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Advances in Social Science, Education and Humanities Research, volume 369 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019) Research on Design Strategy of Handmade Paper Products under the Concept of Cultural Consumption Shuyi Li1,a, Zhou Zhong2,b,*, Xiaopeng Peng3,c 1,2Guangdong University of Technology, Guangzhou 510090, China 3Zhongkai College of Agricultural Engineering, Guangzhou 510225, China [email protected], [email protected], [email protected] *Corresponding author Keywords: handmade paper, product design, cultural consumption, cultural heritage. Abstract. Handmade paper products are the carrier of disseminating folk culture. This article puts the design of handmade paper products under the context of cultural consumption concept, integrates modern design ideas, deeply analyzes market demand, and explores new ideas of product design.In the trend of cultural consumption, designers must dig deeply into the artistic characteristics of handmade paper, so that their products can be recognized by the society, establish cultural brands and integrate into the cultural life of the public. The design of handmade paper products needs emotional experience to get people's cultural resonance, and needs to guide people to better understand the cultural spirit behind handmade paper, so as to better inherit and develop traditional culture. 1. Introduction Traditional Chinese Arts and Crafts has a long history, among which the folk papermaking occupies an important historical position. The appearance of handmade paper can be traced back to the Western Han Dynasty. Later, after the improvement of Cai Lun of the Eastern Han Dynasty, a relatively stable papermaking method was formed. With the development of the times, the emergence of mechanization has changed the production mode of paper. -
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Advances in Social Science, Education and Humanities Research, volume 124 International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) Inheritance and Industrial Development of Traditional Handcraft Paper Making Process in Beizhang Village, Chang’an Shaanxi Yuan Shao School of Fine Arts Shaanxi Normal University Xi’an, China Abstract—China’s paper making technique has been transmitted to other countries in Asia, Africa, Europe and leading around the world, which has witnessed the America, reaching every corner around the world. development of over two-thousand years since Han and Tang dynasties. The handcraft paper making process in Beizhang II. PAPER MAKING IN BEIZHANG VILLAGE, CHANG’AN Village, Changan, Shaanxi, a remains of the ancient paper making, is in a trend of being forgotten during the evolvement of historic culture and economic development. For the A. Historic Source of Paper Making in Beizhang Village intangible cultural heritages which are gradually disappearing North regions are sources of handcraft paper making in in China, the optimal method to inherit is to industrialize. China, which were cores of paper making in history and Based on the status quo and paper making process in Beizhang replaced by south regions in Song and Yuan dynasties. Village, the article compares the paper making industries Beizhang Village, Chang’an District, Xi’an, Shaanxi between the region and other regions in the country and raises Province is located at Xinglong Town, Chang’an District, at feasible suggestions for the industrialization of handcraft the foot of Qinling Mountains. The paper making records in paper making in Shaanxi. The industrialized development is Beizhang Village can be traced back to East Han Dynasty, expected to improve the understanding of the public to the which can be seen from the remains of Baqiao paper, till handcraft paper making, expand the publicity and increase the now, there is a ballad about paper making by Cai Lun economic benefits so as to continue the handcraft paper spreading in Beizhang Village. -
Product Classification and Its Implication on Competitiveness and Carbon Leakage
