Paper & Envelopes

Total Page:16

File Type:pdf, Size:1020Kb

Paper & Envelopes PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope. gummed flaps. 41⁄8"x 91⁄2", 1 11⁄16" commercial flap. 28# White Wove, fully gummed Flap. No. 9 24# White Wove paper. Super White 84 brightness. Regular No. 10 Standard window 9x12 Booklet envelope Open side, diagonal seam envelope features fully Open side, side seam, Booklet style envelope. gummed flaps. 41⁄8"x 91⁄2", 1 11⁄16" commercial flap. 24# Brown Kraft paper, fully gummed 113⁄16" Window: size 11⁄8"x 41⁄2"; position 7⁄8"left, 1⁄2"bottom. wallet flap. 24# White Wove paper. Super White 84 brightness. 500 Envelopes Per Box No. 10 No. 9 Regular Regular Open side, diagonal seam envelope features fully gummed flaps. 37⁄8"x 87⁄8", 1 11⁄16" commercial flap. 24# White Wove paper. Super White 84 brightness. 10x13 No. 63⁄4 Regular Catalog No. 10 Open side, diagonal seam envelope features fully Standard 5 1 1 gummed flaps. 3 ⁄8" x 6 ⁄2", 1 ⁄2" commercial flap. 9x12 24# White Wove paper. Super White 84 brightness. Booklet Now You Can Choose Environmentally Conscientious Envelopes For Your Next Project We are committed to preserving the earth’s precious natural resources through responsible environmental stewardship. As a concerned leader in the business community, we offer eco-friendly envelopes that will make a positive impression on your clients and the future of our planet. Call for a competitive estimate. Order online at www.pb.com/catalog Call 1-800-243-7824 Mon-Fri 8am-8pm ET 33 PAPER & ENVELOPES MOHAWK STATIONERY We Carry a Complete Line of & ENVELOPES O 100% Windpower. All of the electricity used in Mohawk’s manufacturing is offset by clean, renewable windpower. In 2007, Mohawk received the EPA’s “Green Power Partner of the Year” award. Tackling climate change by reducing emissions is becoming just as important to our customers as using recycled paper. Strathmore Writing–Stationery and Envelopes Legendary business stationery 25% cotton, 24-lb. woven finish with a crisp formal feel Bright White Watermarked, acid-free and electronic printing guaranteed Made with non-polluting wind-generated electricity Choose from Platinum White, Ultimate White, Bright White, or Natural White Ultimate White Natural White Platinum White Strathmore Script–Stationery and Envelopes Premium watermarked stationery 24-lb. smooth surface with an informal and upscale feel Watermarked, acid-free, electronic printing guaranteed Made with non-polluting wind-generated electricity 100% PC Cream White Choose from Bright White (30% pcw), Soft White (30% pcw), Natural White (30%pcw), 100% PC White or 100% PC Cream White 100% PC WhiteBright White Soft White Natural White Beckett Cambric Linen Stationery and Envelopes Elegant letterhead paper for prestigious business correspondence Light, even-sided linen finish with high ink holdout Colonial White Watermarked, acid-free, electronic printing guaranteed Choose from Arctic White, White or Colonial White Beckett Envelopes available in: Colonial White and Arctic White Arctic White 34 PAPER & ENVELOPES High-Quality Mohawk Products! Put your watermark on premium Mohawk stationery! O This proprietary process from Mohawk Fine Papers offers a beautiful, simple, affordable, fast-turnaround alternative to traditional water-marking. Only a 4 Carton Digital technology makes it possible to embed your mark or logo in several Minimum Strathmore Writing and Script papers in less time than traditional watermarks. Minimum order is only four cartons of paper.Whether you’re a small office, or a large institution concerned about security, or you simply want to make the most of the mark you already have, DigitalMark gives you stationery that sets you apart. Your logo as a watermark Quick turn-around Call for a low-price quote Low quantity minimum order of only 4 cartons Beautiful and affordable Available in Strathmore Writing 25% Cotton Wove 24 lb. or Strathmore Script Smooth 24 lb. Never Miss Another Mailing Deadline Again! We are inventory management specialists. Whether you need 10 thousand, 250 thousand or even millions of envelopes we can save you money and make your job easier. With our Autoship Program we inventory your envelopes in our facilities and ship them automatically to your location when you need them–guaranteed! Account Manager Pitney Bowes Supplies Pitney Bowes stands