Etruscan Biophilia Viewed Through Magical Amber
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Herakles Iconography on Tyrrhenian Amphorae
HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase). -
The Medici Aphrodite Angel D
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 A Hellenistic masterpiece: the Medici Aphrodite Angel D. Arvello Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Arvello, Angel D., "A Hellenistic masterpiece: the Medici Aphrodite" (2005). LSU Master's Theses. 2015. https://digitalcommons.lsu.edu/gradschool_theses/2015 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A HELLENISTIC MASTERPIECE: THE MEDICI APRHODITE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Angel D. Arvello B. A., Southeastern Louisiana University, 1996 May 2005 In Memory of Marcel “Butch” Romagosa, Jr. (10 December 1948 - 31 August 1998) ii ACKNOWLEDGMENTS I wish to acknowledge the support of my parents, Paul and Daisy Arvello, the love and support of my husband, Kevin Hunter, and the guidance and inspiration of Professor Patricia Lawrence in addition to access to numerous photographs of hers and her coin collection. I would also like to thank Doug Smith both for his extensive website which was invaluable in writing chapter four and for his permission to reproduce the coin in his private collection. -
Ancient Rome
Ancient Rome Beginnings Founding • The Latins, an Indo-European-speaking Italic people from central Europe, crossed the Alps about 1500 B.C. and invaded Italy. • Attracted by the warm climate and fertile land, the Latins conquered the native peoples and settled in central Italy. • On the seven hills overlooking the Tiber River, they founded the city of Rome. • (According to Roman legend, the city was founded in 753 B.C. by two descendants of the gods – the twin brothers Romulus and Remus) Life Among the Early Latins The early Latins, a simple, hardy people, • worked chiefly at farming and cattle-raising; • maintained close family ties, with the father exercising absolute authority; • worshipped tribal gods (Jupiter, the chief god; Mars, god of war; Neptune, god of the sea; and Venus, goddess of love), and • defended Rome against frequent attacks Etruscan Territory • Etruscan architecture was created between about 700 BC and 200 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. Etruscan Architecture Etruscan Funeral Urns From Etruscan Rule to Independence Rome was captured about 750 B.C. by its northern neighbors, the Etruscans. From these more advanced people, the Latins, or Romans, learned to • construct buildings, roads and city walls, • make metal weapons, and • Apply new military tactics; The Romans in 500 B.C. -
Cneve Tarchunies Rumach
Classica, Sao Paulo, 718: 101-1 10, 199411995 Cneve Tarchunies Rumach R.ROSS HOLLOWAY Center for Old World Archaeology and Art Brown University RESUMO: O objetivo do Autor neste artigo e realizar um leitura historica das pinturas da Tumba Francois em Vulci, detendo-se naquilo que elas podem elucidar a respeito da sequencia dos reis romanos do seculo VI a.C. PALAVRAS CHAVE: Tumba Francois; realeza romana; uintura mural. The earliest record in Roman history, if by history we mean the union of names with events, is preserved in the paintings of an Etruscan tomb: the Francois Tomb at Vulci. The discovery of the Francois Tomb took place in 1857. The paintings were subsequently removed from the walls and became part of the Torlonia Collection in Villa Albani where they remain to this day. The decoration of the tomb, like much Etruscan funeral art, draws on Greek heroic mythology. It also included a portrait of the owner, Vel Saties, and beside him the figure of a woman named Tanaquil, presumably his wife (this figure has become almost completely illegible). In view of the group of historical personages among the tomb paintings, this name has decided resonance with better known Tanaquil, in Roman tradition the wife of Tarquinius Priscus. The historical scene of the tomb consists of five pairs of figures drawn from Etruscan and Roman history. These begin with the scene (A) Mastarna (Macstma) freeing Caeles Vibenna (Caile Vipinas) from his bonds (fig.l). There follow four scenes in three of which an armed figure dispatches an unarmed man with his sword. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Social Mobility in Etruria Gérard Capdeville