PRODUCT CLASSIFICATION AND ITS IMPLICATION ON COMPETITIVENESS AND CARBON LEAKAGE PULP, PAPER AND PAPERBOARD Sean Healy Katja Schumacher Climate Strategies aims to assist government in solving the collective action problem of climate change. A “not for profit” membership organisation, Companies House Number 05796323. Funders include governments and foundations. All our research is published in the public domain. www.climatestrategies.org PRODUCT CLASSIFICATION AND ITS IMPLICATION ON COMPETITIVENESS AND CARBON LEAKAGE Project Leader Katja Schumacher, Dr., Öko-Institut Contributing Authors Sean Healy Öko-Institut Publisher Publisher i.e. Climate Strategies 2011 For citation and reprints, please contact the publisher Climate Strategies PRODUCT CLASSIFICATION AND ITS IMPLICATION ON COMPETITIVENESS AND CARBON LEAKAGE Product classification and its implication on competitiveness and carbon leakage Pulp, paper and paperboard Contents 1. Executive Summary ..................................................................................................................... 1 2. Introduction ................................................................................................................................. 3 3. Overview of the pulp, paper and paperboard sectors ............................................................... 4 3.1. Description of the production process ..................................................................................... 4 3.1.1. Pulp production process ....................................................................................................... -
091102 Pulp and Paper
Methodology for the free allocation of emission allowances in the EU ETS post 2012 Sector report for the pulp and paper industry November 2009 Ecofys (project leader) Fraunhofer Institute for Systems and Innovation Research Öko-Institut By order of the European Commission Study Contract: 07.0307/2008/515770/ETU/C2 Ecofys project Number: PECSNL082164 ii Disclaimer and acknowledgements Disclaimer The views expressed in this study represent only the views of the authors and not those of the European Commission. The focus of this study is on preparing a first blueprint of an allocation methodology for free allocation of emission allowances under the EU Emission Trading Scheme for the period 2013 – 2020 for installations in the pulp and paper industry. The report should be read in conjunction with the report on the project approach and general issues. This sector report has been written by Ecofys. Acknowledgements The authors would like to thank representatives from the pulp and paper industry for the in- depth discussions on possible benchmarking options for the pulp and paper industry during the execution of the project. iii Table of content 1 Introduction....................................... .............. 1 2 Production process and GHG emissions............... 5 3 Benchmark methodology .............................. ..... 10 3.1 Background on products ........................................................................................ 10 3.2 Proposal for products to be distinguished ............................................................. -
Portada Tesis Copia.Psd
EL PAPEL EN EL GEIDŌ Enseñanza, praxis y creación desde la mirada de Oriente TESIS DOCTORAL María Carolina Larrea Jorquera Directora: Dra. Marina Pastor Aguilar UNIVERSITAT POLITÈCNICA DE VALÈNCIA FACULTAT DE BELLES ARTS DE SANT CARLES DOCTORADO EN ARTE: PRODUCCIÓN E INVESTIGACIÓN Valencia, Junio 2015 2 A mis cuchisobrinos: Mi dulce Pablo, mi Fruni Fru, Emilia cuchi y a Ema pomonita. 3 4 Agradecimientos Mi más sincera gratitud a quienes a lo largo de estos años me han apoyado, aguantado y tendido una mano de diferentes maneras en el desarrollo y conclusión de esta tesis. Primero agradecer a mi profesor y mentor Timothy Barrett, por enseñarme con tanta generosidad el oficio y arte del papel tradicional hecho a mano japonés y europeo, y por compartir sus experiencias como aprendiz en nuestros trayectos hacia Oakdale. A Claudia Lira por hablarme del camino, a Sukey Hughes por compartir sus vivencias como aprendiz y su percepción del oficio, a Hiroko Karuno por mostrarme con dedicación el arte del shifu, a Paul Denhoed y Maki Yamashita por guiarme y recibirme amablemente en su casa, a Rina Aoki por su buen humor, hospitalidad y amistad, a Lauren Pearlman por socorrerme en el idioma japonés, a Clara Ruiz por abrirme las puertas de su casa, por su amistad y buena cocina, a Nati Garrido por ayudarme a cuidar de mi salud y que no me falte el deporte, a Miguel A. por llenarme el corazón de sonrisas y lágrimas que valen la pena atesorar, Clara Castillo, Alfredo Llorens y Ana Sánchez Montabes, por su amistad y cariño, a José Borge por enseñarme que Word tiene muchas más herramientas, a Marina Pastor por sus consejos en la mejor manera de mostrar la información, a mi familia y a mis amigos chilenos y valencianos que con su buena energía me han dado mucha fuerza para terminar este trabajo. -
Four Great Inventions of China Many of the Greatest Inventions in Human History Were First Made in China