behind its products and has been committed to our customers’ success for more than eighty years. Call us at 1-800-243-7824 and press “3” for a low price estimate. Pitney Bowes autoship program guarantees on-time delivery! Order online at www.pb.com/catalog Call 1-800-243-7824 Mon-Fri 8am-8pm ET 35 PAPER & ENVELOPES SUPERIOR Call us at 1-800-243-7824 STATIONERY and press “3” to get our most competitive price on envelope and paper products. Pitney Bowes Envelope Specialist We leverage the buying power of our customers to bring you the best pricing we can on paper and envelopes. • Envelopes tailored to your exact specifications • Specifically designed for your Pitney Bowes equipment • Custom printing with your logo, address or messaging • Free off-site inventory management of large orders • We make it easy! Call 1-800-243-7824 to discuss your paper or envelope requirements. ® Premium Uncoated Papers This premium, smooth-finished paper is the largest premium writing, text and cover brand NEENAH PAPER in North America! It is an industry leader for letterheads, business proposals, and newsletters. Ideal for desktop and other printing applications requiring sharp reproduction. Classic Crest Neenah Classic Crest Paper’s printed letterhead and Envelopes Solar White envelopes are now available from No. 10 - 24# Smooth finish, Pitney Bowes. With an expert premium sulphite acid free. team of print specialists to White shades are available. answer all questions and Solar white prepare your envelopes and Avon Brilliant White printed stationery, Recycled Natural White (100% PC) ordering could not be easier. Avon Brilliant White Recycled Natural White 36 HAMMERMILL PAPER & ENVELOPES Hammermill Papers Are Worry-Free! You've always trusted Hammermill to run well and make your work look good. Now, to reinforce our commitment to making great paper, every sheet we offer will be guaranteed to perform well in the most widely-used office machines. With Hammermill you simply have no worries. Call for low pricing at 1-800-243-7824 Hammermill Laser Print Hammermill Color Copy Hammermill Tidal® MP 24 lb. 96 bright 28 lb. 100 bright 20 lb. 92 bright Super smooth for sharp, high contrast laser Super bright, ultra smooth, perfect for The perfect multipurpose sheet for large images – even up to 2,400 dpi. Formulated high-volume color applications. Heavy basis offices and in-plant shops. for excellent print contrast, spot color or full weight has a more stable surface for heavier color reproduction. For laser printers, copiers toner applications. Ideal for presentations and color copiers. and proposals. “I just want to tell you how much I appreciate your help. You have been doing a great job making sure I don’t run out of supplies. Once again, thank you so much and keep up the good work. ” Hammermill Fore® MP Hammermill Great White® Copy 20 lb. 96 bright 20 lb. 92 bright Samantha N. Hammermill’s best-selling multipurpose Made with 30% post-consumer recycled Orlando, FL paper adds snap to everyday copies and content. Great for copies, proofs, memos high-volume runs at an affordable price. and faxes. For all office machines. Order online at www.pb.com/catalog Call 1-800-243-7824 Mon-Fri 8am-8pm ET 37 PAPER & ENVELOPES ® ENVELOPES TYVEK & SPECIALITY ULTRA ENVELOPES No. 10 Certified Double Window DURABLE 24# White Wove Open side, diagonal seam envelope features fully gummed flaps. 41⁄8" x 91⁄2", 111⁄16" flap. Top Window: size 11⁄2" x 51⁄2" ; position 1⁄2" left, 21⁄16" bottom. Bottom Window: size 11⁄8" x 41⁄2"; position 7⁄8" left, 1⁄2" bottom. Great for Ascent® and SendSuite®! Reverse Flap #10 Envelopes 24# White Wove Tyvek® Envelopes No. 10 Postage Meter open side, diagonal No. 10 Double Window / 24# White Wove Open end and open side envelopes seam envelope features a commercial flap Open side, diagonal seam envelope features feature Peel & Seel® closure.
Recommended publications
  • FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
    FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D.
    [Show full text]
  • William Blake PART I
    126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl.
    [Show full text]
  • A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
    A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products.
    [Show full text]
  • Crystal Reports
    Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm.
