art classes adults • teens • children summer 2017 summer 2017 ssa community calendar All events are FREE and open to the public unless otherwise noted. 44th Annual FIESTA ARTS FAIR | Sat & Sun, Apr 22 & 23 Historic Ursuline Campus | Paid Admission Over 110 regionally and nationally recognized artists are the highlight of this favorite Fiesta event—great music, food, and a Young Artists Garden add to the enjoyment. Proceeds benefit the SSA’s programs. Advance tickets available online at www.swschool.org/FiestaArtsFair. CLOSED | Battle of Flowers | Fri, Apr 28 SAVOR THE ARTS | Thurs, May 18 | 7:00 – 11:00pm Paid Admission | Santikos Building Join us for the 16th annual friendraiser event to benefit the Young Artist Programs of the SSA! Enjoy a preview of the exhibition, complimentary libations, and culinary creations by some of San Antonio’s finest chefs. Advance tickets available online at www.swschool.org/savorthearts. EXHIBITIONS | May 19 – Jul 16 OPENING RECEPTION | Fri, May 19 | 5:30 – 7:30 pm Victor Pérez-Rul: The Odds Russell Hill Rogers Gallery I Mexican artist Pérez-Rul (Mexico City) exhibits works that Detail. Kristy Perez. Self-Portrait, 2017, Staedtler pigment liner explore and exploit the relationships between energy, pen on Fabriano paper matter, and consciousness through sculpture, installations, interactivity, sound, and performance. Esteban Delgado: Paintings Russell Hill Rogers Gallery II Referencing the minimalist works of Josef Albers and apr.may.jun.jul.aug Ad Reinhardt, San Antonio artist Delgado exhibits abstract paintings that present a contemporary investigation of REGISTRATION for Summer 2017 Term abstracted enviroments and the landscape, represented Members Priority Online | Tues, Apr 4 | 9:00am through bold shapes and colors. Members Open | Thurs, Apr 6 Open Registration | Tues, Apr 11 CLOSED | Memorial Day | Mon, May 29 EXHIBITIONS | through Apr 30 Artist Talk | Fri, Jun 16 | 1:00pm 2017 CAM Perennial | Reflections of Landscape & Memory Nicole DesChamps-Benke Russell Hill Rogers Gallery I & II Ellison Lecture Hall | Santikos Building An annual celebration of contemporary art in San Antonio, the Contemporary Art Month organization (CAM) CLOSED | Independence Day | Tues, Jul 4 invites curator Chris Ingalls (Miami, FL) to give a fresh EXHIBITIONS | Jul 28 – Aug 27 perspective on the local art scene. OPENING RECEPTION | Fri, Jul 28 | 5:30 – 7:30 pm Florence Through a Plastic Lens Jack McGilvray: The Lakehouse Russell Hill Rogers Galleries Russell Hill Rogers Gallery I Shot in Florence, Italy during a course offered by the The Lakehouse is a body of work documenting a changing Southwest School of Art this past August, students used landscape and the effects of these changes on three vintage Diana and Holga cameras to capture the images generations of family. of what was before them. Kristy Perez: The Giving Distance Elvia Perrin: Etchings, Lithographs, & Monoprints Russell Hill Rogers Gallery II Urschel Gallery San Antonio artist Perez shows works on paper that reflect Printmaker Perrin develops her works through a dialogue the artist’s perspective on how we relate to one another. between an idea and making, and a process of editing, overlapping, stacking, and layering. Selected Works: Teen Studio Intensive Program Russell Hill Rogers Lecture Hall Margaritas & Medals Party | For SSA Members New works highlighting the participants in the SSA’s Teen Thurs, Apr 6 | 5:30 – 7:30pm | Frost Garden Studio Intensive. By invitation, a special exclusive benefit for our members Kristy Deetz: Through the Veil at the Muse level and above; enjoy a refreshment and Urschel Gallery pick up your Fiesta Arts Fair medal at the same time. To Beginning with a rendering from a closely observed fabric RSVP or find out how to become a member at the Muse with wrinkles and folds, Deetz (Greenbay, WI) exhibits her level, contact Lyn Woods at 210.200.8207. painting series which alludes to Lewis Carroll’s “Through the Looking-Glass,” filtered through a kind of ubi sunt (a feeling CLOSED | Easter | Sun, Apr 16 of loss or of valuing things or times lost). Registration for Fall 2017 Term Members Priority Online | Tues, Aug 8 | 9:00am Members Open | Thurs, Aug 10 Open Registration | Tues, Aug 15 welcome

directory adult studio classes at-a-glance 02 beginning art maker 04 book arts.papermaking 05 ceramics 08 drawing.painting 12 printmaking.mixed media 17 fibers.weaving.surface design 20 jewelry.metals 23 photography.digital 26 integrated media.wood 28 video.sculpture.metals 29 glass.mosaic 30 art educator workshops 31 bfa degree program 32 faculty 33 campus map 36 general information 37 The Southwest School of Art is a nationally recognized how to register 38 leader in visual arts education, offering a Bachelor registration form 39 of Fine Arts degree as well as studio art programs for young artist programs inside back cover adults, children, and teens. For over 50 years, The Southwest School of Art has helped thousands of people unlock their creative potential and develop fulfilling registration connections to the arts, whether as professional Mon – Fri | 8:30am – 5:00pm working artists, dedicated dabblers, or perpetual McNutt Welcome Center learners. Registration for classes should be made as soon as possible; class size is limited and filled on a first-come, first-served basis. Classes are small, allowing for individual instruction, Summer 2017 Registration DATES and we offer a wealth of beginners classes. Scholarships MEMBERS priority • Online | Tues, Apr 4 | 9:00am are available in every department. Classes and • Members Open | Thurs, Apr 6 workshops are taught by a permanent faculty and OPEN REGISTRATION • Tues, Apr 11 | 9:00am leading artists, in cutting-edge facilities located in Ongoing throughout the term downtown San Antonio. There’s no reason to hesitate— ph 210.224.1848 | fax 210.224.9337 begin your creative journey at the Southwest School of [email protected] www.swschool.org Art. 02 | Summer 2017 adult studio classes at-a-glance photography jewelry.metals glass.mosaic mixed media mixed painting. fibers ceramics arts book digital media digital graphics. computer art history art * other sculpture.wood. media. integrated printmaking papermaking drawing.design.

(VA) (VA) Class New 1 –3 day Weekend Workshop Weekend day ‡ 1–3 Visiting Artist Concept & Abstraction &Abstraction Concept • • • • • • • • • • • • • • Mon •

Watercolor Painting Watercolor

Handbuilding Sculpture: Sculpture: Handbuilding Handbuildin 101: Ceramics Vessels Skills: Throwing Fiber Study for Weavers On-Loom Weaving Beginning Weaving From Concept to Creation Creation to Concept From Digital Fabrication Introduction to Photography.2 Introduction to Photography.1 From Concept to Creation Creation to Concept From Digital Fabrication Letterpress Skills Letterpress Basic MetalSkills.2 * g * * *

• Basic Drawing Drawing • Basic Drawing to • Introduction • Knifemaking • Simple • • • •

• &Majolica • &Sippers Shooters, • Tues • • Digital Camera Digital • Printing Screen • Water-Based Casting Wax • Lost • • Blue & White: Ming, Delft, Delft, Ming, &White: Blue Shots, 101: Ceramics Painting Landscape IntensifiedAbstraction Painting Watercolor Introduction to the the to Introduction Introduction to the the to Introduction

Simple Knifemaking Simple Skills.1 Metal Basic Digital Camera The Dinner Party Party Dinner The Woodworking &Furniture Fiber Study for Weavers On-Loom Weaving * * * ‡ Wed Thurs Fri Sat/Sun • Graphic Design & • Marbling: Paper & Fabric (VA) ‡* Letterpress: Business Cards * • Ceramics 101: • Intro to Throwing Wheelthrowing * • Throwing Skills: Vessels • Face Casting * • Intro to Handbuilding: • Soda Firing at Cone 6 * The Figure

• Basic Video Editing & • Stop Motion Animation Animation *

• Basic Drawing • Cartooning, Comics, • Introduction to Drawing ‡ Caricature, & Anime • Basic Drawing • Drawing Studio • Emotive Drawing Workshop * • Drawing Surrealism • Color Design

• Beginning Weaving • On-Loom Weaving • Patterning Your Favorite • Tapestry Weaving • On-Loom Weaving • Fiber Study for Weavers Garments Techniques ‡ • Fiber Study for Weavers • Nature Inspired Textile Design ‡* • ConnectAbility ‡* • Shibori & Organic Indigo (VA) ‡* • Marbling: Paper & Fabric (VA) ‡*

• Introduction to Stained Glass • Introduction to Glass Beadmaking • Introduction to Marblemaking

• Metals Studio Projects • Creating a Production • Weekend Introduction to • Introduction to Welding Series * Jewelry-Making • Rings & Dishes * Techniques ‡ • Introduction to Welding • Small Wooden Boxes * • Introduction to Blacksmithing ‡ • Digital Techniques for Metal

• Painting Studio • Basic Painting • Encaustic & Paper: • Introduction to Water- Complementary Processes ‡ * Based Painting ‡ • Mixed Media: Art Materials Special Effects ‡*

• Papermaking Instruction • Pulp Painting • Wet Collage * • Encaustic & Paper: Complementary Processes ‡ *

• Intermediate/Advanced • Stop Motion Animation • The Mural Print Darkroom • Basic Black & White Darkroom

• Non-Toxic Printmaking • Polyester Plate Lithography * • Screenprint Monoprint • Introduction to Welding • Stop Motion Animation • Introduction to Blacksmithing ‡ • Introduction to Welding

• Latin American Art Now

Summer 2017 |03 The Southwest School of Art offers a wide selection of classes appropriate for the novice or beginning student. Stop procrastinating, fulfill that desire to be creative, and enjoy a unique entry-level experience!

Graphic Design & Letterpress: Business Cards * page 05 Pulp Painting page 06 Wet Collage * page 07 Papermaking Instruction page 07 Introduction to Throwing page 08 Introduction to Handbuilding: The Figure page 08 Ceramics 101: Shots, Shooters, & Sippers * page 08 Ceramics 101: Handbuilding * page 09 Ceramics 101: Wheelthrowing * page 09 Face Casting * page 10 Introduction to Drawing page 12 Basic Drawing page 12 Emotive Drawing Workshop * page 13 Cartooning, Comics, Caricature and Anime page 13 Drawing Surrealism page 14 Color Design page 14 beginning art maker classes classes art maker beginning From Concept to Creation * page 14 Introduction to Water-Based Painting page 14 Basic Painting page 15 Landscape Painting page 15 Watercolor Painting page 16 Latin American Art Now page 16 Non-Toxic Printmaking page 17 Water-Based Screen Printing page 18 Screenprinting Monotypes page 18 Polyester Plate Lithography * page 18 Mixed Media: Art Materials Special Effects * page 19 Encaustic & Paper: Complementary Processes page 19 Beginning Weaving page 20 ConnectAbility page 21 PatterNing Your Favorite Garments page 21 Tapestry Weaving Techniques page 22 Marbling: Paper & Fabric * page 22 Shibori & Organic Indigo * page 22 Basic Metals Skills.1 page 23 Weekend Introduction to Jewelry-Making Techniques page 23 Small Wooden Boxes * page 23 Creating a Production Series * page 24 Rings & Dishes * page 24 Introduction to Photography.1 page 26 Introduction to the Digital Camera page 26 Basic Black & White Darkroom page 27 Digital Fabrication page 28 Woodworking & FURNITURE page 28 Stop Motion Animation page 28 Basic Video Editing & Animation page 29 Introduction to Blacksmithing page 29 Introduction to Welding page 29 Simple Knifemaking page 29 Introduction to Stained Glass page 30 The Art of Mosaics page 30 Introduction to Glass Beadmaking page 30 NEW *

04|Summer 2017 book arts.papermaking The Paper and Book Arts Department offers both traditional and explorative classes at all levels in hand papermaking, bookbinding, letterpress printing, and decorative paper techniques.

Ages 15 and older may register in the book arts and papermaking studio classes with parental permission.

All Levels 4308 | Letterpress Skills Sarah Sauer Letterpress celebrates the tactile beauty of the printed word, as the letters are pressed deep into the paper and not just printed on the surface. Focus will be on good technique and will cover polymer plate-making, two-color printing, design of text and image, and troubleshooting. Students may bring ideas for their subject and format, including images, or may choose from some suggested projects. This course requires preparation outside of class to complete projects; studio access is available outside of class. Binding and any other relevant techniques will be taught as necessary. Materials and tools needed for individual projects will be discussed in class. A $100 check deposit for type distribution is required from anyone using type and will be returned at the end of class. No printing or binding experience is required. Mon, Jun 12 – Aug 7 (No class Jul 3) | 6:00 – 9:00pm | Book Arts Studio | Santikos Building Tuition: $265 (Members: $250) | 8 sessions

NEW | All Levels 4350 | Graphic Design & Letterpress: Business Cards Sarah Sauer This class will expose the student to the process of producing branded business cards from initial design to finished print output. After an introduction to the basics of branding and typographic design, students will develop their own card design, learn to produce the printing plate, and print a set of business cards. Both traditional and non-traditional business card design and layout will be encouraged. Students will gain knowledge in graphic design, polymer plate making, and letterpress printing. Note: No previous experience is required; however good manual dexterity is required for the class. Students will need to purchase polymer plate material from the school; please see SSA website for a materials list. Wed, May 31 – Jul 5 | 6:00 – 9:00pm | Book Arts Studio | Santikos Building Tuition: $200 (Members: $185) | 6 sessions

