DOCSLIB.ORG

Pages 1-11.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

www.legionpaper.com www.moabpaper.com www.risingmuseumboard.com www.solvart.com © Copyright 2019 Legion Paper Corporation All Rights Reserved. No portion of this publication may be reproduced without the permission of Legion Paper. OUR ROMANCE WITH PAPER Peace treaties are signed on it. Declarations of love are written on it. Artists’ works are portrayed on it. Of course, we mean paper; the medium that has evolved to reflect its own poetry, becoming an opportunity for pure innovation and unlimited creativity. Through the years, a melding of ancient craft and enlightened technology occurred, creating new practices and opening new horizons for expression in paper. When we trace its history, we find insight into man’s relentless imagination and creativity. Today, this convergence of ancient and modern continues and paper emerges with not only greater variety but a renewed appreciation of quality. To some, fine paper is the space that translates what is conceived in the mind to what is authentic. To others, having access to the right paper represents abundant possibility and profitability. The very selection of paper now becomes an adventure, realizing how the end result will vary based upon choice. Today, as in the years past, Legion Paper continues to source the finest papermakers around the globe, respecting the skill of the artisan and the unique attributes of the finished product. As we head into the future, Legion remains steadfast in its commitment to diversity, customer service and an unparalleled level of professionalism. We’re sure you will want to touch and feel some of the 3,500 papers described on the following pages. We encourage you to utilize our exceptional sample library with requests by phone or through [email protected], and look forward to sharing new possibilities, new directions and continued creative solutions. 1 Table of Contents Information, Terms & Conditions . 4 Folio . 25 Neenah Blotter . 33 Frankfurt . 25 Nideggen . 33 Mill Biographies . 6 Gampi Torinoko . 26 Ogura . 33 Gasenshi Echizen . 26 Okawara . 34 Glassine . 26 Okawara Handmade . 34 SHEETS Goyu . 26 Okawara Student . 34 Acquerello by Magnani . 12 Hahnemuhle . 26 Parchtone . 34 Annigoni by Magnani . 12 Hosho . 27 Pergamenata Parchment . 34 Arches “88” Silkscreen . 12 Pergamenata Pearl . 34 Arches Cover . 12 Incisioni . 27 Pescia . 34 Arches Platine . 12 India Hemp . 27 Plike . 35 Arches Text Wove . 13 India Silk . 27 Arches Watercolor . 13 India Watercolor . 27 Revere Felt . 35 Artistico Watercolor . 13 Indian Pebble Paper . 27 Revere Suede . 35 Arturo Book and Cover . 14 Iyo Glazed . 27 Revere Silk . 35 Asamashi . 14 Revere Platinum Cover . .36 Astrosilver . 14 Japanese Cane . 28 Rives BFK . 36 Aurora . 14 Japanese Watermark . .28 Rives de Lin (Moulin du Gue) . 36 Johannot . 28 Rives Heavyweight . 36 Bertini . 15 Rives Lightweight . 36 Bockingford Tints . 15 Kinwashi . 28 Rosaspina . 37 Bockingford Watercolor . 15 Kitakata . 28 Rossi Decoratives . 37 Boutique . 15 Kizukishi . 28 Brillanca . 16 Kochi . 28 Sanwa Silk Unryu . 37 Sanwa Tissue . 37 Canaletto . 16 Lanaquarelle Watercolor . 28 Saunders Waterford W/C . 37 Chiri . 17 Legion Archival Tissue . 29 Savanna . 38 Cocktail . 17 Legion Art Coated Cover . 29 Savoy . 38 Colorplan . 17 Legion Bamboo . 29 Sekishu . .39 Corkskin . 21 Legion Interleaving . 29 Shine . 39 Cosmos Blotting . 21 Lenox 100 . 29 Silk Tissue . 39 Coventry Rag . 21 Lens Tissue (“L” Tissue) . 29 Sirio Pearl . 39 Crinkle Cotton . 22 Lettra . 30 Sirio Ultra Black . 40 Curious Cosmic . 22 Lettra Digital . 30 Somerset Book . 40 Curious Metallics . .22 Somerset Printmaking Papers . 40. Curious Skin . 24 Masa . 30 Sorbet . 41 Mirri Board . 30 Stardream . 41 Domestic Etching . .24 Mirri Card . 30 Stonehenge . 43 Drawing Bristol . 24 Mirri Holographic . 31 Stonehenge Aqua . 43 Mirri Matte Lava . 31 Stonehenge Lightweight . 43 Eastern Decoratives . 24 Mirri Metals . 31 Strathmore Impress . 43 Echizen Washi . 25 Mirri Nor . 32 Strathmore Pure Cotton . 44 Essex Coated Cover . 25 Mirri Pak . 32 Mirripaper . 32 Mirri Sparkle . 32 Mulberry . 33 Multimedia/Aquarelle . 33 Murillo . 33 2 Table of Contents Tairei . 45 ROLLS - STATIONERY Takachiho . 45 Tanabata . 45 Arches Cover . 50 Arturo Fine Stationery . 60 Tanabata Heavyweight-2 sided . 45 Arches En-tout-cas . .50 Thai Banana . 45 Arches Watercolor . 50 Legion Bamboo . 61 Thai Chiri Kozo . 45 Artistico W/C . 50 Legion Textured Envelopes . 61 Thai Traditional . 46 Lettra . 62 Thai Kozo . 46 Bockingford Watercolor . 50 Thai Mango Leaves . 