Changes in Print Paper During the 19Th Century
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In Nineteenth-Century American Theatre: the Image
Burlesquing “Otherness” 101 Burlesquing “Otherness” in Nineteenth-Century American Theatre: The Image of the Indian in John Brougham’s Met-a-mora; or, The Last of the Pollywogs (1847) and Po-Ca-Hon-Tas; or, The Gentle Savage (1855). Zoe Detsi-Diamanti When John Brougham’s Indian burlesque, Met-a-mora; or, The Last of the Pollywogs, opened in Boston at Brougham’s Adelphi Theatre on November 29, 1847, it won the lasting reputation of an exceptional satiric force in the American theatre for its author, while, at the same time, signaled the end of the serious Indian dramas that were so popular during the 1820s and 1830s. Eight years later, in 1855, Brougham made a most spectacular comeback with another Indian burlesque, Po-Ca-Hon-Tas; or, The Gentle Savage, an “Original, Aboriginal, Erratic, Operatic, Semi-Civilized, and Demi-savage Extravaganza,” which was produced at Wallack’s Lyceum Theatre in New York City.1 Both plays have been invariably cited as successful parodies of Augustus Stone’s Metamora; or, The Last of the Wampanoags (1829) and the stilted acting style of Edwin Forrest, and the Pocahontas plays of the first half of the nineteenth century. They are sig- nificant because they opened up new possibilities for the development of satiric comedy in America2 and substantially contributed to the transformation of the stage picture of the Indian from the romantic pattern of Arcadian innocence to a view far more satirical, even ridiculous. 0026-3079/2007/4803-101$2.50/0 American Studies, 48:3 (Fall 2007): 101-123 101 102 Zoe Detsi-Diamanti -
The London Times Perspective on Napoleon Bonaparte's Invasion
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2012 “We Have to Record the Downfall of Tyranny”: The London imesT Perspective on Napoleon Bonaparte’s Invasion of Russia Julia Dittrich East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons, and the Journalism Studies Commons Recommended Citation Dittrich, Julia, "“We Have to Record the Downfall of Tyranny”: The London Times Perspective on Napoleon Bonaparte’s Invasion of Russia" (2012). Electronic Theses and Dissertations. Paper 1457. https://dc.etsu.edu/etd/1457 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “We Have to Record the Downfall of Tyranny”: The London Times Perspective on Napoleon Bonaparte’s Invasion of Russia _______________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History _______________________ by Julia Dittrich August 2012 _______________________ Dr. Stephen G. Fritz, Chair Dr. Henry J. Antkiewicz Dr. Brian J. Maxson Keywords: Napoleon Bonaparte, The London Times, English Identity ABSTRACT “We Have to Record the Downfall of Tyranny”: The London Times Perspective on Napoleon Bonaparte’s Invasion of Russia by Julia Dittrich “We Have to Record the Downfall of Tyranny”: The London Times Perspective on Napoleon Bonaparte’s Invasion of Russia aims to illustrate how The London Times interpreted and reported on Napoleon’s 1812 invasion of Russia. -
History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials. -
The EMA Guide to Envelopes and Mailing
The EMA Guide to Envelopes & Mailing 1 Table of Contents I. History of the Envelope An Overview of Envelope Beginnings II. Introduction to the Envelope Envelope Construction and Types III. Standard Sizes and How They Originated The Beginning of Size Standardization IV. Envelope Construction, Seams and Flaps 1. Seam Construction 2. Glues and Flaps V. Selecting the Right Materials 1. Paper & Other Substrates 2. Window Film 3. Gums/Adhesives 4. Inks 5. Envelope Storage 6. Envelope Materials and the Environment 7. The Paper Industry and the Environment VI. Talking with an Envelope Manufacturer How to Get the Best Finished Product VII. Working with the Postal Service Finding the Information You Need VIII. Final Thoughts IX. Glossary of Terms 2 Forward – The EMA Guide to Envelopes & Mailing The envelope is only a folded piece of paper yet it is an important part of our national communications system. The power of the envelope is the power to touch someone else in a very personal way. The envelope has been used to convey important messages of national interest or just to say “hello.” It may contain a greeting card sent to a friend or relative, a bill or other important notice. The envelope never bothers you during the dinner hour nor does it shout at you in the middle of a television program. The envelope is a silent messenger – a very personal way to tell someone you care or get them interested in your product or service. Many people purchase envelopes over the counter and have never stopped to think about everything that goes into the production of an envelope. -
Triangle Accordion Books Part 2
