DOCSLIB.ORG

Hand Made Paper and Its Water Marks: a Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hand Made Paper and Its Water Marks: a Bibliography PAPER, [[RReprintedeprinted wwithith r revisionsevisions ffromrom PAPER, MayMay 3300,, 11917917]] HHANDMADEANDMADE P PAPERAPER A ANDND I ITSTS WATERWATER- MARKSMARKS** AA BBibliographyibliography BByy DDARDARD HHUNTERUNTER The Mill, , Marlborough-on-Hudson, , N. Y. The Mill Marlborough - on Hudson- N . Y . IINTRODUCTIONNTRODUCTION •"""'!ll!lll!!!i!INN ththisis bibliographybibliography I I hhaveave l listedisted oonlynly ththee worksworks ddirectlyirectly cconnectedonnected wwithith ththee aartrt of of hhandmadeandmade ppaperaper aandnd watermarkswatermarks in handmade papers. No attempt has in handmade papers . No attempt has been made to catalogue the modem been made to catalogue the modern booksbooks ttreatingreating wwithith machinemademachinemade ppaa- per or dandy-roll watermarks. This per or dandy roll- watermarks . This M list was ccommencedommenced about ssixix yyearsears <D list was about ..-< (lJ ago and has been added to whenever ago to (!).-' and has been added whenever a book was found dealing with the subject in .... "' a book was found dealing with the subject in aanyny <D"' O0 M c, (!) "'"C *A letter under date of April 14, , 1917, , from Henry E. Sur- * A of April 14 Henry E . ..-< a. letter under date 1917 from Sur <D'*!c face, , Chairman, , Committee on Bibliography, , Technical Asso­ on Bibliography "'(lJ face Chairman Committee Technical Asso M v, , ::, cciationiation of of tthehe PPulpulp aandnd PPaperaper I Industryndustry, ttransmittingransmitting thithiss a. bibliography to the Association members, , reads as follows: bibliography to the Association members reads as follows : "CE v,"' <, (lJ "Your Committee on Bibliography transmits herewith as " on Bibliography as .... u Your Committee transmits herewith NU ' its second contribution aa manuscriptmanuscript entitled 'Handmade Pa- its second entitled Handmade Pa (!)"' contribution , , per and Its Water-Marks: A Bibliography,' by by Dard Hunter, per and Its Water Marks- : A Bibliography ' Dard Hunter ......"'+- ' ....."' The Mill, , Marlborough-on-Hudson, , N. Y., , Dec. 9, , 1916. Mr. Q) 0 The Mill Marlborough - on Hudson- N . Y . Dec . 9 1916 . Mr . c . Hunter has very kindly consented to cooperate with the As- +- Hunter has very kindly consented to cooperate with the As .....,Q) ::,"' of to permitting sociation inin its its bbibliographicibliographic work to the extent of permitting "C ..... sociation work the extent c +- the use of this material in the official publications of the As- <O ·.-< the use of this material in the official publications of the As _c _c sociation and for presentation at its Spring Meeting, , May 24 . +- sociation and for presentation at its Spring Meeting May 24 ....., "' and 25, , 1917. Complete credit for compiling and editing the "C s: and 25 1917 . Complete credit for compiling and editing the , bbibliographyibliography inin qquestionuestion isis ddueue MrMr. HunterHunter aalonelone, as as it it wwasas 17 �i accomplishedaccomplished e entirelyntirely at at hhisis ppersonalersonal eexpensexpense anandd rresponsiesponsi- "'a. ............ I re - in only your +- .. bbilityility. TThehe only aactionction your CCommitteeommittee hhasas ttakenaken in tthishis re- +- a. 12 gard has been to encourage him toto put into more ppermanentermanent � +- '"" gard has been to encourage him put into more +- _c foformrm foforr ppublicublic uusese c certainertain materialmaterial tthathat hehe hadhad bbeeneen ccolol- <, lecting over a period of years for his personal information . personal . ..... lecting over a period of years for his information I- , I� "For cross-indexing purposes, mention is is made that the last - purposes :;: " For cross indexing mention made that the last ...,, "C ( Q) ppreviousrevious ccontributionontribution of of ththee CCommitteeommittee onon BBibliographyibliography wwasas NN 'United States Government Publications Pertaining to Pulp ..-<·.-< United‘ States Government Publications Pertaining to Pulp .. +- Thunter <D .,.; and Paper,' , publish,ed in Paper, , Vol. XIX, , No. 4, , New York, , and Paper ' published in Paper Vol . XIX No . 4 New York ..-< .,.;"' 4, , 1916." October 4 . " ..-< "C October 1916 N • Q) I N.-' (!) "' •O fand ..-< 0 N<.!> (!) N • c.. C·.-< Mr 0"'E "C O QJO +- J...."'.u,.; Q) ....., c .0 Q) ::, <.!