Wove Paper Analysis Through Texture Similarities
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FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
William Blake PART I
126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl. -
Paper & Envelopes
PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope. -
A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
Making a Pinhole Camera
Homework – Autumn 11 Making a Pinhole Camera Your task this week is to make a pinhole camera. You will need to do the following: Ensure you have the correct materials to make your camera (see below) Follow the step-by-step guide carefully. Take a photo of your finished creation for us to see. You DO NOT need to bring in your camera to school. Write a paragraph about the process of making your camera. You will need to include: o What materials you used. o Were the instructions easy to follow? o Was it a success? Were you able to create an image? o Would you do anything differently? -------------------------------------------------------------------------------------------------- ----------------------------------------------------------- What is a pinhole camera? The word “camera” comes from camera obscura, which simply means “dark chamber”. A pinhole camera is one of the most basic examples of this concept. Pinhole cameras are made from a lightproof box, some photographic paper and a tiny hole (often made with a pin, hence the name). The pinhole is just an aperture, not a true lens, but because it is so small it will still focus on an image on the opposite side of the box, exposing the photo paper placed there. How to make a pinhole camera You will need: A box with a lid – You can make your own or use a shoebox or similar, but then the lid is on it must not let any light inside. You could also use a wide cardboard tube instead. A roll of aluminium foil or sheet of black paper. Sticky tape. Scissors. A needle or drawing pin. -
Is There Child Labour in the Natural Stone Industry in Vietnam?
Is there Child Labour in the Natural Stone Industry in Vietnam? Research Report (Wissenschaftliches Gutachten zu § 4a des Gesetzes über das Friedhofs- und Bestattungswesen des Landes Nordrhein-Westfalen (Bestattungsgesetz – BestG NRW) im Auftrag des Ministeriums für Gesundheit, Emanzipation, Pflege und Alter des Landes Nordrhein-Westfalen MGEPA) Authors: Dr. Jörg Wischermann Dr. Dang Thi Viet Phuong Prof. Dr. Adam Fforde 30 September 2016 1 Contents Contents .................................................................................................................................................. 1 List of acronyms ...................................................................................................................................... 2 Summary ................................................................................................................................................. 4 Context ................................................................................................................................................ 4 Overview ............................................................................................................................................. 4 Core conclusions ................................................................................................................................. 5 Section 1 – Introduction .......................................................................................................................... 6 Section 2 - The current legal position -
Wryly Noted-Books About Books John D
Against the Grain Volume 29 | Issue 6 Article 22 December 2017 Wryly Noted-Books About Books John D. Riley Gabriel Books, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Riley, John D. (2017) "Wryly Noted-Books About Books," Against the Grain: Vol. 29: Iss. 6, Article 22. DOI: https://doi.org/10.7771/2380-176X.7886 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Wryly Noted — Books About Books Column Editor: John D. Riley (Against the Grain Contributor and Owner, Gabriel Books) <[email protected]> https://www.facebook.com/Gabriel-Books-121098841238921/ Paper: Paging Through History by Mark Kurlansky. (ISBN: 978-0-393-23961-4, thanks to the development of an ingenious W. W. Norton, New York 2016.) device: a water-powered drop hammer.” An- other Fabriano invention was the wire mold for laying paper. “Fine wire mesh laid paper came his book is not only a history of paper, ample room to wander into Aztec paper making to define European paper. Another pivotal but equally, of written language, draw- or artisan one vat fine paper making in Japan. innovation in Fabriano was the watermark. Ting, and printing. It is about the cultural Another trademark of Kurlansky’s is a Now the paper maker could ‘sign’ his work.” and historical impact of paper and how it has pointed sense of humor. When some groups The smell from paper mills has always been central to our history for thousands of advocated switching to more electronic formats been pungent, due to the use of old, dirty rags years. -
Product Portfolio