Etruscan Studies Journal of the Etruscan Foundation Volume 9 Article 15 2002 Social Mobility in Etruria Gérard Capdeville Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Capdeville, Gérard (2002) "Social Mobility in Etruria," Etruscan Studies: Vol. 9 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SociaL MobiLity iN Etruria by Gérard Capdeville H(astia) . Ecnatnei . Atiuce . lautnic ([ CIE , 3088 =] TLE , 550 = Cl 1.1568) y “social Mobility” I MeaN here a chaNge of social class, which is Not easy to dis - cerN iN Etruria because we do Not have Much geNeral iNforMatioN oN the struc - Bture of EtruscaN society. The Most iMportaNt chaNge, aNd the Most obvious, is the traNsitioN froM servile to free status, heNce the iMportaNce of freedMeN for our subject. The word for “freedMaN” is well kNowN, as we have circa 175 iNscriptioNs: it is lautuni, lautni (rec. lavtni ), feM. lautni a, lautnita (rec. lavtnita ). Its MeaNiNg is attested by two biliNgual Etrusco-LatiN iNscriptioNs ( CIE , 1288 ClusiuM; 3692 Perugia), which testify to the equivaleNce of lautNi to the LatiN libertus. EquivaleNce does Not MeaN ideNtity of status, especially duriNg the iNdepeNdeNt cities period. At least two questioNs arise. What is the relatioNship betweeN the lautni aNd his forMer Master? What is the positioN of the lautni as regards citizeNship? The oNoMastic, for which we have a very rich corpus of epitaphs, provides us with part of the aNswer. -
Tages Against Jesus: Etruscan Religion in Late Roman Empire Dominique Briquel
Etruscan Studies Journal of the Etruscan Foundation Volume 10 Article 12 2007 Tages Against Jesus: Etruscan Religion in Late Roman Empire Dominique Briquel Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Briquel, Dominique (2007) "Tages Against Jesus: Etruscan Religion in Late Roman Empire," Etruscan Studies: Vol. 10 , Article 12. Available at: https://scholarworks.umass.edu/etruscan_studies/vol10/iss1/12 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Tages Against Jesus: Etruscan Religion in Late Roman Empire by Dominique Briquel t may seem strange to associate in this way two entities which, at first gLance, wouLd seem to have nothing in common. The civiLization of the Etruscans, which fLourished Iin ItaLy during the 1st miLLennium BC, was extinguished before the birth of Christianity, by which time Etruria had aLready been absorbed into the Larger Roman worLd in a process caLLed “Romanization.” 1 This process seems to have obLiterated the most characteristic traits of this autonomous cuLture of ancient Tuscany, a cuLture which may have been Kin to that of the Romans, but was not identicaL to it. As for Language, we can suppose that Etruscan, which is not Indo-European in origin and is therefore pro - foundLy different not onLy to Latin but to aLL other ItaLic diaLects, feLL out of use compLeteLy during the period of Augustus. One cannot, however, cLaim that aLL traces of ancient Etruria had disappeared by then. -
Etruscan Winged “Demons”
First in Flight: Etruscan Winged “Demons” Marvin Morris University of California, Berkeley Classical Civilizations Class of 2016 Abstract: Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. Introduction: Iconography and Ideology Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars1 have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins2. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. One such question concerns the sudden increase in the appearance of winged “demons” that begins to occur around the end of the fifth century BCE. -
Hammond2009.Pdf (13.01Mb)
Postgraduate Programmes in the SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY The Iconography of the Etruscan Haruspex Supervisor: Name: Sarah Hammond Dr Robert Leighton 2009 SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY DECLARATION OF OWN WORK This dissertation has been composed by Sarah Hammond a candidate of the MSc Programme in MScR, Archaeology, run by the School of History, Classics and Archaeology at the University of Edinburgh. The work it represents is my own, unless otherwise explicitly cited and credited in appropriate academic convention. I confirm that all this work is my own except where indicated, and that I have: Clearly referenced/listed all sources as appropriate Referenced and put in inverted commas all quoted text of more than three words (from books, web, etc) Given the sources of all pictures, data etc. that are not my own Not made any use of the essay(s) of any other student(s) either past or present Not sought or used the help of any external professional agencies for the work Acknowledged in appropriate places any help that I have received from others (e.g. fellow students, technicians, statisticians, external sources) Complied with any other plagiarism criteria specified in the Course handbook I understand that any false claim for this work will be penalised in accordance with the University regulations Signature: Name (Please PRINT): SARAH HAMMOND Date: 22/06/2009 The Iconography of the Etruscan Haruspex by Sarah Naomi Hammond MSc by Research, Archaeology The University of Edinburgh 2009 Word count: 25,000 Abstract The religious rituals of the Etruscans incorporated several forms of divination including the practices of extispicy and hepatoscopy, the arts of divining through the examination of sacrificed animal entrails, and specifically the liver. -
