Film in São Paulo
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Sãopaulo Welcome to São Paulo São Paulo Em Números / São Paulo in Numbers
Índice Bem Vindo a São Paulo ................................................ 2 SãoPaulo Welcome to São Paulo São Paulo em números / São Paulo in numbers .................................................. 6 guia do profissional de turismo Acesso / Access .......................................................................................................... 10 Economias criativas / Creative economies ............................................................12 tourism professional guide Conheça São Paulo .................................................... 14 Get to know São Paulo Por que São Paulo é o melhor destino para seus negócios e eventos? .......... 16 Why is São Paulo the best destination for your business and events? A São Paulo Turismo apóia o seu evento .............................................................. 24 São Paulo Tourism supports your event O ponto alto do seu programa de incentivos ...................................................... 26 The highlight of your incentive program São Paulo Por Regiões ............................................... 36 São Paulo by Regions Berrini ........................................................................................................................... 38 Faria Lima & Itaim ......................................................................................................40 Paulista & Jardins ....................................................................................................... 42 Ibirapuera & Moema ..................................................................................................44 -
Evaluating the Quality Standard of Oscar Freire Street Public Space, in São Paulo, Brazil
Journal of Multidisciplinary Engineering Science and Technology (JMEST) ISSN: 2458-9403 Vol. 3 Issue 4, April - 2016 Evaluating the quality standard of Oscar Freire Street public space, in São Paulo, Brazil Ana Maria Sala Minucci Dr. Roberto Righi Doctor‟s degree in Architecture at Mackenzie Architecture and Urbanism Full Professor at Presbyterian University – UPM Mackenzie Presbyterian University São Paulo - Brazil São Paulo - Brazil [email protected] [email protected] Abstract - This article evaluates the quality urbanization away from the floodplains of standard of Oscar Freire Street public space Tamanduateí and Tietê rivers and redirected it to the located in São Paulo, Brazil. In 2006, the street high and healthy lands located southwest of underwent the reconfiguration of the public space downtown [2]. Higienópolis District and Paulista consisting of five commercial blocks, through a Avenue, with new streets were formed according to public-private partnership. Twelve quality criteria, best urban standards. The importance of the elite proposed by Jan Gehl in his book "Cities for location for the establishment of local patterns of the People" related to comfort, safety and pedestrian most important activities in the city, in developing delight, were used to analyze the quality of the countries, is explained by the large share of public space. The study shows that the street participation of this social segment in the composition already met some urban quality criteria even of aggregate consumption demand and its political before the urban intervention and passed to meet importance in the location of private companies and other quality criteria, in addition to the previous public facilities [3]. -
Privatizing Urban Planning and the Struggle for Inclusive Urban Development: New Redevelopment Forms and Participatory Planning in São Paulo