Summer 2017|05 06 | Summer 2017 book arts.papermaking Shannon Brock 4244 LevelsAll 4401b: Semester rate: $300(Members:$285) 4401a: Dailyrate: $60(Members:$45) Days andhoursby arrangement |BuildingisaccessibleMon–Sun,9:00am–9:00pm Studio |SantikosBuilding Jun 5–Aug4|BookArts Tuition: $165(Members:$150)|2sessions Sat &Sun,Jul2223|9:30am–4:00pm |PicantePaper Studio |SantikosBuilding See list. Tuition includessomematerials;studentswillneedtopayforpulpseparately. prior papermakingexperiencenecessary.PleaseseeSSAwebsite forthematerials book artists.Basic sheetforming,pigmenting,andeditioningwillbecovered. No pencil-thin linesorlarge swathsofcolor. This isagreat classforprintmakersand beaten, pigmentedcottonragsandsoftbristlebrushesofvarious sizes tocreate base sheettostartformingimagery. To completethework, studentswillusefinely students willmanipulateandapplythinveils ofpigmentedcottoninlayers ontoa papermaking. Working withmultiple moulds,contactpaper, anddentalsyringes, paint withpaperpulp. This two-dayworkshop willexplore imagemakinginhand Put down thesqueeze bottleandpickupthepaintbrushbecausewe are goingto 4400 Intermediate/Advanced 210.200.8255 [email protected]. Chair, andapprovalforeachpieceofequipmentused.ContactEléonoreLeeat equipment, understandingofstudioprotocol,permissionfromtheDepartment schedule, withclassesgivenpriority. on afirst-come,first-servedbasis,accordingtoSantikosBuildinghoursandstudio redistributed. Participantsareresponsibleforallcleanup.Thestudioisavailable cleaned, thatnoequipmenthasbeendamaged,andalltypeproperly deposit checkswillbereturnedafterconfirmationthatthepresshasbeenproperly access toequipmentandalimitedamountofmaterial.A$100depositisrequired; made priortoenrollment andwillrequire an additionalfee.Note: large Kutrimmer forcuttingpaperandboard. Requests forinstructionshouldbe proofing press, standingpress, finishing sewing punch,stamper,press, plough, and and equipment.Equipment includesa Vandercook Universal IIIandasmaller The Book Arts Studio isavailable forartistswithexperience inletterpress printing E 4401 Intermediate/Advanced 4400b: Semester rate: $150(Members:$135) 4400a: Dailyrate: $35(Members:$20) Days andhoursby arrangement |BuildingisaccessibleMon–Sun, 9:00am–9:00pm Studio |SantikosBuilding Jun 5–Aug4|BookArts Lee [email protected]. Department Chair, andapprovalforeachpieceofequipmentused.ContactEléonore the desiredequipment,understandingofstudioprotocol,permissionfrom and studioschedule,withclassesgivenpriority.Prerequisite: is availableonafirst-come,first-servedbasis,accordingtoSantikosBuildinghours limited amountofmaterial.Participantsareresponsibleforallcleanup.Thestudio may require anadditionalfee. Note: is notincluded.Requests forinstructionshouldbemadepriortoenrollment and and large Kutrimmer forcuttingpaperandboard. Use oftheletterpress equipment Equipment includesstandingpress, finishingpress, punch,stamper, plough,sewing The Book Arts Studio isavailable forartistswithprevious bookbindingexperience. E léonore léonore léonore * PAPERMAK | | | LetterpressStudioRental PulpPainting BookArtsStudioRental L L ee ee ING N ote . The fee includes access to equipment and a The feeincludesaccesstoequipmentanda Prerequisite: Experience with the desired Experience withthedesired Experience with Experience with The fee includes The feeincludes

book arts.papermaking NEW | All Levels 4025 | Wet Collage Jo Etta Jupe Interested in collage or working with mixed media? This class will introduce papermaking as the first step in the collage process where collage elements are added in to the wet handmade paper. Steps on how to emboss and apply pulp paint to your collage will also be covered. Students will also learn how to lay in the design, and what types of papers and images work best in this type of collage. Tuition includes some materials; please see SSA website for the materials list. See *PAPERMAKING Note. Sat, Aug 5 | 9:30am – 12:30pm | Picante Paper Studio | Santikos Building Tuition: $60 (Members: $45) | 1 session

All Levels 4015 | Papermaking Instruction Shannon Brock This course allows students of all levels of experience to work on guided or independent projects. Basic papermaking instruction will be covered for the beginner or as needed, as well as fiber preparation, pigmenting pulp, forming techniques, and more. Outside studio access beyond dates listed below is not included; please see 4000 | Studio Rental for additional studio hours. Tuition includes some materials; however, students will need to pay for pulp separately. Please see SSA website for a materials list. See *PAPERMAKING Note. Wed, Jun 7 – Jul 12 | 6:00 – 9:00pm | Picante Paper Studio | Santikos Building Tuition: $175 (Members: $160) | 6 sessions

ALSO SEE: 6092 | Encaustic & Paper: Complementary Processes listed under MIXED MEDIA on Page 19. 2345 | Marbling: Paper & Fabric listed under FIBERS.SURFACE DESIGN on Page 22.

Intermediate/Advanced 4000 | Papermaking Studio Rental Eléonore Lee or Studio Monitor The Picante Paper Studio is a welcoming and professionally equipped space for experienced paper artists. Equipment includes a hollander beater, a variety of molds and deckles, and a 20-ton paper press, all available on a first-come, first- served basis. Renters are responsible for clean up. Assistance and/or instruction is available upon request. Please contact Eléonore Lee to arrange studio time. Prerequisite: Experience with the desired equipment, understanding of studio protocol, permission from the Department Chair, and approval for each piece of equipment used. Contact Eléonore Lee at 210.200.8255 or [email protected]. See *PAPERMAKING Note. No pulp or fiber is included with the rental fee. Jun 5 – Aug 4 | Picante Paper Studio | Santikos Building Days and hours by arrangement | Building is accessible Mon–Sun, 9:00am–9:00pm Studio Rental Rates: 4000a | $50 (Members: $35) | 1 session 4000b | $90 (Members: $75) | 3 sessions 4000c | $265 (Members: $250) | full semester *PAPERMAKING NOTE: Papermaking is a wet process. Closed-toed shoes that can get wet must be worn to work in the studio. Water-proof aprons are available.

Summer 2017|07 The Ceramics Department offers studio classes in hand-built and wheel thrown pottery and sculpture, as well as classes exploring techniques, both traditional and cutting-edge, at studio facilities that are among the best in Texas. ceramics

Beginning 1001 | Introduction to Throwing Angela Mann This class will focus on the basic skills of wheel throwing—centering, opening, and pulling vessels—followed by learning to form cylinders, bowls, and cups. Students will also learn to evaluate form and how form serves a vessel’s function while working in stoneware clay and high-temperature glazes. Thurs, Jun 15 – Aug 17 | 6:00pm – 9:00pm | Wheelthrowing Studio | McAllister Building Tuition: $310 (Members: $295) | 10 sessions

Beginning/Intermediate 1002 | Introduction to Handbuilding: The Figure Cecilia Castro-Hancock Handbuilding is the fundamental construction method for creating sculptural ceramic forms. Students will undertake a variety of figurative-themed projects using methods that include pinch-forming, round and flat coil construction, and slab construction, as well as techniques for surface enhancement. Students will work with low-temperature clay and will be introduced to glazing techniques. Thurs, Jun 15 – Aug 17 | 9:30am – 12:30pm | Handbuilding Studio | McAllister Building Tuition: $310 (Members: $295) | 10 sessions

NEW | Beginning 1101 | Ceramics 101 Happy Hour: Shots, Shooters, & Sippers Blake Kennedy Ceramics 101 Happy Hour is for those looking for a weekly break! Don’t worry about coming dressed to impress, ditch your office persona and enjoy creative social time with new people while learning the basics of wheel throwing with clay. Learn to make a variety of cups for weekend beverages—shots, shooters, and sippers—or maybe just for morning coffee. Tuition includes one bag of low- temperature clay, glaze materials, and use of tools. Additional clay and tools are available for purchase from the Ceramics studio. Tues, Jun 13 – Jul 18 (No class Jul 4) | 6:00 – 8:00pm | Wheelthrowing Studio | McAllister Building Tuition: $170 (Members: $155) | 5 sessions 08|Summer 2017 ceramics NEW | Beginning 1105 | Ceramics 101 Happy Hour: Handbuilding Kimberly Rumfelt Come enjoy creative social time with new people while learning the basics of constructing with clay. Basic handbuilding skills, like pinch pots and coil building, along with decorative techniques like slab cut-outs to create one-of-a-kind pieces, will be covered in this short introductory class. Tuition includes one bag of low temperature clay, glaze materials, and use of tools. Additional clay and tools are available for purchase from the Ceramics studio. Mon, Jun 12 – Jul 10 | 6:00 – 8:00pm | Handbuilding Studio | McAllister Building Tuition: $170 (Members: $155) | 5 sessions

NEW | Beginning 1106 | Ceramics 101 Happy Hour: Wheelthrowing Kimberly Rumfelt Learn to make a variety of bowl forms for use at home. Break up the mid-week, work routine with a short introduction to the process of creating ceramics on the potter’s wheel. Tuition includes one bag of low-temperature clay, glaze materials, and use of tools. Additional clay and tools are available for purchase from the Ceramics studio. Wed, Jul 19 – Aug 16 | 6:00 – 8:00pm | Wheelthrowing Studio | McAllister Building Tuition: $170 (Members: $155) | 5 sessions

Intermediate 1030 | Throwing Skills: Vessels Blake Kennedy & John Nelson Focus on expanding and refining throwing skills while concentrating on specific thrown forms. Presentations and discussions will help students understand how to throw and construct vessels that integrate form with function. Note: Section A will focus on vessels that are used for serving: bowls, plates, and platters. Section B will focus on vessels that can be enhanced with slip techniques. Students will learn how to make a handmade brush to use in the surfacing of their pots. Students will also be introduced to an array of surface decoration techniques and how to load and unload downdraft gas kilns. Prerequisite: Basic Skills: Introduction to Throw- ing and Basic Skills: Introduction to Handbuilding. 1030a: Kennedy | Mon, Jun 12 – Aug 14 | 6:00 – 9:00pm 1030b: Nelson | Thurs, Jun 15 – Aug 17 | 9:30am – 12:30pm

Wheelthrowing Studio | McAllister Building Tuition: $315 (Members: $300) | 10 sessions * CERAMIC NOTE: Students registering for ceramic classes should be physically capable of lifting 25lbs. Intermediate and advanced students will be required to spend time outside of the scheduled class period to load, fire, and unload kilns under appropriate supervision. Those students who are unable to arrange time to participate outside of class time should not enroll in these classes.

Summer 2017|09 ceramics

Ceramics Open Studio Students who are currently registered in a ceramic class can use the studios during the duration of the student’s class session. Open Studio is for practicing techniques taught in the classroom and is available any time the studio is open and a class is not in session. Jun 5 – Aug 10 Mon – Thurs, 9:30am – 9:30pm; NEW | Intermediate/Advanced Fri, closed; Sat & Sun, 12:00 – 5:00pm. 1034 | Sculptural Concept: Abstraction McAllister Building Jared Theis Studio closed during holidays and Special Abstraction is very much the language of the self. Taking something from the Workshops. natural world and distilling it through our own experience reveals much. How can we take our ideas and realize them in a way that’s fresh and new? This class will explore using abstraction in ceramics to move away from literal interpretations and into a visual language that celebrates our own unique experience. We will focus on hand-building techniques to explore form, line, and texture on their own terms. Students will also explore color, glaze, and alternative surface techniques. We will look at historical and contemporary examples of abstraction in painting, sculpture, and multi-media art to refine our own approach. How abstraction has influenced contemporary ceramics and its role in shaping future directions will also be covered. Prerequisite: Students must have had at least two handbuilding classes. See *CERAMIC NOTE. Mon, Jun 12 – Aug 14 | 9:30am – 12:30pm | Handbuilding Studio | McAllister Building Tuition: $315 (Members: $300) | 10 sessions

All Levels 1064 | Face Casting Andre Bally This course will introduce students to the process for making a live face casting, or life cast. Students will beginning by preparing and producing a mother mold which will be used to press or cast a ceramic mask. Students will learn the use of low-fire clays to make press mold masks and the use of low-fire ceramic slips for casting masks. Loading and firing electric kilns will be covered. The instructors will emphasize the use of Alginate for face casting, the use of #1 Potter Plaster for making plaster positives and molds, the use of various clay tools, and general techniques in decoration and application of low-fire glazes. Each student will be provided material for one mold and mask; students can purchase additional materials if needed. See *CERAMIC NOTE. Wed, Jun 7 – Aug 9 | 9:30am – 12:30pm | Handbuilding Studio | McAllister Building Tuition: $315 (Members: $300) | 10 sessions 10|Summer 2017 ceramics NEW | Intermediate/Advanced 1063 | Blue & White: Ming, Delft, & Majolica Ryan Takaba In this class, students will vicariously travel the world by studying blue and white decoration on ceramic wares. Students will begin in Jingdezhen, China, studying porcelain cobalt-blue decoration, while absorbing the history and techniques in making. They will then travel to the Netherlands to study how trade and exploration created a new style of Delftware. Low-fire clays and white slip, with the addition of cobalt, will be introduced in this project. Then finally, off to Italy to experiment with red earthenware and the tin-based, white glaze known as Majolica. Prerequisite: Students should have a minimum of one handbuilding and one throwing class. See *CERAMIC NOTE. Tues, Jun 13 – Aug 15 (No class Jul 4) | 9:30am – 12:30pm Wheelthrowing Studio | McAllister Building Tuition: $300 (Members: $285) | 9 sessions

NEW | Intermediate/Advanced 1061 | The Dinner Party Ryan Takaba In this class, students will collaborate to create a three-piece tableware setting and serve a prepared meal. Students will learn about tableware and how to prototype a bowl, cup, and plate to accompany a chosen menu. Each piece will need to respond to the others to create a unified and balanced visual display of food and tableware. Form and function will be addressed as students explore how food is displayed on pottery. Prerequisite: Students must have had a minimum experience of two handbuilding classes. See *CERAMIC NOTE. Tues, Jun 13 – Aug 15 (No class Jul 4) | 6:00 – 9:00pm | Smith Studio | McAllister Building Tuition: $300 (Members: $285) | 9 sessions

NEW | Intermediate/Advanced 1067 | Soda Firing at Cone 6 Ryan Takaba In this class, students will experiment with an alternative firing process using soda ash at mid-range temperatures. Like the age-old German technique of salt firing, this class will introduce salt (by way of soda ash mixed with saw dust) to achieve a subtle glaze on the bare clay surface. As a class, we will experiment with clay slips that flash from white to orange and clay bodies that blush blue when fired in this kiln. Come ready for experimentation and embrace the happy accident! Prerequisite: Students must have had a minimum experience of two handbuilding classes. See *CERAMIC NOTE. Wed, Jun 14 – Aug 16 | 6:00 – 9:00pm | Smith Studio | McAllister Building Tuition: $325 (Members: $310) | 10 sessions

MATERIALS NOTE: Tuition for all ceramic courses covers glaze materials and kiln firing; however, students should anticipate additional fees for clay and some tools unless otherwise noted.

