DOCSLIB.ORG

Etruscan and Early Roman Architecture Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Etruscan and Early Roman Architecture Free FREE ETRUSCAN AND EARLY ROMAN ARCHITECTURE PDF Axel Boethius | 264 pages | 25 Nov 1992 | Yale University Press | 9780300052909 | English | New Haven, United States Etruscan Architecture | Art History Summary. Periods and movements through time. The study of Etruscan and Early Roman Architecture architecture suffers greatly in comparison with its Greek and Roman counterparts because of the building materials used. Whereas Greek temples, such as Etruscan and Early Roman Architecture Parthenon in Athens, and Roman public buildings, such as the immense bath complex of Caracalla in Rome, immediately catch the attention and admiration of students and travelers, Etruscan architectural remains consist for the most part of underground tombs, foundation walls, models of huts and houses, and fragments of terracotta roof decoration. At the same time, thanks to the description by the Roman architectural historian Vitruvius Ten Books on Architecture 4. The perception of Etruscan architecture has, however, changed Etruscan and Early Roman Architecture since the advent of large-scale excavations Etruscan and Early Roman Architecture the late 19th century, and since the s new evidence has produced important results for our understanding of the architectural traditions in ancient Italy. The overviews on Etruscan architecture address very different kinds of audiences, and each has its own focus and strengths. Colonna and Donati are chapters in general books on the Etruscans for Italian as well as international readers, while Damgaard Andersen covers all aspects of early Etruscan architecture in a very systematic presentation. Barker and Rasmussen emphasizes the landscape of Etruria with accounts of excavations and remains, including architecture. A recent topic of discussion concerns the relationship between Etruscan architecture in general and the architectural traditions of ancient Rome. Works such as Cifani and Hopkins emphasize the individual characteristic features of early Roman architecture in relation to that of its Etruscan neighbors. Barker, Graeme, and Tom Rasmussen. The Etruscans. Oxford: Blackwell. Etruscan and early Roman architecture. Revised by Roger Ling and Tom Rasmussen. Harmondsworth, UK: Penguin. A solid overview based on archaeological evidence from Etruscan and Early Roman Architecture sites. Remains a useful reference work in spite of its date. Cifani, Gabriele. Architettura romana arcaica. A catalogue of the remains from early Rome, including famous Etruscan and Early Roman Architecture such as the Capitoline temple. Colonna, Giovanni. Urbanistica e architettura. Edited by Giovanni Pugliese Carratelli, — Milan: Libri Scheiwiller. Damgaard Andersen, Helle. Etruscan architecture from the Late Orientalizing Etruscan and Early Roman Architecture the Archaic period c. PhD diss. An outstanding and clear presentation of the archaeological evidence, unfortunately not published with illustrations and complete documentation. Donati, Luigi. Civil, religious, and domestic architecture. In The Etruscans. Edited by Mario Torelli, — Haynes, Sybille. Etruscan civilization: A cultural history. London: British Museum. An extensive overview of Etruscan culture based on lateth-century discoveries and scholarship. Hopkins, John N. The topographical transformation of Archaic Rome: A new interpretation of architecture and geography in the early city. Moretti Sgubini, Anna Maria, ed. Study of lateth-century archaeological discoveries from three major Etruscan cities and a reevaluation of already excavated material. Paoletti, Orazio, and Giovannangelo Camporeale, eds. Rome: Istituti Editoriali e Poligrafici Internazionali. Two-volume collection of articles on major Etruscan sites in Italy by excavators and scholars. Users without a subscription are not able to see the full content on this page. Please subscribe or login. Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here. Not a member? Sign up for My OBO. Already a member? Publications Pages Publications Pages. Subscriber sign in You could not be signed in, please check and try again. Username Please enter your Username. Password Please enter your Password. Forgot password? Don't have an account? Sign in via your Institution. You could not be signed in, please check and try again. Sign in with your library card Please enter your library card number. Related Articles Expand or collapse the "related articles" section about About Related Articles close popup. Introduction The study of Etruscan architecture suffers greatly in comparison with Etruscan and Early Roman Architecture Greek and Roman counterparts because of the building materials used. General Overviews The overviews on Etruscan architecture address very different kinds of audiences, and each has its own focus and strengths. How to Subscribe Oxford Bibliographies Online is available by subscription and perpetual access to institutions. Jump to Other Articles:. Oxford University Press. All rights reserved. Powered by: PubFactory. Etruscan and early Roman architecture - Axel Boëthius - Google книги Etruscan architecture was created between about BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and Etruscan and Early Roman Architecture walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. From about BC, Etruscan Etruscan and Early Roman Architecture was heavily influenced by Greek architecturewhich was itself developing through the Etruscan and Early Roman Architecture period. But increasingly, from about BC, the Romans looked directly to Greece for their styling, while sometimes retaining Etruscan shapes and purposes in their buildings. The main monumental forms of Etruscan architecture, listed in decreasing order of the surviving remains, were: the houses of the wealthy elite, the mysterious "monumental complexes", temples, city walls, and rock-cut tombs. Apart from the podia of temples and some house foundations, only the walls and rock-cut tombs were mainly in stone, and have therefore often largely survived. The early Etruscans seem to have worshipped in open air enclosures, marked off but not built over; sacrifices continued Etruscan and Early Roman Architecture be Etruscan and Early Roman Architecture outside rather than inside temples in traditional Roman religion until its end. It was only around BC, at the height of their civilization, that they began to create monumental temples, undoubtedly influenced by the Greeks. Usually, only the podium or base platform used stone, with the upper parts of wood and mud-brick, greatly reducing what survives for archaeologists. The only written account of significance on their architecture is by Vitruvius died after 15 BCwriting some two centuries after the Etruscan civilization was absorbed by Rome. He describes Etruscan and Early Roman Architecture to plan a "Tuscan temple" that appears to be a Roman "Etruscan-style" tuscanicae dispositiones temple of a type perhaps still sometimes built in his own day, rather than a really historically- minded attempt to describe original Etruscan buildings, though he may well have seen examples of these. Many aspects of his description fit what archaeologists can demonstrate, but others do not. It is in any case clear that Etruscan temples could take a number of forms, and also varied over the year period during which they were being made. There are also a few model temples in pottery, and depictions on tombs or vases. Remains Etruscan and Early Roman Architecture the architectural terracotta elements sometimes survive in considerable quantities, and museums, mostly in Italy, have good collections of attractively shaped and painted antefixes in particular. Vitruvius specifies three doors and three cellaeone for each of the main Etruscan deities, but archaeological remains do not suggest this was normal, though it is found. The exteriors of both Greek and Roman temples were originally highly decorated and colourful, especially Etruscan and Early Roman Architecture the entablature and roofs, and this was if anything even more true of Etruscan temples. When wood was used for columns, the bases and capitals were often encased in painted terracotta. The Apollo of Veii was part of an acroterion group. The groups from Luni and Talamone both now in Florence are among the most impressive. Features shared by typical Etruscan and Roman temples, and contrasting with Greek ones, begin with a strongly frontal approach, with great emphasis on the front facade, less on the sides, and very little on the back. The podia are also usually higher, and can only be entered at a section of the front, just presenting a blank platform wall elsewhere. There may only be columns at the front portico. At least in later temples, versions of Greek AeolicIonic and Corinthian capitals are found, as well as the main Tuscan ordera simpler version of the Doricbut the attention to the full Greek detailing in the entablature that the Romans pursued seems to have been lacking. Etruscan architecture shared with Ancient Egyptian architecture the use of large cavetto mouldings as a cornicethough not on the same massive scale. The cavetto
