DOCSLIB.ORG

Summer 2017 Summer 2017 Ssa Community Calendar All Events Are FREE and Open to the Public Unless Otherwise Noted

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer 2017 Summer 2017 Ssa Community Calendar All Events Are FREE and Open to the Public Unless Otherwise Noted art classes adults • teens • children summer 2017 summer 2017 ssa community calendar All events are FREE and open to the public unless otherwise noted. 44th Annual FIESTA ARTS FAIR | Sat & Sun, Apr 22 & 23 Historic Ursuline Campus | Paid Admission Over 110 regionally and nationally recognized artists are the highlight of this favorite Fiesta event—great music, food, and a Young Artists Garden add to the enjoyment. Proceeds benefit the SSA’s programs. Advance tickets available online at www.swschool.org/FiestaArtsFair. ClOSEd | Battle of Flowers | Fri, Apr 28 SAVOR THE ARTS | Thurs, May 18 | 7:00 – 11:00pm Paid Admission | Santikos Building Join us for the 16th annual friendraiser event to benefit the Young Artist Programs of the SSA! Enjoy a preview of the exhibition, complimentary libations, and culinary creations by some of San Antonio’s finest chefs. Advance tickets available online at www.swschool.org/savorthearts. EXHIBITIONS | May 19 – Jul 16 OPENING RECEPTION | Fri, May 19 | 5:30 – 7:30 pm Victor Pérez-Rul: The Odds Russell Hill Rogers Gallery I Mexican artist Pérez-Rul (Mexico City) exhibits works that detail. kristy Perez. Self-Portrait, 2017, Staedtler pigment liner explore and exploit the relationships between energy, pen on Fabriano paper matter, and consciousness through sculpture, installations, interactivity, sound, and performance. Esteban Delgado: Paintings Russell Hill Rogers Gallery II Referencing the minimalist works of Josef Albers and apr.may.jun.jul.aug Ad Reinhardt, San Antonio artist Delgado exhibits abstract paintings that present a contemporary investigation of REGISTRATION for Summer 2017 Term abstracted enviroments and the landscape, represented Members Priority Online | Tues, Apr 4 | 9:00am through bold shapes and colors. Members Open | Thurs, Apr 6 Open Registration | Tues, Apr 11 ClOSEd | Memorial day | Mon, May 29 EXHIBITIONS | through Apr 30 Artist TAlk | Fri, Jun 16 | 1:00pm 2017 CAM Perennial | Reflections of Landscape & Memory Nicole DesChamps-Benke Russell Hill Rogers Gallery I & II Ellison lecture Hall | Santikos Building An annual celebration of contemporary art in San Antonio, the Contemporary Art Month organization (CAM) ClOSEd | Independence day | Tues, Jul 4 invites curator Chris Ingalls (Miami, FL) to give a fresh EXHIBITIONS | Jul 28 – Aug 27 perspective on the local art scene. OPENING RECEPTION | Fri, Jul 28 | 5:30 – 7:30 pm Florence Through a Plastic Lens Jack McGilvray: The Lakehouse Russell Hill Rogers Galleries Russell Hill Rogers Gallery I Shot in Florence, Italy during a course offered by the The Lakehouse is a body of work documenting a changing Southwest School of Art this past August, students used landscape and the effects of these changes on three vintage Diana and Holga cameras to capture the images generations of family. of what was before them. Kristy Perez: The Giving Distance Elvia Perrin: Etchings, Lithographs, & Monoprints Russell Hill Rogers Gallery II Urschel Gallery San Antonio artist Perez shows works on paper that reflect Printmaker Perrin develops her works through a dialogue the artist’s perspective on how we relate to one another. between an idea and making, and a process of editing, overlapping, stacking, and layering. Selected Works: Teen Studio Intensive Program Russell Hill Rogers lecture Hall Margaritas & MEdAlS Party | For SSA Members New works highlighting the participants in the SSA’s Teen Thurs, Apr 6 | 5:30 – 7:30pm | Frost Garden Studio Intensive. By invitation, a special exclusive benefit for our members Kristy Deetz: Through the Veil at the Muse level and above; enjoy