Summer 2017|11 The Drawing and Painting Department offers a full curriculum of classes from drawing and painting foundation to advanced studies in figure and landscape. Studios are located on both campuses of the Southwest School of Art. drawing.painting

Beginning 8000 | Introduction to Drawing Jeannette MacDougall Have you always wanted to draw? Get a step-by-step, hands-on, guided tour of line drawing with charcoal and pencil. Grasp an understanding of observational drawing—translating what is seen on to the page—as well as the design and composition principles that lie beneath all art: line, color, texture, and values. Let this non-judgmental, one-day introductory class be the stepping stone to future art classes. All supplies provided. 8000a: Sat, May 20 | 9:30am – 4:00pm | Drawing Studio | Santikos Building 8000b: Tues, May 30 | 9:30am – 4:00pm | Briscoe Studio | Negley Building Tuition: $75 (Members: $60) | 1 session

Beginning 8001 | Basic Drawing Sarah Fox, Mira Hnatyshyn, & Kate Terrell Drawing is a learned skill, based on hand-eye coordination. Anyone can learn to draw, and it is a basic tool needed for all classes offered at The Southwest School of Art. Through free-hand drawing, students will render three-dimensional objects—using drawing principles of line, shape, value, texture, perspective, and composition—in an enjoyable and relaxed atmosphere. Bring an 18 by 24-inch drawing pad, a selection of graphite pencils, and an eraser; additional materials will be discussed at the first class. 8001a: Fox | Tues, May 30 – Aug 8 (No class on Jul 4) | 6:30 – 9:15pm | Drawing Studio Santikos Building 8001b: Hnatyshyn | Wed, June 7 – Aug 9 | 9:00am – 11:45am | Drawing Studio | Santikos Building 8001c: Terrell | Sat, Jun 3 – Aug 5 | 9:00am – 11:45am | Briscoe Studio | Negley Building Tuition: $265 (Members: $250) | 10 sessions 12|Summer 2017 drawing.painting Beginning/Intermediate 8002 | Drawing Studio Gregory Alan Johnson This multi-level class is for beginners with some drawing background or for experienced student-artists who would like to refresh their drawing skills. Topics will explore value, space, composition, and concept, as well as different drawing styles and materials. Students will move beyond using drawing merely to render objects accurately, and will come to view drawing as a challenging vehicle for expression of both form and narrative. Bring a sketchbook or drawing pad (size 11 by 14 or 18 by 24-inches), and a selection of pencils and an eraser; additional materials will be discussed at the first class. Note: Intermediate-level students may also register for 8001c. Prerequisite: Basic Drawing or equivalent experience. Thurs, Jun 8 – Aug 10 | 9:00 – 11:45am | Drawing Studio | Santikos Building Tuition: $265 (Members: $250) | 10 sessions

NEW | All Levels 8058 | Emotive Drawing Workshop Jessica DeCuir Explore visual form and surface using expressive mark-making in this creative approach to drawing. Energetic, visual expressions will evolve, inspired by one’s inner, emotive response to the raw materials and formal elements of art. Experiment with a variety of tools and materials, such as charcoal, graphite, India ink, and colored pencils on paper. Drawing as a visual language, expressive art form, and surface fabrication/construction are emphasized in a positive, lively studio setting. No drawing experience required. See SSA website for suggested and required materials. Fri – Sun, Jun 23 – 25 | 10:00am – 4:00pm | Drawing Studio | Santikos Building Tuition: $150 (Members: $135) | 3 sessions

All Levels 8080 | Cartooning, Comics, Caricature, & Anime Mike Fisher Cartooning, or visual storytelling, is more than just an enjoyable indulgence of the imagination; it speaks to interests such as editorial illustration, children’s book illustration, comic strips, comic books, and storyboarding. Its various forms combine caricature, figure drawing, and illustration through the medium of ink and watercolor on paper. Instruction will focus on character development, illusions of movement, sequential staging, setting management, inking, and coloring—all aimed towards the refinement of the student’s narratives and ideas. Bring a 9 by 12-inch sketchbook and a sharpened pencil to the first class. Thurs, Jun 8 – Aug 10 | 6:30 – 9:15pm | Drawing Studio | Santikos Building Tuition: $265 (Members: $250) | 10 sessions

Summer 2017 |13 All Levels 8016 | Drawing Surrealism Kim Bishop This course instills drawing and drafting techniques through the exploration of subconscious chance. Students will learn foundational methods of drawing with spatial techniques, basic perspective, line, scale, and color theories. Modeling techniques, along with a variety of drawing mediums such as graphite, color pencil, charcoal, conté, and pen and ink will be emphasized. Drawing from the subconscious, the imagination, and from life will develop the ability to create surrealist images. Fri – Sat, Jul 14 – 16 | 9:30am – 4:00pm | Drawing Studio | Santikos Building Tuition: $180 (Members: $175) | 3 sessions

All Levels drawing.painting 8008 | Color Design Jessica DeCuir Color Design is a three-day, in-depth exploration of color theory and color interaction. This course considers color as a descriptive and expressive element of art, emphasizing color perception and application. Investigations of 2-dimensional design problems and the formal, technical, creative, and psychological aspects of color usage will be introduced and emphasized. This is a basic course essential for understanding how to use color and apply it effectively in all areas of art. Basic Design.1 helpful but not required. Fri – Sun, Jul 28 – 30 | 10:00am – 4:00pm | Drawing Studio | Santikos Building Tuition: $150 (Members: $135) | 3 sessions

NEW | All Levels 8059 | From Concept to Creation Julia Barbosa-Landois This is a course for artists working in all media who want to explore a more self- directed practice. Exercises are designed to help students bridge skill and concept, (re)discover individual creative interests, and recover from artist’s block. Students will strengthen their artistic direction through writing, drawing, building a personal image file, and completing concept-driven projects tailored to their media of choice. Mon, Jun 5 – Aug 7 | 6:30 – 9:15pm | Duncan Studio | Santikos Building Tuition: $265 (Members: $250) | 10 sessions

Beginning 8003 | Introduction to Water-Based Painting Jeannette MacDougall Want to start painting but don’t know where to start? Get a step-by-step introduction to painting with water-based mediums—watercolor, gouache, and acrylic—through demonstration and hands-on practice. All supplies will be provided or students may bring their own. Let this non-judgmental, one-day introductory class jumpstart a new creative direction. Wed, May 31 | 9:30am – 4:00pm | Briscoe Studio | Negley Building Tuition: $75 (Members: $60) | 1 session

14|Summer 2017 15 drawing.painting | Summer 2017 on Page 19. DIA on Page D ME Previous painting experience. Bring a blank canvas or a work-in-progress,Previous painting experience. Bring a blank Landscape Painting Painting Studio Painting Studio Basic Painting

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6092 | Encaustic & Paper: Complementary Processes listed under MIXE uncan Studio | Santikos Building Duncan Studio May 30 – Aug 8 (No class Jul 4) | 6:00 – 8:45pm | Tues, sessions (Members: $255) | 10 $270 Tuition A Working from photographs and plein air (outdoor) sketching, students will learn from Working and painting grounds different can explore basic landscape principles. Students media applications, and study stylistic examples of as mixed media as well methods and various within these methods. Painting worked artists who have materials will be demonstrated and encouraged. Required approaches working will be discussed at the first class. Previous drawing or painting experience recommended, but not required. uncan Studio | Santikos Building Jun 7 – Aug 9 | 6:30 – 9:15pm | Duncan Studio Wed, sessions $280 (Members: $265) | 10 Tuition: All Levels 8087 Benitez Sylvia Mira Hnatyshyn Mira style and expand their painting the student’s This class is designed to develop The instructor will tailor discussions and demonstrations to the technical skills. students will have As the class progresses, needs of each student-artist. developing media to their paintings. the opportunity to learn ways of adding other Prequisite: images or a sample of finished work, and painting supplies you currently use to the first class; suggestions for additional materials will be discussed at that time. | Thurs, Jun 1 – Aug 3 | 9:00 – 11:45am Thurs, | Cabrera 8010a: Jun 1 – Aug 3 | 6:30 – 9:15pm Thurs, | Velasquez 8010b: | Santikos Building Duncan Studio sessions $275 (Members: $260) | 10 Tuition: Intermediate/Advanced 8030 AllLevels 8010 Velasquez & Sam Jerry Cabrera who wants a structuredBasic Painting is an ideal class for the beginning student to painting or for the intermediate student who wants one-on-oneapproach and use color mixing, paint application, selection, The class will cover instruction. will as painting composition. Students of brushes and other painting tools, as well of colors, and can to mix a variety to learn how use a limited color palette in order in either acrylic or oil. Bring a sketchbook; a materials list will beelect to work is Drawing Basic prerequisites; however, discussed at the first class. There are no recommended. Drawing &Painting Open Studio 16 Studio |NegleyBuilding Briscoe Studio &Bowers 4:00pm 9:00pm; Fri –Sun,12:00 – Mon – Thurs, 10:00am – Studio |SantikosBuilding Duncan Studio &Drawing (No studiosJul4) Jun 5–Aug13 session. open andclassisnotin any timethebuildingis Open Studioisavailable taught intheclassroom. practicing techniques can usethestudiosfor drawing orpaintingclass currently registeredina Students whoare | Summer 2017 drawing.painting Tuition: $150(Members:$135) |6sessions Wed, Jul5–Aug9|6:308:30pmEllisonL your peersinathoughtfuland safeenvironment. There arenoprerequisitesother thanthedesiretoanalyzeanddiscuss artwith Arts, Public Arts, andmanyothercontemporary movements withsignature traits. American artistsare genres contributingtonew ofartsuchas Socially Engaged to review works from ourcityaswell asnationwide,andseehow LatinoandLatin between Latinoartandcontemporarymainstream art. You’ll have theopportunity the broader artworld?Comeexplore theoftenoverlooked connectionsthatexist Have you ever wondered how thearts ofourimmediatecommunitiesconnectwith Orlando Graves Bolaños 8083 LevelsAll Processes 8027 |MixedMedia:ArtMaterialsSpecialEffectsand6092Encaustic&Paper:Complementary A Tuition: $265(Members:$250)|10 sessions Drawing Studio |SantikosBuilding 8011b: | Tues, May30–Aug8(NoclassonJul4)|9:0011:45am 8011a: |Mon,Jun5–Aug76:309:15pm demonstration, practice,andcritique.Amaterialslistwillbeprovidedatthefirstclass. independent vision,willlearnwaystoimprove theirpaintingskillsthrough advanced to watercolor, willbediscussed.Intermediate-level students,whiledeveloping an wet washes,dry-on-wet washes,andwithadrybrush.Colortheory, asitrelates Demonstrations will begiven eachweek showing studentshow topaintwet-on- learn more about thevarious approaches topainting inthisvery direct medium. This classisforthefirst-timepainter, as well asthestudentwhowouldliketo Ric Dentinger 8011 LevelsAll Tuition: $270 (Members:$255)|10 sessions Tues, May30–Aug8(NoclassJul4)|9:30am12:15pm |DuncanStudio |SantikosBuilding see SSAwebsiteforalistofmaterials. texture, pattern, andline.Prerequisite: Priorpaintingexperiencerequired.Please In addition,compositionalresource willbeexplored through geometricdesign, relationships and gradationstoprovide afoundationforabstractexploration. canvas, aswell asmixed mediaapplications,thecoursewillconcentrateoncolor approaches used inabstractexpression. Working withacrylicmediumonpaperor This courseisgeared toempower artistswiththemany possiblecreative Sylvia Benitez 8062 Intermediate/Advanced LSO SEE: |

| | Watercolor Painting

IntensifiedAbstraction Latin AmericanArtNow listed underMIXE D ME on Page 19. DIA onPage 19. ecture Hall|Santikos Building

17 printmaking.mixed media | Summer 2017

ING 06. on Page Print Studio Rental | Non-Toxic Printmaking Non-Toxic | LSO SEE:

K 4244 | Pulp Painting listed under BOOK ARTS.PAPERMA A Open Studio days and times under Printmaking Jun 5 – Aug 16 (No studio Jul 4) | See : 4-hour block: $60 (Members: $45) | 1 session 6100a $280) (Members: | multiple sessions : unlimited time: $295 6100b 6100 Gregory Johnson Alan Studio time to those experienced in work studio Rental shared provides a good understanding of the print equipment and must have printmaking. Renters during this time. Prerequisite: no instruction will be available studio protocol, : Wed, Jun 7 – Aug 9 | 10:00am – 1:00pm Jun 7 – Aug 9 | 10:00am Wed, 6111a: Jun 7 – Aug 9 | 6:30 – 9:30pm Wed, 6111b: | Santikos Building Studio Flohr Print sessions (Members: $280) | 10 $295 Tuition: Please email Gregory Alan Johnson at [email protected] in advance. Alternate dates are available by appointment. All Levels 6111 Nicole Geary and focus on printmaking methods non-toxic this class, students will explore In types students will try various Beginning-level individual interest. of greatest areas monotype, collagraph, and etching. Class instruction will of printmaking: relief, the plate or matrix, printing, and editioning. Intermediate-level include producing in etching, projects advanced more the opportunity to explore students will have collagraph. A materials list will be provided at the first and lithography, relief, class. The Printmaking Department is considered one offinest the professional- explore Classes non-toxic printmakingcaliber studios in the region. printmaking processes. and mixed-media All Levels 6107 | Water-Based Screen Printing Gregory Alan Johnson Screen printing, also called silkscreen and serigraphy, is a versatile way to create images using a variety of stencils attached to a fine mesh screen. Stencils can be made from cut materials, fluid materials painted directly onto the screen, or printmaking.mixed media printmaking.mixed produced photographically in the screen with a light sensitive emulsion. This class will include introductory instruction as well as some advanced techniques focusing on the breadth of methods and techniques used to generate printed images. Materials will be discussed in the first class. No previous printmaking experience required, but some art and drawing experience helpful. Tues, Jun 13 – Aug 15 (No class Jul 4) | 6:30 – 9:30pm | Droste Design Studio | Santikos Building Tuition: $280 (Members: $265) | 9 sessions

All Levels Printmaking 6185 | Polyester Plate Lithography Open Studio Lisette Chavez Students who are currently registered in a Polyester plates are a fast and inexpensive way printmaking class can use to print lithographs without the use of harsh the studio for practicing chemicals or stones. Using markers, pens, and techniques taught in the xerox copies, students will create and combine classroom any time the imagery to produce lithographs. Over the course building is open and of the workshop, students will learn how to class is not in session. prepare ink, print with/without a press, and register Please call ahead. multiple layers. Please bring reference materials, as well as, sketches or ideas for imagery. Includes Jun 5 – Aug 16 some materials; please see SSA website for a Lisette Chavez. Untitled (No studio Jul 4) materials list. No prior printmaking experience necessary. Mon, 9:00am – 10:00pm; lithograph Tues & Thurs, 3:30 – 10:00pm; Fri – Sun, Jun 30 – Jul 2 | 10:30am – 4:30pm | Flohr Print Studio | Santikos Building Wed, 1:30 – 6:00pm; Tuition: $225 (Members: $210) | 3 sessions Fri, 9:00am – 9:00pm; Sat, 9:00am – 4:00pm; and Sun, 11:00am – 7:00pm All Levels Flohr Print Studio Santikos Building 6144 | Screenprint Monoprint Lacey Mills In this introductory printmaking class, students will explore color printing using a screenprint stencil. Students will learn how to work with simple paper stencils, watercolor monoprints and screens, and experimental overprinting to make engaging, one-of-a-kind images. Includes some materials; please see SSA website for a list of materials. No printmaking experience necessary. Sat & Sun, Jul 22 & 23 | 10:30am – 4:30pm | Flohr Print Studio | Santikos Building Tuition: $150 (Members: $135) | 2 sessions

