paper disappears from our daily lives, the reaction to protect and honor the tradition of handmade paper seems natural. This exhibition: New Hanji: A Korean Paper Tradition Re-Imagined does just that. The birth of papermaking is murky, but most settle on the achievements of the Chi- nese court official, Ts’ai Lun, in the year 105CE, as a milestone in the development of fiber-based paper. Papyrus and parchment, among the precursors to paper, were difficult to make and not widely available. Ts’ai Lun created writing surfaces out of readily available raw materials such as bark and hemp. With the advent of an affordable, mass-producible product, the vast and rapid spread of ideas worldwide was inevitable. Papermaking made its way to Korea from China sometime before the 4th century CE and was firmly established throughout Korea by the 8th century CE. The trans- mission of papermaking technology to Korea was almost certainly linked to the spread of Buddhist teachings from China to Korea. A notable moment was the year 372 CE, when the Chinese monk, Shundao, visited the Goguryeo kingdom in the north of Korea. -
Effect of Fines Distribution on Press Dewatering
Analysis of Historical Documents from a Viewpoint of Paper Science Analysis of Historical Documents from a Viewpoint of Paper Science YOON-HEE HAN*, TOSHIHARU ENOMAE†, AKIRA ISOGAI‡, HIROFUMI YAMAMOTO** and MICHIHISA HOTATE** *JSPS Postdoctoral Fellow, †Associate Professor, ‡Professor **Professor of Historiographical Institute *Paper Science Lab., Department of Biomaterial Sciences, Graduate School of Agricultural and Life Sciences The University of Tokyo, Yayoi 1-1-1, Bunkyo-ku, Tokyo 113-8657, JAPAN Currently affiliated with *Historiographical Institute, The University of Tokyo, Hongo 7-3-1, Bunkyo-ku, Tokyo 113-8654, JAPAN [email protected] (Toshiharu Enomae) ABSTRACT Restoration of historical documents and arts has become important to inherit cultural properties. Most of historical documents were recorded on paper. Therefore, restoration of ancient papers is demanded and techniques for this purpose must be developed and sophisticated. In our study, several nondestructive methods for analyzing ancient paper have been developed. Image analysis using fast Fourier transform with suitable modifications was applied to optical micrographs of traditionally-handmade Korean and Japanese papers. This analysis determines the angle and anisotropy of fiber orientation of paper surfaces. Fiber orientation of traditionally-handmade Korean and Japanese papers was found to show their own characteristics in accordance with the motion of a papermaking screen made of bamboo splints. Consequently, the information on fiber orientation was found to be possible to distinguish the flow-sheet forming typical of Japanese paper and still- sheet forming typical of Korean paper. Moreover, the anisotropy was always higher for the screen side than for the top side, thus meaning that surface fiber orientation is possible to distinguish the two sides of paper of which papermaking history is unknown. -
Permanence, Durability and Unique Properties of Hanji
1 Permanence, Durability and Unique Properties of Hanji MINAH SONG, JESSE MUNN ABSTRACT This research project presents new information about the permanence and durability of contemporary Korean handmade papers, explains the particular methods of traditional hanji papermakers while introducing the possibilities of utilizing the products of Korean papermills in conservation. Traditional Korean papermaking uses a unique technique, known as webal, to form a sheet which distributes fibers evenly in both directions theoretically resulting in less specific grain direction and an expansion/contraction rate which is even in both directions. In addition, Korean paper employs an exclusive use of paper mulberry known as chamdak or dak in contrast to the typically mixed fiber furnish of Chinese papers. Like most East Asian papers, the pH of Korean paper is alkaline or neutral. The typical alkalis used to prepare fibers are soda ash (Na2CO3) or caustic soda (NaOH). A variety of contemporary samples of Korean papers have been artificially aged and evaluated according to TAPPI standards under the direction of the Research and Testing Laboratory of the Library of Congress. This project will present interesting data concerning tensile strength, brightness, and pH before and after aging as well as expansion and contraction measurements. The results are very promising for the possibility of using Hanji for conservation treatment. One of the suggested advantages of using Hanji may be in the lack of strong grain direction providing a stable and non competing repair or lining paper. 1. HANJI: KOREAN HANDMADE PAPER 1.1 History Many historians say that paper was invented by Ts'ai Lun in 105 C.E. -
Preservation and Conservation (PAC) Programme Frequently Asked Questions
Preservation and Conservation (PAC) Programme Frequently Asked Questions Paper conservation by using Japanese paper, washi Prepared by PAC Japan Q: What is washi? A: Washi, or Japanese paper, can be made from the fibre of kozo (paper mulberry family), mitsumata (daphne family), or gampi (daphne family), but the most commonly used material is kozo. The traditional papermaking process for kozo starts by steaming bundles of kozo bark to remove the outer dark layer and often the intermediate green layer. The white inner bark is cooked in a mild alkaline solution such as wood ash or soda ash to remove lignin and other impurities. Strong alkali such as caustic soda were not traditionally used during this process. Next, the fibre is beaten by hand until it is fine enough to be dispersed in water with a small amount of a dispersion agent, neri, a mucilagenous substance from tororo-aoi (abelmoschus manihot) plants. Finally, the paper maker dips a flexible Japanese papermaking mould in the vat of fibres and water to form sheets of paper using a technique called nagashizuki. Washi has been manufactured and used in Japan from more than 1000 years. In 2014, three kinds of washi were added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity: sekishu-banshi, hon-minoshi, and hosokawa-shi. Nowadays there is no clear definition of what can or can’t be called washi. It can be manufactured by machine or by hand, using a flexible Japanese mould or a fixed paper mould, with or without chemicals. Some kinds of washi contain imported kozo or wood pulp fibres. -
