A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
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Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Ancient Rome
Ancient Rome Beginnings Founding • The Latins, an Indo-European-speaking Italic people from central Europe, crossed the Alps about 1500 B.C. and invaded Italy. • Attracted by the warm climate and fertile land, the Latins conquered the native peoples and settled in central Italy. • On the seven hills overlooking the Tiber River, they founded the city of Rome. • (According to Roman legend, the city was founded in 753 B.C. by two descendants of the gods – the twin brothers Romulus and Remus) Life Among the Early Latins The early Latins, a simple, hardy people, • worked chiefly at farming and cattle-raising; • maintained close family ties, with the father exercising absolute authority; • worshipped tribal gods (Jupiter, the chief god; Mars, god of war; Neptune, god of the sea; and Venus, goddess of love), and • defended Rome against frequent attacks Etruscan Territory • Etruscan architecture was created between about 700 BC and 200 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. Etruscan Architecture Etruscan Funeral Urns From Etruscan Rule to Independence Rome was captured about 750 B.C. by its northern neighbors, the Etruscans. From these more advanced people, the Latins, or Romans, learned to • construct buildings, roads and city walls, • make metal weapons, and • Apply new military tactics; The Romans in 500 B.C. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
Yalin Akcevin the Etruscans Space in Etruscan Sacred Architecture And
Yalin Akcevin The Etruscans Space in Etruscan Sacred Architecture and Its Implications on Use Abstract Space is no doubt an important subject for the Etruscan religion, whether in the inauguration of cities and sacred areas, or in the divination of omens through the Piacenza liver in divided spaces of a sacrificial liver. It is then understandable that in the architecture and layout of the temples and sacred places, the usage of space, bears specific meaning and importance to the use and sanctity of the temple. Exploring the relationship between architectural spaces, and religious and secular use of temple complexes can expand the role of the temple from simply the ritualistic. It can also be shown that temples were both monuments to gods and Etruscans, and that these places were living spaces reflecting the Etruscan sense of spatial relations and importance. I. Introduction The Etruscans, in their own rights, were people whose religion was omnipresent in their daily lives. From deciding upon the fate of battle to the inauguration of cities and sacred spaces, the Etruscans held a sense of religion close to themselves. The most prominent part of this religion however, given what is left from the Etruscans, is the emphasis on the use of space. The division and demarcation of physical space is seen in the orthogonal city plan of Marzabotto with cippus placed at prominent crossroads marking the cardinal directions, to the sixteen parts of the heaven and the sky on the Piacenza liver. Space had been used to divine from lighting, conduct augury from the flight of birds and haruspicy from the liver of sacrificial animals. -
AP Art History Etruscan Study Guide
AP Art History Etruscan Study Guide "The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory." -Vitruvius, 1st century ce, The 10 Books on Architecture, Preface, section 3 TIMELINE Textbook Ch. 6 (pp. 156-213) Villanovan Orientalizing Archaic Classical Hellenistic 900 BCE 700- 600 BCE 600-480 BCE 480-323 BCE 323-89 BCE Founding of Rome, First Etruscan king Expulsion of Peace between Roman conquest of 753 BCE of Rome (Tarquinius Etruscan kings from Rome and Cerveteri, 273 BCE Priscus), 616-578 Rome, 509 BCE Tarquinia, 351 BCE BCE End of Social War and completion of the Romanization of Italy, 89 BCE Vocabulary Differences between Greek and Etruscan Temples 1. Necropolis Greek Etruscan 2. Stucco •stone, marble •wood, mudbrick 3. Terra-cotta •stylobate •podium with staircase leading •fluting, no base on Doric, to entrance 4. Triclinium surrounded structure •widely spread, in the front to 5. Tufa •stone-gable roof distinguish front and back and •one cella, house deity created porch 6. Tumulus •pedimental sculptures, •roof statues on raking cornice, 7. Tuscan order caryatids, metopes narrative •house statues of Gods for •3 cellas for Tunia, Uni, Menrva worship, sculptural mass – •shelters the gods, about the perfect harmony, unified structure Image Set Key Ideas *Temple of Minerva, Veii, Italy Etruscan art is characterized by a pantheon of gods celebrated in large civic 510-500 BCE and religious buildings. -
Social Mobility in Etruria Gérard Capdeville