a refreshment and Urschel Gallery pick up your Fiesta Arts Fair medal at the same time. To Beginning with a rendering from a closely observed fabric RSVP or find out how to become a member at the Muse with wrinkles and folds, Deetz (Greenbay, WI) exhibits her level, contact Lyn Woods at 210.200.8207. painting series which alludes to Lewis Carroll’s “Through the Looking-Glass,” filtered through a kind of ubi sunt (a feeling ClOSEd | Easter | Sun, Apr 16 of loss or of valuing things or times lost). Registration for Fall 2017 Term Members Priority Online | Tues, Aug 8 | 9:00am Members Open | Thurs, Aug 10 Open Registration | Tues, Aug 15 welcome directory adult studio classes at-a-glance 02 beginning art maker 04 book arts.papermaking 05 ceramics 08 drawing.painting 12 printmaking.mixed media 17 fibers.weaving.surface design 20 jewelry.metals 23 photography.digital 26 integrated media.wood 28 video.sculpture.metals 29 glass.mosaic 30 art educator workshops 31 bfa degree program 32 faculty 33 campus map 36 general information 37 The Southwest School of Art is a nationally recognized how to register 38 leader in visual arts education, offering a Bachelor registration form 39 of Fine Arts degree as well as studio art programs for young artist programs inside back cover adults, children, and teens. For over 50 years, The Southwest School of Art has helped thousands of people unlock their creative potential and develop fulfilling registration connections to the arts, whether as professional Mon – Fri | 8:30am – 5:00pm working artists, dedicated dabblers, or perpetual McNutt Welcome Center learners. Registration for classes should be made as soon as possible; class size is limited and filled on a first-come, first-served basis. Classes are small, allowing for individual instruction, Summer 2017 Registration dATES and we offer a wealth of beginners classes. Scholarships MEMBERS priority • Online | Tues, Apr 4 | 9:00am are available in every department. Classes and • Members Open | Thurs, Apr 6 workshops are taught by a permanent faculty and OPEN REGISTRATION • Tues, Apr 11 | 9:00am leading artists, in cutting-edge facilities located in Ongoing throughout the term downtown San Antonio. There’s no reason to hesitate— ph 210.224.1848 | fax 210.224.9337 begin your creative journey at the Southwest School of [email protected] www.swschool.org Art. Mon Tues book arts • Letterpress Skills • Throwing Skills: Vessels • Ceramics 101: Shots, ceramics • Ceramics 101: Handbuilding* Shooters, & Sippers * • Handbuilding Sculpture: • Blue & White: Ming, Delft, Concept & Abstraction * & Majolica * • The Dinner Party * at-a-glance • Digital Fabrication • Introduction to the computer graphics. Digital Camera digital media • From Concept to Creation * • Introduction to Drawing ‡ drawing.design. • Basic Drawing • Beginning Weaving • On-Loom Weaving fibers • On-Loom Weaving • Fiber Study for Weavers • Fiber Study for Weavers glass.mosaic adult studio classes classes studio adult • Basic Metal Skills.2 • Basic Metal Skills.1 jewelry.metals • Simple Knifemaking • Lost Wax Casting • Watercolor Painting • Watercolor Painting painting. • From Concept to Creation * • Intensified Abstraction mixed media • Landscape Painting papermaking • Introduction to Photography.1 • Introduction to the photography • Introduction to Photography.2 Digital Camera • Water-Based Screen printmaking Printing • Digital Fabrication • Simple Knifemaking integrated media. • Woodworking & Furniture sculpture.wood. other art history New Class (VA)Visiting Artist ‡ 1 –3 day Weekend Workshop 02|SuMMer 2017 * Wed Thurs Fri Sat/Sun • Graphic Design & • Marbling: Paper & Fabric (VA) ‡* Letterpress: Business Cards * • Ceramics 101: • Intro to Throwing Wheelthrowing * • Throwing Skills: Vessels • Face Casting * • Intro to Handbuilding: • Soda Firing at Cone 6 * The Figure • Basic Video Editing & • Stop Motion