“Part Two: Assembling the book” Time from start to finish = 1 hour You will need the following materials: • Heavy paper, which will be cut into three 4 5/8” X 20” strips, the best option is to cut these strips from one large 22” X 30” sheet of watercolor paper (this will be used for the inner “accordion” of the book) • 2 pieces of chipboard or thick cardboard, 6x6 inches each • Painted paper or scrapbooking paper at least 6x6 inches in size • Pencil • Ruler • Glue (regular white glue or glue sticks) • Clean scrap paper, computer paper or newsprint is good • X-acto Knife or scissors • Cutting matt (or a piece of scrap cardboard to protect your work surface) Brief description: The next part of our process is to measure, cut and assemble your book. This part is made up of several smaller steps within each major step and requires precise measurement and patience. For Part Two, I suggest making a cup of your favorite tea and putting on some relaxing music in the background. While, this may be the most challenging step for some, if you follow the instructions closely and don’t rush, you should come out of it with a fully assembled book ready for creative alteration and decoration! For those new to bookmaking here are a few helpful hints: • Measure! Measure! Measure!: Nothing is more disappointing than assembling several pieces only to find at the final step that they don’t quite fit, especially when you’re out of materials to try again! During this process, we will be measuring out strips of paper, then folding, cutting and gluing them together at specific points. -
“America” on Nineteenth-Century Stages; Or, Jonathan in England and Jonathan at Home
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME by Maura L. Jortner BA, Franciscan University, 1993 MA, Xavier University, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by It was defended on December 6, 2005 and approved by Heather Nathans, Ph.D., University of Maryland Kathleen George, Ph.D., Theatre Arts Attilio Favorini, Ph.D., Theatre Arts Dissertation Advisor: Bruce McConachie, Ph.D., Theatre Arts ii Copyright © by Maura L. Jortner 2005 iii PLAYING “AMERICA” ON NINETEENTH-CENTURY STAGES; OR, JONATHAN IN ENGLAND AND JONATHAN AT HOME Maura L. Jortner, PhD University of Pittsburgh, 2005 This dissertation, prepared towards the completion of a Ph.D. in Theatre and Performance Studies at the University of Pittsburgh, examines “Yankee Theatre” in America and London through a post-colonial lens from 1787 to 1855. Actors under consideration include: Charles Mathews, James Hackett, George Hill, Danforth Marble and Joshua Silsbee. These actors were selected due to their status as iconic performers in “Yankee Theatre.” The Post-Revolutionary period in America was filled with questions of national identity. Much of American culture came directly from England. American citizens read English books, studied English texts in school, and watched English theatre. They were inundated with English culture and unsure of what their own civilization might look like. -
Mountain Pine Beetle-Attacked Lodgepole Pine for Pulp and Papermaking
Operational extractives management from- mountain pine beetle-attacked lodgepole pine for pulp and papermaking Larry Allen and Vic Uloth Mountain Pine Beetle Working Paper 2007-15 Natural Resources Canada, Canadian Forest Service, Pacific Forestry Centre, 506 West Burnside Road, Victoria, BC V8Z 1M5 (250) 363-0600 • cfs.nrcan.gc.ca/regions/pfc Natural Resources Ressources naturelles Canada Canada Canadian Forest Service canadien Service des forêts Operational extractives management from mountain pine beetle-attacked lodgepole pine for pulp and papermaking Larry Allen and Vic Uloth Mountain Pine Beetle Initiative W orking Paper 2007œ15 Paprican 3800 W esbrook Mall Vancouver, B.C. V6S 2L9 Mountain Pine Beetle Initiative PO # 8.43 Natural Resources Canada Canadian Forest Service Pacific Forestry Centre 506 W est Burnside Road Victoria, British Columbia V8Z 1M5 Canada 2007 ≤ Her Majesty the Queen in Right of Canada 2007 Printed in Canada Library and Archives Canada Cataloguing in Publication Allen, Larry Operational extractives m anagem ent from m ountain pine beetle-attached lodgepole pine from pulp and paperm aking / Larry Allen and Vic Uloth. (Mountain Pine Beetle Initiative working paper 2007-15) "Mountain Pine Beetle Initiative, Canadian Forest Service". "MPBI Project # 8.43". "Paprican". Includes bibliographical references: p. Includes abstract in French. ISBN 978-0-662-46480-8 Cat. no.: Fo143-3/2007-15E 1. Pulping--British Colum bia--Quality control. 2. Pulping--Alberta--Quality control. 3. Paper m ills-- Econom ic aspects--British Colum bia. 4. Pulp m ills--Econom ic aspects--Alberta. 5. Lodgepole pine--Diseases and pests–Econom ic aspects. 6. Mountain pine beetle--Econom ic aspects. -
Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White). -
Wealth Mobility in the 1860S
Economics Working Papers 9-18-2020 Working Paper Number 20018 Wealth Mobility in the 1860s Brandon Dupont Western Washington University Joshua L. Rosenbloom Iowa State University, [email protected] Original Release Date: September 18, 2020 Follow this and additional works at: https://lib.dr.iastate.edu/econ_workingpapers Part of the Economic History Commons, Growth and Development Commons, Inequality and Stratification Commons, and the Regional Economics Commons Recommended Citation Dupont, Brandon and Rosenbloom, Joshua L., "Wealth Mobility in the 1860s" (2020). Economics Working Papers: Department of Economics, Iowa State University. 20018. https://lib.dr.iastate.edu/econ_workingpapers/113 Iowa State University does not discriminate on the basis of race, color, age, ethnicity, religion, national origin, pregnancy, sexual orientation, gender identity, genetic information, sex, marital status, disability, or status as a U.S. veteran. Inquiries regarding non-discrimination policies may be directed to Office ofqual E Opportunity, 3350 Beardshear Hall, 515 Morrill Road, Ames, Iowa 50011, Tel. 515 294-7612, Hotline: 515-294-1222, email [email protected]. This Working Paper is brought to you for free and open access by the Iowa State University Digital Repository. For more information, please visit lib.dr.iastate.edu. Wealth Mobility in the 1860s Abstract We offer new evidence on the regional dynamics of wealth holding in the United States over the Civil War decade based on a hand-linked random sample of wealth holders drawn from the 1860 census. Despite the wealth shock caused by emancipation, we find that patterns of wealth mobility were broadly similar for northern and southern residents in 1860. -
Corrugated Board Structure: a Review M.C
ISSN: 2395-3594 IJAET International Journal of Application of Engineering and Technology Vol-2 No.-3 Corrugated Board Structure: A Review M.C. Kaushal1, V.K.Sirohiya2 and R.K.Rathore3 1 2 Assistant Prof. Mechanical Engineering Department, Gwalior Institute of Information Technology,Gwalior, Assistant Prof. Mechanical Engineering 3 Departments, Gwalior Engineering College, Gwalior, M. Tech students Maharanapratap College of Technology, Gwalior, [email protected] [email protected] [email protected] ABSTRACT Corrugated board is widely used in the packing industry. The main advantages are lightness, recyclability and low cost. This makes the material the best choice to produce containers devoted to the shipping of goods. Furthermore examples of structure design based on corrugated boards can be found in different fields. Structural analysis of paperboard components is a crucial topic in the design of containers. It is required to investigate their strength properties because they have to protect the goods contained from lateral crushing and compression loads due to stacking. However in this paper complete and detailed information are presented. Keywords: - corrugated boards, recyclability, compression loads. Smaller flutes offer printability advantages as well as I. INTRODUCTION structural advantages for retail packaging. Corrugated board is essentially a paper sandwich consisting of corrugated medium layered between inside II. HISTORY and outside linerboard. On the production side, corrugated In 1856 the first known corrugated material was patented is a sub-category of the paperboard industry, which is a for sweatband lining in top hats. During the following four sub-category of the paper industry, which is a sub-category decades other forms of corrugated material were used as of the forest products industry. -
OCCASION This Publication Has Been Made Available to the Public on The
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] I DM •JlStr. I 1 / V | \ J LIMITED ID/wG.352/1 7 October 193' United Nations Industrial Development Organization ENGLISH International Experts Group Meeting, on Pulp and Paper Technology Manila, Philippines, 3 - 8 November 1980 THE PHILIPPINE PULP AND PAPER INDUSTHT* by Vicente 0. -
The Use of Old Corrugated Board in the Manufacture of High Quality White Papers
Western Michigan University ScholarWorks at WMU Paper Engineering Senior Theses Chemical and Paper Engineering 12-1983 The Use of Old Corrugated Board in the Manufacture of High Quality White Papers Rene H. Kapik Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/engineer-senior-theses Part of the Wood Science and Pulp, Paper Technology Commons Recommended Citation Kapik, Rene H., "The Use of Old Corrugated Board in the Manufacture of High Quality White Papers" (1983). Paper Engineering Senior Theses. 209. https://scholarworks.wmich.edu/engineer-senior-theses/209 This Dissertation/Thesis is brought to you for free and open access by the Chemical and Paper Engineering at ScholarWorks at WMU. It has been accepted for inclusion in Paper Engineering Senior Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. THE USE OF OLD CORRUGATED BOARD IN THE MANUFACTURE OF HIGH QUALITY WHITE PAPERS by Rene' H. Kapik A Thesis submitted in partial fulfillment of the course requirements for The Bachelor of Science Degree Western Michigan University Kalamazoo, Michigan December, 1983 ABSTRACT Clean corrugated board waste was fractionated into its softwood/ hardwood fiber components, repulped using a kraft pulping process, and bleached using a CEHD bleaching sequence in an effort to produce high brightness fiber suitable for use in medium to high quality white paper. The papers produced had almost equivalent mechanical strengths and opacity, but possessed unsatisfactory brightness and cleanliness when compared to commercially manufactured,:. bleached kraft pulps of identical softwood/hardwood contents. Based on this experimental data, the use of recycled fiber from corrugated board as a fiber substitute in the manufacture of high quality printing and writing papers is not recommended due to its inferior brightness and cleanliness.