46 Savoy . 63 Thai Unryu . 46 Coventry Rag . 50 Strathmore Envelopes . .64 Thai Unryu w/ Gold . 47 Tiziano . 47 Glassine . 50 Ukigumo . 47 Hanemuhle Copperplate . 51 BOARDS-- Unryu . 47 Usagami Rose . 47 Kinwashi . 51 Rising Barrier . 68 Uzumaki Lace . 47 Rising Conservation Board . 68 Lanaquarelle Watercolor . 51 Rising Museum Board . 68 Velata Mouldmade by Magnini . 47 Legion Drawing & Framing . 51 Rising Photomount . 69 Legion Interleaving . 51 Wild . 48 Lenox 1oo . 51 Legion legend . 70 Yupo . .48 Masa . 51 Zerkall Book . 48 Mulberry . 51 Zerkall Book Laid . 48 Glossary of Terms . 76 Zerkall Cooperplate . 49 Rives BFK . 52 Zerkall German Ingres . 49 Rives de Lin (Moulin du Gue) . 52 Zerkall Litho . 49 Conversion Tables . 79 Saunders Waterford W/C . 52 SolvArt Canvas . 52 SolvArt Fine Art Textured . 52 For all the items listed in this catalog SolvArt PhotoCard Satine . 52 please call for availability. SolvArt Smooth Matte . 53 Somerset Satin Rolls . .53 Stonehenge . 53 Many other papers – some one-of-a kind, or with special patterns, colors, or textures Thai Chiri . 53 are also available and can be special Thai Chiri Kozo . 53 ordered. Thai Mango Leaves . 53 Thai Unryu . 54 Yupo . 54 BLOCKS/PADS- Acquerello Blocks and Pads . 55 Annigoni Pads . 55 Arches Watercolor Blocks . 55 Bockingford Blocks, Pads, Spirals 56 Lana Acrylic Blocks . 56 Lanaquarelle Blocks, Pads . 56 Lenox 100 Pads . 57 Magnani Round Blocks . 57 Pescia Blocks . 57 Saunders Waterford W/C Blocks . .57 Stonehenge Aqua Blocks . 58 Stonehenge Lightweight Pads . 58 Stonehenge Pads . 58 Stonehenge Wired Journals . 59 Velata Pads . 59 Yupo Pads . 59 3 Information, Terms and Conditions PRICES All prices set forth herein are suggested list prices and are subject to change without notice. All orders will be invoiced at the price prevailing at the time of shipment. All papers and boards may be assorted to achieve volume pricing. For special order papers, please call for availability and pricing. Customs fees and handling charges will be added to all shipments outside the United States. MINIMUM ORDER US $250.00 INQUIRIES & INFORMATION East Coast: 212 683-6990, 800 278-4478 Fax: 212 683-8996, 800 275-3380 F.O.B. Shipping Point: 14 Executive Ave., Edison, NJ 08817 West Coast: 562 928-5600, 800 727-3716 Fax: 562 927-6100 F.O.B. Shipping Point: 6333 Chalet Drive, Los Angeles, CA 90040 Website: www .legionpaper .com www .moabpaper .com www .risingmuseumboard .com Email: info@legionpaper .com CREDIT CARDS Most major credit cards accepted. TERMS On accounts where credit has been approved, terms are 1%-10 eom, net 30 days. All export orders are net terms. Chargebacks will be made for unauthorized deductions. Buyer is liable for and shall pay all taxes or charges imposed by local, state or federal government which are payable by reason of a sale or delivery made by us. TRADE CUSTOMS All sales are subject to recognized paper trade customs, including overruns and underruns. Any exceptions must be agreed to in writing. CANCELLATION An order, once placed with and accepted by us, can be cancelled only with our consent and upon terms that will indemnify us against loss. LIABILITY We will not be responsible or liable for any default or delay arising out of cause or contingency beyond our control or beyond the control of our suppliers affecting either ourselves or our suppliers . STANDARD PACKING All products are sold in standard packaging as per our price list. No broken packages will be supplied. The second dimension of the sheet size listed herein denotes grain direction unless otherwise specified. 4 Information, Terms and Conditions Continued CUTTING Basic Cutting Charges Orders with cuts yielding 4 out or fewer per sheet $34.95 Orders with cuts yielding 5 to 10 out per sheet $39.95 Orders with cuts yielding 11 to 20 out per sheet $49.95 Orders with cuts yielding 21 or more out per sheet $64.95 Additional Surcharges Orders over 100lbs $35 per 100lbs Order requiring specific wrapping and labeling $0.50 per package Order requiring specific box quantities $2.00 per carton Notes No scraps will be sent less than or equal to 1.5”x3.5” Cut to size must leave 1/16” per cut for back-trim or paper will not have exact sizes or clean edges CLAIMS & RETURNS All claims of any nature pertaining to shipments must be made in writing within 15 days of the receipt of merchandise; otherwise claims will not be allowed. In the event of damage incurred in transit, a description of visible damage should be written on the truckers delivery receipt at.
Recommended publications
  • Making! the E-Magazine for the Fibrous Forest Products Sector