    [Show full text]
  • Changes in Print Paper During the 19Th Century
    Purdue University Purdue e-Pubs Charleston Library Conference Changes in Print Paper During the 19th Century AJ Valente Paper Antiquities, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/charleston An indexed, print copy of the Proceedings is also available for purchase at: http://www.thepress.purdue.edu/series/charleston. You may also be interested in the new series, Charleston Insights in Library, Archival, and Information Sciences. Find out more at: http://www.thepress.purdue.edu/series/charleston-insights-library-archival- and-information-sciences. AJ Valente, "Changes in Print Paper During the 19th Century" (2010). Proceedings of the Charleston Library Conference. http://dx.doi.org/10.5703/1288284314836 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. CHANGES IN PRINT PAPER DURING THE 19TH CENTURY AJ Valente, ([email protected]), President, Paper Antiquities When the first paper mill in America, the Rittenhouse Mill, was built, Western European nations and city-states had been making paper from linen rags for nearly five hundred years. In a poem written about the Rittenhouse Mill in 1696 by John Holme it is said, “Kind friend, when they old shift is rent, Let it to the paper mill be sent.” Today we look back and can’t remember a time when paper wasn’t made from wood-pulp. Seems that somewhere along the way everything changed, and in that respect the 19th Century holds a unique place in history. The basic kinds of paper made during the 1800s were rag, straw, manila, and wood pulp.
    [Show full text]
  • Material Properties of Islamic Paper Hend Mahgoub1*, Tiphaine Bardon1, Dirk Lichtblau2, Tom Fearn3 and Matija Strlič1
    Mahgoub et al. Herit Sci (2016) 4:34 DOI 10.1186/s40494-016-0103-4 RESEARCH ARTICLE Open Access Material properties of Islamic paper Hend Mahgoub1*, Tiphaine Bardon1, Dirk Lichtblau2, Tom Fearn3 and Matija Strlič1 Abstract In contrast to scientific research focussing on European paper, there is a significant gap in our knowledge of Islamic papermaking. This research surveys the evidence of techniques and materials typically used in Islamic papermaking, to deduce what might be considered as the most significant characteristics. A substantial collection of 228 Islamic papers (~18th–20th century) was characterized using chemical analytical methods: surface profilometry, gloss meas- urements, specular vs. diffuse reflectance ratio at 457 nm, scanning electron microscopy and infrared spectroscopy for identification of polishing, iodine test for identification of starch, Raspail test for identification of rosin, and fibre furnish analysis. Morphological analysis was performed to examine the presence of watermarks and sieve patterns. In addition, acidity and degree of polymerization of cellulose in paper were determined to explore the average mate- rial state of paper in the collection. Near infrared spectroscopic data of the collection were correlated to chemical properties with the aid of multivariate data analysis methods. Four different models were developed focusing on two main characteristics of Islamic paper: two for identification of polishing and starch, and two quantitative models to determine the acidity and degree of polymerization of cellulose in paper. While no single defining characteristic of Islamic paper was identified, 88 % of all papers in the studied collection either contain starch or are polished, or both. ~2 % of papers contain rosin.
    [Show full text]
  • Ref. 676.03 SMO 2Nd
    INDEX Refer to Chapter Refer to Chapter Refer to Chapter A test 14 acid pretreatment 10 acetate 4 acidproof brick 8 abaca 3 acetate laminating 18 acid pulping 8 abatement 20 acetate pulp 4 acid rain 21 odor 21 acetic acid 4 acid-refined tall oil 6 pollution 20 acetic anhydride 4 acid-resistant 14 abatement device 21 acetone 4 acid size 5 abietic acid 6 acetylated starch 5 acid-stable size 5 abrasion 24 acetyl radical 4 acid sulfite process 8 abrasion debarker I acetylating agent 4 acid tower 8 abrasion resistance 14 acid(s) 4, 8 acid treatment 10 abrasion test 14 abietic 6 acidulating 4 abrasive 7 acetic 4 acidulating agent 4 abrasive backing papers 16 accumulator 8 acidulation 6 abrasiveness 14 carbonic 20 acoustical board 16 abrasive segment 7 Caro's 10 acoustical testing 14 abrasivity (of mineral fillers) 13 cooking 8 acoustic leak detector 9 absorbency 11,14 digester 8 acre-foot 20 relative II fatty 6 acrylamide resins 5 water II formamidine sulfinic 10 acrylic binders 17 absorbent 14,24 formic 4 acrylic fiber 3 absorbent capacity II glucuronic 4 activatable chemical 9 absorbent grades 16 humic 20 activated carbon 20 absorption 5 hydroxy 4 activated sludge 20 capillary 13 hypochlorous 10 activated sludge loading 20 ink 14 lignosulfonic 8 activated sludge process 20 light 14 linoleic 6 activation 4 mechanical 13 mineral 4 surface II tensile energy 14 oleic 6 activation energy 8 vapor 13 pectic 4 Arrhenius 4 absorption coefficient 14 peracetic 10 activator 5 accelerated aging 14 raw 8 active alkali 8 accelerated aging test 14 resin
