Work Notes on Bona Dea & the Goddess Uni-A Survey of Etruscan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Il Tempio Di Mater Matuta
Mater Matuta ... da I templi della Mater Matuta di Jos De Waele L'area della città antica, è circoscritta in un pentagono, del quale i lati nord ed est sono delimitati dal corso dell'Astura. In quello sud l'insediamento presenta un costone ripido, che a mano a mano va sparendo verso ovest, dove, non bastando più la natura, si rese necessario l'apprestamento di un aggere artificiale, che venne a completare il sistema di opere difensive dell'intero perimetro. Entro questa cinta, per una superficie di complessivi 42,5 ettari, si trovava la città, che si componeva dell'aggregarsi di alcune colline (Poggio dei Cavalieri, Santa Lucia). Nell'area urbana sono stati ritrovati numerosi avanzi antichi, che purtroppo conosciamo soltanto dai rapporti preliminari degli scavatori e da sintesi più recenti. La configurazione del suolo ha subito notevoli cambiamenti nel corso degli anni '60 per via di lavori agricoli per i quali è stata spesso adoperata la ruspa meccanica e che hanno portato a grandi livellamenti del terreno con la sparizione di molti dati utili per la ricostruzione della topografia storica dell'antica città. Nella parte est, su una collina di 10 - 15 m di altezza, era ubicata l'acropoli. Essa è stata descritta assai propriamente dal Castagnoli. Poiché questa descrizione rimane ancor oggi essenzialmente valida per la situazione topografica, la riportiamo qui di seguito. Ciò anche perché la rivista in cui fu pubblicata non si trova sempre nelle biblioteche archeologiche che non siano rigorosamente specializzate."L'acropoli" - scrive il Castagnoli - "è completamente isolata, e nei suoi fianchi appaiono, soprattutto nel lato meridionale, tagli probabilmente artificiali, fatti per aumentare la difesa (visibili anche nelle fotografie aeree): sempre sul lato sud, in direzione ortogonale, si approfondisce nella collina un taglio artificiale, completato con blocchi rozzamente squadrati (nell'angolo sud-est è scavata una camera quadrangolare, forse antica). -
Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
The Medici Aphrodite Angel D
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 A Hellenistic masterpiece: the Medici Aphrodite Angel D. Arvello Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Arvello, Angel D., "A Hellenistic masterpiece: the Medici Aphrodite" (2005). LSU Master's Theses. 2015. https://digitalcommons.lsu.edu/gradschool_theses/2015 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A HELLENISTIC MASTERPIECE: THE MEDICI APRHODITE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Angel D. Arvello B. A., Southeastern Louisiana University, 1996 May 2005 In Memory of Marcel “Butch” Romagosa, Jr. (10 December 1948 - 31 August 1998) ii ACKNOWLEDGMENTS I wish to acknowledge the support of my parents, Paul and Daisy Arvello, the love and support of my husband, Kevin Hunter, and the guidance and inspiration of Professor Patricia Lawrence in addition to access to numerous photographs of hers and her coin collection. I would also like to thank Doug Smith both for his extensive website which was invaluable in writing chapter four and for his permission to reproduce the coin in his private collection. -
Yalin Akcevin the Etruscans Space in Etruscan Sacred Architecture And
Yalin Akcevin The Etruscans Space in Etruscan Sacred Architecture and Its Implications on Use Abstract Space is no doubt an important subject for the Etruscan religion, whether in the inauguration of cities and sacred areas, or in the divination of omens through the Piacenza liver in divided spaces of a sacrificial liver. It is then understandable that in the architecture and layout of the temples and sacred places, the usage of space, bears specific meaning and importance to the use and sanctity of the temple. Exploring the relationship between architectural spaces, and religious and secular use of temple complexes can expand the role of the temple from simply the ritualistic. It can also be shown that temples were both monuments to gods and Etruscans, and that these places were living spaces reflecting the Etruscan sense of spatial relations and importance. I. Introduction The Etruscans, in their own rights, were people whose religion was omnipresent in their daily lives. From deciding upon the fate of battle to the inauguration of cities and sacred spaces, the Etruscans held a sense of religion close to themselves. The most prominent part of this religion however, given what is left from the Etruscans, is the emphasis on the use of space. The division and demarcation of physical space is seen in the orthogonal city plan of Marzabotto with cippus placed at prominent crossroads marking the cardinal directions, to the sixteen parts of the heaven and the sky on the Piacenza liver. Space had been used to divine from lighting, conduct augury from the flight of birds and haruspicy from the liver of sacrificial animals. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Experiencing the Etruscans: a Special Guided Tour by Archaeologist Louise Maciejewski