>Cl. Oriqlnal from Digitized by Google UNIVERSITY OF MICHIGAN wwayay.. AAllll ooff ththee boo booksks a arere o outut- -ooff--pprintrint anandd th thee ea earlierrlier oonesnes areare eexceedinglyxceedingly hhardard ttoo pprocurerocure.. ThThee l laterater i itemstems maymay ooccasionallyccasionally bebe hadhad frfromom ththee aantiquarianntiquarian bookbook- ddealersealers iinn EEuropeurope.. HHoweverowever,, eevenven ththee l laterater o onesnes a arere sscarcecarce ; o owingwing ttoo tthehe llimitedimited ddemandemand foforr ththisis kkindind ofof bobooksoks ththee eeditionsditions w wereere vveryery ssmallmall.. ThThereere h hasas bbeeneen lilittlettle writtenwritten inin EEnglishnglish oonn th thee ssubjectubject ooff wwatermarkingatermarking, ththereere bebeinging nnoo ccompleteomplete boobookk d devotedevoted t too iitt frfromom aa ttechnicalechnical sstandpointtandpoint.. IInn ththee hhistoryistory ooff wwatermarkingatermarking ththee FFrenchrench lleadead,, fofoll- llowedowed clcloselyosely b byy ththee Ge Germansrmans.. ThThee ea earlierrlier boo booksks oonn ththee makingmaking ooff handmadehandmade ppaperaper. aarere a allll moremore oorr llessess vvagueague aandnd ttherehere a arere butbut ttwowo o orr ththreeree th thatat gigiveve aa ddetailedetailed aaccountccount ooff ththee aartrt aass iitt wwasas ththenen ppracticedracticed.. ThThee wworkork oonn pprintingrinting b byy MMrr.. HHansardansard ( (TTypographiaypographia,, LondonLondon,, 11825825) ) gigivesves ththee mostmost lluciducid a accountccount ooff ththee pprocessrocess ththatat ex existsists iinn ththee EEnglishnglish l languageanguage.. IInn FFrenchrench,, DDee La LaLandende iiss vveryery ththoroughorough anandd h hisis w workork waswas t translatedranslated iintonto DDutchutch anandd SSpanishpanish,, wwhichhich fo formedrmed ththee ttextbooksextbooks oonn ppapermakingapennaking aatt ththee t timeime.. ThThee wworksorks ("") of Schaffer,, B Breitkopf,reitkopf, K Koningoning anandd others are vveryery \0 of Schäffer others are .-I Q) 0 ....... vvaluablealuable r recordsecords ooff ooldld ppapermakingapermaking anandd wwatermarkatermark- ,..... Cl CO O iingng anandd iinn ththee moremore modernmodem wworksorks BBriquet,riquet, HHeitzeitz,, \0 0 ("") Cl Hausmann,, Hossle and SSothebyotheby must not be over-· 0' Hausmann Hössle and must not be over LJ"l "Cl .-I Cl. llookedooked.. IInn oourur o ownwn ccountryountry J Josephoseph WWillcoxillcox aandnd HH .. 00)'**' Q) G. Jones have done much to ppreservereserve the traditions ("") Vl G . Jones have done much to the traditions . ::::, Cl. of ththee fifirstrst ppapermakersapermakers iinn AmAmericaerica . "Cl Vl of . E Vl <, Q) PPerhapserhaps aa brief account of hhowow I became interested ,..... u brief account of I became interested in handmade ppapermakingapermaking would not be amiss in this 0"" ure in handmade would not be amiss in this <, Cl iintroductionntroduction.. HavingHaving beenbeen bornborn inin ththee en environmentvironment ooff ""+-' 'L. Q) 0 pprintingrinting-mymy father,, grgrandfatherandfather and grgreateat grgrandand- c . — father and • +-' Q) Vl fafatherther a allll beingbeing p printersrinters aandnd c craftsmenraftsmen-- II vveryery e earlyarly ....... ::::, "Cl L. becamebecame iinterestednterested iinn fifinene boo bookk pprintingrinting aandnd iinn bookbook C+-' re·.-i .c.c ddesignesign.. ThThee pproblemroblem ooff ggettingetting ssuitableuitable ppaperaper wwasas • +-' ......, re aalwayslways aa ddifficultifficult mattermatter a andnd aalthoughlthough EEuropeanuropean hand- -c s: gettinhough hand mademade ppaperaper ccouldould bebe hhadad,, iitt w wasas notnot Eupaysaalwayslways mmadeade ooff the best of materials. I have sseeneen ththroughrough the ppressress the best ofBest materials .I have themadera i of �Vl <, a, upwardsupwards of 200 different titles,, from duodecimo to +-' •• of 200 different titles from duodecimo to +-' Cl. materidifferent s: +-' fofoliolio,, pprintedrinted oonn handmadehandmade ptiaperpaperaper ffromrom EEuropeanuropean millsmills. +-' from L. I am sure none of ththeseese books will bbee Eu iinn existence I sure none of books will in existence ........ in two hundred years. The so called handmaexistde <, in two hundred years . The so called handmade ppaperaper f- :E ccomingoming from IItalytaly is exextremelytremely ppooroor, bebeinging made \..!:) "Cl from is made Q) r-,. N frfromom s strawtraw,, rropeope anandd e evenven wwoodpulpoodpulp.. AfterAfter uusingsing .--1·.-i •• +-' the handmade ppapersapers from the fforeign 9reign mills for some \0 -r-l the handmade from the mills for some .-I Cl ·.-i twtwelveelve yyearsears II bbecameecame cconvincedonvinced ththatat ttoo ggetet p paperaper ssuchuch .-I "Cl 2 • ""' Q)' ("'-, ....... 0 Cl ' 0 .-I O Nl..!J 0 ("'-, ' C" c ·.-i ore r "Cl O ...... Q) 0 +-' re u L. ·.-i Q) ....... c..c Q) ::::, \..!JO.. Origirial from Digitized by Gol gle UNIVERSITY OF MICHIGAN aass II wantedwanted iitt w wouldould bebe nnecessaryecessary ttoo makemake iitt mmyselfyself ttoo be s sureure pproperroper materialsmaterials w wentent iintonto ththee ppulpulp.. TToo llearnearn ththee aartrt o off ppapermakingapermaking bbyy hhandand iitt w wasas necessarynecessary ttoo ggoo ttoo EEuropeurope aandnd sstudytudy