Animation Animation * • Basic Drawing • Cartooning, Comics, • Introduction to Drawing ‡ Caricature, & Anime • Basic Drawing • Drawing Studio • Emotive Drawing Workshop * • Drawing Surrealism • Color Design • Beginning Weaving • On-Loom Weaving • Patterning Your Favorite • Tapestry Weaving • On-Loom Weaving • Fiber Study for Weavers Garments Techniques ‡ • Fiber Study for Weavers • Nature Inspired Textile Design ‡* • ConnectAbility ‡* • Shibori & Organic Indigo (VA) ‡* • Marbling: Paper & Fabric (VA) ‡* • Introduction to Stained Glass • Introduction to Glass Beadmaking • Introduction to Marblemaking • Metals Studio Projects • Creating a Production • Weekend Introduction to • Introduction to Welding Series * Jewelry-Making • Rings & Dishes * Techniques ‡ • Introduction to Welding • Small Wooden Boxes * • Introduction to Blacksmithing ‡ • Digital Techniques for Metal • Painting Studio • Basic Painting • Encaustic & Paper: • Introduction to Water- Complementary Processes ‡ * Based Painting ‡ • Mixed Media: Art Materials Special Effects ‡* • Papermaking Instruction • Pulp Painting • Wet Collage * • Encaustic & Paper: Complementary Processes ‡ * • Intermediate/Advanced • Stop Motion Animation • The Mural Print Darkroom • Basic Black & White Darkroom • Non-Toxic Printmaking • Polyester Plate Lithography * • Screenprint Monoprint • Introduction to Welding • Stop Motion Animation • Introduction to Blacksmithing ‡ • Introduction to Welding • Latin American Art Now SuMMer 2017 |03 The Southwest School of Art offers a wide selection of classes appropriate for the novice or beginning student. Stop procrastinating, fulfill that desire to be creative, and enjoy a unique entry-level experience! Graphic Design & Letterpress: Business CardS * page 05 PUlP Painting page 06 Wet COllage * page 07 Papermaking Instruction page 07 Introduction to Throwing page 08 Introduction to Handbuilding: The Figure page 08 Ceramics 101: Shots, Shooters, & Sippers * page 08 Ceramics 101: Handbuilding * page 09 Ceramics 101: Wheelthrowing * page 09 Face Casting
Load more

Recommended publications
  • A Quest for the Golden Fleece
    A Quest for the Golden Fleece Donald Farnsworth Copyright © 2017 Donald Farnsworth, all rights reserved. Any person is hereby authorized to view, copy, print and distribute this document for informational and non-commercial purposes only. Any copy of this document or portion thereof must include this copyright notice. Note that any product or technology described in the document may be the subject of other intellectual property rights reserved by Don- ald Farnsworth and Magnolia Editions or other entities. 2 A Quest for the Golden Fleece Rarely have I encountered an entangled mat of cellulose fibers I didn’t appreciate in one way or another. Whether textured or smooth, pre- cious or disposable, these hardy amalgams of hydrogen-bonded fibers have changed the world many times over. For centuries, human history has been both literally written on the surface of paper and embedded deep within its structure. In folded and bound form, mats of cellulose fibers ushered in the Enlightenment; by enabling multiple iterations and revisions of an idea to span generations, they have facilitated the design of airships and skyscrapers, or the blueprints and calculations that made possible the first human footsteps on the moon. Generally speaking, we continue to recognize paper by a few basic characteristics: it is most often thin, portable, flexible, and readily ac- cepting of ink or inscription. There is, however, a particular sheet that is superlatively impressive, exhibiting an unintentional and unpreten- tious type of beauty. At first glance and in direct light, it may trick you into thinking it is merely ordinary paper; when backlit, the care- ful viewer may detect subtle hints of its historical pedigree via telltale watermarks or chain and laid lines.