    Making! the E-Magazine for the Fibrous Forest Products Sector

    PAPERmaking! The e-magazine for the Fibrous Forest Products Sector Produced by: The Paper Industry Technical Association Volume 5 / Number 1 / 2019 PAPERmaking! FROM THE PUBLISHERS OF PAPER TECHNOLOGY Volume 5, Number 1, 2019 CONTENTS: FEATURE ARTICLES: 1. Wastewater: Modelling control of an anaerobic reactor 2. Biobleaching: Enzyme bleaching of wood pulp 3. Novel Coatings: Using solutions of cellulose for coating purposes 4. Warehouse Design: Optimising design by using Augmented Reality technology 5. Analysis: Flow cytometry for analysis of polyelectrolyte complexes 6. Wood Panel: Explosion severity caused by wood dust 7. Agriwaste: Soda-AQ pulping of agriwaste in Sudan 8. New Ideas: 5 tips to help nurture new ideas 9. Driving: Driving in wet weather - problems caused by Spring showers 10. Women and Leadership: Importance of mentoring and sponsoring to leaders 11. Networking: 8 networking skills required by professionals 12. Time Management: 101 tips to boost everyday productivity 13. Report Writing: An introduction to report writing skills SUPPLIERS NEWS SECTION: Products & Services: Section 1 – PITA Corporate Members: ABB / ARCHROMA / JARSHIRE / VALMET Section 2 – Other Suppliers Materials Handling / Safety / Testing & Analysis / Miscellaneous DATA COMPILATION: Installations: Overview of equipment orders and installations since November 2018 Research Articles: Recent peer-reviewed articles from the technical paper press Technical Abstracts: Recent peer-reviewed articles from the general scientific press Events: Information on forthcoming national and international events and courses The Paper Industry Technical Association (PITA) is an independent organisation which operates for the general benefit of its members – both individual and corporate – dedicated to promoting and improving the technical and scientific knowledge of those working in the UK pulp and paper industry.
  • FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century

    FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century

    FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D.
  • William Blake PART I

    William Blake PART I

    126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl.
  • Paper & Envelopes

    Paper & Envelopes

    PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope.
  • A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper

    A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper

    A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products.
  • Crystal Reports

    Crystal Reports

    Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm.
  • Revision of the EU Ecolabel Criteria for Paper Products