    [Show full text]
  • V5lume"L^L Inuffibersbsummer 1980 G
    ■■■ QUARTERLY 53 V5lume"l^l iNuffiberSBSummer 1980 G. E. BENTLEY, JR. of the University of Toronto has edited William Blake's Writings, 2 vols. (1978 [1979]) and is currently working on illustrated books of Blake's time. THOMAS DILWORTH teaches English and Comparative Literature at the University of Windsor and is the author of The Liturgical Parenthesis of IAN ILLUSTRATED QUARTERLY 53 David Jones. Volume 14 Number 1 JUDY EGERTON works under Martin Butlin as Assistant Keeper in the British Collection of the Tate Summer 1980 Gallery, London. She has published English Watercolour Painting (Phaidon) and Catalogues of British Sporting and Animal Paintings and Drawings in the Mellon Collection. CONTENTS ROBERT N. ESSICK, Professor of English at the University of California, Riverside, is the Blake in the Marketplace, 1978-1979 author of William Blake, Printmaker (Princeton, by Robert N. Essick with the assistance of 1980) and A Catalogue of William Blake's Separate Thomas V. Lange, 4 Plates (forthcoming Princeton, 1982). REVIEWS THOMAS v. LANGE is Assistant Curator of Printed Books at The Pierpont Morgan Library, New York, and is a specialist in illustrated books. David Bindman, ed., John Flaxman reviewed by Judy Egerton, 22 EDWARD STRICKLAND is an Assistant Professor at Universidad Interamericana de Puerto Rico and has MINUTE PARTICULARS taught in the states, Canada and Iran. He had published on romanticism in ELHt PLC and is a "Poisonous Blues," and Other Pigments baroque music critic for Fanfare magazine. by Ruthven Todd, 31 RUTHVEN TODD, one of the great Blake scholars of Young's Night Thoughts (London: R. E.
    [Show full text]
  • Handmade Paper: a Review of Its History, Craft, and Science
    REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques.
    [Show full text]
  • Hand Made Paper and Its Water Marks: a Bibliography
    PAPER, [[RReprintedeprinted wwithith r revisionsevisions ffromrom PAPER, MayMay 3300,, 11917917]] HHANDMADEANDMADE P PAPERAPER A ANDND I ITSTS WATERWATER- MARKSMARKS** AA BBibliographyibliography BByy DDARDARD HHUNTERUNTER The Mill, , Marlborough-on-Hudson, , N. Y. The Mill Marlborough - on Hudson- N . Y . IINTRODUCTIONNTRODUCTION •"""'!ll!lll!!!i!INN ththisis bibliographybibliography I I hhaveave l listedisted oonlynly ththee worksworks ddirectlyirectly cconnectedonnected wwithith ththee aartrt of of hhandmadeandmade ppaperaper aandnd watermarkswatermarks in handmade papers. No attempt has in handmade papers . No attempt has been made to catalogue the modem been made to catalogue the modern booksbooks ttreatingreating wwithith machinemademachinemade ppaa- per or dandy-roll watermarks. This per or dandy roll- watermarks . This M list was ccommencedommenced about ssixix yyearsears <D list was about ..-< (lJ ago and has been added to whenever ago to (!).-' and has been added whenever a book was found dealing with the subject in .... "' a book was found dealing with the subject in aanyny <D"' O0 M c, (!) "'"C *A letter under date of April 14, , 1917, , from Henry E. Sur- * A of April 14 Henry E . ..-< a. letter under date 1917 from Sur <D'*!c face, , Chairman, , Committee on Bibliography, , Technical Asso­ on Bibliography "'(lJ face Chairman Committee Technical Asso M v, , ::, cciationiation of of tthehe PPulpulp aandnd PPaperaper I Industryndustry, ttransmittingransmitting thithiss a. bibliography to the Association members, , reads as follows: bibliography to the Association members reads as follows : "CE v,"' <, (lJ "Your Committee on Bibliography transmits herewith as " on Bibliography as .... u Your Committee transmits herewith NU ' its second contribution aa manuscriptmanuscript entitled 'Handmade Pa- its second entitled Handmade Pa (!)"' contribution , , per and Its Water-Marks: A Bibliography,' by by Dard Hunter, per and Its Water Marks- : A Bibliography ' Dard Hunter ......"'+- ' ....."' The Mill, , Marlborough-on-Hudson, , N.