    [Show full text]
  • PDF File Generated From
    OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] - __ , 15b3~... : r . ~ '1'0 'DIE MINIS'.l'RY CF DUEft ;,-"-......#_ ' IP/mfl8()/U)l -· .
    [Show full text]
  • The Fundamentals of Papermaking Materials
    Preferred citation: D. Radoslavova, J.C. Roux and J. Silvy. Hydrodynamic modelling of the behaviour of the pulp suspensions during beating and its application to optimising the refi ning process. In The Fundametals of Papermaking Materials, Trans. of the XIth Fund. Res. Symp. Cambridge, 1997, (C.F. Baker, ed.), pp 607–639, FRC, Manchester, 2018. DOI: 10.15376/frc.1997.1.607. HYDRODYNAMIC MODELLING OF THE BEHAVIOUR OF THE PULP SUSPENSIONS DURING BEATING AND ITS APPLICATION TO OPTIMISING THE REFINING PROCESS Authors: D Radoslavova, J C Roux, J Silvy* UMR Génie des Procédés Papeties 5518 CNRS EFPG-INPG Domaine Universitaire, BP 65, 461 rue de la Papeterie 38402 Saint-Martin d'Héres, Cedex FRANCE * Presentaddress : Universidade da Beira Interior Rua Marques d'Avila e Bolama 6200 Covilhà PORTUGAL 608 INTRODUCTION The theoretical approach proposed in this research paper aims to relate the energy efficiency coefficient ofthe refiner to the rheological pulp properties . The theory is then used to predict the observed energy consumption as a function of the desired paper properties . Various aspects of the beating process have been previously discussed in review articles [1],[2] and this discussion will not be repeated in this paper. Even in the sixties, the major characteristics of the beating as a dynamic process, were pointed out very clearly. Halme [3], in an interesting survey , mentioned that the pressure in the beating zone must be combined with the relative motion of the surfaces to produce acceptable beating effects on the fibres. It was also clear that the beating effect of the turbulence alone was negligible.
    [Show full text]
  • Papermaking: Then and Now. a History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers to Make Paper
    DOCUMENT RESUME ED 440 909 SO 031 615 AUTHOR Vickerman, Kathrine D. TITLE Papermaking: Then and Now. A History of Hand Papermaking from Its Beginning, Plus a Process for Using Natural Fibers To Make Paper. PUB DATE 1995-00-00 NOTE 93p.; Photographs by Lyssa O'Riley. PUB TYPE Guides Non-Classroom (055)-- Reports Descriptive (141) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Art Education; Art History; Elementary Secondary Education; *Handicrafts; *Paper (Material) IDENTIFIERS Applied Arts; *Grasses; Historical Background; Historical Research; *Papermaking ABSTRACT In addition to a historic overview of papermaking, this book explains the painstaking process of papermaking and details the results of actually making paper from samples of grass gathered from Arizona to ;:ianesota, and Maine to California, including 11 sL.a;:es ana :iimates. The book describes how to teach papermaking and offers a list of equipment suppliers as resources for help getting started. A study of the effects of rainfall and altitude on the grasses used in making paper was conducted. The handmade paper shown in this book is only an example of what can be accomplished. Since there are so many different varieties of grass, this project has only scratched the surface of the potential for decorative paper made from grasses. The book is divided into the following sections: (1) "The Beginning of Papermaking"; (2) "Renaissance of Hand Papermaking"; (3) "Chemistry of Hand Papermaking"; (4) "A Little Bit about Grasses"; (5) "Papermaking from Grasses"; (6) "Papermaking Results"; and (7)"Teaching Hand Papermaking." (Contains 25 resources and 13 relevant Web sites.) (BT) Reproductions supplied by EDRS are the best that can be made from the original document.
    [Show full text]
  • Eco-Friendly Handmade Paper Making
    Booklet on ECO-FRIENDLY HANDMADE PAPER MAKING Shri AMM Murugappa Chettiar Research Centre Taramani, Chennai –600113. December 2010 Booklet on ECO-FRIENDLY HANDMADE PAPER MAKING Shri AMM Murugappa Chettiar Research Centre Taramani, Chennai –600113. December 2010 Title : ECO-FRIENDLY HANDMADE PAPER MAKING Authors : Dr. Hari Muraleedharan, Sr. Programme Officer Dr. K. Perumal, Dy. Director (R&D and Admin.) Shri AMM Murugappa Chettiar Research Centre, Taramani, Chennai 600 113. Email : [email protected] Web : amm-mcrc.org Financial Support : DST-Core support Programme SEED Division - SP/RD/044/2007 Department of Science and Technology (DST) Ministry of Science & Technology, Block-2, 7th Floor C.G.O Complex, Lodi Road, New Delhi- 110 003. Publisher : Shri AMM Murugappa Chettiar Research Centre, Taramani, Chennai 600 113. Email : [email protected] Web : amm-mcrc.org Phone : 044-22430937; Fax: 044-22430369 Printed by : J R Designing, Printing and Advertisement Solutions, Palavakkam, Chennai - 600 041. Ph. +91-9962391748 Email : [email protected] Year of Publishing : December 2010 2 Contents 1. Introduction 4 2. Significance of eco-friendly paper making 5 3. Handmade paper making for rural development 5 4. Materials Required for Hand Made Paper Production 6 4.1 Mould and deckle 8 5. MCRC’s technology on Hand made Paper Production 10 5.1 Raw material selection 10 5.2 Extraction of Fiber from Plants 10 5.3 Screening of Microoraganisms for Biotreatment 11 5.4 Bio Pulping & Bio-bleaching 12 5.5 Washing 12 5.6 Beating and blending 12 5.7 Placing Hand VAT in the sink 13 5.8 Adding Binding materials 13 5.9 Processing of sizing 13 5.10 Refining 13 6.
    [Show full text]
  • A Microscopic Examination to Monitor the Historical Paper Dyeing Techniques
    SCIENTIFIC CULTURE, Vol. 6, No. 2, (2020), pp. 1-10 Open Access. Online & Print www.sci-cult.com DOI: 10.5281/zenodo.3724838 A MICROSCOPIC EXAMINATION TO MONITOR THE HISTORICAL PAPER DYEING TECHNIQUES Wahba W.N, Salim, E. and Rushdya Rabee Ali Hassan* Restoration and Conservation Department, Faculty of Archaeology, Cairo University, 12613 Giza, Egypt Received: 10/01/2020 Accepted: 14/03/2020 *Corresponding author: [email protected] ABSTRACT The study aims to determine the type of technique used in dyeing old Arab paper (ca. 8th century A.D.) by examining a number of colored historical manuscripts and comparing them with modern samples by using a microscopic examination. Studying these historical references not only adds a new strategy to the identifica- tion of dyes and materials used in dyeing paper manuscripts under study, but also can help to preserve the colors by providing a better understanding of their composition, manufacture and use. SEM microscopy of archaeological dyed papers in different shades were evaluated and compared with the morphological struc- ture of known dyed samples were dyed in different techniques. The type of dyeing used in dyed papers was determined according to the results of surface morphology investigation. SEM images confirmed that there are dramatic differences between dyed paper by beating and dyed by dipping, whereas, the dye molecules linked on the outer surface of the fiber in the dipping method. On the other hand, in the beating method, fibers were affected dramatically and were destructive. This work proved that dipping was the method used in the dyeing of Arabic manuscripts.
    [Show full text]
  • Mechanical Pretreatment of Waste Paper for Biogas Production
    1 Mechanical pretreatment of waste paper for biogas production 2 C. Rodriguez1,*, A. Alaswad2, Z. El-Hassan1, A.G. Olabi1 3 1 Institute of Engineering and Energy Technologies, School of Engineering and Computing, University of 4 the West of Scotland, Paisley PA1 2BE, UK. 5 2 School of Engineering and the Built Environment, Birmingham City University, Birmingham B5 5JU, UK. 6 7 Abstract 8 In the anaerobic digestion of lignocellulosic materials such as waste paper, the accessibility of 9 microorganisms to the fermentable sugars is restricted by their complex structure. A mechanical pre- 10 treatment with a Hollander beater was assessed in order to reduce the biomass particle size and to 11 increase the feedstock’ specific surface area available to the microorganisms, and therefore improve the 12 biogas yield. Pretreatment of paper waste for 60 min improves the methane yield by 21%, from a value of 13 210 ml/gVS correspondent to untreated paper waste to 254 ml/gVS. 30 min pretreatment have no 14 significant effect on the methane yield. A response surface methodology was used in order to evaluate 15 the effect of the beating time and feedstock/inoculum ratio on the methane yield. An optimum methane 16 yield of 253 ml/gVS resulted at 55 min beating pretreatment and a F/I ratio of 0.3. 17 Keywords: renewable energy, biogas, biomass, waste paper, mechanical pretreatment, anaerobic 18 digestion 19 20 Abbreviations: AD, anaerobic digestion; ANOVA, analysis of variance; BT, beating time; CCD, central 21 composite design; CHPP, combustion and heat power plant; F/I, feedstock/inoculum; KDP, potassium 22 dihydrogen phosphate; MC, moisture content; MSW, municipal solid waste; RSM, response surface 23 methodology; TS, total solids; VFA, volatile fatty acids; VS, volatile solids.
    [Show full text]
  • Handmade Paper: a Review of Its History, Craft, and Science
    REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques.
    [Show full text]
  • Papermaking STOCK PREPARATION
    Papermaking STOCK PREPARATION – LC REFINING A special thanks to FineBar™ for the excerpted notes from their Introduction to Stock Prep Refining Manual available at: www.finebar.com 1. Structure of Paper & The Role of Refining Paper is a tangled web of fibers. The fibers are more or less lying in a flat plane, and they are attached to one another at the many points of contact that occur wherever one fiber lies across another fiber. The strength of paper is largely determined by the strength of the attachments at these fiber crossing points. While it is true that strength of the individual fibers can also be a factor in determining the strength of the resulting paper, it is often the case that paper fails when the fiber-fiber bonds fail. The linkage that occurs at the fiber crossing points of paper is made up of hydrogen bonds which are formed between corresponding points on two cellulose or hemicellulose molecules when an interconnecting water molecule is removed by drying. A representation of this type of bond in cellulose is shown below. LC Refining Page 1 Anything that can increase the number of hydrogen bonds engaged at a crossing point will increase the strength of the linkage and, thus, the strength of the paper. For simplicity, consider just two fibers and a single crossing of one over the other. If the cell wall of these fibers is very rigid, as with a glass tube for example, the area of contact at the crossing point will be small. On the other hand, if the fiber walls are very flexible, as with a bicycle inner tube, the contact area at the crossing point will be much larger.
    [Show full text]
  • Performance of Cotton Rag Pulp in Fiber Cement Sheets
    PERFORMANCE OF COTTON RAG PULP IN FIBER CEMENT SHEETS JAGADESH SUNKU Hyderabad Industries Limited, Sanath Nagar, Hyderabad-500018. India. [email protected] ________________________________________________________________________________________ ABSTRACT Cotton rag pulp produced from waste cotton rag generated by garment manufacturers has been evaluated as reinforcement in fiber cement products. It is processed in Hollander beater and no chemicals or additives are required. These fibers are longer, coarser than most wood fibers and do not contain any Acid or Lignin. Cotton rag pulp has been found to provide many benefits in fiber cement applications due to their high modulus, high fiber strength and low Lignin content. Laboratory preparations of multiple formulations of fiber cement sheets have been carried out incorporating these fibers and have found higher strength properties. Subsequent pilot plant and main plant trials confirm many of the laboratory findings and establish suitability of cotton rag pulp as reinforcement in fiber cement sheets. Fully cured fiber cement sheet made with this pulp reinforcement exhibits high modulus of Rupture (MOR), high fracture energy (toughness), flexibility and excellent dimensional stability. Accelerated aging tests were also run and high performance mix designs showed the most strength retention after aging. KEYWORDS: Fiber cement sheets, Hatscheck process, cotton rag pulp, cementicious composites, waste recycling INTRODUCTION Asbestos fibers can be replaced with alternate fibers to maintain same quality and productivity. A wide variety of wood pulp, synthetic fibers has been investigated academically as a replacement for Asbestos fibers. Industrial practice has settled primarily on soft wood pulp, Kraft pulp and to sum extent on synthetic fibers such as PVA, PP, PET and glass fibers.