Load more

Recommended publications
  • Early Islamic Architecture in Iran
    EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments,
    [Show full text]
  • Cairo Supper Club Building 4015-4017 N
    Exhibit A LANDMARK DESIGNATION REPORT Cairo Supper Club Building 4015-4017 N. Sheridan Rd. Final Landmark Recommendation adopted by the Commission on Chicago Landmarks, August 7, 2014 CITY OF CHICAGO Rahm Emanuel, Mayor Department of Planning and Development Andrew J. Mooney, Commissioner The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor and City Council, was established in 1968 by city ordinance. The Commission is re- sponsible for recommending to the City Council which individual buildings, sites, objects, or districts should be designated as Chicago Landmarks, which protects them by law. The landmark designation process begins with a staff study and a preliminary summary of information related to the potential designation criteria. The next step is a preliminary vote by the landmarks commission as to whether the proposed landmark is worthy of consideration. This vote not only initiates the formal designation process, but it places the review of city per- mits for the property under the jurisdiction of the Commission until a final landmark recom- mendation is acted on by the City Council. This Landmark Designation Report is subject to possible revision and amendment dur- ing the designation process. Only language contained within a designation ordinance adopted by the City Council should be regarded as final. 2 CAIRO SUPPER CLUB BUILDING (ORIGINALLY WINSTON BUILDING) 4015-4017 N. SHERIDAN RD. BUILT: 1920 ARCHITECT: PAUL GERHARDT, SR. Located in the Uptown community area, the Cairo Supper Club Building is an unusual building de- signed in the Egyptian Revival architectural style, rarely used for Chicago buildings. This one-story commercial building is clad with multi-colored terra cotta, created by the Northwestern Terra Cotta Company and ornamented with a variety of ancient Egyptian motifs, including lotus-decorated col- umns and a concave “cavetto” cornice with a winged-scarab medallion.
    [Show full text]
  • Yalin Akcevin the Etruscans Space in Etruscan Sacred Architecture And
    Yalin Akcevin The Etruscans Space in Etruscan Sacred Architecture and Its Implications on Use Abstract Space is no doubt an important subject for the Etruscan religion, whether in the inauguration of cities and sacred areas, or in the divination of omens through the Piacenza liver in divided spaces of a sacrificial liver. It is then understandable that in the architecture and layout of the temples and sacred places, the usage of space, bears specific meaning and importance to the use and sanctity of the temple. Exploring the relationship between architectural spaces, and religious and secular use of temple complexes can expand the role of the temple from simply the ritualistic. It can also be shown that temples were both monuments to gods and Etruscans, and that these places were living spaces reflecting the Etruscan sense of spatial relations and importance. I. Introduction The Etruscans, in their own rights, were people whose religion was omnipresent in their daily lives. From deciding upon the fate of battle to the inauguration of cities and sacred spaces, the Etruscans held a sense of religion close to themselves. The most prominent part of this religion however, given what is left from the Etruscans, is the emphasis on the use of space. The division and demarcation of physical space is seen in the orthogonal city plan of Marzabotto with cippus placed at prominent crossroads marking the cardinal directions, to the sixteen parts of the heaven and the sky on the Piacenza liver. Space had been used to divine from lighting, conduct augury from the flight of birds and haruspicy from the liver of sacrificial animals.
    [Show full text]
  • A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
    Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean.