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria Raffaella Da Vela Abstract: This contribution addresses semantic change in ceramics as connected to identity con- struction. With three case studies from Hellenistic Etruria, beaked situlae, lagynoi and amphorae, I aim to answer the following research question: How can a change of vessel functions in funerary contexts express the changing cultural identities of the deceased and their family? The choice of fu- nerary contexts allows an approximation of the change of meaning through the analysis of the dis- tance between daily life and ritual function of the objects. Each case study presents a different rela- tionship between changing meaning and identity construction: the beaked situlae, related to the so- cial identity of new social layers; the amphorae, related to local cultural identities during the process of Romanisation; and the lagynoi, related to the construction of multicultural identities in new- founded agricultural settlements. The distinct patterns of the three forms suggest the possibility of analysing stratified and complex societies by the study of changing meaning. This article approaches the semantic change terranean represent a breaking point in the of some grave goods in funerary contexts of social structure of many Etruscan communi- Hellenistic Etruria as a consequence of a ties. This break effected a change which global process of cultural transmission involved many aspects of the material cul- which affected Etruscan and Italic cultures1 ture. Three case studies are selected and during the Hellenistic period. The process of isolated to analyse specific research ques- adopting the Latin language and roman insti- tions which are stated at the beginning of tutions in Etruria, especially in the inland each paragraph and relate to the construction and northern part of the region, engaged a of local identities and their transformation complexity of layers. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The -
Fulminante-2012-Ethnicity-Chapter
- LANDSCAPE, ETHNICITY AND IDENTITY LANDSCAPE, ETHNICITY AND IDENTITY IN THE ARCHAIC MEDITERRANEAN AREA LANDSCAPE, ETHNICITY AND IDENTITY The main concern of this volume is the multi-layered IN THE ARCHAIC MEDITERRANEAN AREA concept of ethnicity. Contributors examine and contextualise contrasting definitions of ethnicity and identity as implicit in two perspectives, one from the classical tradition and another from the prehistoric and anthropological tradition. They look at the role of textual sources in reconstructing ethnicity and introduce fresh and innovative archaeological data, either from fieldwork or from new combinations of old data. Finally, in contrast to many traditional approaches to this subject, they examine the relative and interacting AREA MEDITERRANEAN ARCHAIC THE IN role of natural and cultural features in the landscape in the construction of ethnicity. The volume is headed by the contribution of Andrea Carandini whose work challenges the conceptions of many in the combination of text and archaeology. He begins by examining the mythology surrounding the founding of Rome, taking into consideration the recent archaeological evidence from the Palatine and the Forum. Here primacy is given to construction of place and mythological descent. Anthony Snodgrass, Robin Osborne, Tim Cornell and Christopher Smith offer replies to his arguments. Overall, the nineteen papers presented here show that a modern interdisciplinary and international archaeology that combines material data and textual evidence – critically – can provide a powerful lesson for the full understanding of the ideologies of ancient and modern societies G. G. C IFANI AND S. S TODDART EDITED BY ABRIELE IFANI AND IMON TODDART s G C S S Oxbow Books WITH THE SUPPORT OF SKYLAR NEIL www.oxbowbooks.com This pdf of your paper in Landscape, Ethnicity and Identity belongs to the publishers Oxbow Books and it is their copyright.