History Topic of the Month Four Great Inventions of China Many of the greatest inventions in human history were first made in China. By the 13th century, China was an innovative and exciting place to live. Travellers from Europe discovered things there that were beyond imagination in Europe. When the explorer Marco Polo arrived in China, he encountered a Contributer: © Patrick Guenette / 123rf country vastly different from his home of Venice. In his book, The Travels of Marco Polo, Polo describes cities Cai Lun (AD c.57 – 121), was a Chinese courtier official. He is believed to with broad, straight and clean streets (very different from his be the inventor of paper and the home in Venice) where even the poorest people could wash papermaking process, discovering in great bath houses at least three time a week (again very techniques that created paper as we different from hygiene in Europe). would recognise it today. China celebrates four particular innovations as “the Four Great Inventions” — they were even featured as a part of the opening ceremony for the 2008 Beijing Olympic Games. So, what were these four great inventions? Writing it all down: Paper The first of the great inventions was something we all use almost every day: paper. Many different materials had been used for writing things down, like bamboo, wood (both hard to store and write on) or silk and cloth (much more expensive). Types of paper have been found in archaeological records dating back thousands of years, but it was very difficult to make. It wasn’t until AD c.105 that a quick and easy way of making paper was invented. -
Changes in Print Paper During the 19Th Century
Purdue University Purdue e-Pubs Charleston Library Conference Changes in Print Paper During the 19th Century AJ Valente Paper Antiquities, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/charleston An indexed, print copy of the Proceedings is also available for purchase at: http://www.thepress.purdue.edu/series/charleston. You may also be interested in the new series, Charleston Insights in Library, Archival, and Information Sciences. Find out more at: http://www.thepress.purdue.edu/series/charleston-insights-library-archival- and-information-sciences. AJ Valente, "Changes in Print Paper During the 19th Century" (2010). Proceedings of the Charleston Library Conference. http://dx.doi.org/10.5703/1288284314836 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. CHANGES IN PRINT PAPER DURING THE 19TH CENTURY AJ Valente, ([email protected]), President, Paper Antiquities When the first paper mill in America, the Rittenhouse Mill, was built, Western European nations and city-states had been making paper from linen rags for nearly five hundred years. In a poem written about the Rittenhouse Mill in 1696 by John Holme it is said, “Kind friend, when they old shift is rent, Let it to the paper mill be sent.” Today we look back and can’t remember a time when paper wasn’t made from wood-pulp. Seems that somewhere along the way everything changed, and in that respect the 19th Century holds a unique place in history. The basic kinds of paper made during the 1800s were rag, straw, manila, and wood pulp. -
The Digital Fineart Collection
The Digital FineArt Collection InkJet artist papers for fine art photography, digital art, photo and art reproduction OM C N. A G A R D RZEJ D N A WWW. © FOR ORIGINALS “A work of art arises from the perfect balance between the conceivable and the inconceivable. The motive, the photographer, the moment and the material merge into something unique. The fine art papers by Hahnemühle play an important role in this creative process.” (Andrzej Dragan) The Digital FineArt Collection includes exclusive fine art paper with an exquisite feel and fascinating optics for the inkjet print. Thanks to our fine paper, brilliant black and white photographs or subtle color pictures magically highlight the individuality of their motives. For more FineArt visit www.hahnemuhle.com AwaRD-WINNING MUSEUM QUALITY PAPER 1 The Art of Expression since 1584 Hahnemühle FineArt – Germany’s oldest artist paper mill – has been making artist papers for traditional painting and printing techniques for more than 420 years. The Digital FineArt Collection combines the elegance and uniqueness of genuine artist papers with the impressive look of modern FineArt prints. The range includes papers and canvas in a variety of weights and surface textures. Photographers and artists use the genuine mould-made, cotton and alpha-cellulose fiber papers treated with a premium inkjet coating for exclusive photographic and digital artworks as well as painting and photo reproductions. This is an impressive way to combine the precision of digital print media with the wonderful charm and feel of traditional FineArt papers. By working closely with leading inkjet printer manufacturers we can ensure that the papers, technology and inks are optimally coordinated. -
Pulp, Paper, and Packaging in the Next Decade: Transformational Change