    [Show full text]
  • Aws Edition 1, 2009
    Appendix B WS Edition 1, 2009 - [WI WebDoc [10/09]] A 6 Interior and Exterior Millwork © 2009, AWI, AWMAC, WI - Architectural Woodwork Standards - 1st Edition, October 1, 2009 B (Appendix B is not part of the AWS for compliance purposes) 481 Appendix B 6 - Interior and Exterior Millwork METHODS OF PRODUCTION Flat Surfaces: • Sawing - This produces relatively rough surfaces that are not utilized for architectural woodwork except where a “rough sawn” texture or nish is desired for design purposes. To achieve the smooth surfaces generally required, the rough sawn boards are further surfaced by the following methods: • Planing - Sawn lumber is passed through a planer or jointer, which has a revolving head with projecting knives, removing a thin layer of wood to produce a relatively smooth surface. • Abrasive Planing - Sawn lumber is passed through a powerful belt sander with tough, coarse belts, which remove the rough top surface. Moulded Surfaces: Sawn lumber is passed through a moulder or shaper that has knives ground to a pattern which produces the moulded pro[le desired. SMOOTHNESS OF FLAT AND MOULDED SURFACES Planers and Moulders: The smoothness of surfaces which have been machine planed or moulded is determined by the closeness of the knife cuts. The closer the cuts to each other (i.e., the more knife cuts per inch [KCPI]) the closer the ridges, and therefore the WS Edition 1, 2009 - [WI WebDoc [10/09]] smoother the resulting appearance. A Sanding and Abrasives: Surfaces can be further smoothed by sanding. Sandpapers come in grits from coarse to [ne and are assigned ascending grit numbers.
    [Show full text]
  • An Analysis of the Temple of Jupiter Optimus Maximus As a Case of Etruscan Influence on Roman Religious Architec
    HPS: The Journal of History & Political Science 5 Caput Mundi: An Analysis of the HPS: The Journal of History & Political Temple of Jupiter Optimus Maximus Science 2017, Vol. 5 1-12 as a Case of Etruscan Influence on © The Author(s) 2017 Roman Religious Architecture Mario Concordia York University, Canada While Roman architecture is often generalized as being primarily of Greek influence, there are important periods where other influences can be clearly identified. This paper considers the Etruscan, Greek, and Villanovan influence on Roman religious architecture through an examination of the Temple of Jupiter Optimus Maxmius, also known as the Capitolium, and argues that the temple is ultimately of primarily Etruscan influence. Introduction Religious temple architecture was a dynamic, evolving tradition throughout the entire span of Roman history. From its founding, customarily dated at 753 BCE with the mythical tale of Romulus and Remus, until the eventual fall of the Western Empire in the 5th century CE, temples were a central piece of the majesty of Roman architecture. But, like all construction fashion, what was dominant and popular in one period would inevitably change over time. As Becker indicates in his work, “Italic Architecture of the Earlier First Millennium BCE,” many scholars believe that Roman temple architecture is completely indebted to Greek advancements and influence, and that historians should be looking at Classic Greek models when considering Roman architecture,1 but this is hardly a complete answer. While it is true that Rome began to steer toward a more Hellenistic aesthetic some time around the Late Republic to Early Empire Period, there is an entire period before that which cannot be understood in this simple way.
    [Show full text]
  • Bsmith-Romanarchitecture.Pdf
    Roman Architecture The city of Rome grew to power in the centre of Italy between two older cultures, the culture of the Etruscan cities in the centre and north, and the Greek settlements in Sicily and the south of Italy. It is not surprising, therefore, to find that roman architecture was influenced in its development very strongly by Etruscan architecture and by Greek architecture. Let us begin therefore by looking first at Etruscan temple architecture which provided the basic source for the Roman temple. No complete Etruscan temples have survived. Here* is a conjectural reconstruction based on evidence from surviving terra-cotta models. Like the early Greek temples the early Etruscan temples were largely built of wood, and consisted, like the Greek temples, of a porched or porticoed hall, the inner sanctuary or cella to house the image of the god or goddess, the portico, to protect the worshippers from the weather. Unlike Greek temples, however, which usually rested upon a low platform or stylobate of three or four steps, the Etruscan temple was raised on a high platform or podium. The porch as often quite deep, as deep, at times, as the cella itself. The cella was inside and often square, and at times was divided by walls into three different chapels or shrines. Of considerable significance however, is the fact that the Etruscans always roofed their buildings with wood, even when, like the Greeks, they substituted stone for the columns. The retention of wooden architraves meant that the Etruscans did not have to space their columns as closely as the Greeks did when they came to use stone architraves.