Experiencing the Etruscans: A Special Guided Tour by Archaeologist Louise Maciejewski About your archaeologist/guide: Louise Maciejewski earned her Bachelor of Arts degree in Archaeology from the Institute of Archaeology in London, England, and completed her Masters degree in the study of Etruscans and Etruria at the University of Siena (Italy). She has also studied the art of biography and has broad experience in fine arts conservation, working at a renowned studio in Milan, as well as the Italian Sovrintendenza ai Beni Culturali. In the last few years she has published various articles on the history and prehistory of Cortona and its surrounding area. She has also a close connection to the MAEC (Museo dell’Accademia Etrusca e della Città di Cortona) where she is often asked to participate in local projects. Learn more about Louise below. Dates: October 3 to October 13 (You will need to leave the US on October 2) Day 0 – October 2 - Departure from the US. Day 1 – October 3- Arrival in Rome Upon arrival in the immortal city of Rome you will be transferred from the airport to a charming centrally located hotel. You will join your fellow travellers for a welcome talk and dinner. You will also meet Archaeologist Louise Maciejewski, who will be with you throughout the trip. Sleep in Rome Customized Journeys - www.customizedjourneys.com - [email protected] 25 NW 23rd PL. Suite 6 PMB # 478 Portland, OR 97210 Tel. + 503 914 6452 Day 2 – October 4- Rome and Villa Giulia This morning you will start your Etruscan discovery with a visit to the amazing treasures of the Villa Giulia museum, which houses the largest collection of Etruscan artifacts in the world. -
The Bona Dea Scandal, P. Clodius and Clodia
DANGEROUS LIAISONS : THE WOMEN BEHIND THE BONA DEA SCANDAL OF 62 BC. IMPORTANT NOTE TO THE FOLLOWING PAPER: Sall. Cat. 15 even as youth Cataline had many shameful intrigues, with a vestal virgin, and other affairs equally unlawful and impious. Sources in MRR 2.114. Fabia the Vestal Virgin, sister of Terentia, was accused of incest with Cataline by Clodius in 73 BC, defended by Lutatius Catulus. Imagine 24-7 news networks during the Late Roman Republic exploiting the following events: BREAKING NEWS Pompey the Great has divorced his wife Mucia when he returned from the East in 62 BC; rumor had it she was having an affair with Julius Caesar. BREAKING NEWS Caesar has divorced Pompeia (no relation to Pompey1) following the scandal of the Bona Dea sacrilege. Pompeia was rumored to have had an affair with P. Clodius, who disguised himself as a woman to visit her during the most sacred rites of the Great Goddess.2 These transpired at Caesar’s house, where Caesar’s own mother and sister apprehended Clodius in their midst. According to our source (Suet. Iul. 74.2), “When summoned as a witness 1 against Clodius, Caesar declared that he had no evidence, although both his mother Aurelia and his sister Julia had given the same jurors a faithful account of the whole affair. On being asked why it was then that he had divorced his wife, he replied, ‘Because I maintain that the members of my family should be free from suspicion as well as from accusation.’” BREAKING NEWS As Clodius’ trial for sacrilege approached, rumor has it that Clodius’ sister, Clodia, has made sexual advances toward M. -
Luce in Contesto. Rappresentazioni, Produzioni E Usi Della Luce Nello Spazio Antico / Light in Context
Light in Antiquity: Etruria and Greece in Comparison Laura Ambrosini Abstract This study discusses lighting devices in Etruria and the comparison with similar tools in Greece, focusing on social and cultural differences. Greeks did not use candlestick- holders; objects that have been improperly identified ascandelabra should more properly be classified as lamp/utensil stands. The Etruscans, on the other hand, preferred to use torchlight for illumination, and as a result, the candelabrum—an upright stand specifically designed to support candles — was developed in order to avoid burns to the hands, prevent fires or problems with smoke, and collect ash or melting substances. Otherwise they also used utensil stands similar to the Greek lamp holders, which were placed near the kylikeion at banquets. Kottaboi in Etruria were important utensils used in the context of banquets and symposia, while in Greece, they were interchangeable with lamp/utensil stands. Introduction Light in Etruria1 certainly had a great importance, as confirmed by the numerous gods connected with light in its various forms (the thunderbolt, the sun, the moon, the dawn, etc.).2 All the religious doctrines and practices concerning the thunderbolt, the light par excellence, are relevant in this concern. Tinia, the most important god of the Etruscan pantheon (the Greek Zeus), is often depicted with a thunderbolt. Sometimes also Menerva (the Greek Athena) uses the thunderbolt as weapon (fig. 1), which does not seem to be attested in Greece.3 Thesan was the Etruscan Goddess of the dawn identified with the Greek Eos; Cavtha is the name of the Etruscan god of the sun in the cult, while Usil is the sun as an appellative or mythological personality. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
150506-Woudhuizen Bw.Ps, Page 1-168 @ Normalize ( Microsoft
The Ethnicity of the Sea Peoples 1 2 THE ETHNICITY OF THE SEA PEOPLES DE ETNICITEIT VAN DE ZEEVOLKEN Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus Prof.dr. S.W.J. Lamberts en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op vrijdag 28 april 2006 om 13.30 uur door Frederik Christiaan Woudhuizen geboren te Zutphen 3 Promotiecommissie Promotor: Prof.dr. W.M.J. van Binsbergen Overige leden: Prof.dr. R.F. Docter Prof.dr. J. de Mul Prof.dr. J. de Roos 4 To my parents “Dieser Befund legt somit die Auffassung nahe, daß zumindest für den Kern der ‘Seevölker’-Bewegung des 14.-12. Jh. v. Chr. mit Krieger-Stammesgruppen von ausgeprägter ethnischer Identität – und nicht lediglich mit einem diffus fluktuierenden Piratentum – zu rechnen ist.” (Lehmann 1985: 58) 5 CONTENTS Preface ................................................................................................................................................................................9 Note on the Transcription, especially of Proper Names....................................................................................................11 List of Figures...................................................................................................................................................................12 List of Tables ....................................................................................................................................................................13