Privatizing Urban Planning and the Struggle for Inclusive Urban Development: New Redevelopment Forms and Participatory Planning in São Paulo by Joshua Daniel Shake A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Urban and Regional Planning) in The University of Michigan 2016 Doctoral Committee: Professor Martin J. Murray, Chair Associate Professor David S. Bieri, Virginia Tech University Assistant Professor Harley F. Etienne Clinical Professor Melvyn Levitsky Associate Professor Eduardo Cesar Leão Marques, University of São Paulo © Joshua Daniel Shake 2016 DEDICATION To my mother, who gave me my love for books, inspired my passion for travel, and always encouraged me to ask questions about the world around me. She may no longer be here with me, but I know I would not be where I am today without her guidance and love and that she continues to provide both. ii ACKNOWLEDGMENTS Over the past four years, I have discovered that completing a Ph.D. is an odd mixture of personal dedication, determination, and desire, along with making sure you have the right people around you to provide guidance, help, and support along the way. While in the limited space here I cannot give due credit to all of those that contributed in some form to this endeavor, I do want to call attention to a few very important individuals without whom I would not have completed this undertaking. My first and largest thank you goes to my committee members: Martin Murray, Eduardo Marques, Harley Etienne, David Bieri, and Melvyn Levitsky. Their feedback and advice on research, academic, and non-academic issues will always be valued. -
O Imaginêrio De Antonio Carlos Jobim
O IMAGINÁRIO DE ANTONIO CARLOS JOBIM: REPRESENTAÇÕES E DISCURSOS Patrícia Helena Fuentes Lima A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (Portuguese). Chapel Hill 2008 Approved by: Advisor: Monica Rector Reader: Teresa Chapa Reader: John Chasteen Reader: Fred Clark Reader: Richard Vernon © 2008 Patrícia Helena Fuentes Lima ALL RIGHTS RESERVED ii ABSTRACT PATRÍCIA HELENA FUENTES LIMA: Antonio Carlos Jobim: representações e discursos (Under the direction of Monica Rector) My aim with the present work is to describe the personal and creative trajectory of this artist that became known to his audience and people as a hero in the mythological sense—an individual that constructs a series of victories and defeats that continues until death, after which he is glorified by his community. Therefore, I approach the narratives that made him famous: the ones produced by the print press as well as those texts that negotiate meaning, memory, domain and identity created by his fans. I will place special emphasis on the fact that his public produced a definitive narrative about his figure, an account imbued with devotion, familiarity and creativity following his death. More specifically, I identify intertwined relations between the Brazilian audience and the media involved with creating the image of Antonio Carlos Jobim. My hypothesis is that Antonio Carlos Jobim’s image was exhaustively associated with the Brazilian musical movement Bossa Nova for ideological reasons. Specially, during a particular moment in Brazilian history—the Juscelino Kubitschek’s years (1955-1961). -
Stay an O Th Er D Ay
Stay another day Where to stay, eat and have fun: save some time to know the best of São Paulo São Paulo stay another day One of the most pulsating metropolis in the world, São Paulo is much more than a great place for doing business. Taking a day o! is the first step to find out the multiple attractions of the capital. This guide provides two suggestions for you to make the most of your stay: visiting the best sites in one neighborhood, or engaging in one- day themed tours, custom-made for travelers of di!erent walks of life. CITY HALL CITY HALL CULTURE, SHOPPING, PARKS, BUDGET ACTIVITIES, INCLUDES COURSES, NIGHT LIFE, FREE TIME WITH CHILDREN A publication of São Paulo Turismo S/A, the official tourism board of the city of São Paulo. Its mission is to position and promote the city of São Paulo as the capital for business, knowledge, and entertainment in Latin America, bringing out its avant-garde and cultural character, seeking its consolidation as a tourist destination, and aiming at the enhancement of the economical activity and the quality of life of its citizens. Mayor of the city of São Paulo: Fernando Haddad www.prefeitura.sp.gov.br President of São Paulo Turismo S/A: Marcelo Rehder Vice-President of São Paulo Turismo S/A: Ítalo Cardoso Araújo Strategic Actions and Communication Director:Marcos Vinícius Sinval Finance, Management and Investor Relations Director: Arley Ayres Infrastructure Director: Luiz Ricardo Santoro Events Director: Everaldo Teixeira Dourado Junior Marketing and Sales Director: João Francisco Aprá Employee Representation -