Etruscan Studies Journal of the Etruscan Foundation Volume 9 Article 15 2002 Social Mobility in Etruria Gérard Capdeville Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Capdeville, Gérard (2002) "Social Mobility in Etruria," Etruscan Studies: Vol. 9 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SociaL MobiLity iN Etruria by Gérard Capdeville H(astia) . Ecnatnei . Atiuce . lautnic ([ CIE , 3088 =] TLE , 550 = Cl 1.1568) y “social Mobility” I MeaN here a chaNge of social class, which is Not easy to dis - cerN iN Etruria because we do Not have Much geNeral iNforMatioN oN the struc - Bture of EtruscaN society. The Most iMportaNt chaNge, aNd the Most obvious, is the traNsitioN froM servile to free status, heNce the iMportaNce of freedMeN for our subject. The word for “freedMaN” is well kNowN, as we have circa 175 iNscriptioNs: it is lautuni, lautni (rec. lavtni ), feM. lautni a, lautnita (rec. lavtnita ). Its MeaNiNg is attested by two biliNgual Etrusco-LatiN iNscriptioNs ( CIE , 1288 ClusiuM; 3692 Perugia), which testify to the equivaleNce of lautNi to the LatiN libertus. EquivaleNce does Not MeaN ideNtity of status, especially duriNg the iNdepeNdeNt cities period. At least two questioNs arise. What is the relatioNship betweeN the lautni aNd his forMer Master? What is the positioN of the lautni as regards citizeNship? The oNoMastic, for which we have a very rich corpus of epitaphs, provides us with part of the aNswer. -
Etruscan Winged “Demons”
First in Flight: Etruscan Winged “Demons” Marvin Morris University of California, Berkeley Classical Civilizations Class of 2016 Abstract: Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. Introduction: Iconography and Ideology Etruscan winged Underworld figures (commonly referred to as winged “demons”) represent one of the most fascinating and least understood aspects of funerary iconography in ancient Etruria. Their function, along with their origin, has long been the subject of scholarly debates. However, over the last two decades, scholars1 have begun to take a closer look at these chthonic figures. Recent scholarship has begun to provide answers to many of the most fundamental questions concerning their role, even if disagreements remain over their murky origins2. Expanding on interpretations that have cast new light on how these winged (and non winged) Underworld figures functioned, questions concerning Etruscan religious beliefs and funerary ideology can now be reconsidered. One such question concerns the sudden increase in the appearance of winged “demons” that begins to occur around the end of the fifth century BCE. -
An Analysis of the Temple of Jupiter Optimus Maximus As a Case of Etruscan Influence on Roman Religious Architec
HPS: The Journal of History & Political Science 5 Caput Mundi: An Analysis of the HPS: The Journal of History & Political Temple of Jupiter Optimus Maximus Science 2017, Vol. 5 1-12 as a Case of Etruscan Influence on © The Author(s) 2017 Roman Religious Architecture Mario Concordia York University, Canada While Roman architecture is often generalized as being primarily of Greek influence, there are important periods where other influences can be clearly identified. This paper considers the Etruscan, Greek, and Villanovan influence on Roman religious architecture through an examination of the Temple of Jupiter Optimus Maxmius, also known as the Capitolium, and argues that the temple is ultimately of primarily Etruscan influence. Introduction Religious temple architecture was a dynamic, evolving tradition throughout the entire span of Roman history. From its founding, customarily dated at 753 BCE with the mythical tale of Romulus and Remus, until the eventual fall of the Western Empire in the 5th century CE, temples were a central piece of the majesty of Roman architecture. But, like all construction fashion, what was dominant and popular in one period would inevitably change over time. As Becker indicates in his work, “Italic Architecture of the Earlier First Millennium BCE,” many scholars believe that Roman temple architecture is completely indebted to Greek advancements and influence, and that historians should be looking at Classic Greek models when considering Roman architecture,1 but this is hardly a complete answer. While it is true that Rome began to steer toward a more Hellenistic aesthetic some time around the Late Republic to Early Empire Period, there is an entire period before that which cannot be understood in this simple way. -
Hammond2009.Pdf (13.01Mb)