Forest, Paper and Packaging Deals Branching out – 2008 Annual Review Mergers and Acquisitions Activity in the Forest, Paper and Packaging Industry Contents
Industrial Products Forest, Paper and Packaging Forest, paper and packaging deals Branching Out – 2008 Annual review Mergers and acquisitions activity in the forest, paper and packaging industry Contents Introduction. 01 Report highlights. 02 Deal totals. 04 Deal makers. 06 Deal places. 08 North America . 10 Europe. 12 Asia Pacific. 14 Latin America. 16 Looking ahead. 18 Our transactions expertise . 20 Contacts. 21 Methodology Forest paper and packaging deals is based on published transactions from the Dealogic ‘M&A Global’ database, January 2009. Deals are included on an announced basis, adjusted to include only accepted offers. Deal values are the consideration value announced or reported including any assumption of debt and liabilities. Figures relate to actual stake purchased and are not multiplied up to 100%. The geographical split of the deals refers to the location of the target company or assets. The analysis relates to the forest, paper and paper based packaging sector and therefore excludes related sectors such as printing and plastic, glass and metal packaging. The sector and subsectors analysed include: forestland/forestry (e.g. standing timber, nurseries, harvesting and logging operators), wood products (e.g. sawn timber, wood-based building materials), pulp & paper (e.g. pulp, primary paper producers) and converting (incl distribution) (e.g. packaging and tissue product producers, paper converters, paper merchants). Introduction 01 Many companies in analysis of M&A activity across industries the forest, paper and world-wide. Our FPP deals analysis is also packaging (FPP) industries complemented by our regular CEO Perspectives are facing unprecedented report, which analyses the viewpoints of a tough market conditions. -
Evaluation of Conservation Quality Eastern Papers Regarding Materials and Process
Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation. Proceedings from the International Conference of the Icon Book & Paper Group, London 8–10 April 2015 https://icon.org.uk/node/4998 Evaluation of conservation quality Eastern papers regarding materials and process Minah Song Copyright information: This article is published by Icon on an Open Access basis under a Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND) https://creativecommons.org/licenses/by-nc-nd/4.0/. You are free to copy and redistribute this material in any medium or format under the following terms: You must give appropriate credit and provide a link to the license (you may do so in any reasonable manner, but not in any way which suggests that Icon endorses you or your use); you may not use the material for commercial purposes; and if you remix, transform, or build upon the material you may not distribute the modified material without prior consent of the copyright holder. You must not detach this page. To cite this article: Minah Song, ‘Evaluation of conservation quality Eastern papers regarding materials and process’ in Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation. Proceedings from the International Conference of the Icon Book & Paper Group, London 8–10 April 2015 (London, The Institute of Conservation: 2017), 137–48. Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation. Proceedings from the International Conference of the Icon Book & Paper Group, London 8-10 April 2015 137 Minah Song Evaluation of conservation quality Eastern papers regarding materials and process Introduction When conservators try to find a specific type of Eastern paper for a certain project, they think about visual specifications, permanence and durability, and, of course, about the price. -
Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper
DOCUMENT RESUME ED 440 909 SO 031 615 AUTHOR Vickerman, Kathrine D. TITLE Papermaking: Then and Now. A History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers To Make Paper. PUB DATE 1995-00-00 NOTE 93p.; Photographs by Lyssa O'Riley. PUB TYPE Guides Non-Classroom (055)-- Reports Descriptive (141) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Art Education; Art History; Elementary Secondary Education; *Handicrafts; *Paper (Material) IDENTIFIERS Applied Arts; *Grasses; Historical Background; Historical Research; *Papermaking ABSTRACT In addition to a historic overview of papermaking, this book explains the painstaking process of papermaking and details the results of actually making paper from samples of grass gathered from Arizona to ;:ianesota, and Maine to California, including 11 sL.a;:es ana :iimates. The book describes how to teach papermaking and offers a list of equipment suppliers as resources for help getting started. A study of the effects of rainfall and altitude on the grasses used in making paper was conducted. The handmade paper shown in this book is only an example of what can be accomplished. Since there are so many different varieties of grass, this project has only scratched the surface of the potential for decorative paper made from grasses. The book is divided into the following sections: (1) "The Beginning of Papermaking"; (2) "Renaissance of Hand Papermaking"; (3) "Chemistry of Hand Papermaking"; (4) "A Little Bit about Grasses"; (5) "Papermaking from Grasses"; (6) "Papermaking Results"; and (7)"Teaching Hand Papermaking." (Contains 25 resources and 13 relevant Web sites.) (BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