Financial Statements
Financial Statements Itaúsa Headquarters | Paulista Avenue - São Paulo/Brazil Financial Statements December 31, 2020 Itaúsa S.A. 1 Financial Statements Contents MANAGEMENT REPORT ...................................................................................................................................................................................... 3 ITAÚSA’S MANAGEMENT .................................................................................................................................................................................. 17 FINANCIAL STATEMENTS .................................................................................................................................................................................. 18 NOTES TO THE FINANCIAL STATEMENTS .................................................................................................................................................. 24 1. OPERATIONS ...................................................................................................................................................................................................... 24 2. BASIS OF PREPARATION AND PRESENTATION ................................................................................................................................... 25 3. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES ...................................................................................................................... 29 4. FINANCIAL INSTRUMENTS AND RISK MANAGEMENT .................................................................................................................... -
Preparing for the Conference | São Paulo Q&A
PREPARING FOR THE CONFERENCE | SÃO PAULO Q&A Can you give me information about the Conference Airports & Taxis? There are two airports attendees can take when coming to the conference: GRU (São Paulo/Guarulhos) and CGH (São Paulo/Congonhas). Taxi and UBER services are available at each airport. Guarucoop Taxi from GRU is safe and reliable. Taxi stands are outdoors just outside both terminal 2 and 3 - look for the blue and white signs and taxis. Remember to pay in advance to the location. The UBER app also works in São Paulo. Do I need a VISA to enter Brazil? Most visitors coming to Brazil can enter as tourists for a specific number of days and do not need to pay for a visa. Visitors must hold a valid passport for at least 6 months with one blank page, as well as hold a return ticket showing a date leaving the country. Be sure to check visa requirements for specific country visa requirements. How can I exchange money? There are money exchange kiosks inside the airport near the baggage claim area at both Terminal 2 and Terminal 3 at GRU. Also, many cash machines will dispense in Brazilian Reals using an ATM card. Attendees should make sure to alert banks before traveling. What is the weather going to be like AND what should I wear? March is the warm and rainy season in São Paulo! The weather may be humid, so plan accordingly and bring a water bottle to stay hydrated during the conference. Temperatures will fluctuate between outdoor and indoor locations, so bringing a light sweater for air-conditioned spaces is recommended. -
CENTRO E BOM RETIRO IMPERDÍVEIS Banco Do Brasil Cultural Center Liberdade Square and Market Doze Edifícios E Espaços Históricos Compõem O Museu
