The Tabula Cortonensis and Land Transactions
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Dottorato in Scienze Storiche, Archeologiche E Storico-Artistiche
DOTTORATO IN SCIENZE STORICHE, ARCHEOLOGICHE E STORICO-ARTISTICHE Coordinatore prof. Francesco Caglioti XXX ciclo Dottorando: Luigi Oscurato Tutor: prof. Alessandro Naso Tesi di dottorato: Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) 2018 Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) Sommario Introduzione ........................................................................................................................................... 6 Storia degli studi sul bucchero rinvenuto in Campania ...................................................................... 8 1. I siti e i contesti ............................................................................................................................ 16 1.1 Capua .................................................................................................................................... 18 1.2 Calatia ................................................................................................................................... 28 1.3 Cales ...................................................................................................................................... 31 1.4 Cuma ..................................................................................................................................... 38 1.5 Il kolpos kymaios ................................................................................................................... 49 2. Catalogo -
Experiencing the Etruscans: a Special Guided Tour by Archaeologist Louise Maciejewski
Experiencing the Etruscans: A Special Guided Tour by Archaeologist Louise Maciejewski About your archaeologist/guide: Louise Maciejewski earned her Bachelor of Arts degree in Archaeology from the Institute of Archaeology in London, England, and completed her Masters degree in the study of Etruscans and Etruria at the University of Siena (Italy). She has also studied the art of biography and has broad experience in fine arts conservation, working at a renowned studio in Milan, as well as the Italian Sovrintendenza ai Beni Culturali. In the last few years she has published various articles on the history and prehistory of Cortona and its surrounding area. She has also a close connection to the MAEC (Museo dell’Accademia Etrusca e della Città di Cortona) where she is often asked to participate in local projects. Learn more about Louise below. Dates: October 3 to October 13 (You will need to leave the US on October 2) Day 0 – October 2 - Departure from the US. Day 1 – October 3- Arrival in Rome Upon arrival in the immortal city of Rome you will be transferred from the airport to a charming centrally located hotel. You will join your fellow travellers for a welcome talk and dinner. You will also meet Archaeologist Louise Maciejewski, who will be with you throughout the trip. Sleep in Rome Customized Journeys - www.customizedjourneys.com - [email protected] 25 NW 23rd PL. Suite 6 PMB # 478 Portland, OR 97210 Tel. + 503 914 6452 Day 2 – October 4- Rome and Villa Giulia This morning you will start your Etruscan discovery with a visit to the amazing treasures of the Villa Giulia museum, which houses the largest collection of Etruscan artifacts in the world. -
Hammond2009.Pdf (13.01Mb)
Postgraduate Programmes in the SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY The Iconography of the Etruscan Haruspex Supervisor: Name: Sarah Hammond Dr Robert Leighton 2009 SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY DECLARATION OF OWN WORK This dissertation has been composed by Sarah Hammond a candidate of the MSc Programme in MScR, Archaeology, run by the School of History, Classics and Archaeology at the University of Edinburgh. The work it represents is my own, unless otherwise explicitly cited and credited in appropriate academic convention. I confirm that all this work is my own except where indicated, and that I have: Clearly referenced/listed all sources as appropriate Referenced and put in inverted commas all quoted text of more than three words (from books, web, etc) Given the sources of all pictures, data etc. that are not my own Not made any use of the essay(s) of any other student(s) either past or present Not sought or used the help of any external professional agencies for the work Acknowledged in appropriate places any help that I have received from others (e.g. fellow students, technicians, statisticians, external sources) Complied with any other plagiarism criteria specified in the Course handbook I understand that any false claim for this work will be penalised in accordance with the University regulations Signature: Name (Please PRINT): SARAH HAMMOND Date: 22/06/2009 The Iconography of the Etruscan Haruspex by Sarah Naomi Hammond MSc by Research, Archaeology The University of Edinburgh 2009 Word count: 25,000 Abstract The religious rituals of the Etruscans incorporated several forms of divination including the practices of extispicy and hepatoscopy, the arts of divining through the examination of sacrificed animal entrails, and specifically the liver. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The -