18|Summer 2017 printmaking.mixed media NEW | All Levels 6027 | Mixed Media: Art Materials Special Effects Diana Coakley Get the most out of your art materials—whether traditional or nontraditional. This is a good class for those working in other disciplines who want to add mixed media to their work. Learn about substrates including canvas, wood, MDF, and paper. Learn the best ways to build a painting surface. Find out about “mock” lacquer, sanded paint, epoxy, crackle effects, spray-paint, stencils, special effects, medium combinations, paint-skins, collage, photo transfer, epoxy, and other interesting materials and effects. Materials included and available for experimentation, however students should bring painting supplies and brushes they may already have. No previous painting experience required, but some art experience expected. Thurs – Sun, Aug 3 – 6 | 10:00am – 4:30pm | Droste Design Studio | Santikos Building Tuition: $265 (Members: $250) | 4 sessions

All Levels 6092 | Encaustic & Paper: Complementary Processes Michelle Belto In this class, students will learn to create the ideal canvas for working with encaustic painting, using handmade paper and foam-based structures. The first part of the class will be spent in the paper studio discovering a variety of ways to create custom paper using inclusions, adding rust, collage, and texture. Wet paper is wrapped around forms and when dry, these forms become the perfect surface for wax and oil based materials. During the second half of the workshop, students explore a variety of mixed media applications on the wax surface including transfer, collage, intarsia, inlay, glazing, dry brush accretion, and layering. Throughout the workshop, students will see demonstrations in both paper and encaustic technique and have ample time for guided exploration and completion of several works. This workshop is co-sponsored by R&F Paint. No experience in either papermaking or encaustic painting is required although the experienced papermaker or encaustic artist will find something new and challenging in experimenting with this dual media. Fri – Sun, Jul 7 – 9 | 10:00am – 4:00pm | Droste Design Studio | Santikos Building Tuition: $265 (Members: $250) | 3 sessions

Summer 2017|19 The Fibers Department is committed to the preservation of cultural traditions from around the world and offers classes in weaving, tapestry, feltmaking, dyeing, and surface design. The department’s 74 floor looms and 13 tapestry looms make this one of the largest weaving programs in the United States. fibers.weaving

Beginning 2001 | Beginning Weaving Nancy Heneghan In this introductory class, students will learn to how to calculate and wind a warp or yarn, and then dress or thread the yarn on the loom. Students will use several kinds of fibers for their weft as they weave a sampler of various weaving structures including plain weave, twills, inlays, double weave, and weft-face. Reading drafts (patterns) will also be covered and attention will be paid to learning good structure and weaving habits. Each student will have the exclusive use of a floor loom for the semester. A supply list will be provided at the first session. Note: This class is a prerequisite to 2002 | On-Loom Weaving. 2001a: Mon, Jun 5 – Aug 14 | 6:00 – 9:00pm 2001b: Wed, Jun 7 – Aug 16 | 9:30am – 12:30pm Maxham Fiber Studio, 2nd Floor | Tobin Building Tuition: $285 (Members: $270) | 11 sessions

Intermediate/Advanced 2002 | On-Loom Weaving Studio Projects Casey Galloway This program is designed for intermediate and advanced student-artists who wish to pursue their own direction in weaving. Acquiring new structural and manual skills and exploring new materials will be emphasized. Individual planning sessions and group instruction will allow students to proceed at their own pace. Each weaver will have exclusive use of one of the Fibers Department’s large collection of floor looms and two-week use of the dye lab.Prior to Registering: Students must contact the Fibers Department Program Coordinator, Casey Galloway, [email protected], between Mar 20 and Mar 31, and if approved, will be contacted by email on or before Mar 31. Anyone on the waitlist will be contacted by May 22 if spaces open up. The instructor reserves the right to restrict enrollment. Prerequisite: Beginning Weaving or equivalent experience. To register, please contact the Office of the Registrar at 210.200.8217/8227. 2002a: Mon, Jun 5 – Aug 14 (No class Jul 3) | 6:00 – 9:00pm 2002b: Tues, Jun 6 – Aug 15 (No class Jul 4) | 9:30am – 12:30pm 2002c: Wed, Jun 7 – Aug 16 | 9:30am – 12:30pm 2002d: Thurs, Jun 8 – Aug 17 | 6:00 – 9:00pm Maxham Fiber Studio, 1st & 2nd Floor | Tobin Building Tuition: 2002a/b: $270 (Members: $255) | 10 sessions 2002c/d: $285 (Members: $270) | 11 sessions 20|Summer 2017 fibers.weaving Intermediate/Advanced 2003 | Fiber Study for Weavers Casey Galloway This class will follow along with 2002 | On-Loom Weaving Studio Projects, however without exclusive access to a loom. Students will attend weekly lectures covering topics of weaving structure, materials, contemporary fiber artists, cultural and historical subjects, dyeing techniques, critiques, and so much more. Students will weave two samples of structures that are discussed in class and will have a two-week Dye Lab to explore dyeing techniques. Prior to registering: Students must contact the Fibers Department Program Coordinator, Casey Galloway at [email protected], for approval before registering. Instructor will place students in an appropriate session according to their schedule. The instructor reserves the right to restrict enrollment. Prerequisite: Beginning Weaving or equivalent experience. Supplies will be discussed in class. To register, please contact the Office of the Registrar at 210.200.8217/8227. Mon, Jun 5 – Aug 14 (No class Jul 3) | 7:00pm Tues, Jun 6 – Aug 15 (No class Jul 4) | 10:30am Wed, Jun 7 – Aug 16 | 10:30am Weaving Thurs, Jun 8 – Aug 17 | 7:00pm Maxham Fiber Studio, 1st Floor | Tobin Building Open Studio Tuition: $105 (Members: $90) | 11 sessions Students enrolled in 2002 | On-Loom Weaving All Levels Studio Projects have 2032 Nature Inspired Textile Design access to the studios for | working independently Susie Monday outside of class during Let nature’s colors, shapes, and lines inspire your surface design on fabric or paper. the following days and Explore dyeing, dye-painting, and soy wax and dip your fingers into eco-dyeing times: techniques (you won’t see the result for weeks, but you’ll make eco bundles and let Jun 5 – Aug 17 time do its work). Sketch from nature to inspire a monotype, and print directly from Mon & Thurs | 4:00 – 6:00pm; pressed leaves and other natural materials. Add your ideas to create one-of-a-kind Tues & Wed | 12:30 – 2:30pm; fabrics, silk scarves, and mixed media pieces in this weekend play date with nature. Fri | 9:00am – 1:00pm; and See SSA website for a list of materials; please bring a bag lunch. Sat | 10:00am – 2:00pm Maxham Fiber Studio Sat & Sun, Jul 29 & 30 | 9:30am – 4:30pm | Droste Design Studio | Santikos Building 1st & 2nd Floor | Tobin Building Tuition: $170 (Members: $155) | 2 sessions

NEW | All Levels 2378 | ConnectAbility Miki Rodriguez This class explores a variety of fiber techniques to connect both familiar and unusual materials—wood, found objects, wire, cardboard, fabric scraps, plastic, and papers— by stitching, fusing, wrapping, stapling, knotting, painting, and drilling. Students will explore design ideas as they create personal arrangements, enhancing and connecting materials to fabric or paper surfaces using assorted techniques. There will be ample opportunity to take risks and unblock creative energies. Application possibilities are endless but might include quilts, handbags, pillow covers, or book covers. See SSA website for a list of materials; please bring a bag lunch. Sat, Jul 15 | 9:30am – 3:30pm | Droste Design Studio | Santikos Building Tuition: $130 (Members: $115) | 1 session

All Levels 2267 | Patterning Your Favorite Garments Melinda Adams accessibility Most studios are wheelchair Learn to draft patterns for your favorite store-bought garments or alter your accessible; however, the 2nd favorite paper patterns. In this class, we will go over the basics of how to create Floor of the Tobin Building is patterns from garments you already own as well as basic manipulations to alter not. Note: If you are disabled these patterns for sizing needs. See SSA website for a list of materials. and wish to participate in School activities, please call Fri, Jun 9 & 16 | 9:30am – 3:30pm | Droste Design Studio | Santikos Building ahead for assistance. Tuition: $160 (Members: $145) | 2 session

Summer 2017|21 All Levels 2005 | Tapestry Weaving Techniques Liza Collins This is an intensive weekend class giving students the opportunity to explore some of the techniques that make tapestry weaving such a truly unique pictorial art form. Students will learn how to blend and shade tones and colors, and create exciting surface textures. Techniques covered include hatching, weft-blending, weft interlocking, warp/weft variations, and raised surface techniques. Looms and materials will be provided; please bring a lunch both days. Sat & Sun, Jul 22 & 23 | 10:00am – 4:00pm | Student Lounge | Urschel Administration Building Tuition: $150 (Members: $135) | 2 sessions

VISITING ARTIST | SPECIAL CLASS | All Levels 2345 | Marbling: Paper & Fabric Analise Minjarez | Denton, TX Learn to embellish paper and fabric with swirls of color. Marbling is an ancient technique practiced in 12th century Japan and in 15th century Turkey. Delicate paint patterns are floated on a gel-like bath and transferred to a watercolor paper, fibers.surface design cotton, and silk surfaces. Students can use marbling to enhance an artist practice in fibers, collage, illustration, or printmaking. Day one will focus on the chemistry of the alum mordant and carrageenan size and how to apply marbling designs to paper. Day two will focus on applying marbling designs to fabric samples and a larger fabric piece. Each student will leave class with 12 sheets of marbled paper, cotton and silk samples, and a finished 22 x 22-inch cotton bandana. Analise Minjarez is a Sat & Sun, Jun 24 & 25 | 3:00 – 6:00pm | Droste Design Studio | Santikos fibers artist and educator Tuition: $175 (Members: $160) | 2 sessions from El Paso, TX. Minjarez creates fiber sculptures and VISITING ARTIST | SPECIAL CLASS | All Levels installations using natural dyes, hog gut, and plastics 2345 Shibori & Organic Indigo to highlight the contextual | differences between Sarah Westrup | Denton, TX materials. Her objects Students will explore the ancient tradition of Shibori dying. Shibori is a Japanese investigate Mexican-American term for several methods of dyeing cloth with a pattern by binding, stitching, identity and the metaphysical folding, twisting, compressing, or capping. Some of these methods are known awareness created by the landscape of the Texas- in the West as tie-dye. We will focus on obtaining beautiful blues on cotton and Mexico borderland. silk using indigo. Students will learn how to make three different organic indigo vats from scratch using fructose, henna, and iron as reduction agents. While SARAH WESTRUP is a fibers encouraged to sample dye, it will still be possible to complete a small product artist from the Texas-Mexico during the workshop. All materials will be provided by the instructor. Students are borderlands, whose passion welcome to bring additional natural fiber cloth to add to the dye pot. for fibers and natural materials has led her to Sat & Sun, Jun 24 & 25 | 10:00am – 2:00pm | Droste Design Studio | Santikos the process of naturally Tuition: $175 (Members: $160) | 2 sessions dyeing cloth and alternative surfaces. She explores the use of materials such as natural dyes, nets, and rocks to create sculptures and installations that examine her homeland. She received her BFA in Fibers at the University of North Texas and has studied under well-known natural dyers such as Catharine Ellis and Sasha Duerr. Westrup teaches natural dye workshops throughout Texas in hopes to inspire natural color in people’s artistic practices.

22|Summer 2017 23 jewelry.metals | Summer 2017

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| | | From its fully equipped, state-of-the-art studio, the Metals Department offersMetals a the studio, state-of-the-art its fully equipped, From processes and alternative forming, of casting, in construction, classes wide range objects. on jewelry, as well as functional and sculptural with an emphasis 3097 Jillian Palone to hold small objects, to small wooden boxes class, students will create this In Students is desired. else or to be whatever to use as a salt cellar, jewelry, store of wood and will be able to add their own a variety from boxes will create They out of wood and metal. adornment and lids personal touch with decorative and metal including sawing, with both wood will learn basic skills for working and patination. Please see SSA website for a riveting, sanding, surface texture, materials list; please bring a bag lunch. Sat & Sun, Jul 15 & 16 | 9:30am – 4:30pm | Willson Metals Studio | Santikos Building Metals Studio Willson Sat & Sun, Jul 15 & 16 | 9:30am – 4:30pm | $160 (Members: $145) | 2 sessions Tuition: NEW | All Levels 3110 Tejeda Justin of handmade rings will be the What does it take to make a ring? Construction introduced will be Students to metalworking. focus of this two-day introduction brass, and (copper, metals with non-ferrous to the basic techniques of working surface using a torch, forming, silver-soldering basic hand tools, forging, silver), In two days, students should expect embellishment, and finishing techniques. Please see SSA website for a to walk away with at least two finished projects. materials list; please bring a bag lunch. ) | 6:00 – 9:00pm | Willson Metals Studio | Santikos Building Metals Studio Willson Jun 6 – Aug 15 (No class Jul 4) | 6:00 – 9:00pm | Tues, sessions | 10 $285 (Members: $270) Tuition: Beginning Sat & Sun, Jul 22 & 23 | 9:30am – 4:30pm | Willson Metals Studio | Santikos Building Studio Metals Willson Sat & Sun, Jul 22 & 23 | 9:30am – 4:30pm | $165 (Members: $150) | 2 sessions Tuition: Beginning 3001 Roberts T. Sarah students to fundamental techniques and tools used to create This class introduces a series through will work Students unique jewelry and small metal sculpture. focused not only on technique, but also on encouraging individual of projects silver- taught will include: sawing, basic forming, textures, Techniques expression. Students should expect ring-making, and surface finishes. soldering, riveting, Materials will be with consistent attendance. projects to complete two or three discussed at the first class. All Levels 3011 | Basic Metal Skills.2 Sarah T. Roberts Students will hone and expand on the skills already learned in Basic Metal Skills.1 while learning new techniques—etching, hydraulic press, small box construction, and forging. An emphasis will be placed on developing personal expression and style as students work through projects, in addition to samples, presented and guided by the instructor. Prerequisite: Successful completion of Basic Metal Skills.1 or equivalent experience. Materials will be discussed at the first class. *See METALS supplies Note. Mon, Jun 5 – Aug 7 | 6:00 – 9:00pm | Willson Metals Studio | Santikos Building Tuition: $315 (Members: $300) | 10 sessions jewelry.metals