    [Show full text]
  • Etruscan and Roman Architecture Spring Vip 2020
    CALIFORNIA STATE UNIVERSITY CSU Virtual International Program HCL 405/ARC 410 - ETRUSCAN AND ROMAN ARCHITECTURE SPRING VIP 2020 Prof. Giulia Pettena - [email protected] - [email protected] Wednesday 10-11 am California 3 CSU Semester Units Office Hours: Fridays by appointment Fall 2008 COURSE DESCRIPTION Content: This course is a historical survey of the cultural and technical advancements in architecture and engineering of the two most important civilizations of ancient Italy, the Etruscans and the Romans. The course focuses on: First part - Etruscan architecture: town-planning, domestic and religious buildings, cemeteries and funerary architecture. Etruscan techniques, materials, decorations and influences on Roman architecture. Examining during the course the different aspects of the cultural contacts between Etruscans and Romans, the first term will highlight the extent of the Etruscan influence on their conquerors, the Romans. Second part - The development of Roman architecture, techniques, materials and methods, from the Etruscan Rome, through the Republic, the Age of Augustus, the Empire and the late ‘decadence’, including the architecture of the Provinces. Previous attendance to the courses ‘Etruscology’ and ‘History of Ancient Rome’ is not a prerequisite for attending this course: there will be historical introductions at the beginning of the course and for all the important periods of both the Etruscan and the Roman civilization. Some readings will be recommended as well. CSU GE category: C3, C4, or C elective Method: Illustrated lectures. Research documents for the students (bibliography, graphic materials, synopsis of the course, and color slides). Regular attendance is highly recommended, given the visual nature of the course. Classes and lectures will be held in English.
    [Show full text]
  • Brief History of the Roman Empire -Establishment of Rome in 753 BC
    Brief History of the Roman Empire -Establishment of Rome in 753 BC (or 625 BC) -Etruscan domination of Rome (615-509 BC) -Roman Republic (510 BC to 23 BC) -The word 'Republic' itself comes from the Latin (the language of the Romans) words 'res publica' which mean 'public matters' or 'matters of state'. Social System -Rome knew four classes of people. -The lowest class were the slaves. They were owned by other people. They had no rights at all. -The next class were the plebeians. They were free people. But they had little say at all. -The second highest class were the equestrians (sometimes they are called the 'knights'). Their name means the 'riders', as they were given a horse to ride if they were called to fight for Rome. To be an equestrian you had to be rich. -The highest class were the nobles of Rome. They were called 'patricians'. All the real power in Rome lay with them. Emperors of the Roman Empire -Imperial Period (27BC-395AD) Augustus: Rome's first emperor. He also added many territories to the empire. Nero: He was insane. He murdered his mother and his wife and threw thousands of Christians to the lions. Titus: Before he was emperor he destroyed the great Jewish temple of Solomon in Jerusalem. Trajan: He was a great conqueror. Under his rule the empire reached its greatest extent. Diocletian: He split the empire into two pieces - a western and an eastern empire. -Imperial Period (27BC-395AD) Hadrian: He built 'Hadrian's Wall' in the north of Britain to shield the province from the northern barbarians.