Innovative Approaches Improve Competitiveness – Dongil Paper
Published November 3, 2011 Innovative Approaches Innovative Approaches Improve Competitiveness – Dongil Paper Executive Summary The paper industry in developed countries has been facing challenges from a mature market. In spite of challenging economic forecasts, investments in innovative technologies have proven to improve the competitive edge as well as the profitability of a company. Dongil Paper has taken a unique approach to increasing profitability. Instead of reducing costs in the hope of constant market price, they have made small scale investments to existing production machines. These investments simultaneously accomplish cost savings and address new environmental requirements, which in turn can lead to production of new higher margin grades and an increased return on investment. Dongil Paper found their competitive edge in this challenging economic market using starch spray application and curtain coating on a low brightness base sheet. Abstract The paper industry in developed countries i.e. North America, Western Europe, Scandinavia, Japan and South Korea has for many years been struggling with the incapability of maintaining profitable operation, justifying new capital investments and expanding the market areas. Dongil Paper, located in South Korea, © Valmet Page | 1 Published November 3, 2011 Innovative Approaches has through considered risk taking expanded its position as a market leader in the local packaging industry. In spite of challenging economic forecasts for the industry, investments in innovative technologies have proven to improve the competitive edge in the market as well as the profitability of the company. Capital investments in new technology provide manufacturing cost savings, positive environmental impact and give great return in the short term. -
Handmade Gampi
Table of Contents Introduction ........................................................................ 2 About Us & Ordering Terms ............................................ 3 History of Washi ................................................................ 4 Japanese Papermaking .................................................... 5 Differences Between Washi and Western Paper ................... 7 Where our Washi Comes From ...................................... 8 Paper Specifications ........................................................ 11 Pricelist ............................................................................... 16 Fine Art and Conservation Handmade Papers ............................................. 20 Machinemade Papers ....................................... 26 Gampi Papers ..................................................... 29 Large Size Papers .............................................. 31 Small Size/ Specialty Papers .......................... 34 Rolls 100% Kozo Rolls ................................................ 36 Kozo Mix Rolls ................................................... 38 100% Sulphite Pulp Rolls ................................. 38 Inkjet Coated Rolls ........................................... 39 Gampi Rolls ........................................................ 39 Rayon Rolls ......................................................... 40 Decorative Rolls ................................................ 40 Decorative ........................................................................ -
Handmade Paper: a Review of Its History, Craft, and Science
REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques. -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
Art and Artistic Relations with Europe/Poland
CONFERENCE PROGRAMME KOREA: ART AND ARTISTIC RELATIONS WITH EUROPE/POLAND October 25-26, 2012 The State Museum of Ethnology ul. Kredytowa 1, Warszawa www.sztukaorientu.pl October 25th, 2012 10:00 – 10:30 Prof. Jerzy MALINOWSKI President of the Polish Institute of World Art Studies; Nicolaus Copernicus University, Torun / [email protected] – Opening of the conference Dr. Ewa RYNARZEWSKA Chairwoman of the conference; University of Warsaw; Polish Institute of World Art Studies / [email protected] – Welcoming speech 10:30 - 13:00 I SESSION – Korean traditional art Ms. PARK Youngsuk National Folk Museum of Korea [email protected] Genesis of Korean Art, Goguryeo Art In Korean art history Goguryeo art takes a significant place, as it reveals not only the advan- cement of its artistry but also the genesis of Korean art. Goguryeo’s advanced culture and artistry played a leading role in the formation of the other Korean kingdoms, such as, Baekje, Silla, Gaya and also Japan. Goguryeo (37 BC-668) was an ancient Korean kingdom whose brilliant history flourished on a vast expanse of land in northeast Asia and was a major regional power. It was sophisticated in politics and prospering in economy and culture. Goguryeo made also successful international relations with China and the westerners to achieve its own unique culture. Goguryeo gave a profound influence to Japan and contributed for the development of the east Asia’s culture. Goguryeo art reflects the country’s vitality, progressive spirit and openness to the other cultures. Among many cultural assets and relics, Goguryeo tomb murals, preserved inside more than 100 tumuli, are the representative works that epitomize Goguryeo art.