    [Show full text]
  • Issues) and Begin with the Summer Issue
    AN ILLUSTRATED QUARTERLY % urtxen-.C; V. ^e globe afL£ />LocL trvmhUtQG-MlKtersufy ^huuUani at^tght Mrajxcfttrtb out uttu sorts',■ \^{2Fe6& Xt^iemcdenoH'-^eparixts^ $Ure& at lUocdL.mtlk ***U teansf: \HQtutfe 'iemre the Jfwca atl+oa' yfe- UnSk !*tmry&. cn^vUoduAJcJ^pnder, awe,J&zr, ajttorilshmc J%j&n7a~e farm. trem6Un% cuuJLpxU \ Jbtrify the etarnal myi'tctdd:, "*ito*' J* tutor* ju* €Jeady fe(yvM first&maU £rm nov>^ VOLUME 33 NUMBER 4 SPRING 2000 ^y<jla&ie AN ILLUSTRATED QUARTERLY VOLUME 33 NUMBER 4 SPRING 2000 CONTENTS Articles Blake in the Marketplace, 1999 By Robert N. Essick 100 William Blake and His Circle: A Checklist of Publications and Discoveries in 1999 By G. E. Bentley, Jr. 135 ADVISORY BOARD G. E. Bentley, Jr., University of Toronto, retired Nelson Hilton, University of Georgia Martin Butlin, London Anne K. Mellor, University of California, l.os Angeles Detlef W. Dorrbecker, University of Trier Joseph Viscomi, University of North Carolina at Chapel Hill Robert N. Essick, University of California, Riverside 1 >avid Worrall, St. Mary's College Angela Estcrhammer, University of Western Ontario CONTRIBUTOR SUBSCRIPTIONS are $55 for institutions, $30 for individuals. All subscriptions are by the volume (1 year, 4 issues) and begin with the summer issue. Subscription payments re• G. E. BENTLEY, JR., has just completed The Stranger from Para• ceived after the summer issue will be applied to the 4 issues dise in the Belly of the Beast: A Biography of William Blake. of the current volume. Foreign addresses (except Canada and Mexico) require a $10 per volume postal surcharge for ROBERT N.
    [Show full text]
  • Pages 1-11.Indd
    www.legionpaper.com www.moabpaper.com www.risingmuseumboard.com www.solvart.com © Copyright 2019 Legion Paper Corporation All Rights Reserved. No portion of this publication may be reproduced without the permission of Legion Paper. OUR ROMANCE WITH PAPER Peace treaties are signed on it. Declarations of love are written on it. Artists’ works are portrayed on it. Of course, we mean paper; the medium that has evolved to reflect its own poetry, becoming an opportunity for pure innovation and unlimited creativity. Through the years, a melding of ancient craft and enlightened technology occurred, creating new practices and opening new horizons for expression in paper. When we trace its history, we find insight into man’s relentless imagination and creativity. Today, this convergence of ancient and modern continues and paper emerges with not only greater variety but a renewed appreciation of quality. To some, fine paper is the space that translates what is conceived in the mind to what is authentic. To others, having access to the right paper represents abundant possibility and profitability. The very selection of paper now becomes an adventure, realizing how the end result will vary based upon choice. Today, as in the years past, Legion Paper continues to source the finest papermakers around the globe, respecting the skill of the artisan and the unique attributes of the finished product. As we head into the future, Legion remains steadfast in its commitment to diversity, customer service and an unparalleled level of professionalism. We’re sure you will want to touch and feel some of the 3,500 papers described on the following pages.
    [Show full text]