Load more

Recommended publications
  • Józef Dąbrowski (Łódź, July 2008)
    Józef Dąbrowski (Łódź, July 2008) Paper Manufacture in Central and Eastern Europe Before the Introduction of Paper-making Machines A múltat tiszteld a jelenben és tartsd a jövőnek. (Respect the past in the present, and keep it to the future) Vörösmarty Mihály (1800-1855) Introduction……1 The genuinely European art of making paper by hand developed in Fabriano and its further modifications… ...2 Some features of writing and printing papers made by hand in Europe……19 Some aspects of paper-history in the discussed region of Europe……26 Making paper by hand in the northern part of Central and Eastern Europe……28 Making paper by hand in the southern part of Central and Eastern Europe……71 Concluding remarks on hand papermaking in Central and Eastern Europe before introducing paper-making machines……107 Acknowledgements……109 Introduction During the 1991 Conference organized at Prato, Italy, many interesting facts on the manufacture and trade of both paper and books in Europe, from the 13th to the 18th centuries, were discussed. Nonetheless, there was a lack of information about making paper by hand in Central and Eastern Europe, as it was highlighted during discussions.1 This paper is aimed at connecting east central and east southern parts of Europe (i.e. without Russia and Nordic countries) to the international stream of development in European hand papermaking before introducing paper-making machines into countries of the discussed region of Europe. This account directed to Anglophones is supplemented with the remarks 1 Simonetta Cavaciocchi (ed.): Produzione e Commercio della Carta e del Libro Secc. XIII-XVIII.
    [Show full text]
  • FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
    FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D.
    [Show full text]
  • William Blake PART I
    126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl.
    [Show full text]
  • Paper & Envelopes
    PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope.
    [Show full text]
  • A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
    A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products.
    [Show full text]
  • Crystal Reports
    Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm.
    [Show full text]
  • Changes in Print Paper During the 19Th Century
    Purdue University Purdue e-Pubs Charleston Library Conference Changes in Print Paper During the 19th Century AJ Valente Paper Antiquities, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/charleston An indexed, print copy of the Proceedings is also available for purchase at: http://www.thepress.purdue.edu/series/charleston. You may also be interested in the new series, Charleston Insights in Library, Archival, and Information Sciences. Find out more at: http://www.thepress.purdue.edu/series/charleston-insights-library-archival- and-information-sciences. AJ Valente, "Changes in Print Paper During the 19th Century" (2010). Proceedings of the Charleston Library Conference. http://dx.doi.org/10.5703/1288284314836 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. CHANGES IN PRINT PAPER DURING THE 19TH CENTURY AJ Valente, ([email protected]), President, Paper Antiquities When the first paper mill in America, the Rittenhouse Mill, was built, Western European nations and city-states had been making paper from linen rags for nearly five hundred years. In a poem written about the Rittenhouse Mill in 1696 by John Holme it is said, “Kind friend, when they old shift is rent, Let it to the paper mill be sent.” Today we look back and can’t remember a time when paper wasn’t made from wood-pulp. Seems that somewhere along the way everything changed, and in that respect the 19th Century holds a unique place in history. The basic kinds of paper made during the 1800s were rag, straw, manila, and wood pulp.