All Levels 3002 | Lost Wax Casting Justin Tejeda Explore this ancient process of casting metal to create unique and individualized jewelry-scale objects in bronze or silver. This class will include wax model-making, simple casting molds, sprue attachment (or preparing the wax model for casting), wax burn out, and casting the molten metal as well as surface finishing. Students should expect to complete a minimum of two finished projects in this six-week course with consistent attendance. Materials will be discussed at the first class. No prerequisite. *See METALS supplies Note. Tues, Jun 13 – Jul 25 (No class Jul 4) | 9:30am – 12:30pm Willson Metals Studio | Santikos Building Tuition: $180 (Members: $165) | 6 sessions

Jewelry.Metals NEW Open Studio | All Levels 3196 Creating A Production Series Students who are | currently enrolled in a Justin Tejeda metals class can use This class introduces fundamental techniques and various tools used to create the studio for practicing unique jewelry appropriate for a successful production line of jewelry. Students techniques taught in the are encouraged to incorporate individual expression in each piece and will work classroom any time the with the instructor to develop ideas and concepts. Techniques taught include studio is open and a basic forming, textures, silver-soldering, ring-making, surface finishes, basic stone class is not in session. setting, jump rings, earring posts, hinges, and clasps. Students will be introduced Jun 5 – Aug 11 to working with the silver alloy Argentium. Students should expect to walk away Mon & Wed | 1:00 – 4:00pm; with a small series of work. Please see SSA website for a materials list. Fri | 10:00am – 1:00pm; and *See METALS supplies Note. Sat | 10:00am – 2:00pm (No open studio Jun 17 & 24, Thurs, Jun 8 – Aug 10 | 6:00 – 9:00pm | Willson Metals Studio | Santikos Building and Jul 17, 19, & 21) Tuition: $315 (Members: $300) | 10 sessions Willson Metals Studio Santikos Building NEW | All Levels 3120 | Rings & Dishes Jillian Palone A perfect class for beginners or experienced students looking to explore metal forming. This class will cover basic metal forming techniques of sinking and fold-forming, as well as enameling techniques to create one-of-a-kind dishes and holders for jewelry or other uses in a variety of shapes, colors, and designs. The class will also cover ring fabrication to add a new creation that fits perfectly in its new holder. *See METALS supplies Note. Thurs, Jun 15 – Aug 3 | 9:30am – 12:30pm | Willson Metals Studio | Santikos Building Tuition: $240 (Members: $225) | 8 sessions

ALSO SEE: 9553 | Introduction to Blacksmithing, 9510 | Introduction to Welding, and 9551 | Simple Knifemaking, listed under SCULPTURE.METALS on Page 29. 24|Summer 2017 jewelry.metals Intermediate/Advanced 3200 | Metals Studio Projects Jillian Palone This class is for motivated students who wish to pursue a new or continued topic of metalworking and/or jewelry-making. Students are encouraged to focus on honing constructional skills as well as developing a personal style. Although projects and samples are self-directed, the instructor will provide guidance and support to each student with design and technical decisions. Access will be given to all of the equipment/processes of the metals studio for this class as it relates to the chosen focus. *See METALS supplies Note. Prerequisite: Successful completion of Basic Jewelry Skills.1 and .2 or equivalent experience. Wed, Jun 7 – Aug 9 | 9:30am – 12:30pm | Willson Metals Studio | Santikos Building Tuition: $315 (Members: $300) | 10 sessions

VISITING ARTIST | SPECIAL CLASS | All Levels 3034 | Digital Techniques for Metal Nicole DesChamps Benke | San Marcos, TX Computer assisted design and fabrication technologies are widely used in Artist Talk | Fri, Jun 16 contemporary jewelry and metalsmithing practices. This two-weekend workshop 1:00pm will provide fundamental information for integrating digital technologies Nicole DesChamps-Benke with traditional metal working techniques. Using computer software and CNC Ellison Lecture Hall machining, students will learn how to create designs that can be engraved on the Santikos Building FREE and open to the public surface of metal or carved into wax for casting. The class will be split between designing in our computer lab, discussions about programs you can use on your Nicole Deschamps-benke own computer, and hands-on work in the metals studio. Students should expect to received an MFA from the create multiple samples throughout the workshop and learn techniques to apply in University of Michigan. She their own work. Please see SSA website for a materials list; bring a bag lunch or is currently heading the plan to go out for lunch. *See METALS supplies Note. curriculum-driven integration of 3-D digital fabrication Sat & Sun, Jun 17 – 25 | 9:30am – 4:30pm | Willson Metals Studio | Santikos Building technologies with traditional Tuition: $320 (Members: $305) | 4 sessions studio art and design practice at Texas State 3000 Metals Studio Rental University. DesChamps-Benke | maintains her art practice in The Willson Metals Studio is a fully equipped workspace providing a shared several studios and maker work environment for students and professionals. A lab monitor will supervise spaces in southern Texas; each session; however, instruction is not provided. Individuals who have not her work has been exhibited registered for this in previous terms must contact Department Chair Jillian Palone, nationally and internationally, 210.200.8254, prior to enrolling. The fee includes access to the entire studio and and can be found in several consumable materials (i.e. torches, etching chemicals, etc.). Sheet metal, wire, publications. and casting grain are available for purchase from the Metals Department, but large quantities should be ordered separately by individuals. Prerequisite: Must have successfully completed several semesters of study in Metals or equivalent experience. Jun 5 – Aug 12 | Mon & Wed | 1:00 – 4:00pm; Fri | 10:00am –1:00pm; and Sat | 10:00am – 2:00pm (No open studio Jun 17 and 24, Jul 15, 17, 19, 21, and 22, or when a class is scheduled) Studio Rental Rates: Unlimited lab hours without enrollment in a metals class: $305 (Members: $290) | 10 weeks

* METALS SUPPLIES NOTE: Unless noted, tuition for metals classes covers basic studio supplies, chemicals, tools, and equipment. However, students should anticipate additional fees for other tools, metal, and findings for their samples or projects. Most supplies are available for purchase directly from the Metals Department during class time or Open Lab.

Summer 2017 |25 26 | Summer 2017 photography.digital Tuition: $160(Members:$145)|5sessions Digital ImagingStudio |SantikosBuilding 5001b: Tues, Jul11–Aug8|7:009:00pm 5001a: Tues, May30–Jun27|7:009:00pm how tomanagedigitalassetsby editing,preparing, printing,andarchiving images. their camera’s potentialby practicingclassicshottechniques,andwillalsolearn transfer imagesfrom cameratocomputerortheinternet.Students willdiscover are for. This classcovers how totakebetterphotographs aswell ashow to results toahigherlevel. Explore whatallthosecontrols, features, andfunctions Digital camerascanbeeasyandfuntouse,butexpandedknowledge cantake Ramin Samandari 5001 LevelsAll Tuition: $160(Members:$145)|5sessions Mon, Jul10 –Aug7|7:009:00pmEllisonL achieve inspired photographs. class willemphasize the creative andinnovative applicationsofequipmentto such astheuseofavailable light,flash,tripod,andcreative camera control. This expands uponitscontentingreater depth.Classassignmentswillcover topics This classcontinueswhere the IntroductiontoPhotography.1classendsand Ramin Samandari 5007 LevelsAll Tuition: $160(Members:$145)|5sessions Ellison L 5006b: Mon,Jun5–Jul3|7:009:00pm 5006a: Mon,Jun5–Jul3|10:00am –12:00pm tools. The instructorwillwork individuallywithstudentstosolve specificproblems. interesting, dynamic, and impactfulby usingsimpletechniquesandcompositional successful photographs. This class reveals methodstomakephotographs more cameras, focallengths,composition,cameraangles,andstrategiesformaking control oftheirmanual 35mmfilmordigitalSLRcamera. Sessions willcover This introductory classisdesignedforthosewhowanttolearnbasiccreative Ramin Samandari 5006 LevelsAll techniques; awareness. andexpands aesthetic camera,of digital workspace, anddarkroom skills; encourages innovative digital, andalternative imaging; asolid technical provides foundation in darkroom,traditional The Photography instruction offers Department | | | IntroductiontotheDigitalCamera ecture Hall|SantikosBuilding IntroductiontoPhotography.2 IntroductiontoPhotography.1 ecture Hall|SantikosBuilding

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photography.darkroom Summer 2017 Jun 5 – Aug 11 – 9:00pm; 12:30 Mon – Fri, – 4:00pm Sat – Sun, 12:00 Photography Open Studio Students who are currently enrolled in a photography class have access to the Lende Photography Studios for working independently outside of class anytime the studios are open and a class is not in session. on Page 29.on Page DEO DIA.VI D ME ende Photography Studio | Santikos Building Studio ende Photography ende Photography Departmentende Photography | Santikos Building | Santikos Building Studio ende Photography Instructor approval of portfolio prior to enrollment. Previous darkroom experience.

Darkroom Studio Rental The Mural Print Intermediate/Advanced Darkroom Intermediate/Advanced Basic Black & White Darkroom Basic Black | | | | LSO SEE: May 30 – Aug 13 | Mon – Thurs, 12:30 – 9:00pm; and Fri – Sun, 12:00 – 4:00pm – Sun, 12:00 – 9:00pm; and Fri Thurs, 12:30 | Mon – May 30 – Aug 13 $360 (Members: $345) rate: Semester 5000 completely equipped photographic workspaces are Studios The Lende Photography on a first- The equipment is available to experienced photographers. available and full-term students basis, with photography classes come, first-served traditional black and includes access to the darkroom, The fee priority. given for all cleanup. responsible are Students and dry workspaces. white chemistry, : Intermediate photography classes or equivalent experience. Prerequisite Before enrolling, students need to contact Department Chair Victor Pagona at 210.200.8256. Fri – Sun, May 5 – 7 | 10:00am – 5:00pm | L – 5:00pm | – Sun, May 5 – 7 | 10:00am Fri $260 (Members: $245) | 3 sessions Tuition: 5063 Joe Harjo photographs would be if they the impact of your what wondered ever you Have the art of making class will involve intensive This short printed LARGE-scale? were and demonstrations will provide presentations exhibition-quality mural prints. Slide black own your print and its applications. Bring of the large-scale an overview provided. paper will be Mural make some big prints. and let’s and white negatives Prerequisite: Wed, May 31 – Aug 2 | 9:30am – 12:30pm | L May 31 – Aug 2 | 9:30am – 12:30pm Wed, sessions | 10 $335 (Members: $320) Tuition: A INTEGRATE 9824 | Basic Video Editing & Animation listed under Intermediate 5035 Anthony Francis a challenging photographer who desires This class is designed for the advanced darkroom Through skills can be honed. in which darkroom environment trips, and informal gatherings to discuss demonstrations, class assignments, field for ready work of body rich a with term the finish will students ideas, photographic exhibition. Prerequisite: Wed, May 31 – Aug 2 | 6:00 – 9:00pm | L May 31 – Aug 2 | 6:00 – Wed, sessions | 10 (Members: $295) $310 Tuition: Advanced All Levels 5010 TBA experience darkroom no previous who have is designed for photographers This class black Learn about of the darkroom. expand their knowledge or those who want to toning, printand printing, dodging and burning of prints, & white film developing metering, Essential elements of camera handling, and print finishing. retouching, will be explained and accessories, and composition issues lens accessories, camera better achieve to encouraged be will photographers Intermediate-level demonstrated. and printing skills. their equipment, materials, mastery over The Sculpture and Integrated Media Department is a hybrid studio environment with both traditional wood and metal sculpting tools, as well as newer technologies such as CNC milling, digital printing, and video and sound production equipment; the program offers 3-D classes in a variety of materials and innovative interdisciplinary practices.

All Levels 9826 | Digital Fabrication David Kraft

The objective of this course is to familiarize students with the digital fabrication process and add a powerful technology skill set. Digital fabrication is not an end in itself, but is intended to augment the artist’s skills. Moldmakers, printmakers, sculptors, and wood workers can all benefit from understanding and using, digital

sculpture.integrated media sculpture.integrated fabrication and CNC router. Students take original design ideas, refine them in a vector-based software program, then learn to toolpath and fabricate objects using Vectrics processing software and a Shopbot CNC router. Prerequisite: Basic computer literacy is required.

Mon, Jun 5 – Aug 7 | 6:30 – 9:30pm | Sculpture Studio | Santikos Building Tuition: $280 (Members: $265) | 10 sessions

All Levels 9602 | Woodworking & Furniture David Kraft

Focusing first on tool knowledge and use of woodshop equipment, this class will introduce students to the woodworking skills for use in creating furniture projects. Once comfortable with hand and power tools, students will focus on joinery techniques and work toward realizing three completed small projects. Students of all levels will find enjoyment either by learning new skills or adding to their existing knowledge under the guidance of Kraft, an experienced woodworker and designer.