R. Visc onde de T 1 2 3 4 5 6 aunay R. Gen. Flor . Tiradentes R. David Bigio v R. Paulino A 27 R. Barra do Tibaji Av C6 R. Rodolf Guimarães R. Par . Bom Jar Fashion Shopping Brás o Miranda Atrativos / Attractions Monumentos / Monuments es dal dim A 28 v B2 Fashion Center Luz . R. Mamor R. T C é r R. Borac é u R. Pedro Vicente 29 almud Thorá z Ferramentas, máquinas e artigos em borracha / eal e 1 1 i Academia Paulista de Letras C1 E3 “Apóstolo Paulo”, “Garatuja, “Marco Zero”, entre outros R. Mamor r e R. Sólon o R. R R. do Bosque d C3 Tools, machinery and rubber articles - Rua Florêncio de Abreu éia ARMÊNIA odovalho da Fonseca . Santos Dumont o 2 R. Gurantã R. do Ar D3 v Banco de São Paulo Vieira o S A R. Padr R. Luis Pachec u 30 l ecida 3 Fotografia / Photography - Rua Conselheiro Crispiniano D2 R. Con. Vic Batalhão Tobias de Aguiar B3 ente Miguel Marino R. Vitor R. Apar Comércio / Shopping 31 Grandes magazines de artigos para festas Air R. das Olarias R. Imbaúba 4 R. Salvador L osa Biblioteca Mário de Andrade D2 R. da Graça eme e brinquedos (atacado e varejo) / Large stores of party items and toys 5 BM&F Bovespa D3 A ena R. Araguaia en. P eição R. Cachoeira 1 R. Luigi Grego Murtinho (wholesale and retail) - Rua Barão de Duprat C4 R. T R. Joaquim 6 Acessórios automotivos / Automotive Accessories R. Anhaia R. Guarani R. Bandeirantes Caixa Cultural D3 apajós R. -
2019 Consolidated Financial Statements
CONSOLIDATED 2019 FINANCIAL STATEMENTS CONSOLIDATED 2019 FINANCIAL STATEMENTS CONTENTS 5 Group key data 6 Parent Company officers 7 Group activities 8 Group chart 9 Financial highlights 10 Net Asset Value 11 Directors’ report 12 Analysis of the consolidated financial statements 19 Human resources 21 Performance by business segment 65 Additional information 67 Consolidated financial statements at December 31, 2019 68 Consolidated statement of financial position 70 Consolidated income statement 71 Consolidated statement of comprehensive income 72 Consolidated statement of changes in shareholders’ equity 73 Consolidated cash flow statement 75 Notes to the consolidated financial statements 155 Annexes 156 List of consolidated companies at December 31, 2019 170 Report of the independent auditors EDIZIONE 3 GROUP KEY DATA EDIZIONE 5 PARENT COMPANY OFFICERS 1 5 Board of Directors General Manager Gianni Mion 2 Carlo Bertazzo Chairman Alessandro Benetton 5 Resigned on February 29, 2020. Director Christian Benetton Director Franca Bertagnin Benetton Director Board of Statutory auditors Sabrina Benetton Angelo Casò Director Chairman Carlo Bertazzo Giovanni Pietro Cunial Director Aldo Laghi Auditors Giovanni Costa Director Alberto Giussani Maria Martellini 6 Fabio Cerchiai 3 Alternate auditors Director Fabio Buttignon 4 6 Alternate Auditor whose term of office ended on May 25, 2020. Director Marco Patuano 4 Director 1 Appointed on June 24, 2019. In office until approval of the financial statements at December 31, 2019 2 Appointed Chairman on June 24, 2019. 3 Chairman whose term of office ended on June 24, 2019. 4 Director whose term of office ended on June 24, 2019. Independent auditors Deloitte & Touche S.p.A. In office until approval of the financial statements at December 31, 2019 In office until approval of the financial statements at December 31, 2023 6 EDIZIONE GROUP KEY DATA GROUP ACTIVITIES At December 31, 2019 Edizione S.r.l. -
In Public Spaces Larry Latimer, the Authority On
Thursday, Aug. 1, 2019 Vol. 18 No. 17 NEWS SPORTS NEWS PHILANTHROPY Girls on Fire Boxing debut Sussman Kiwanis donation summer camp at age 49 groundbreaking to symphony SEE PAGES 3 SEE PAGE 4 SEE PAGE 9 SEE PAGE 8 Downey Larry Latimer, the authority on Downey restaurant grades Narai Thai Cuisine history, remembered after death 7611 Firestone Blvd. Date Inspected: 7/30/19 Friday Friends remember Larry Among those at the Grade: A Weekend91˚ celebration of Larry’s Life were Latimer as a “Reinaissance John and Suzy Lacey, Jack and Bob’s Bog Boy at a man” who literally wrote Judy Faust, Carol Kearns, Vicki 7447 Firestone Blvd. Glance Spearman, Virginia Yoshiyama, Date Inspected: 7/30/19 Saturday 89˚⁰ the book on Downey’s Dr. Bob Flynn, Bernie Lewis, Friday 68 history. Beth Gendreau from the Food Grade: A Bank, and Claudia Dailey from the Downey Library where Larry’s Time Out Burger He died suddenly July 23 mother Cleo devoted herself to the 11219 Old River School Rd. Sunday 88˚ ⁰ Friends of the Downey Library. 70 at age 61. Date Inspected: 7/30/19 Saturday A contingent from the Grade: A Aerospace Legacy Foundation By Lorine Parks that Larry helped create was led Royal Liquor Grocery Society Columnist by Gerald and Kathie Blackburn, 13103 Lakewood Blvd. THINGS TO DO friends since the 90’s. Jerry was Date Inspected: 7/29/19 DOWNEY - The pews were Project Manager with the Boeing filled at St. Raymond’s Church in Space and Communications Grade: A Downey, to celebrate the too- Corporation at the Downey site short life of Larry Latimer. -