    [Show full text]
  • The Separation of Low Density Polyethylene Laminates from Paper
    Western Michigan University ScholarWorks at WMU Paper Engineering Senior Theses Chemical and Paper Engineering 4-1982 The Separation of Low Density Polyethylene Laminates from Paper Angela M. Selchan Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/engineer-senior-theses Part of the Wood Science and Pulp, Paper Technology Commons Recommended Citation Selchan, Angela M., "The Separation of Low Density Polyethylene Laminates from Paper" (1982). Paper Engineering Senior Theses. 481. https://scholarworks.wmich.edu/engineer-senior-theses/481 This Dissertation/Thesis is brought to you for free and open access by the Chemical and Paper Engineering at ScholarWorks at WMU. It has been accepted for inclusion in Paper Engineering Senior Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. THE SEPARATION OF LOW DENSITY POLYETHYLENE LAMINATES FROM PAPER by Angela M. �elchan A Thesis submitted in partial fulfillment of the course requirements for The Bachelor of Science Degree Western Michigan University Kalamazoo, Michigan April 1982 ABSTRACT Low density polyethylene is a very popular plastic which is commonly found in laminations which are extruded onto paper and paper­ board. It is often used on products used for food packaging because of its inert and protective properties. With the aid of a corona discharge, polyethylene becomes ink receptive and forms a strong bond with the substrate; however, this bond is not a major problem when polyethylene laminated paper is recycled. The problems with recyclingcan be contributed to the heat sensitivity of the polyeth­ ylene. At high temperatures the polymer stretches and forms tangled conglomerations which trap fibers.
    [Show full text]
  • Hand Made Paper from Waste
    PROJECT REPORT Of HAND MADE PAPER FROM WASTE PURPOSE OF THE DOCUMENT This particular pre-feasibility is regarding Hand made paper from Waste . The objective of the pre-feasibility report is primarily to facilitate potential entrepreneurs in project identification for investment and in order to serve his objective; the document covers various aspects of the project concept development, start-up, marketing, finance and management. [We can modify the project capacity and project cost as per your requirement. We can also prepare project report on any subject as per your requirement.] Lucknow Office: Sidhivinayak Building , 27/1/B, Gokhlley Marg, Lucknow-226001 Delhi Office : Multi Disciplinary Training Centre, Gandhi Darshan Rajghat, New Delhi 110002 Email : [email protected] Contact : +91 7526000333, 444, 555 PROJECT REPORT On HAND MADE PAPER FROM WASTE INTRODUCTION The history of paper dates back to the history of human culture and civilization. The ancient Egyptians, Greeks and Romans used a different kind of paper called `papyrus’. To-day’s kind of paper was first developed and used by China and spread to other countries. Growth of human population, need for transfer of knowledge, education and information within the society at large were forcing factors for innovations and notable increase on the production of paper. Modern paper making began in early 19th century in Europe. All most all paper is manufactured using trees as primary source of wood pulp. Paper manufacturing continues to be a concern in modern times from an environmental perspective due to its use of large number of trees, harsh chemicals, huge water consumption resulting in ecological imbalances, pollution and contamination risks.
    [Show full text]