150506-Woudhuizen Bw.Ps, Page 1-168 @ Normalize ( Microsoft
The Ethnicity of the Sea Peoples 1 2 THE ETHNICITY OF THE SEA PEOPLES DE ETNICITEIT VAN DE ZEEVOLKEN Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus Prof.dr. S.W.J. Lamberts en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op vrijdag 28 april 2006 om 13.30 uur door Frederik Christiaan Woudhuizen geboren te Zutphen 3 Promotiecommissie Promotor: Prof.dr. W.M.J. van Binsbergen Overige leden: Prof.dr. R.F. Docter Prof.dr. J. de Mul Prof.dr. J. de Roos 4 To my parents “Dieser Befund legt somit die Auffassung nahe, daß zumindest für den Kern der ‘Seevölker’-Bewegung des 14.-12. Jh. v. Chr. mit Krieger-Stammesgruppen von ausgeprägter ethnischer Identität – und nicht lediglich mit einem diffus fluktuierenden Piratentum – zu rechnen ist.” (Lehmann 1985: 58) 5 CONTENTS Preface ................................................................................................................................................................................9 Note on the Transcription, especially of Proper Names....................................................................................................11 List of Figures...................................................................................................................................................................12 List of Tables ....................................................................................................................................................................13 -
Homenaje Al Profesor Armando Torrent
Coordinadores ALFONSO MURILLO VILLAR ARÁNZAZU CALZADA GONZÁLEZ SANTIAGO CASTÁN PÉREZ-GÓMEZ HOMENAJE AL PROFESOR ARMANDO TORRENT RIFLESSIONI SUI SISTEMI DI GOVERNO ETRUSCHI PRIMA E DOPO LA GUERRA SOCIALE (91-88 a.C.) LOREDANA CAPPELLETTI (85-99) pp. UNIVERSIDAD DE BURGOS 2016 Todos los derechos reservados. Ni la totalidad ni parte de este libro, incluido el diseño de la cubierta, puede reproducirse o transmitirse por ningún procedimiento electrónico o mecánico. Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra solo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la ley. Diríjase a CEDRO (Centro Español de Derechos Reprográficos) si necesita fotocopiar o escanear algún fragmento de esta obra (www.conlicencia.com; 91 702 19 70 / 93 272 04 47).. Esta obra ha sido posible gracias a la contribución de la Universidad de Burgos, la Universidad Rey Juan Carlos, Consejo General del Notariado y Colegio de Registradores de España. © Copyright by Autores DYKINSON, S.L. UNIVERSIDAD DE BURGOS UNIVERSIDAD REY JUAN CARLOS Editorial DYKINSON, S.L. Meléndez Valdés, 61 - 28015 Madrid Teléfono (91) 544 28 46 - (91) 544 28 69 e-mail: [email protected] http://www.dykinson.es http://www.dykinson.com ISBN: 978-84-9085-629-1 ISBN Universidad de Burgos: 978-84-16283-16-3 Depósito Legal: M-251-2016 ÍNDICE GENERAL PRESENTACIÓN Por Fernando Suárez Bilbao, Rector de la Universidad Rey Juan Carlos ................. 17 PRÓLOGO Por Alfonso Murillo Villar, Aránzazu Calzada González, Santiago Castán Pérez-Gómez (editores) .................................................................................................................................19 ARMANDO TORRENT: 50 AÑOS DE DEDICACIÓN A LA UNIVERSIDAD Y AL DERECHO ...................23 ESTUDIOS SOBRE LA EVOLUCIÓN DE CREDERE Y SOLVERE ...............................................33 ANA ALEMÁN MONTERREAL Universidad de Almería LA PROYECCIÓN DEL FAVOR DEBITORIS AL DERECHO PÚBLICO ROMANO. -
Vasemania: Neoclassical Form and Ornament