The Streaming Wars in the Global Periphery: a Glimpse from Brazil
PRODUCTIONS / MARKETS / STRATEGIES THE STREAMING WARS IN THE GLOBAL PERIPHERY: A GLIMPSE FROM BRAZIL MELINA MEIMARIDIS, DANIELA MAZUR, DANIEL RIOS Name Melina Meimaridis the expression “streaming wars.” This research Academic centre Federal Fluminense University, Brazil offers a glimpse of Brazil’s audiovisual industry and E-mail address [email protected] tries to understand how American streaming companies are penetrating this market and how the local media Name Daniela Mazur conglomerates are reacting. In order to maintain their Academic centre Federal Fluminense University, Brazil dominance in the region, free-to-air networks, pay-tv E-mail address [email protected] networks, and Brazilian telecommunication companies are using different strategies, either creating their own Name Daniel Rios platforms or partnering with pre-established ones in favor Academic centre Federal Fluminense University, Brazil of strengthening themselves. Given Brazil’s particular E-mail address [email protected] television organization, based largely on a few broadcast networks, local media conglomerates have fostered a KEYWORDS mutualistic relationship with their streaming platforms. Internet-distributed television; Globoplay; The largest national streaming company, Globoplay, has Brazilian television; local; Netflix. stood out in the local market: not only making TV Globo’s productions available but also producing original content and offering foreign series exclusively. Because traditional ABSTRACT television consumption is deeply rooted in the country, Considering the current proliferation of video several different strategies are required if TV Globo aims streaming platforms as a worldwide phenomenon, this to transform viewers into Globoplay subscribers. The article analyzes how countries in the global periphery are Brazilian case study reveals nuances and strategies from adapting to this effervescent scenario, characterized by a media industry in the global periphery. -
Architekturperlen in São Paulo
ARCHITEKTURPERLEN IN SÃO PAULO MARTINA METTNER Ganz schön anzusehen sind einige Art-Deco-Gebäude respektive Banken. In einer kann man die alte Schalterhalle besichtigen. Die könnte identisch in Wien sein. Ansonsten wenig Glamour. Viele Menschen leben auf der Sraße, man sieht die Armut, wo man geht und steht. Auf der Rua 25 Marco werden Glimmer und Glitzer im großen Stil verkauft. Es gibt alles mit Strass: Flipflops, Haarreifen, Diademe, Haarspangen, Ringe und alles an Schmuck, was man sich denken kann. Alles ist sehr bunt, sehr laut und und sehr voll. Aber auch faszinierend glitzerig. (Und wie ich retrospektiv feststellen konnte, kommt es in Europa erst Monate später und zu dras- tisch höheren Preisen auf den Markt.) Wir schaffen in São Paulo nicht einmal die Hälfte von dem, was uns interessieren würde. Die Architektur, die vielen Museen, die unterschiedlichen Stadtviertel – man kann das zeitlich wie körperlich gar nicht bewältigen. Heute waren wir acht Stunden bei 28 Grad, bedecktem Himmel und extrem hoher Luftfeuchtigkeit unterwegs. Da ist man abends platt. An der Paulista wollten wir ins Kunstmuseum gehen. Der berühmte Bau ist von Lina Bo Bardi. Auf Fotos sieht er ganz spektakulär aus, in der Realität Anfang 2016 jedoch nicht. Die roten Trä- gersäulen sind gerade umkleidet und daher fehlt das optisch signifikante Merkmal. Dienstags ist der Eintritt frei, daher war die Schlange vor dem Kassenschalter ewig lang und wir haben verzich- tet. Beweisfoto unten. Stattdessen besuchten wir den Park „Trianon“ nahebei. Nur um Oscar Niemeyer geht es im Reisebooklet „Kurven im Raum“. REISEBERICHT: ALTER GLANZ UND NEUER GLITZER Ein „Geheimtipp“ für das Zentrum: Das Dach des Martinelli Building.