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Assessing Preservation Needs: a Self-Survey Guide, by the Northeast Document Conservation Center
ASSESSING PRESERVATION NEEDS ASSESSING PRESERVATION NEEDS A SELF-SURVEY GUIDE Beth Patkus Northeast Document Conservation Center Andover, Massachusetts 2003 The Institute of Museum and Library Services, a federal agency that fosters innovation, leadership, and a lifetime of learning, supported the publication of this book, Assessing Preservation Needs: A Self-Survey Guide, by the Northeast Document Conservation Center. The National Endowment for the Humanities, an independent grant-making agency of the federal government, provides substantial funding to support field service activities, including publications, at the Northeast Document Conservation Center. Library of Congress Cataloging Number ISBN No. 0-9634685-5-3 Copyright © 2003 by Northeast Document Conservation Center. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes in any form or media, or stored by any means in any storage retrieval system, without prior written permission of the Northeast Document Conservation Center, 100 Brickstone Square, Andover, MA 01810. This publication is printed on paper that meets the requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 (R1997). CONTENTS PREFACE ................................................................................................................................. ix INTRODUCTION.................................................................................................................... -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
William Blake PART I
126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl. -
Leafing Through History
Leafing Through History Leafing Through History Several divisions of the Missouri Botanical Garden shared their expertise and collections for this exhibition: the William L. Brown Center, the Herbarium, the EarthWays Center, Horticulture and the William T. Kemper Center for Home Gardening, Education and Tower Grove House, and the Peter H. Raven Library. Grateful thanks to Nancy and Kenneth Kranzberg for their support of the exhibition and this publication. Special acknowledgments to lenders and collaborators James Lucas, Michael Powell, Megan Singleton, Mimi Phelan of Midland Paper, Packaging + Supplies, Dr. Shirley Graham, Greg Johnson of Johnson Paper, and the Campbell House Museum for their contributions to the exhibition. Many thanks to the artists who have shared their work with the exhibition. Especial thanks to Virginia Harold for the photography and Studiopowell for the design of this publication. This publication was printed by Advertisers Printing, one of only 50 U.S. printing companies to have earned SGP (Sustainability Green Partner) Certification, the industry standard for sustainability performance. Copyright © 2019 Missouri Botanical Garden 2 James Lucas Michael Powell Megan Singleton with Beth Johnson Shuki Kato Robert Lang Cekouat Léon Catherine Liu Isabella Myers Shoko Nakamura Nguyen Quyet Tien Jon Tucker Rob Snyder Curated by Nezka Pfeifer Museum Curator Stephen and Peter Sachs Museum Missouri Botanical Garden Inside Cover: Acapulco Gold rolling papers Hemp paper 1972 Collection of the William L. Brown Center [WLBC00199] Previous Page: Bactrian Camel James Lucas 2017 Courtesy of the artist Evans Gallery Installation view 4 Plants comprise 90% of what we use or make on a daily basis, and yet, we overlook them or take them for granted regularly. -
Paper & Envelopes
PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope. -
A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products. -
Making Paper from Trees
Making Paper from Trees Forest Service U.S. Department of Agriculture FS-2 MAKING PAPER FROM TREES Paper has been a key factor in the progress of civilization, especially during the past 100 years. Paper is indispensable in our daily life for many purposes. It conveys a fantastic variety and volume of messages and information of all kinds via its use in printing and writing-personal and business letters, newspapers, pamphlets, posters, magazines, mail order catalogs, telephone directories, comic books, school books, novels, etc. It is difficult to imagine the modern world without paper. Paper is used to wrap packages. It is also used to make containers for shipping goods ranging from food and drugs to clothing and machinery. We use it as wrappers or containers for milk, ice cream, bread, butter, meat, fruits, cereals, vegetables, potato chips, and candy; to carry our food and department store purchases home in; for paper towels, cellophane, paper handkerchiefs and sanitary tissues; for our notebooks, coloring books, blotting paper, memo pads, holiday greeting and other “special occasion’’ cards, playing cards, library index cards; for the toy hats, crepe paper decorations, paper napkins, paper cups, plates, spoons, and forks for our parties. Paper is used in building our homes and schools-in the form of roofing paper, and as paperboard- heavy, compressed product made from wood pulp-which is used for walls and partitions, and in such products as furniture. Paper is also used in linerboard, “cardboard,” and similar containers. Wood pulp is the principal fibrous raw material from which paper is made, and over half of the wood cut in this country winds up in some form of paper products. -
The Method of Making Models from Sheets of Blotting Paper
THE METHOD OF MAKING MODELS FROM SI-IEETS OF BLOTTING PAPER. BY SUSANNA PHELPS GAGE. Ithaca, New York. The Born Method of reconstructing models from wax plates is in use in all the larger laboratories of Anatomy and Embryology. Various modifications of that method have been introduced, notably at Johns IIopkins University. For smaller laboratories and isolated investigators the wax plates are difficult to prepare or to obtain already made. More- over, in the larger laboratories ihe preparation of the plates is a much dreaded piece of drudgery to be done in the basement. The apparatus is cumbersome and if at all accurate, expensive. Like any other ap- paratus it requires some skill to use it with success. Any one who has either cast or rolled wax plates will not need a statement of the inconveniences. In 1905, it occurred to me that sheets of blotting paper might serve instead of wax plates. A small model was at once made which showed its feasibility. Models made of this material were demonstrated at thc Association of American Anatomists in December, 1905, ( Amer. Jour. Anat. V., 1905-06, p. XXIII) and the method was further demonstrated at the International Zoological Congress held in Boston, August, 1907'. It has also been used successfully in the embryologic and anatomic laboratories of Cornell University and the University of West Virginia. Blotting paper models were demonstrated by Dr. J. H. Hathaway and by Dr. J. B. Johnston at the Association of American Anatomists held in New York, 1906 (Proc. Assoc. Amer. Anatomists, Anat. Record, April 1, 1907,). -