    Revision of the EU Ecolabel Criteria for Paper Products

    Revision of the EU Ecolabel criteria for Paper products Technical Report 3.0 Draft criteria proposal Malgorzata Kowalska, Shane Donatello, Oliver Wolf January, 2018 EUR xxxxx xx This publication is a Technical report by the Joint Research Centre (JRC), the European Commission’s science and knowledge service. It aims to provide evidence-based scientific support to the European policymaking process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use that might be made of this publication. Contact information Name: Malgorzata Kowalska Address: Edificio Expo, c/ Inca Garcilaso, 3. 41092 Seville (Spain) Email: [email protected] Tel.: +34 954 488 347 JRC Science Hub https://ec.europa.eu/jrc JRCxxxxx EUR xxxxx xx PDF ISBN xxx-xx-xx-xxxxx-x ISSN xxxx-xxxx doi:xx.xxxxx/xxxxxx Seville: European Commission, 2018 © European Union, 2018 The reuse of the document is authorised, provided the source is acknowledged and the original meaning or message of the texts are not distorted. The European Commission shall not be held liable for any consequences stemming from the reuse. How to cite this report: Malgorzata Kowalska et al., Revision of the EU Ecolabel criteria for Copying and Graphic Paper and Newsprint Paper, EUR, doi All images © European Union 2016 unless otherwise specified January 2018 EUR xxxxx xx Contents Table of Contents Abstract ............................................................................................................... 3 1. Introduction ...................................................................................................... 4 1.1 Brief background to the EU Ecolabel ............................................................... 4 1.2 The criteria revision process .........................................................................
  • Preservation and Conservation (PAC) Programme Frequently Asked Questions

    Preservation and Conservation (PAC) Programme Frequently Asked Questions

    Preservation and Conservation (PAC) Programme Frequently Asked Questions Paper conservation by using Japanese paper, washi Prepared by PAC Japan Q: What is washi? A: Washi, or Japanese paper, can be made from the fibre of kozo (paper mulberry family), mitsumata (daphne family), or gampi (daphne family), but the most commonly used material is kozo. The traditional papermaking process for kozo starts by steaming bundles of kozo bark to remove the outer dark layer and often the intermediate green layer. The white inner bark is cooked in a mild alkaline solution such as wood ash or soda ash to remove lignin and other impurities. Strong alkali such as caustic soda were not traditionally used during this process. Next, the fibre is beaten by hand until it is fine enough to be dispersed in water with a small amount of a dispersion agent, neri, a mucilagenous substance from tororo-aoi (abelmoschus manihot) plants. Finally, the paper maker dips a flexible Japanese papermaking mould in the vat of fibres and water to form sheets of paper using a technique called nagashizuki. Washi has been manufactured and used in Japan from more than 1000 years. In 2014, three kinds of washi were added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity: sekishu-banshi, hon-minoshi, and hosokawa-shi. Nowadays there is no clear definition of what can or can’t be called washi. It can be manufactured by machine or by hand, using a flexible Japanese mould or a fixed paper mould, with or without chemicals. Some kinds of washi contain imported kozo or wood pulp fibres.
  • Fact Sheet: Paper and the Environment 1 FACT SHEET Paper and the Environment Paper and the Environment

    Fact Sheet: Paper and the Environment 1 FACT SHEET Paper and the Environment Paper and the Environment

    Fact sheet: paper and the environment 1 FACT SHEET Paper and the environment Paper and the environment For 2000 years, paper has helped shape the modern world. It has been hugely important in developing our cultural and creative life. Newspapers, magazines, books, packaging and banknotes are everywhere – and how many of us actually work in a ‘paperless office’? Concerns still abound over paper’s use and production. What paper you choose, and how you use it, makes a difference. This fact sheet concentrates on European paper production and use. Hopefully it will answer some of your main questions. Fact sheet: paper and the environment 3 Is paper bad for the environment? What to look for when choosing When recycled or FSC virgin fibre based paper are not available, then the fallback would be to ask for In a nutshell – no. Paper is made from a renewable a paper paper that is certified under an alternative forest raw material that can be recycled. It boasts the Use paper with post-consumer recycled fibre. certification scheme, such as the Programme for highest rate of recycling of any material in the Fibre from collected waste paper materials can the Endorsement of Forest Certification Schemes UK, and it is potentially sustainable. Demand also be reused up to seven times before becoming too (PEFC). encourages responsible forestry and the growth worn out to bind together. Although it needs to be of recycling. de-inked, recycling uses much less energy, chemicals Responsible pulp and paper producers monitor and water, and normally produces less pollution, and manage energy, waste, raw material selection European paper production uses non-tropical than processing virgin wood fibres.
  • How to Comply with Your Environmental Permit Additional Guidance For