VOLUME: 4 WINTER, 2004 Vasemania: Neoclassical Form and Ornament: Selections from The Metropolitan Museum of Art at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture Review by Nancy H. Ramage 1) is a copy of a vase that belonged to Ithaca College Hamilton, painted in Wedgwood’s “encaustic” technique that imitated red-figure with red, An unusual and worthwhile exhibit on the orange, and white painted on top of the “black passion for vases in the 18th century has been basalt” body, as he called it. But here, assembled at the Bard Graduate Center in Wedgwood’s artist has taken all the figures New York City. The show, entitled that encircle the entire vessel on the original, Vasemania: Neoclassical Form and and put them on the front of the pot, just as Ornament: Selections from The Metropolitan they appear in a plate in Hamilton’s first vol- Museum of Art, was curated by a group of ume in the publication of his first collection, graduate students, together with Stefanie sold to the British Museum in 1772. On the Walker at Bard and William Rieder at the Met. original Greek pot, the last two figures on the It aims to set out the different kinds of taste — left and right goût grec, goût étrusque, goût empire — that sides were Fig. 1 Wedgwood Hydria, developed over a period of decades across painted on the Etruria Works, Staffordshire, Britain, France, Italy, Spain, and Germany. back of the ves- ca. 1780. Black basalt with “encaustic” painting. The at the Bard Graduate Center. -
Etruscan News 19
Volume 19 Winter 2017 Vulci - A year of excavation New treasures from the Necropolis of Poggio Mengarelli by Carlo Casi InnovativeInnovative TechnologiesTechnologies The inheritance of power: reveal the inscription King’s sceptres and the on the Stele di Vicchio infant princes of Spoleto, by P. Gregory Warden by P. Gregory Warden Umbria The Stele di Vicchio is beginning to by Joachim Weidig and Nicola Bruni reveal its secrets. Now securely identi- fied as a sacred text, it is the third 700 BC: Spoleto was the center of longest after the Liber Linteus and the Top, the “Tomba della Truccatrice,” her cosmetics still in jars at left. an Umbrian kingdom, as suggested by Capua Tile, and the earliest of the three, Bottom, a warrior’s iron and bronze short spear with a coiled handle. the new finds from the Orientalizing securely dated to the end of the 6th cen- necropolis of Piazza d’Armi that was tury BCE. It is also the only one of the It all started in January 2016 when even the heavy stone cap of the chamber partially excavated between 2008 and three with a precise archaeological con- the guards of the park, during the usual cover. The robbers were probably dis- 2011 by the Soprintendenza text, since it was placed in the founda- inspections, noticed a new hole made by turbed during their work by the frequent Archeologia dell’Umbria. The finds tions of the late Archaic temple at the grave robbers the night before. nightly rounds of the armed park guards, were processed and analysed by a team sanctuary of Poggio Colla (Vicchio di Strangely the clandestine excavation but they did have time to violate two of German and Italian researchers that Mugello, Firenze). -
Le Parole Etrusche Ame, Amce E La Revisione Di Ie. *Yem- ‘Paaren’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Emerita (E-Journal) LE PAROLE ETRUSCHE AME, AMCE E LA REVISIONE DI IE. *YEM- ‘PAAREN’ ADOLFO ZAVARONI The main purpose of this article is to demonstrate the groundlessness of the old and common thesis according to which Etr. ame, amuke, amce are parts of the verb “to be”. We can search for the true meaning of these words with the help of the so-called “comparative method”, a method that, in the last few decades, did not enjoy its due share of attention. My underlying thesis is that Etruscan, although not being an Indo-European language, has many IndoEuropean stems, which it acquired during many centuries of contacts. The comparative method might be of help just provided we strictly stick to the rules that define the phonological system of Etruscan (in the present work I present the system of the stops only). –– The term am(u)ce indicates ‘to be united, to make a pair with, co-’. In fact, amce is mainly found in connection with the words puia ‘wife’ and zilaθ (magistracy constituted by two or more persons). In extant inscriptions, we also find twice the word ame connected to puia, yet in most cases ame is a particle placed after the verb, where it fulfills the same function of the latin preverb cum, co-. As an example, in the Tabula Cortonensis the words eprus ame mean ‘co-operantur, (they) sacrifice together’. Moreover, there are five occurrences of the particle ama connected with the word ipa. -
Work Notes on Bona Dea & the Goddess Uni-A Survey of Etruscan