Tues, Jun 6 – Aug 15 (No class Jul 4) | 6:30 – 9:30pm | Sculpture Studio | Santikos Building Tuition: $270 (Members: $255) | 10 sessions

All Levels 9823 | Stop Motion Animation Jared Theis Ever wanted to explore animation? This class will introduce stop motion animation and cover all aspects of the process, including animation of objects through photography, building flexible armatures and sets, lighting and shadow, shooting with a green screen, editing stop motion sequences in Adobe® Premiere Pro, and using video filters and extended animation techniques in Adobe® After Effects. Create stop motion videos and post them on the internet. Contemporary and historical examples will also be discussed to help shape a personal voice within the medium. Prerequisite: Some basic experience with digital cameras is ALSO SEE: 3097 | Small Wooden Boxes listed under METALS on Page 23. 6092 | Digital Techniques for Metal isted under METALS on Page 25. 28|Summer 2017 video.sculpture.metals NEW | All Levels 9553 | Basic Video Editing & Animation Jared Theis This ten-session course will explore basic video editing and animation utilizing Adobe® Premiere Pro CC and After Effects CC. Students will learn to edit their own videos and post them online. Cameras, filming, lighting, video editing, filters, color correction, green screen, chroma keying, titles, effects, and sound editing will be covered. To develop an individual approach to video, a wide variety of media including historical and contemporary examples of experimental film, video, animation, music videos, and YouTube content will be shown. Students will need to use their own digital video cameras (this can include smart phones) and have some basic experience with computers. Wed, Jun 7 – Aug 9 | 6:30 – 9:30pm | Digital Imaging Studio | Santikos Building Tuition: $240 (Members: $225) | 10 sessions

All Levels 9553 | Introduction to Blacksmithing Charles Cooper Blacksmithing is the art of forging steel into utilitarian or sculptural form. Students will learn how to soften or anneal steel in the forge for malleability, as well as how to use a hammer and anvil during the forming and hardening processes. The goal is to have a finished product at the end of class. As a hands-on class, safety glasses and work gloves will be provided, and students should wear closed toe shoes (preferably leather) and natural fiber clothes such as cotton. 9553a: Sat & Sun, Jun 10 & 11 | 9:00am – 4:00pm 9553b: Sat & Sun, Jul 15 & 16 | 9:00am – 4:00pm NOTE: Class will be held at the instructor’s studio Tuition: $230 (Members: $215) | 2 sessions

All Levels 9510 | Introduction to Welding Larry West Learn the basic skills required for welding metal-to-metal for use in simple repairs or sculptural projects. Students will progress from simple arc welds to more sophisticated MIG welds. Students may use the scrap metal provided or supply their own metal. Please see SSA website for materials list. 9510a: Wed, May 31 – Jul 5 | 6:00 – 9:00pm 9510b: Sat, Jul 15 – 22 | 8:30am – 4:30pm Sculpture Studio | Santikos Building Tuition: 9510a: $235 (Members: $220) | 6 sessions 9510b: $200 (Members: 185) | 2 sessions

All Levels 9551 | Simple Knifemaking Tobin Nieto Using low-tech forging setups, students will construct a single edge blade— a through-tang knife with a forged guard. Advanced forging techniques will be covered and will address keeping overall grinding of the blade to a minimum. Learn how to construct a handle using natural and manmade materials. Tuition includes most materials; please see SSA website for a list of supplies needed. Tues, Jul 11 – Aug 1 | 6:30 – 9:30pm | Sculpture Studio | Santikos Building Tuition: $190 (Members: $175) | 4 sessions

Summer 2017 |29 All Levels 9110 | Introduction to Stained Glass Larry West Students will learn the tools and processes for working with flat glass to create a stained glass panel. Cutting glass, soldering, and fabrication using the copper foil technique will be covered. All tools including grinders, cutters, and soldiering irons will be provided; however, students will be need to purchase three 12-inch squares of glass of their choice and one reel of either 50/50 or 60/40 soldier. Additional supplies available for purchase from the instructor during class. Come prepared to be thrown into a fast-paced design and fabrication of stained glass!

glass.mosaic Wed, Jul 12 – Aug 9 | 6:00 – 9:00pm | Sculpture Studio | Santikos Building Tuition: $180 (Members: $165) | 5 sessions

All Levels 9079 | The Art of Mosaics Samantha Ostos This ancient art form has many modern applications. Create beautiful decorative or functional pieces using found objects, glass, marbles, stones, mirrors, dishes, and tiles. Students will learn the basics of mosaic design, layout, tile-cutting, and tile- setting techniques, and discuss the characteristics of various tools, adhesives, and grout. Students will complete small projects of their choice—flowerpots, stepping- stones, or tabletops. No previous experience is necessary. Please see SSA website for a materials list; bring a lunch both days. Sat & Sun, Aug 12 & 13 | 10:00am – 4:30pm | Droste Studio | Santikos Building Tuition: $185 (Members: $170) | 2 sessions

Beginning 9132 | Introduction to Glass Beadmaking Nina “Sam” Hibler Explore the ancient art form of glass beadmaking utilizing open flamework techniques. Students will work with a “hot head” torch and soft glass as they learn the process of forming various types of beads, including donut beads, cylinder beads, textured beads, round beads, and half-and-half beads. Decorative additions such as dots, stringers, and colored frits will also be covered, as well as safety procedures and studio set-up. Includes materials; please bring a bag lunch. Sat, Jun 3 | 9:00am – 5:00pm NOTE: Class will be held at the instructor’s studio Tuition: $145 (Members: $130) | 1 session

Beginning 9133 | Introduction to Marblemaking Nina “Sam” Hibler This introductory class is perfect for anyone interested in learning open flamework technique but not interested in beadmaking. Student will learn all safety procedures for using dual fuel torches. Several different types and sizes of marbles including latticino marbles, inclusion marbles, and end of the day marbles will be covered. Includes materials; please bring a bag lunch. Sun, Jun 4 | 9:00am – 5:00pm NOTE: Class will be held at the instructor’s studio Tuition: $145 (Members: $130) | 1 session

30|Summer 2017 art educatorart workshops 2017 Art Educator Workshops | Jun 19 & 20

Art educators are invited to participate in a two-day program created specifically for them. Recharge your creativity and come away with fresh ideas for your class, while earning 12 CPE credits. Each workshop meets Mon and Tues for three hours each day. Registrants can select one morning workshop and one afternoon workshop from a choice of two options. Tuition: $50 (includes the cost of most supplies and an SSA apron) Select one morning workshop option, 1 or 2, and one afternoon workshop option, 1 or2. Corporate room rates are available at a nearby hotel; please contact the Office of Registrar for details.

Morning | 9:00am – 12:00pm (both days)

Option 1 CPE 1013 | Charcoal Drawing with Relief Print Technique Kim Bishop This mixed media drawing approach blends the use of drawing and printing techniques, by transferring charcoal drawings using a form of relief printing— a trace/transfer method. The lesson plan will include examining the concept of identity in art, both figurative and nonfigurative, as well as composition and other drawing fundamentals.

Option 2 CPE 1011 | Ceramics: Making & Using Simple Molds Ryan Takaba This workshop will introduce the basic techniques required to create simple plaster and bisqueware (clay) molds. Molds are a great tool in creating handbuilt elements or forms. Educators will have the opportunity to create one open-face press mold, a few sprig molds, and a few bisqueware molds as well as have time to experiment in clay with other various molds.

Afternoon | 1:00 – 4:00pm (both days)

Option 1 CPE 1012 | Art Materials Special Effects Dinah Coakley Learn to get the most out of art materials in the classroom, as well as tips and tricks, how materials work together, and new resources. Learn about substrates— canvas, wood, MDF, and paper—and ways to build a painting surface along with painting effects, medium combinations such as collage or photo transfer, and other interesting materials and effects.

Option 2 CPE 1010 | Creating Content Through Removal Chris Sauter This workshop follows a lesson plan for creating compositions by working with a reductive approach and explores ideas concerning the visual and conceptual power of removal. The goal of this workshop project is to explore the preexisting structures present around us and use those structures while exploring juxtaposition, lamination, pattern, and positive and negative space.

Summer 2017 |31 The four-year Bachelor of Fine Arts (BFA) Degree Program centers on the process of making as a form of inquiry and discovery, with equal emphasis on ideas and skills. degree programA degree BF

Graduates from the Southwest School of Art’s BFA Degree Program acquire the critical thinking, professional, business, and studio skills necessary to be working artists and engaged citizens. They demonstrate the ability to: take risks and explore; collaborate; engage the world; evaluate, reflect upon, and communicate clearly their work and the ideas that inform it; and sustain and persist in an active studio practice.

The BFA program requires 120 hours of course work including general education courses, foundations, and studio work. Areas of study include: Ceramics, Drawing & Painting, Metals, Photography, Printmaking, and Sculpture & Integrated Media. Contact the Admissions Office at 210.200.8208 or visit our website for more information on applying to the BFA program and for scholarship information. Deadline for Fall 2017 Admission: Aug 1

All Welcome: Audit a BFA Course Interested in a more intense art studio experience? Consider the option of auditing a BFA course. Classes meet twice weekly for 16 weeks. Qualified students, ages 18 and above, may enroll as a non-degree-seeking student without going through the application process required of degree-seeking students. CPE credit is available for art educators. Space is limited. Interested students should contact the Office of the Registrar at 210.200.8227. 32|Summer 2017 MELINDA ADAMS is an Associate Orlando Graves Bolaños graduated Professor in Fashion Management at the with an MFA from the Universidad University of the Incarnate Word, with Complutense de Madrid. Throughout his graduate degrees from the University of 26 years abroad in Spain, art education faculty Wyoming and an undergraduate degree has played a fundamental part of his from the University of Nebraska. Her career. He presently is completing his surface design and textile art pieces PhD in Art Theory with a focus on the have been included at national and contribution of Latino and Chicano artists international shows such as AQS, ITAA, to the mainstream art movements and is and Hoffman Challenge. the Art Education Manager at The DoSeum.