JCAC33 Boruvka
The Development of Foxing Stains on Samples of Book Paper after Accelerated Ageing Natalie Boruvka Journal of the Canadian Association for Conservation (J. CAC), Volume 33 © Canadian Association for Conservation, 2008 This article: © Natalie Boruvka, 2008. Reproduced with the permission of Natalie Boruvka. J.CAC is a peer reviewed journal published annually by the Canadian Association for Conservation of Cultural Property (CAC), PO Box 87028, 332 Bank Street, Ottawa, Ontario K2P 1X0, Canada; Tel.: (613) 231-3977; Fax: (613) 231- 4406; E-mail: [email protected]; Web site: http://www.cac-accr.ca/. The views expressed in this publication are those of the individual authors, and are not necessarily those of the editors or of CAC. Journal de l'Association canadienne pour la conservation et la restauration (J. ACCR), Volume 33 © l'Association canadienne pour la conservation et la restauration, 2008 Cet article : © Natalie Boruvka, 2008. Reproduit avec la permission de Natalie Boruvka. Le J.ACCR est un journal révisé par des pairs qui est publié annuellement par l'Association canadienne pour la conservation et la restauration des biens culturels (ACCR), BP 87028, 332, rue Bank, Ottawa (Ontario) K2P 1X0, Canada; Téléphone : (613) 231-3977; Télécopieur : (613) 231-4406; Adresse électronique : [email protected]; Site Web : http://www.cac-accr.ca. Les opinions exprimées dans la présente publication sont celles des auteurs et ne reflètent pas nécessairement celles de la rédaction ou de l'ACCR. 38 The Development of Foxing Stains on Samples of Book Paper after Accelerated Ageing Natalie Boruvka Queen's University, Art Conservation Program, 15 Bader Lane, Kingston, ON K7L 3N6, Canada; [email protected] The term foxing is used to describe red-brown spots that develop on some paper objects over time. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
Conservation of Coated and Specialty Papers
RELACT HISTORY, TECHNOLOGY, AND TREATMENT OF SPECIALTY PAPERS FOUND IN ARCHIVES, LIBRARIES AND MUSEUMS: TRACING AND PIGMENT-COATED PAPERS By Dianne van der Reyden (Revised from the following publications: Pigment-coated papers I & II: history and technology / van der Reyden, Dianne; Mosier, Erika; Baker, Mary , In: Triennial meeting (10th), Washington, DC, 22-27 August 1993: preprints / Paris: ICOM , 1993, and Effects of aging and solvent treatments on some properties of contemporary tracing papers / van der Reyden, Dianne; Hofmann, Christa; Baker, Mary, In: Journal of the American Institute for Conservation, 1993) ABSTRACT Museums, libraries, and archives contain large collections of pigment-coated and tracing papers. These papers are produced by specially formulated compositions and manufacturing procedures that make them particularly vulnerable to damage as well as reactive to solvents used in conservation treatments. In order to evaluate the effects of solvents on such papers, several research projects were designed to consider the variables of paper composition, properties, and aging, as well as type of solvent and technique of solvent application. This paper summarizes findings for materials characterization, degradative effects of aging, and some effects of solvents used for stain reduction, and humidification and flattening, of pigment-coated and modern tracing papers. Pigment-coated papers have been used, virtually since the beginning of papermaking history, for their special properties of gloss and brightness. These properties, however, may render coated papers more susceptible to certain types of damage (surface marring, embedded grime, and stains) and more reactive to certain conservation treatments. Several research projects have been undertaken to characterize paper coating compositions (by SEM/EDS and FTIR) and appearance properties (by SEM imaging of surface structure and quantitative measurements of color and gloss) in order to evaluate changes that might occur following application of solvents used in conservation treatments. -
Full Article
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE ISSN: 2067-533X Volume 7, Issue 4, October-December 2016: 1023-1030 www.ijcs.uaic.ro EXPERIMENTAL STUDY ON THE CLEANING OF FOXING SPOTS ON THE OLD PAPER MANUSCRIPTS USING NATURAL PRODUCTS Nadia Zaki SHABAN1, Sawsan Said DAROUISH2, Taha Ayman SALAH*3 1 Biochemistry Department, Faculty of Science, Alexandria University, Alexandria, Egypt 2 Conservation Department, Faculty of Archaeology, Cairo University, Cairo, Egypt 3 Conservation Department, Faculty of Archaeology, Aswan University, Egypt. Abstract Many manuscripts and historical books contain a form of deterioration known as foxing or fox spots, a brownish stain which has the effect of altering aesthetic and visual appeal. The aim of this work is to study the role of the extracts of Water Cantaloupe (CE) and Water melon (WE) separately as natural products in removing foxing spots in various modern and old papers. Old papers and three types of modern papers made from cotton, linen and a mixture of cotton, linen and wood (1:1:1) were used for this purpose. Each type was divided into two groups, one of them was infected with foxing and the other was left as control (uninfected). Infected papers were treated with CE, WE and 2% sodium hypochlorite (as a traditional chemical bleaching) separately. Fourier Transform Infrared Spectroscopy (FTIR), Atomic Absorption Spectroscopy, Scanning Electron Microscopy equipped with Energy-Dispersive X-ray spectroscopy (SEM-EDX) in addition to some optical and mechanical properties were carried out to evaluate the Cantaloupe Extracts (CE) and Water Melon Extracts (WE) use in removing foxing stains compared to sodium hypochlorite. The results showed that CE removed foxing in different studied papers at pH = 7.4.