Work notes on Bona Dea & the goddess Uni — a survey of Etruscan & Latin texts relating to the Pyrgi Gold Tablets By Mel Copeland (Relating to Etruscan Phrases texts) A work in progress November 15, 2014 The Etruscan goddess, Uni, Unia, has been identified with the Roman Juno and, on pottery and mirrors she is portrayed in mythological scenes involving the Greek goddess Hera. Although the Etruscans assigned their own peculiar names to the “Greek” pantheon, such as Tini, Tinia (L. Jupiter, Gr. Zeus), Uni, Unia (L. Juno, Gr. Hera), Turan (L. Venus, Gr. Aphrodite, and Thalna (Gr. Nemisis), many of the Greek characters are recorded with similar spelling in the Etruscan texts, such as Hercle, HerKle, (Gr. Herakles), These (Gr.Theseus), Akle (Gr. Achilles), Ektor (Gr. Hector), Aifas Telmonos (Gr. Ajax Telamonos), Elenei, Elinai (Gr. Helen [of Troy], Elchintre (Alexandar, Paris), Achmemon (Gr. Agememnon) Aeitheon (Gr. Jason) Aita (Gr. Hades) and Dis (Gr. another name of Hades: Dis) and his consort Phersipnei (Gr. Persephone). Because of the imagery used on vases and mirrors and the common Greek mythological themes, we can discern the names and grammatical conventions of Etruscan mythological characters. Because we know who the characters are for the most part and the context in which the Etruscans knew them, we can further understand pure textual documents of the Etruscans, such as the Pyrgi Gold tablets, which will be discussed later in this document, as it pertains to the Roman Feast of the 1st of May called Bona Dea. Uni was identified by the Romans as the Etruscan version of Juno, the consort of their supreme god, Jupiter (Etr. -
Felice Senatore
Felice Senatore La cosiddetta ‘lega campana’. Karl Julius Beloch e la ‘nascita storiografica’ di un Gauverband* Tre Gauverbände sarebbero esistiti in Campania, secondo Karl Julius Beloch1 , e se la ‘federazione cantonale’ relativa a Nuceria può considerarsi, in fin dei conti, ‘il frutto’ della prima attività di ricerca del giovane studioso tedesco2 , quella relativa a Capua ha invece avuto origine da un’osservazione di Theodor Mommsen («das Bestehen dieses Bundes hat zuerst Mommsen erkannt»)3 , ripresa e rafforzata dal Beloch nel suo Campanien. Il Mommsen, infatti, aveva rilevato la subordinazione a Capua delle comunità limitrofe più piccole4 , e si era chiesto se la circostanza per cui Atella, Calatia e Velecha avevano coniato solo i nominali più piccoli, in bronzo, non potesse essere * Dedico questo saggio all’amico Antonino Cafiero, la cui sensibilità e gentilezza ci mancherà. 1 «Ein politisches Band hat alle Campaner niemals vereint; wohl aber schlossen sich die Nachbarstädte zu kleinerem Gauverbände zusammen. So Nuceria und die anderen Städte des Sarnusthals: Stabiae, Surrentum, Pompei, Herculaneum; Nola mit Abella und später vielleicht mit Hyria; Capua mit Atella, Calatia, Casilinum und anderen» (Beloch 1879, p. 11). Della ‘lega nucerina’ mi sono occupato alcuni anni fa, cercando di mettere in luce la debolezza degli argomenti portati dal Beloch a sostegno della sua tesi e l’impossibilità, pertanto, di dimostrare l’esistenza di un Gauverband incentrato su Nuceria (vd. Senatore 2001, e ora l’articolo di L. Cerchiai, in questo volume, p. 226). Per quanto riguarda la presunta ‘federazione’ nolano-abellana («Bundesverhältniss», in Beloch 1890, p. 394), è evidente che la sua esistenza sia stata suggerita dal trattato tra Nola e Abella riportato nel cippo abellano: tuttavia, al di là dell’affermarne l’esistenza, non mi pare che finora ne siano state fornite prove, né che si sia cercato di darne una definizione costituzionale precisa: oltre al Beloch, vd. -
Dionysiac Imagery in Archaic Etruria Dimitris Paleothodoros University of Thessaly
Etruscan Studies Journal of the Etruscan Foundation Volume 10 Article 15 2007 Dionysiac Imagery in Archaic Etruria Dimitris Paleothodoros University of Thessaly Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Paleothodoros, Dimitris (2007) "Dionysiac Imagery in Archaic Etruria," Etruscan Studies: Vol. 10 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol10/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Dionysiac Imagery in Archaic Etruria by Dimitris Paleothodoros he emergence of Etruscan Dionysiac iconography was made possibLe by the adop - tion and imitation of prototypes found on imported Attic vases 1. The first TDionysiac images produced by Etruscan craftsmen date to 550 BC and are found on bLacK-figured vases by the Paris Painter, and the painters of the Ivy-Leaf and the La ToLfa Groups. Between the mid 6th and mid 5th centuries BC, Etruscan artists decorate aLmost 170 bLacK-figured and added-red vases with Dionysiac images, 13% of the totaL pro - duction of figured vases. 2 This group of images, suppLemented by other pieces of evidence, such as mirror engravings and bronze statuettes, forms the basis of the present study, which is the preLiminary report of a thorough investigation of Dionysus in archaic Etruria. In the recent past, schoLars have deveLoped the concept of “Dionysism without Dionysus,” to account for the paradox of the scarcity of Dionysus’ images in archaic Etruria, in contrast to the great popuLarity of images of his foLLowers, i.e.