ANDRE BALLY received a BS in JUSTIN BOYD • SCULPTURE & Landscape Architecture/Design from INTEGRATED MEDIA DEPARTMENT Texas A&M University with further CHAIR finished his MFA in Integrated studies at Sam Houston State University. Media at the California Institute of the He has been working with clay for Arts and graduated from the University over 35 years, and has been utilizing sandblasting in his work in ceramics of Texas in San Antonio with a BFA in and glass for the past 20 years. Bally’s Ceramics. Boyd has shown in numerous work can be found throughout Canada, solo and group exhibitions, recently Europe, North Africa, and the U.S. including the Visual Art Center, Austin; Art Palace, Houston; UTSA Satellite Julia Barbosa-LAndois holds an Space; and Blue Star Contemporary Art MFA in New Media and Sculpture from Museum. the University of Pennsylvania and a BFA from the University of Texas at San Shannon Brock holds a BFA from Antonio. She is an interdisciplinary artist the Kansas City Art Institute and is Art Director of Carriage House Paper. She Detail. Michele Belto. Led By the Spirit Guides and educator, and is an Exhibitions artist-made paper with mixed media Assistant at the Southwest School of Art. has taught papermaking throughout the East Coast including Parsons School of Dinah Coakley is an artist/printmaker Michelle Belto holds an MA in Fine Design in NY, Montclair State University, who received a certificate from the Arts and Consciousness from John and Pyramid Atlantic. She is a board Southwest School of Art in May 2014. F. Kennedy University and a BA in member for Hand Papermaking Magazine Her main focus has been printmaking Education with certifications in Art and a past board member for The Friends and she has been an assistant and and Theater. Her work as a performer, of Dard Hunter. Her pulp paintings and studio monitor in the SSA’s Printmaking educator, and visual artist spans more paper sculptures have been exhibited Department for the past 15 years. As a than 30 years, three continents, and nationally. buyer for Herwicks Arts Supply, she has 13 publications. She divides her time between her two passions—teaching an extensive knowledge of trends and JERRY CABRERA has an MFA in Painting uses the newest art materials. Coakley encaustics and studio art, with an from the University of Texas at San emphasis on handmade paper and wax. is active in San Antonio’s art community; Antonio and a BFA in Painting from Texas her work deals with mental health issues State University. He has received grants and family dynamics. Sylvia Benitez is a nationally known from the National Association for Latino installation artist whose work has begun Arts and Culture, The Texas Cultural to explore landscape painting within LIZA COLLINS, born in London, trained Collaborative, and was nominated for the the context of a site-specific agenda. as a painter at Northeast London Joan Mitchell Foundation Artist Grant in She is the recipient of two Pollock- Polytechnic and later in tapestry at the Krasner awards, an AICA award, and two 2011. Cabrera’s work is included in the Royal College of Art. Her tapestries are National Endowment for the Arts Visiting Neiman-Marcus Collections and the AT&T in many public collections, including Artist Awards. Benitez has led over 60 Center Collection in San Antonio, TX. the Victoria and Albert Museum and the community-based mural workshops. Contemporary Art Society of London. CECILIA CASTRO-HANCOCK graduated Nicole Deschamps-benke received from the University of Our Lady of Charles Cooper has a long tradition an MFA from the University of Michigan. the Lake with a Master of Science in of blacksmithing through his mother’s She is currently heading the curriculum- Counseling Psychology. She earned a side of the family. Cooper studied driven integration of 3-D digital certificate in Ceramics at the Southwest blacksmithing at Dallas Heritage Village fabrication technologies with traditional School of Art and has been a ceramic at Old City Park learning from the studio art and design practice at Texas artist for over 25 years. Her work resident masterblacksmith, Kelly Kring, State University. DesChamps-Benke has been in multiple collective and as well as attended the School for Visual maintains her art practice in several individual exhibits in the U.S. and Arts in Manhattan to further his skills. studios and maker spaces in southern Mexico and has been the recipient of Texas; her work has been exhibited several awards. MARGARET CRAIG • PRINTMAKING nationally and internationally, and can DEPARTMENT CHAIR received an MFA in be found in several publications. Lisette Chavez holds an MFA from the Printmaking from the University of Texas University of Arizona and an MA from at San Antonio. She also holds a BS in KIM BISHOP has an MA in Gifted and Texas A&M University–Corpus Christi. Biology, a BS in Art, and an MA with an Talented Curriculum from Texas State Chavez’s artwork has been exhibited emphasis in painting from the University University and a BFA in Commercial Art throughout the U.S., and internationally of Wisconsin. A respected leader in less from Southwest Texas State University. in Australia, Germany, Nicaragua, harmful printmaking technology, she has She has been teaching and practicing art Argentina, Estonia, and Mexico. Her demonstrated at national conferences. for more than 26 years. Bishop’s works work is held in numerous museum, Her work is shown nationally and are installations of personal thematic universities, and private collections. internationally. She is part of numerous issues in a variety of medium and collections, and has been part of the techniques. Sanbao International Printmaking project. Summer 2017 |33 Casey Galloway • fIBERS BLAKE KENNEDY • CERAMICS Faculty Department COORDINATOR received & Studio Technician graduated from a BFA in Fibers from the University of Appalachian State University earning a faculty North Texas in Denton. A 2007 Kuhlman BFA in Studio Art with concentrations Foundation scholarship allowed her in Ceramics and Sculpture. After to travel and research Scandinavian graduation, Kennedy maintained weaving. She is an installation artist as his studio practice in the Boone, NC well as a traditional weaver. area including being a member at JENNIFER LING DATCHUK • CERAMICS the Collective Studio and Gallery. In FACULTY holds an MFA in Artisanry Nicole Geary earned an MFA in January of 2015, Kennedy moved to from the University of Massachusetts Printmaking from the University of South San Antonio, TX to work as the Ceramic Dartmouth and a BFA in Crafts from Kent Dakota and a BFA in Printmaking from the Studio Technician and Instructor at the State University. Trained traditionally University of Florida. She has exhibited Southwest School of Art. in ceramics, her current work is in juried shows nationally including multidisciplinary. She has been awarded the Bemis Center for Contemporary David Kraft holds a Masters in grants from the Artist Foundation of San Art, Spudnik Press Cooperative, and Architecture degree from the University Antonio and Artpace for travel and for Washington Printmaker’s Gallery. Her of Texas at San Antonio. He currently research at the birthplace of porcelain prints are included in several collections, runs the Digital Fabrication lab for in Jingdezhen, China. Datchuk exhibits both national and international. UTSA’s Architecture department, and nationally and maintains Dim and Sum, a owns and operates a custom fabrication design line of functional home objects. Joe Harjo • PHOTOGRAPHY FACULTY & shop producing wood and metal J STUDIO MANAGER received his MFA from projects for contractors, architects, and essica DeCuir has an MFA from the the University of Texas at San Antonio developers in San Antonio. Kraft works University of Texas at San Antonio and a BFA from the University of Central with CNC equipment in his own shop and a BFA from Webster University, St. Oklahoma. He exhibits regionally and his and has taught students the basics of Louis. She has taught art at San Antonio work is in many private collections. digital fabrication using a CNC router for College since 2000 and at the Southwest more than five years. School of Art since 1999. In addition to NANCY HENEGHAN holds a BFA in Fibers from the University of Wisconsin– being a musician, she has exhibited her ElÉonore Lee • PAPERMAKING work nationally and internationally. River Falls. She previously was the & BOOK ARTS DEPARTMENT Studio Programs Coordinator at the COORDINATOR holds an MFA in Ric Dentinger is a contemporary Southwest School of Art. Heneghan Printmaking from the University of Iowa. has taught art to adults and children watercolor realist who paints traditional Starting out as a painter in the UK, she in a variety of settings, including SSA’s subjects. He learned to draw and paint became a printmaker while an exchange Mobile Art Program. at an early age and is primarily self- student at the Art Institute of Chicago, taught. Dentinger’s career began as a primarily because she was told not to. Nina “Sam” Hibler holds a BS from professional illustrator and art director. Understanding that technical knowledge Stephen F. Austin State University. He has exhibited throughout the U.S. is an artist’s best tool led her to train at Dentinger has been the recipient of She was introduced to flame working when creating glass laboratories tools. the Tamarind Institute in NM and study many national awards and featured on Book Arts at the UICB. As well as making the cover of Watercolor Artist Magazine. Her background in science adds vast knowledge to her glass art nuances. her own work, her multi-disciplinary Hibler is owner of Dream Fire Glass and practice includes collaborating with Mike Fisher received his Master of authors as well as other visual artists. Communication Arts degree from the specializes in one-of-a kind beads. University of the Incarnate Word and Mira Hnatyshyn received an MFA at JEANNETTE MacDOUGALL holds a dual his BA degree at the University of MS degree in Art Education (Supervision/ South Carolina. Goofa Man Productions the University of Texas at San Antonio and a BS at the University of Maryland. Administration) from Bank Street College is Fisher’s one-man cartooning, and a focus in Painting from Parsons illustration, and animation studio, and She has exhibited her work locally and nationally. Hnatyshyn’s work appeared School of Art & Design and a BA degree he has been a cartoonist for the former from Trinity University. She is a studio Starlog magazine, as well as Animation in New American Paintings, No. 96 West Issue, and her work is included artist and arts consultant and has Magazine, Modeler’s Resource, and worked as an art educator for over 20 other publications. His independent in the Saatchi Collection in London and other private collections. years for the San Antonio Art Institute, animation work on shorts have won San Antonio Children’s Museum, and several awards at film festivals. GREGORY ALAN JOHNSON • FACULTY Southwest School of Art. MacDougall is a former Resident Director at Moulin Sarah Fox, an artist and educator, & STUDIO MANAGER received his MFA in Printmaking and Drawing at Texas a Nef, an arts residency program in received her MFA from the University of Auvillar, France. Texas at San Antonio in 2015. She studied Tech University and his BFA with a painting at the Glasgow School of Art concentration in Printmaking at Texas A&M University–Corpus Christi. He also ANGELA MANN earned her MA from and earned her BA from Southwestern Eastern Illinois University majoring in 3-D University in 2005. She has had solo studied art at San Jacinto Junior College before earning a degree in business at Art with a minor in 2-D art, and her BFA shows in San Antonio and Houston, and from Midwestern State University, where participated in group exhibitions across Texas State University. she majored in ceramics and minored in the U.S., Austria, and Germany. She works Jo Etta Jupe has been a papermaker for painting. Angela taught for SAISD until in a variety of materials including drawing, over 30 years and continues to explore retiring in 2015. She has taught ceramics painting, and collage. new techniques with the medium. She has classes to beginning and intermediate taught workshops on making paper from students at the Southwest School of Art Anthony Francis earned his MFA from botanical plants as well as workshops in for close to 10 years. the Academy of Art University and works wet collage and basic papermaking. Jupe in digital and traditional photographic has shown her work throughout the U.S. processes. Specializing in portraiture, She holds a degree in computer science his work suggests ideas pertaining to from the University of Texas at San universal humanity and the social self. Antonio. 34|Summer 2017 Lacey Mills received her MFA in Jillian Palone • Metals DEPARTMENT Printmaking from the Tyler School of CHAIR earned her MFA from Southern Art at Temple University in Philadelphia Illinois University, Edwardsville and and her BFA in Painting and Drawing received her BFA in Jewelry Design faculty from The University of Texas at El Paso. and Metals from Pittsburg State Her work deals with social and gender University. She uses a variety of roles, using printmaking as a basis for materials such as metal, resin, paper- her large scale pieces. She has exhibited clay, wood, rubber, and paints to inform in Mexico, Italy, and throughout the her creative process. RYAN TAKABA • CERAMICS DEPARTMENT United States. CHAIR holds an MFA in Ceramics from Sarah T. Roberts • METALS Faculty & Kent State University and a BFA from Analise Minjarez is a fibers artist and Studio Manager received her MFA in University of Hawaii. Takaba has taught educator from El Paso, TX. Minjarez Jewelry Design and Metalsmithing from at Kent State University and University of creates fiber sculptures and installations Texas Tech University with a secondary Massachusetts–Dartmouth. He exhibits his using natural dyes, hog gut, and plastics emphasis in digital photography. Her work throughout the U.S. and has recently to highlight the contextual differences sculptures, photography, and videos, participated in residencies at the European between materials. Her objects have been selected for many national Ceramic Work Center in the Netherlands investigate Mexican-American identity exhibitions. She is co-director of Clamp and The Pottery Workshop in Jingdezhen, and the metaphysical awareness created Light Artist Studios and Gallery. China—the birthplace of porcelain. by the landscape of the Texas-Mexico borderland. Miki Rodriguez received her MFA from Justin TEJEDA received his BA along the Maryland Institute College of Art and with his BFA in Metals from Texas State SUSIE MONDAY has a Fine Arts degree her BFA in Drawing and Painting from University. He has worked for numerous from Trinity University and works as a the University of Houston. Rodriguez has artists in the Central Texas area as well consultant, writer, teacher, and fabric taught art for over 30 years at all levels, as a gallery installer at the Texas State and exhibit designer. She produces and and is presently a full-time artist working University Galleries. sells textile collage paintings, teaches in mixed media with an emphasis on iPad courses for artists, and is co-author fiber. KATE TERRELL received her MFA of The Missing Alphabet, a book on from the University of Texas at San creativity. KIMBERLY RUMFELT received her MFA in Antonio and her BFA from Virginia Studio Art from East Carolina University Commonwealth University. She teaches a JOHN NELSON received a BS degree in where she was an Instructor of Record, variety of art-related subjects including Industrial Arts Education from Brigham Studio Technician, and a Teaching creative dance and lectures about art for Young University and has taught in Assistant of Design. Rumfelt received adult education. the Bureau of Indian Affairs education her BFA from Texas Tech University. She system. He is an active member of the is currently working with NEISD and Jared Theis received an MFA from San Antonio Potters Guild, having served teaches both beginning and Advanced the University of California-Davis in several terms on the board of directors. Placement sculpture students at Claudia 2012. While at UC-Davis he received His art, ceramics, and paper casting Taylor Johnson High School. a Joan Mitchell MFA grant and the have been exhibited both nationally and Robert Arneson Award. In 2014, he was internationally. RAMIN SAMANDARI has been a fine awarded a Statens Kunstnerstipend from art photographer for the past 20 years. Kulturradet from the Norway Arts Council TOBIN NIETO has over eight years He has owned and operated his studio, in Oslo. His art practice spans ceramics, experience and training in blacksmithing Magical Realism, since 1998. His work video, animation, and performance. and has been teaching one-on-one has been in numerous solo and group bladesmithing privately. Nieto recently exhibitions and is in the permanent SAM VELASQUEZ holds a BFA from competed and won Season Two, Episode collection of the San Antonio Museum the University of Texas at San Antonio; Eight of the History Channel’s show of Art and University of Texas at San he attended Palo Alto College where Forged in Fire. Antonio. he discovered his love for painting before transferring to UTSA. He has Samantha Ostos is a local freelance SARAH SAUER has a BA from also been invited to participate in art educator who works with students of Trinity University and operates a numerous group exhibitions including all ages in a wide variety of mediums. multidisciplinary workshop, Guten Co., Blue Star Contemporary Art Museum Ostos has taught for the Southwest which offers custom letterpress printing and Texas A&M University-San Antonio’s School of Art’s Mobile Arts Program and handmade functional ceramics. Educational and Cultural Arts Center. and Summer Art Studios, The McNay, She focuses on carefully designing Communities in Schools of San Antonio, and producing usable goods that can LARRY WEST owns and operates and the San Antonio Children’s Shelter, ultimately impact the user's quality of Dragonfire Hot Glass Studio. West to name a few. living. has a BA in Art Education from Kent State University and has studied at VICTOR PAGONA • PHOTOGRAPHY CHRIS SAUTER • Drawing & Painting the Pilchuck Glass School. He is an art DEPARTMENT CHAIR earned his MFA DEPARTMENT CHAIR earned an MFA teacher for the Northside Independent in Photography and Sculpture at the from the University of Texas at San School District. University of South Carolina and his Antonio and his BA from the University MA in Art History at the University of of the Incarnate Word. He was a SARAH WESTRUP received her BFA in Wisconsin. His most recent body of 1999 Artpace Artist-in-Resident, and Fibers at the University of North Texas work was created using a combination has exhibited both nationally and and has studied under well-known of digital and silver-based media along internationally. Sauter received the natural dyers such as Catharine Ellis and with other materials. Southwest School of Art 2011 Award for Sasha Duerr. Westrup teaches natural Teaching. dye workshops throughout Texas to inspire natural color in people’s artistic practices. Summer 2017 |35 lk wa er Augusta St. ivlk Riverwalk w Ra eior Augusta St. ivn Entrance Rto Riverwalk ion n A Entrance on nta A S n a S

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San Antonio San AntonioPublic Libra & PublicMarie Libra Swartz & MarieArt Swartz Resource Center Art Resource Center Richmond Ave. Richmond Ave. Navarro St. Augusta St. 7 Navarro St. Augusta St. 7

McALLISTER CERAMICS BUILDING NEGLEY BUILDING JOHN L. SANTIKOS BUILDING McALLISTERDennis Smith CERAMICS Studio BUILDING NEGLEYFirst floor:BUILDING JOHNFirst L. floor:SANTIKOS BUILDING DennisMijangos Smith StudioGalle First floor: Young Artists Programs Office First floor: Santikos Lobby Galle Mijangos Galle Young Hennessey Artists Programs Children’s Office Studio Santikos Russell Lobby Hill Galle Rogers Galleries URSCHEL ADMINISTRATION Hennessey Kimbro Children’s Children’s Studio Studio Russell Russell Hill Rogers Hill Rogers Galleries Lecture Hall URSCHELBUILDING ADMINISTRATION KimbroSecond Children’s floor: Studio Russell Ellison Hill Rogers Lecture Lecture Hall Hall BUILDINGFirst floor: Second floor: Blumenthal Studio Ellison Exhibitions Lecture Hall Office First floor: Copper Kitchen Café Blumenthal Block Studio Studio Exhibitions Willson Office Metals Studio Copper Urschel Kitchen Galle Café Block Bowers Studio Studio Willson San Metals Antonio Studio Express-News Photo Galle Urschel Student Galle Galle Bowers Briscoe Studio Studio San Antonio Bank of Express-NewsAmerica Digital Photo Studio Galle Student Ursuline Galle Histo Center Briscoe Hendrie Studio Studio Bank Lendeof America Photography Digital Studio Studio UrsulineSecond Histo floor: Center Hendrie Studio Lende Student Photography Lounge Studio Second floor: Administrative Offices COATES CHAPEL Student Sculpture Lounge and Integrated Media Studio Administrative Bolner Conference Offices Room COATES CHAPEL SculptureSecond floor:and Integrated Media Studio Bolner Rentals Conference Office Room TOBIN BUILDING Second floor: Picante Paper Studio Rentals Office TOBINMaxham BUILDING Fibers Studio Picante Book Paper Arts Studio Studio McNUTT WELCOME CENTER Maxham Fibers Studio Book DuncanArts Studio Painting & Drawing Studio McNUTTVisitor WELCOME Information CENTER Duncan Droste Painting Design & DrawingStudio Studio VisitorRegistrar’s Information Office Droste Flohr Design Printmaking Studio Studio Registrar’sAdmissions Office Office Flohr GeneralPrintmaking Education Studio Classroom AdmissionsStudent Office Affairs Office General Drawing Education Studio Classroom Student Affairs Office Drawing Studio

36|Summer 2017 general information All classes are open to the public. Many classes are structured for beginners and all emphasize individualized instruction. Please call the Office of the Registrar if you are unsure about the suitability of a class for your skill level. mcnutt welcome center Mon – Sat | 8:30am – 5:00pm | Closed on major holidays. General information, Office of the Registrar, BFA Admissions, and Student Services. administrative office hours Mon – Fri | 8:30am – 5:00pm | Closed on major holidays. exhibition galleries The Southwest School of Art houses multiple exhibition spaces: Russell Hill Rogers Gallery | Santikos Building | Mon – Sat | 8:30am – 5:00pm and Sun | 11:00am – 4:00pm This major exhibition gallery presents the work of prominent regional, national, and international artists who expand definitions of art and craft. Urschel Gallery | Urschel Building | Mon – Fri | 8:30am – 5:00pm This exhibition site features work by emerging and regional artists. copper kitchen café Mon – Fri | 11:30am – 2:00pm | Closed on all federal holidays. The original dining room for the old Ursuline Academy is now the Copper Kitchen, serving a delicious home-style lunch menu at reasonable prices. The café is also available to cater luncheons and dinner parties. For reservations or to place to-go orders, call 210.224.0123. ssa membership If you wish to join others in nourishing the creative spirit, become a member today! For more information, please call the Development Office at 210.200.8207 or email [email protected]. ursuline history center Learn the story of the school and its historic site, a Texas Historic Landmark on the National Register of Historic Places. Established in 1851 to house the Ursuline Convent & Academy, the structures eventually became the home for our nationally recognized community art school. For a guided tour of the buildings, arrangements should be made in advance by calling 210.200.8200. facilities rental The beautiful, historic facilities of the Southwest School of Art provide the perfect setting for parties, dinners, lectures, private or corporate meetings, and weddings. The Gothic chapel and two landscaped gardens, a dining hall, and a large meeting/lecture hall are also available for rental. For more information and date availability, please contact the Rentals Manager at 210.200.8211. accessibility Handicapped parking spaces are available on both campuses for students with disabilities. The School continues to modify its historic site to increase access for visitors and students with disabilities. Most studios are wheelchair accessible. If you are disabled and wish to par- ticipate in school activities, please call ahead for assistance. Note: The Priest House 2nd Floor is not wheelchair accessible. security A professional security guard is on campus during evening classes and daytime weekend classes. parking A limited amount of free parking is available in the main parking lot on a first-come, first- Notice: Photographers are often on the served basis. Additional parking is available nearby in the School’s annex lot at Richmond and premises during classes and St. Mary’s, on the street, in self-pay lots, and at the Central Library’s parking garage. Registered special events to capture images students will receive a parking pass at their first class. for the Southwest School of

Art’s archives and for use in our hotel accommodations publicity materials. If you prefer Plenty of lodging is available in the downtown area, and a few hotels offer special rates to SSA not to have your photo taken for students. Please call for suggestions. such purposes, please notify the photographer at that time.