    [Show full text]
  • Material Properties of Islamic Paper Hend Mahgoub1*, Tiphaine Bardon1, Dirk Lichtblau2, Tom Fearn3 and Matija Strlič1
    Mahgoub et al. Herit Sci (2016) 4:34 DOI 10.1186/s40494-016-0103-4 RESEARCH ARTICLE Open Access Material properties of Islamic paper Hend Mahgoub1*, Tiphaine Bardon1, Dirk Lichtblau2, Tom Fearn3 and Matija Strlič1 Abstract In contrast to scientific research focussing on European paper, there is a significant gap in our knowledge of Islamic papermaking. This research surveys the evidence of techniques and materials typically used in Islamic papermaking, to deduce what might be considered as the most significant characteristics. A substantial collection of 228 Islamic papers (~18th–20th century) was characterized using chemical analytical methods: surface profilometry, gloss meas- urements, specular vs. diffuse reflectance ratio at 457 nm, scanning electron microscopy and infrared spectroscopy for identification of polishing, iodine test for identification of starch, Raspail test for identification of rosin, and fibre furnish analysis. Morphological analysis was performed to examine the presence of watermarks and sieve patterns. In addition, acidity and degree of polymerization of cellulose in paper were determined to explore the average mate- rial state of paper in the collection. Near infrared spectroscopic data of the collection were correlated to chemical properties with the aid of multivariate data analysis methods. Four different models were developed focusing on two main characteristics of Islamic paper: two for identification of polishing and starch, and two quantitative models to determine the acidity and degree of polymerization of cellulose in paper. While no single defining characteristic of Islamic paper was identified, 88 % of all papers in the studied collection either contain starch or are polished, or both. ~2 % of papers contain rosin.
    [Show full text]
  • Ref. 676.03 SMO 2Nd
    INDEX Refer to Chapter Refer to Chapter Refer to Chapter A test 14 acid pretreatment 10 acetate 4 acidproof brick 8 abaca 3 acetate laminating 18 acid pulping 8 abatement 20 acetate pulp 4 acid rain 21 odor 21 acetic acid 4 acid-refined tall oil 6 pollution 20 acetic anhydride 4 acid-resistant 14 abatement device 21 acetone 4 acid size 5 abietic acid 6 acetylated starch 5 acid-stable size 5 abrasion 24 acetyl radical 4 acid sulfite process 8 abrasion debarker I acetylating agent 4 acid tower 8 abrasion resistance 14 acid(s) 4, 8 acid treatment 10 abrasion test 14 abietic 6 acidulating 4 abrasive 7 acetic 4 acidulating agent 4 abrasive backing papers 16 accumulator 8 acidulation 6 abrasiveness 14 carbonic 20 acoustical board 16 abrasive segment 7 Caro's 10 acoustical testing 14 abrasivity (of mineral fillers) 13 cooking 8 acoustic leak detector 9 absorbency 11,14 digester 8 acre-foot 20 relative II fatty 6 acrylamide resins 5 water II formamidine sulfinic 10 acrylic binders 17 absorbent 14,24 formic 4 acrylic fiber 3 absorbent capacity II glucuronic 4 activatable chemical 9 absorbent grades 16 humic 20 activated carbon 20 absorption 5 hydroxy 4 activated sludge 20 capillary 13 hypochlorous 10 activated sludge loading 20 ink 14 lignosulfonic 8 activated sludge process 20 light 14 linoleic 6 activation 4 mechanical 13 mineral 4 surface II tensile energy 14 oleic 6 activation energy 8 vapor 13 pectic 4 Arrhenius 4 absorption coefficient 14 peracetic 10 activator 5 accelerated aging 14 raw 8 active alkali 8 accelerated aging test 14 resin
    [Show full text]
  • V5lume"L^L Inuffibersbsummer 1980 G
    ■■■ QUARTERLY 53 V5lume"l^l iNuffiberSBSummer 1980 G. E. BENTLEY, JR. of the University of Toronto has edited William Blake's Writings, 2 vols. (1978 [1979]) and is currently working on illustrated books of Blake's time. THOMAS DILWORTH teaches English and Comparative Literature at the University of Windsor and is the author of The Liturgical Parenthesis of IAN ILLUSTRATED QUARTERLY 53 David Jones. Volume 14 Number 1 JUDY EGERTON works under Martin Butlin as Assistant Keeper in the British Collection of the Tate Summer 1980 Gallery, London. She has published English Watercolour Painting (Phaidon) and Catalogues of British Sporting and Animal Paintings and Drawings in the Mellon Collection. CONTENTS ROBERT N. ESSICK, Professor of English at the University of California, Riverside, is the Blake in the Marketplace, 1978-1979 author of William Blake, Printmaker (Princeton, by Robert N. Essick with the assistance of 1980) and A Catalogue of William Blake's Separate Thomas V. Lange, 4 Plates (forthcoming Princeton, 1982). REVIEWS THOMAS v. LANGE is Assistant Curator of Printed Books at The Pierpont Morgan Library, New York, and is a specialist in illustrated books. David Bindman, ed., John Flaxman reviewed by Judy Egerton, 22 EDWARD STRICKLAND is an Assistant Professor at Universidad Interamericana de Puerto Rico and has MINUTE PARTICULARS taught in the states, Canada and Iran. He had published on romanticism in ELHt PLC and is a "Poisonous Blues," and Other Pigments baroque music critic for Fanfare magazine. by Ruthven Todd, 31 RUTHVEN TODD, one of the great Blake scholars of Young's Night Thoughts (London: R. E.
    [Show full text]
  • The Rediscovered Watermark in the Drawing Leda and the Swan by Raphael Kept at Windsor Castle
    arts Article The Rediscovered Watermark in the Drawing Leda and the Swan by Raphael Kept at Windsor Castle Claudio Calì Design Department, Politecnico di Milano, 20133 Milan, Italy; [email protected] Abstract: This article presents an in-depth study of Raphael’s drawing of Leda and the Swan (RCIN 912759), preserved at Windsor Castle. The research aims to make the paper’s physical properties accessible and extend the information on the watermark. The methodology follows an artistic– design-oriented approach. The data extraction process uses a back-lighting photographic technique combined with image post-processing operations. The work catalogues in scientific terms the complete paper mould lines of the Windsor sheet according to the International Standard of Paper Classification (IPH). Based on comparisons with a series of drawings by Leonardo da Vinci, the contribution suggests a chronological and provenance estimate of the paper used by Raphael. Keywords: Raphael; Leonardo da Vinci; Leda; design; paper-based watermark; digitisation; graphical representation; image-processing; art; preservation 1. Introduction The drawing Leda and the Swan in the Royal Collection at Windsor Castle, RCIN 912759, dated 1507, is one of Raphael’s best-known mythological studies and conceivably Citation: Calì, Claudio. 2021. The among the most remarkable portraits on paper dedicated to the figure of Leda. The Rediscovered Watermark in the examination of the drawing from life came about almost by chance. A research visit to Drawing Leda and the Swan by Windsor was made to analyse the paper supports of a series of drawings made by Leonardo Raphael Kept at Windsor Castle. Arts da Vinci.
    [Show full text]
  • Paper Used for United States Stamps
    By Paper Used For Version 1.0 Bill Weiss United States Stamps 2/12/2014 One area that seems to confuse most beginning or novice collectors is paper identification. While catalogs generally provide a brief explanation of different paper types, only the major types are included in catalog Introductions, often no detailed explanations are given, and many of the types found are only mentioned in the Introduction to the category area, ie; paper used for Revenue stamps are listed there. This article will attempt to cover all of the various papers used to print United States stamps and present them in the order that we find them in the catalogs, by Issue. We believe that way of describing them may be more useful to readers then to simply list them in alpha order, for example. UNDERSTANDING DIFFERENCE BETWEEN “HARD” AND “SOFT” WOVE PAPER Wove paper is made by forming the pulp upon a wire cloth and when this cloth is of a closely-woven nature, it produces a sheet of paper which is of uniform texture. Wove paper is further defined as being either “hard” or “soft”. Because there is a difference in the value or identification of some U.S. stamps when printed on both hard and soft paper, it is therefore very important that you can tell them apart. Pre-1877 regular-issue U.S. stamps were all printed on hard paper, but beginning about 1877 Continental Bank Note Company, who held the postage stamp contract at that time, began to use a softer paper, which was then continued when the 1879 consolidation of companies resulted in the American Banknote Company holding the contract.
    [Show full text]