    How to Comply with Your Environmental Permit Additional Guidance For

    27/07/2018. on withdrawn was and date How to comply with your environmental permit of Additional guidance for: out is Paper and Pulp (EPR 6.01) document This 27/07/2018. on withdrawn was and date of out is Published by: Environment Agency Rio House Waterside Drive, Aztec West Almondsbury, Bristol BS32 4UD Tel: 0870 8506506 documentEmail: [email protected] www.environment-agency.gov.uk This © Environment Agency All rights reserved. This document may be reproduced with prior permission of the Environment Agency. March 2009 GEHO0209BPJB-E-E Contents 27/07/2018. on Introduction ............................................................................................................................2 Installations covered .............................................................................................................3 Key issues ............................................................................................................................4 1. Managing your activities ...................................................................................................7 1.1 Energy efficiency ............................................................................................................7 1.2 Efficient use of raw materials and water .........................................................................8withdrawn 1.3 Avoidance, recovery and disposal of wastes................................................................10 2. Operations ........................................................................................................................was
  • Elemental Chlorine-Free Bleaching of Soda Rapeseed Pulp

    Elemental Chlorine-Free Bleaching of Soda Rapeseed Pulp

    ELEMENTAL CHLORINE-FREE BLEACHING OF SODA RAPESEED PULP FRANTIŠEK POTŮČEK and MARTINA ŘÍHOVÁ University of Pardubice, Faculty of Chemical Technology, Institute of Chemistry and Technology of Macromolecular Materials, 532 10 Pardubice, Czech Republic ✉Corresponding author: František Potůček, [email protected] Dedicated to the memory of the founder of the Cellulose Chemistry and Technology Journal, Acad. Professor Cristofor I. Simionescu Received November 18, 2016 Soda rapeseed pulps delignified to kappa numbers of 21.4 and 16.4 underwent elemental chlorine-free bleaching using chlorine dioxide, hydrogen peroxide, and peracetic acid as bleaching agents under laboratory conditions. Three four-stage bleaching sequences, DEPPPaa, D0EPD1P and D0EPD1D2, were applied to investigate the properties of bleached soda pulps, namely their brightness, zero-span breaking length and degree of polymerisation. For comparison, an oxygen-predelignified kraft softwood pulp with an initial kappa number of 10.5 was bleached under the same conditions. Soda pulps subjected to bleaching processes comprising two or three D stages were found to have a final brightness of 83.1 to 83.8% ISO, which was lower than that of 87.6 to 87.9% ISO obtained for kraft softwood pulp. The decrease in fibre strength was of only 7-9% for soda pulps, slightly greater than that of kraft softwood pulp. In contrast to fibre strength, the loss in the degree of polymerisation was considerable, roughly of 35% for soda pulps and 40 to 47% for kraft softwood pulp, depending on the
  • Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper

    Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper

    DOCUMENT RESUME ED 440 909 SO 031 615 AUTHOR Vickerman, Kathrine D. TITLE Papermaking: Then and Now. A History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers To Make Paper. PUB DATE 1995-00-00 NOTE 93p.; Photographs by Lyssa O'Riley. PUB TYPE Guides Non-Classroom (055)-- Reports Descriptive (141) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Art Education; Art History; Elementary Secondary Education; *Handicrafts; *Paper (Material) IDENTIFIERS Applied Arts; *Grasses; Historical Background; Historical Research; *Papermaking ABSTRACT In addition to a historic overview of papermaking, this book explains the painstaking process of papermaking and details the results of actually making paper from samples of grass gathered from Arizona to ;:ianesota, and Maine to California, including 11 sL.a;:es ana :iimates. The book describes how to teach papermaking and offers a list of equipment suppliers as resources for help getting started. A study of the effects of rainfall and altitude on the grasses used in making paper was conducted. The handmade paper shown in this book is only an example of what can be accomplished. Since there are so many different varieties of grass, this project has only scratched the surface of the potential for decorative paper made from grasses. The book is divided into the following sections: (1) "The Beginning of Papermaking"; (2) "Renaissance of Hand Papermaking"; (3) "Chemistry of Hand Papermaking"; (4) "A Little Bit about Grasses"; (5) "Papermaking from Grasses"; (6) "Papermaking Results"; and (7)"Teaching Hand Papermaking." (Contains 25 resources and 13 relevant Web sites.) (BT) Reproductions supplied by EDRS are the best that can be made from the original document.