Postgraduate Programmes in the SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY The Iconography of the Etruscan Haruspex Supervisor: Name: Sarah Hammond Dr Robert Leighton 2009 SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY DECLARATION OF OWN WORK This dissertation has been composed by Sarah Hammond a candidate of the MSc Programme in MScR, Archaeology, run by the School of History, Classics and Archaeology at the University of Edinburgh. The work it represents is my own, unless otherwise explicitly cited and credited in appropriate academic convention. I confirm that all this work is my own except where indicated, and that I have: Clearly referenced/listed all sources as appropriate Referenced and put in inverted commas all quoted text of more than three words (from books, web, etc) Given the sources of all pictures, data etc. that are not my own Not made any use of the essay(s) of any other student(s) either past or present Not sought or used the help of any external professional agencies for the work Acknowledged in appropriate places any help that I have received from others (e.g. fellow students, technicians, statisticians, external sources) Complied with any other plagiarism criteria specified in the Course handbook I understand that any false claim for this work will be penalised in accordance with the University regulations Signature: Name (Please PRINT): SARAH HAMMOND Date: 22/06/2009 The Iconography of the Etruscan Haruspex by Sarah Naomi Hammond MSc by Research, Archaeology The University of Edinburgh 2009 Word count: 25,000 Abstract The religious rituals of the Etruscans incorporated several forms of divination including the practices of extispicy and hepatoscopy, the arts of divining through the examination of sacrificed animal entrails, and specifically the liver. -
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria Raffaella Da Vela Abstract: This contribution addresses semantic change in ceramics as connected to identity con- struction. With three case studies from Hellenistic Etruria, beaked situlae, lagynoi and amphorae, I aim to answer the following research question: How can a change of vessel functions in funerary contexts express the changing cultural identities of the deceased and their family? The choice of fu- nerary contexts allows an approximation of the change of meaning through the analysis of the dis- tance between daily life and ritual function of the objects. Each case study presents a different rela- tionship between changing meaning and identity construction: the beaked situlae, related to the so- cial identity of new social layers; the amphorae, related to local cultural identities during the process of Romanisation; and the lagynoi, related to the construction of multicultural identities in new- founded agricultural settlements. The distinct patterns of the three forms suggest the possibility of analysing stratified and complex societies by the study of changing meaning. This article approaches the semantic change terranean represent a breaking point in the of some grave goods in funerary contexts of social structure of many Etruscan communi- Hellenistic Etruria as a consequence of a ties. This break effected a change which global process of cultural transmission involved many aspects of the material cul- which affected Etruscan and Italic cultures1 ture. Three case studies are selected and during the Hellenistic period. The process of isolated to analyse specific research ques- adopting the Latin language and roman insti- tions which are stated at the beginning of tutions in Etruria, especially in the inland each paragraph and relate to the construction and northern part of the region, engaged a of local identities and their transformation complexity of layers. -
Etruscan and Early Roman Architecture Free
FREE ETRUSCAN AND EARLY ROMAN ARCHITECTURE PDF Axel Boethius | 264 pages | 25 Nov 1992 | Yale University Press | 9780300052909 | English | New Haven, United States Etruscan Architecture | Art History Summary. Periods and movements through time. The study of Etruscan and Early Roman Architecture architecture suffers greatly in comparison with its Greek and Roman counterparts because of the building materials used. Whereas Greek temples, such as Etruscan and Early Roman Architecture Parthenon in Athens, and Roman public buildings, such as the immense bath complex of Caracalla in Rome, immediately catch the attention and admiration of students and travelers, Etruscan architectural remains consist for the most part of underground tombs, foundation walls, models of huts and houses, and fragments of terracotta roof decoration. At the same time, thanks to the description by the Roman architectural historian Vitruvius Ten Books on Architecture 4. The perception of Etruscan architecture has, however, changed Etruscan and Early Roman Architecture since the advent of large-scale excavations Etruscan and Early Roman Architecture the late 19th century, and since the s new evidence has produced important results for our understanding of the architectural traditions in ancient Italy. The overviews on Etruscan architecture address very different kinds of audiences, and each has its own focus and strengths. Colonna and Donati are chapters in general books on the Etruscans for Italian as well as international readers, while Damgaard Andersen covers all aspects of early Etruscan architecture in a very systematic presentation. Barker and Rasmussen emphasizes the landscape of Etruria with accounts of excavations and remains, including architecture. A recent topic of discussion concerns the relationship between Etruscan architecture in general and the architectural traditions of ancient Rome.