Summer 2017|37 38 | Summer 2017 registration.policies www.swschool.org. and updatesvisitourwebsite For current classinformation class size islimited. Register assoonpossible; above. processed onthedateslisted Registration formswillbe Ongoing throughout theterm necessary information. 210.200.8217 withall Office ofthe Registrar at be madeby phone.Callthe Credit card paymentsmay by phone fax 210.224.9337 credit card information. payable toSSA orcomplete or moneyorder made form andsenditwithcheck Complete theregistration by mail/fax registering. log-in, pleasesign-inbefore Note: Ifyou have anexisting www.swschool.org. register onlineat Please visitourwebsite to online certificates, andcredit cards. enrollment. Cash,checks,gift Full paymentisdueupon payment • • • MEMBERS R Summer before registering. and refund policies carefully Please read allregistration register how to Mon –Fri, 8:30am–5:00pm. Registration hoursare Welcome Center. located intheMcNutt The Officeofthe Registrar is in person OPEN REGISTRATIONOPEN

egistration D Members Open| Tues, Apr 11 | 9:00am |9:00am 11 Apr Tues, Online | 2017 Tues, Apr 4|9:00am Apr Tues, priorit

ATES Thurs, Apr 6 Apr Thurs, y policies & guidelines Use ofthestudiosforcommercialproductionworkisdiscouraged. and thefacilitiesareopen.Pleaseseeinstructorforstudiotimes. registered studentsonly,andonlywhennoclassesarescheduled Notice ofwithdrawalforSPECIA • class. and receivednolaterthansevendayspriortothefirstdayof Notice ofwithdrawalbyastudentmustbemadeinwriting • per classforchangesmadebystudents. A $40withdrawalfeeanda$25transferwillbecharged • applied. opportunity totransferanotherclass;nofeewillbe students willbeinformedassoonpossibleandextendedthe If theSSAcancelsaclassforanyreason,allregistered • will berefunded100%forclasseswecancel. classes, ortochangeclassinstructorswhennecessary.Tuition The SSAreservestherighttocancel,combine,orreschedule • cancellations, refunds, withdrawals, & transfers • learning environment. any studentforbehaviorthatisdisruptiveorunacceptableina The SSAreservestherighttorefuseenrollmentordismiss • permission aswelldepartmentalapproval). otherwise noted(Highschoolagestudentsmusthaveparental Classes areopentoeveryoneages16andabove,unless • is full. You willbenotifiediftheclassforwhichyouareregistering • will notbepro-ratedforlateenrollment. Tuition feesaredueinfullattimeofenrollment.Class • otherwise noted)asclassspaceislimited. dateoftheclass(unless no laterthanoneweek priortothestart To ensureenrollment,pleaseregisterassoonpossibleand • policies of theterm. receive aletterconfirmingcompleted contacthoursattheend the OfficeofRegistrarattime ofregistration. You will provider. IfyouareateacherseekingCPEhours,pleasenotify The SSAisaregisteredContinuing Professional Education continuing professionaleducationcredit or fromtheOfficeofRegistrar. Application forms areavailableonlineatwww.swschool.org • and aregrantedonafirst-come,first-servedbasis. Scholarships are awardedonthebasisofmeritandneed, • programs, dependentupontheavailabilityoffunds. The SSAoffers alimitednumberofscholarshipsforadult • adult scholarships individual member’sdiscountwithproperID. • individual member’stuitiondiscount. • 17 andyoungerareeligibletoreceivethediscount. posted. AtthePatronlevelandabove,householdmembers classes foroneyearfromthedatetheirmembershipgiftis • noted. Lab feesareincludedinthecostoftuitionunlessotherwise • Only onediscountmaybeappliedperclass. • discounts & fees regarded asanofficialnoticeofwithdrawal. Failure toattendclassesorverbalnotificationwillnotbe • times. No refundswillbemadeforwithdrawalsafterthose • within twoweekspriortotheclass. Open studio time varies by department and is available to Open studiotimevariesbydepartmentandisavailableto ACTIVE M Seniors M embers (65 and above) will receive the equivalent of an (65andabove)willreceivetheequivalentofan i l of SSA receive a tuition discount on general ofSSAreceiveatuitiondiscountongeneral itar y personne will receive the equivalent of an l willreceivetheequivalentofan L CL must be made mustbemade ASSES ssa registration formssa Summer 2017 To ensure enrollment, register as soon as possible or at least one week prior to the start of class. OFFICE ONLY Date/Time student information Please print clearly. O NEW STUDENT O RETURNING STUDENT DATE OF BIRTH

MISS MS. MRS. MR. DR. FIRST NAME MIDDLE INITIAL LAST NAME

STREET ADDRESS CITY STATE/ZIP COUNTY

HOME TELEPHONE WORK TELEPHONE CELL

email address (for internal school use only; will not be shared)

ETHNICITY (for SSA grant purposes) PeRson to COntact IN CASE OF EMERGENCY O hispanic/latino of any race name O non-hispanic/latino please list telephOne(s)

O FEMALE O MALE relationship

O CPE CREDITS: ARE YOU TAKING A CLASS FOR CONTINUING EDUCATIONAL CREDITS? O YES O NO DO YOU WISH TO DECLARE A DISABILITY OR NEED TO REQUEST AN ACCOMMODATION? O YES O NO IF YES, PLEASE MAKE AN APPOINTMENT WITH THE APPROPRIATE DEPARTMENT CHAIR. PLEASE INITIAL THAT YOU HAVE READ ALL REGISTRATION AND REFUND POLICIES ON PAGE 38. class registration CLASS No. SECTION CLASS TITLE DATES TIMES TUITION 1)

2)

3)

4)

ssa membership class payment information Please send separate payment for membership. TOTAL/TUITION MEMBERS RECEIVE A $15 DISCOUNT per class O SSA MEMBER/SENIOR O NON-MEMBER $ O PATRON $150 | year $ O FAMILY $75 | year $ WAIVER O INDIVIDUAL $45 | year $ O GIFT CERTIFICATE O EDUCATOR / SENIOR $35 | year $ O SCHOLARSHIP/ WORK STUDY AMOUNT OF WAIVER $ Complete, detach and return page with AMOUNT PAID $ full payment to: Check one of the following: Office of Registrar, Southwest School of Art O CASH O CHECK O MONEY ORDER 300 Augusta | San Antonio, TX 78205 O CREDIT CARD O GIFT CERTIFICATE ph 210.224.1848 | fax 210.224.9337

class/membership payment method Check one of the following O AMERICAN EXPRESS O DISCOVER O MASTERCARD O VISA

CARD # EXP. DATE CCV #

CARDHOLDER’S NAME CARDHOLDER’S SIGNATURE

CARDHOLDER’S MAILING ADDRESS (IF DIFFERENT THAN ABOVE)

Summer 2017

✄ |39 2017 board staff

of trustees Teri Hatch Aguilar, Exhibitions Coordinator Stephanie Peché Canales, Development Associate OFFICERS Olga Castaño, Visitor Specialist Elise Boyan, Chair Cathi D. Cohen, Controller Andrew Herdeg, Vice Chair Ed Conroy, Director of Development Randy Cain, Secretary Edward Dupuy, Dean Gary Walton, Treasurer Kristine Duran, Assistant to the Registrar Cesario Garcia, Groundskeeper TRUSTEES Issac Gerami, Chief of Campus Public Safety Bernice Appelin-Williams Sylvia Glatman, Rentals Manager Cris Bregman Shannon Gowen, Marketing & Media Manager Ben Brewer Ed Hepner, Facilities Manager Clay Carrington Barbara Hill, Director of Community Programs Jorge Elizondo Kori Howell, Registrar Bruce Flohr Patricia Morales, Director of Young Artist Programs board.staff.mission Josephine Negley Gill Jessica Nance, Executive Assistant Stefan Gräter Paula Owen, President Richard Harris Michael Quintana, Maintenance Randall Hawkins Vanessa Quiroga, Director of Admissions & Recruitment Johnny Clay Johnson Yvette Ramirez, Maintenance Gary Joeris Teresa Rodriguez, Director of Information Systems Cheryl Longoria Noelia Saavedra, Staff Accountant Dan Markson Regina Sanders, Assistant Director of Young Artist Programs Ruth Medellin Stephen J. Strapple, Director of Operations Kathy Sosa Mary Mikel Stump, Director of Exhibitions Lisa Westmoreland Jerry Vasquez, Maintenance support Mark Williams, Director of Communications Support is provided by the McNutt Garden TRUSTEE Lyn Woods, Development Assistant City of San Antonio’s Courtney Walker Andrea Zieger, Director of Student Affairs Department of Culture and Creative Development, FOUNDING TRUSTEES theFund, the Texas FACULTY Helen Marie Hendrie Commission on the Arts, Justin Boyd, Sculpture & Integrated Media Department Chair Edith McAllister and the National Endowment Margaret A. Craig, Printmaking Department Chair for the Arts as well as by Nancy Brown Negley Jennifer Ling Datchuk, Ceramics Faculty many generous individual Casey Galloway, Fibers Department Coordinator and corporate donors. Chairman’s Advisory Joe Harjo, Photography Faculty & Studio Manager The SSA would like to thank Council Gregory Alan Johnson, Faculty & Studio Manager all the many members and Andrés Andujar Blake Kennedy, Ceramics Faculty & Studio Technician donors who make it possible Adelle Brewer Eléonore Lee, Paper & Book Arts Department Coordinator to keep tuition affordable. Frank B. Burney Victor Pagona, Photography Department Chair Arthur Coulombe Jillian Palone, Metals Department Chair Marilyn Eldridge Sarah T. Roberts, Metals Faculty & Studio Manager Janet Flohr Chris Sauter, Drawing & Painting Department Chair & Jerry Fuentes Director of Foundations & Specials Courses James Lifshutz Ryan Takaba, Ceramics Department Chair Otis Parchman

HONORARY TRUSTEES mission statement The Southwest School of Art teaches and advances the Chris Carson visual arts. Robert C. Maxham ssa overview The Southwest School of Art is a nationally recognized leader in visual arts education, offering a Bachelor of Fine Arts degree as well as studio art programs for adults, children, and teens. Classes and workshops in many disciplines are taught by a permanent faculty and leading artists in cutting-edge facilities located in downtown San Antonio. 40|Summer 2017 young artist programs celebrating 47 years of visual arts and creativity!

Southwest School of Art’s Young Artist Programs provide unique hands-on experiences in the summer art studios visual arts for children and teens. Students work Jun 5 – Aug 18 one-on-one with professional artist-teachers | Ages 5–18 who teach new skills and nurture creativity while developing individual expression. Classes include all materials. saturday morning discovery From September through May, the SSA offers one- month (four-week*) sessions of FREE introductory art experiences. Children and their parents can explore various art-making activities together over the course of a monthly session. Activities are led by professional artist/teachers trained to nurture creativity and imagination and include drawing, printmaking, origami, weaving, clay, seasonal art, and more. Activities are geared to ages 5–14; older teens may participate and the months of January and February feature activities specific to older teens. One-Month Session | Saturdays | 9:30 – 11:30am Frost Garden | Historic Campus FREE with advanced registration | Registration opens Jul 11. *The December session is only 3 weeks and there is no San Antonio’s most extensive and session the month of April. creative youth art program offers week Please limit one session per year, per child. To select and register for a Saturday Morning Discovery session, visit our and multi-week classes. website at www.swschool.org or contact the Office of the Registrar, 210.200.8217. Kids Classes offers a variety of engaging Note: Parents or adult guardians are required to stay subjects for ages 5–14 in a positive, nurturing, and and actively engage with their child. SMD is a month- fun environment. Classes are designed to fit the skill long program; please consider this when registering. set for a specific age range and class registration is Registration is ongoing, however spaces fill fast. based on this and not a child’s artistic ablilty.

Teen Classes (ages 14–18) offers a more focused experience for the art serious teen and young adult seeking a solid foundation in art. Registration begins Mar 15 for members and Mar 17 for non-members. To receive a catalog call 210.224.1848 or for more information visit www.swschool.org.

Noelle His Scholarship Teens and young adults (ages 16–21) interested in studying ceramics are encouraged to apply for a Noelle His Scholarship. To apply please contact Patricia Morales, 210.200.8213. Looking for that NON-PROFIT ORG. 281 U.S. POSTAGE PAID ® perfect entry-level N SAN ANTONIO, TX 35 SAN PEDRO class to jumpstart PERMIT NO. 1960

M your creativity? c BROADWAY CU

10 L L dated material O N U A GH Look on Page 04 for VARRO 300 Augusta | San Antonio, Texas 78205.1216 please deliver SAN ANTONIO MUSEUM OF ART promptly CENTRAL 210.224.1848 | www.swschool.org LIBRARY STA a list of suggested AUGU

AD P J ONES beginning art maker . MARY’S ST MAIN SOLED GIRAUD classes, as well as TOBIN CENTER FOR SAVINGS THE PERFORMING ARTS ARTPACE 37 SAN ANTONIO new classes offered

MARTIN 35 ® RIVERWALK this term. art classes summer 2017 members register early!