    [Show full text]
  • Architecture, by Nancy R E Meugens Bell 1
    Architecture, by Nancy R E Meugens Bell 1 Architecture, by Nancy R E Meugens Bell The Project Gutenberg EBook of Architecture, by Nancy R E Meugens Bell This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Architecture Author: Nancy R E Meugens Bell Release Date: August 30, 2010 [EBook #33589] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ARCHITECTURE *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive.) ARCHITECTURE BY MRS. ARTHUR BELL AUTHOR OF "THE ELEMENTARY HISTORY OF ART," "MASTERPIECES OF THE GREAT Architecture, by Nancy R E Meugens Bell 2 ARTISTS," "REPRESENTATIVE PAINTERS OF THE NINETEENTH CENTURY," ETC. [Illustration: logo] LONDON: T. C. & E. C. JACK 67 LONG ACRE, W.C., AND EDINBURGH NEW YORK: DODGE PUBLISHING CO. CONTENTS CHAP. PAGE INTRODUCTION: WHAT ARCHITECTURE IS--MATERIALS EMPLOYED--DEFINITION OF DISTINCTIVE FEATURES OF THE TWO MAIN STYLES, TRABEATED AND ARCUATED v I. EGYPTIAN, ASIATIC, AND EARLY AMERICAN ARCHITECTURE 7 II. GREEK ARCHITECTURE 13 III. ROMAN ARCHITECTURE 22 IV. EARLY CHRISTIAN ARCHITECTURE 31 V. BYZANTINE AND SARACENIC ARCHITECTURE 36 VI. ROMANESQUE ARCHITECTURE 45 VII. ANGLO-SAXON AND ANGLO-NORMAN ARCHITECTURE 52 VIII. GOTHIC ARCHITECTURE IN EUROPE 60 IX. GOTHIC ARCHITECTURE IN GREAT BRITAIN 72 X. RENAISSANCE ARCHITECTURE IN EUROPE 83 XI.
    [Show full text]
  • Greek Architecture
    STATE OF THE DISCIPLINE Greek Architecture BARBARA A. BARLETTA Abstract however, that the list of works cited, which is provided The study of Greek architecture grew out of the me- at the end of this article, will assist the reader in locat- ticulous recording of buildings and their components by ing those contributions. 18th- and 19th-century investigators. Although the aims have changed, with an increasing emphasis on historical history of the discipline and social context, the basic methods of documentation remain the same. This essay traces the history of the disci- The study of Greek architecture has evolved consid- pline as a background to modern approaches, geographic erably from its origins in the 18th century, but some emphases, and new perspectives. It surveys the work of of the basic principles have remained the same. It was archaeological schools and conference bodies, followed initiated by architects seeking to preserve a record of by general studies of architecture and its components as monuments of the past and to use them as a source of well as individual building forms and complexes. A focus is placed on recent literature, from 1980 to the present, “good taste” in their own times. They were already fa- and on books rather than articles.* miliar with buildings in Rome, but by the 18th century, their interests had shifted to Greece. Stuart and Revett state the reasons for this shift in their 1748 applica- introduction tion for financing for what would be the first project Many contributions have been made to the field sponsored by the Society of Dilettanti.
    [Show full text]
  • 30704 - Architectural Composition I
    30704 - Architectural composition I Información del Plan Docente Academic Year 2016/17 Academic center 110 - Escuela de Ingeniería y Arquitectura Degree 470 - Bachelor's Degree in Architecture Studies ECTS 6.0 Course 1 Period First semester Subject Type Compulsory Module --- 1.Basic info 1.1.Recommendations to take this course 1.2.Activities and key dates for the course 2.Initiation 2.1.Learning outcomes that define the subject 2.2.Introduction 3.Context and competences 3.1.Goals 3.2.Context and meaning of the subject in the degree 3.3.Competences 3.4.Importance of learning outcomes 4.Evaluation 5.Activities and resources 5.1.General methodological presentation The goals of this course are broad: a) to introduce students to the breadth and variety of Architecture History; b) to provide them with the appreciation of architecture as an element of culture, and explain its critical role in shaping cultural discourse; c) to outline the relationship of architecture with other cultural spheres including art, philosophy, religion, ideology, and technology; d) to understand the classical elements of architecture; e) to aid each student in acquiring historical knowledge as a resource for their own work in the future; and f) to help them develop critical thinking and writing skills. Students are encouraged to take personal responsibility for their own education. Teamwork and initiative will be required and encouraged, in order to provide a collaborative learning environment. 30704 - Architectural composition I The course consists of three main activities: thirteen or fourteen lectures on the History of Architecture, 3 seminars on specific buildings related to the theoretical lessons and a graphic studio where these buildings will be reconstructed by the students.
    [Show full text]