Product portfolio 2020 1 Printing Turning pixels into prints. Printing is at the heart of everything we do. Using the latest wide format giclée technology, our expert team consistently produce exceptional prints on a range of fine art and photographic substrates. Printing highlights • Outsourced, on demand, white-label printing • 100+ year colour guarantee • Professional colour management • 12 colour giclée printers • Original brand name inks and substrates All backed up by the Prodigi promise. 13 Prints Photographic C-type (silver halide) Fine art 20 A complete range Printing is at the heart of everything we do and every product we create. We support a full range of branded & non-branded photographic, fine art and poster papers covering matte, of specialist papers lustre, gloss and metallic finishes. Each substrate is individually profiled for our printers, ensuring fantastically accurate and consistent reproductions. Colour profiles for each paper type can be downloaded for those wishing to soft-proof images. Colour management is a core principle , guaranteeing you always receive the best- quality prints. Photographic papers Fine art papers Budget • 170gsm, Budget Photo Paper (BPP) • 180gsm, Budget Art Paper (BAP) • 240gsm, Lustre Photo Paper (LPP) • 200gsm, Enhanced Matte Art (EMA) • 240gsm C-type (silver halide) • 240gsm, Smooth Art Paper (SAP) • 280gsm, Metallic Gloss (MG) • 280gsm, Museum Fine Art (MFA) • 285gsm, Smooth Photo Rag (SPR) • 315gsm, Cold Press Watercolour Paper (CPWP) • 300gsm Sticky Poster (STKY) Premium • 260gsm, Hahnemühle Photo Glossy (HPG) • 310gsm, Hahnemühle German Etching (HGE) • 260gsm, Hahnemühle Photo Lustre (HLP) • 308gsm, Hahnemühle Photo Rag (HPR) • 285gsm, Hahnemühle Fine Art Pearl (HFAP) 21 Budget photographic art prints Gloss, lustre & metallic. -
Changes in Print Paper During the 19Th Century
Purdue University Purdue e-Pubs Charleston Library Conference Changes in Print Paper During the 19th Century AJ Valente Paper Antiquities, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/charleston An indexed, print copy of the Proceedings is also available for purchase at: http://www.thepress.purdue.edu/series/charleston. You may also be interested in the new series, Charleston Insights in Library, Archival, and Information Sciences. Find out more at: http://www.thepress.purdue.edu/series/charleston-insights-library-archival- and-information-sciences. AJ Valente, "Changes in Print Paper During the 19th Century" (2010). Proceedings of the Charleston Library Conference. http://dx.doi.org/10.5703/1288284314836 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. CHANGES IN PRINT PAPER DURING THE 19TH CENTURY AJ Valente, ([email protected]), President, Paper Antiquities When the first paper mill in America, the Rittenhouse Mill, was built, Western European nations and city-states had been making paper from linen rags for nearly five hundred years. In a poem written about the Rittenhouse Mill in 1696 by John Holme it is said, “Kind friend, when they old shift is rent, Let it to the paper mill be sent.” Today we look back and can’t remember a time when paper wasn’t made from wood-pulp. Seems that somewhere along the way everything changed, and in that respect the 19th Century holds a unique place in history. The basic kinds of paper made during the 1800s were rag, straw, manila, and wood pulp. -
Inkjet Paper Database Version: 1.3 Last Updated: 6/20/2010
Inkjet Paper Database Version: 1.3 Last updated: 6/20/2010 This spreadsheet lists the data for each paper tested by Dane Creek Photography. All tests are printed on a Canon iPF 5100. dMax is measured after 24 hours with a Datacolor Spectrocolorimeter Model 1005. Test prints are done using the Outback Print standard test image which can be obtained from http://www.outbackprint.com/printinginsights/pi048/essay.html There are many other inkjet papers not included in this list, and that's simply because I haven't been able to purchase sample sheets. If you have sample paper you'd like to contribute, send me an e-mail. To view the test results, click on the Tested Paper Details tab below. Papers we samples of but haven't had a chance to test are listed on the Untested Paper Details tab. Updates? Corrections? Questions? Comments? Send them to [email protected]. Copyright © 2009-2010 Dane Creek Photography. Licensed under the Creative Commons Attribution Noncommercial Share Alike 3.0 license. Thanks to Jerry Fiddler for providing the Canson Baryta Photographique paper sample. Manufacturer Paper Weight (gsm) Thickness (µm) Paper Base Price/sq. in. Double-Sided OBAs Tone Finish Texture Media Profile Type Black White dMax Date Printed Rendering Intent Notes Bergger PN33 325 580 100% Cotton $ 0.0180 No No Warm Matte Heavy Premium Matte Paper Generic 16 251 1.65 8/17/2009 Relative Colorimetric Breathing Color Lyve (Uncoated) 450 533 65% Polyester / 35% Cotton $ 0.0113 No No Cool Matte Heavy Canvas Matte 2 Custom (729) 6 250 1.56 11/28/2009 -
Press Release Discover the Canson® Infinity Range of Digital Darkroom
Press release Discover the Canson® Infinity range of digital darkroom papers, setting the benchmark for fine art inkjet papers Baryta Prestige, Baryta Photographique and Platine Fibre Rag are all prestigious references in the Canson® Infinity range of digital darkroom fine art papers Annonay, France xx March 2018 - Drawing on its experience in the world of paper and cutting-edge technologies, Canson® launched the Canson® Infinity range in 2008, encompassing a range of high- quality, age-resistant papers specially designed for fine art printing. Baryta Prestige – recognised by TIPA as the Best Inkjet Photographic paper In 2017, Canson® Infinity received the prestigious TIPA award for the best inkjet photographic paper for its Baryta Prestige, a 340g/m² inkjet paper, with the look and aesthetic feel of traditional darkroom paper. Made from acid-free cellulose and cotton, the paper has excellent durability with a fine, smooth semi-matt texture that leaves every print with defined detail and vibrant colour. With a 100% layer of Barium Sulphate (Baryta), Canson® Infinity has the characteristics and aesthetics expected from a traditional silver print paper. In addition, the paper has been designed to achieve maximum black density (high D-Max) and wide colour gamut, with excellent tonal range and depth for both colour and black & white prints. This innovative product, designed for the discerning photographer and printmaker looking to produce fine art black and white or colour archival prints, is compatible with all aqueous photo inkjet printers on the market. Canson Infinity Baryta Prestige Canson® Infinity Ambassador Robert Rodriguez Jr Robert Rodriguez Jr, landscape photographer, educator, author and Canson® Infinity Ambassador said: “This beautiful paper is intended for lovers of photography and those for whom the photographic object being printed is important.