Paper & Forest Products Practice Pulp, paper, and packaging in the next decade: Transformational change If you thought the paper industry was going to disappear, think again. Graphic papers are being squeezed by digitization, but the paper and forest-products industry overall has major changes in store and exciting prospects for new growth. by Peter Berg and Oskar Lingqvist © VisionsofAmerica/Joe Sohm/Getty Images August 2019 From what you read in the press and hear on the and pulp for hygiene products. Although a relatively street, you might be excused for believing the small market as yet, pulp for textile applications is paper and forest-products industry is disappearing growing. And a broad search for new applications fast in the wake of digitization. The year 2015 saw and uses for wood and its components is taking worldwide demand for graphic paper decline for place in numerous labs and development centers. the first time ever, and the fall in demand for these The paper and forest-products industry is not products in North America and Europe over the past disappearing—far from it. But it is changing, five years has been more pronounced than even the morphing, and developing. We would argue that most pessimistic forecasts. the industry is going through the most substantial transformation it has seen in many decades. But the paper and forest-products industry as a whole is growing, albeit at a slower pace than before, as In this article, we outline the changes we see Insights 2019 other products are filling the gap left by the shrinking happening across the industry and identify the 1 Pulp, paper, and packaginggraphic-paper in market the next (Exhibit decade: 1). -
Paper Technology Journal
Paper Technology Journal News from the Divisions: CompactPulper – the new generation of Voith broke pulpers. The success story of Shandong Huatai Paper and Voith Paper keeps on rolling. Adolf Jass, Germany – complete production line for packaging papers. PrintFlex P – development of a new press fabric concept. Paper Culture: 17 Japanese Paper Blossoms Anew. Contents EDITORIAL Title page: Foreword 1 Traditional production Mixed Tropical Hardwood – of Japanese Paper. a minor and declining source of fibre for paper 2 NEWS FROM THE DIVISIONS Fiber Systems: CompactPulper – the new generation of Voith broke pulpers 7 Fiber Systems: Rejects and residue disposal from recycled fiber plants – Europe as the pioneer in rejects handling systems 10 Paper Machines: The success story of Shandong Huatai Paper and Voith Paper keeps on rolling 15 Finishing: China’s first Twister – automated paper roll wrapping par excellence 20 Trade fair and more... Voith Paper demonstrates its technological competence and close relationship with customers 23 Paper Machines: Kimberly PM 96 – position for lang-term competitiveness 26 Paper Machines: NipcoFlex and TissueFlex – Shoe press technology for the dewatering of all paper grades 28 Paper Machines: Hengfeng PM 12 – new quality benchmark for cigarette paper 32 Paper Machines: Adolf Jass Paper Mill, Schwarza, Germany – another complete production line for packaging papers 36 Paper Machines: Zülpich PM 6 – still one of the most productive paper machines for Testliner and Corrugating Medium 39 Finishing: Excellent threading -
1. S. Envelopes by Edward H
THE PROOFS a n d ESSAYS FOR 1. S. ENVELOPES BY EDWARD H. MASON, BOSTON Ί / AS ORIGINALLY PRINTED IN THE PHILATELIC GAZETTE, NEW YORK NEW YORK 19Π« J. M. BARTELS CO., PUBLISHERS 99 NASSAU STREET THE Г ROO E S AND ESSAYS FOR U. S. ENVELOPES. By Edward Η. M ason. Tile writer believes that no list of either the proofs or essays for United States En velopes has ever been attempted, ile has therefore included both and also “trial colors" in the following list. The list includes all of which the writer has been able to learn, but there may be many others. The numbers given· of heads, knives and watermarks are according to the catalogue of J. M. Bartels Co., except in case of en velopes bearing the watermark of a Nesbitt issue. The Bartels catalogue recognizes only one watermark for the Nesbitt issue (No. 1) ; Mr. George L. Toppan in hts catalogue for the Scott Stamp and Coin Co., recognizes eight varieties (Nos. A l to A8) of this watermark, following the list of Messrs. Tiffany, Bogért & Reehert, which recognizes seven varieties. In the following list the varieties of Nesbitt watermarks are designated according to the Toppan list: No. 1. Six Cents, Nesbitt Die No. 6, 1853, on the earliest form of watermarked paper, No. A l. These are die proofs, on horizontally laid paper, and not the reprints of 1861 ( ? ) , which are on vertically laid paper. On slips of paper. (a) Six Cents, green, on white and buff. (b) Six Cents, red, on buff. No. -
Handmade Paper: a Review of Its History, Craft, and Science
REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques.