Brazil 500 Years: Crossing Boundaries from Cabral to the Third Millennium (July 7-August 12, 2000)
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Specialty Chemicals - Distribution - Logistics 50
Economy - Petrochemicals - Specialty Chemicals - Distribution - Logistics 50. Food and Personal Care Overview BACK TO BASICS Industry The Giant of South America 52. Interview with ITW Chemicals MARCELO PUPO NOGUEIRA, GENERAL DIRECTOR Interviews 8. An Introduction to Brazil 54. Interview with Dow Corning Exclusive interviews with major chemical A BRIEF OVERVIEW OF THE COUNTRY AND ANGELO BIANCHINI, REGIONAL PRESIDENT LATIN manufacturers such as Petrom, Oxiteno, ECONOMY AMERICA AND MARCO JORDÃO, COMMERCIAL 10. Interview with the Ministry of Development, DIRECTOR BASF, Dow Corning, Evonik and Linde 56. Interview with Evonik South America Gases reveal the true opportunities and Industry and Foreign Trade DR. FERNANDO PIMENTEL, MINISTER OF WEBER PORTO, PRESIDENT challenges of Brazil. 58. Interview with Taminco DEVELOPMENT, INDUSTRY AND FOREIGN TRADE 11. Chemicals in Brazil JEAN-MICHEL DENIS, REGIONAL VICE PRESIDENT LATIN AMERICA; PEDRO MAURO PITA, SALES AND A BUMP IN THE ROAD TO GROWTH 13. Interview with Associação Brasileira da MARKETING DIRECTOR SOUTH AMERICA; AND Indústria Química (ABIQUIM) WERNER GURTNER, SALES AND MARKETING MANAGER SOUTH AMERICA FERNANDO FIGUEIREDO, EXECUTIVE PRESIDENT 18, 26, 41, 54, 56, 63 59. Pulp and Paper ORGANIC GROWTH 60. Interview with Peroxidos do Brasil Analysis Processing BRUNO JESTIN 61. Industrial Gases Viewpoints from the GBR on-the- Hydrocarbons SAFETY IN NUMBER OF MARKETS SERVED ground team on the subjects of mining Petrochemicals and Biofuels 63. Interview with Linde Gases opportunities in Mexico and security MAGNUS KARLSON, GENERAL MANAGER concerns affecting operations in the in Brazil 64. Interview with Air Liquide MARCELO FIORANELLI, GENERAL DIRECTOR country, taken from our weekly newsletter 65. Interview with Air Products the GBRoundup. -
Page 1 of 205 9/1/2009
Page 1 of 205 As filed with the Securities and Exchange Commission on September 1, 2009 UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 20-F Amendment No. 1 REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2007 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 333-131938 Commission file number 333-145838-02 Commission file number 333-145838-01 TAM S.A. TAM Capital Inc. TAM Linhas Aéreas S.A. (Exact name of registrant as (Exact name of registrant as (Exact name of registrant as specified in its charter) specified in its charter) specified in its charter) Not applicable Not applicable TAM Airlines S.A. (Translation of registrant (Translation of registrant (Translation of registrant name into English) name into English) name into English) The Federative Republic of Brazil Cayman Islands The Federative Republic of Brazil (State or other jurisdiction of (State or other jurisdiction of (State or other jurisdiction of incorporation or organization) incorporation or organization) incorporation or organization) 4512 4512 4512 (Primary Standard Industrial (Primary Standard Industrial (Primary Standard Industrial Classification Code Number) Classification Code Number) Classification Code Number) Not applicable Not applicable Not applicable (I.R.S. Employer Identification Number) (I.R.S. -
Barroco Mineiromineiro
BarrocoBarroco MineiroMineiro Prof. Percival Tirapeli, Instituto de Artes da UNESP Mapa da Estrada Real, por onde escoava o ouro encontrado pelos bandeirantes paulistas em 1692. O Caminho Velho iniciava NO Rio de Janeiro depois partia do porto de Parati pelo Estado de São Paulo passando por São João del Rei até Ouro Preto. O Caminho Novo iniciava no Rio de Janeiro passando por Juiz de Fora até Ouro Preto. O Caminho do Diamante ia do Rio de Janeiro passando por Ouro Preto, Serro até Diamantina. Adro da Igreja do Bom Jesus de Matosinhos. Congonhas/ MG. Séc. XVIII – XIX. Profeta Jeremias. 1802/05 Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Daniel Adro da Igreja do Bom Jesus de Matosinhos. Aleijadinho. Congonhas/MG. Profeta Habacuc. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Profeta Jonas. Igreja do Bom Jesus de Matosinhos. Congonhas/MG. Passo da ceia. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/ MG. 1795/09. Anjo da Amargura. Passo do Horto. Madeira policromada. Aleijadinho. Congonhas/ MG. 170 cm x 200 cm x 50 cm Cristo no Horto das Oliveiras. Detalhe do Passo do Horto. Madeira policromada por Mestre Ataíde. Aleijadinho. Congonhas/MG. 142 cm x 123 cm x 82 cm. Reedificação da fachada em pedra da Matriz de Santo Antônio, 1717 a 1779. Ouro Branco/MG. Altar mor. Início do séc. XVIII. Igreja Matriz de Santo Antônio. Ouro Branco/MG. Sabará, onde Fernão Dias encontrou as pedras semi-preciosas em 1692. Capela Nossa Senhora do Ó em Sabará, 1720. Retábulo da capela mor, 1720. Estilo nacional português. -
Film in São Paulo
FILM IN SÃO PAULO Guidelines for your new scenario spcine.com.br [email protected] @spcine_ and @spfilmcommission /spcinesp PRODUCTION GUIDE 2020 1 2 FILM IN SÃO PAULO Guidelines for your new scenario PRODUCTION GUIDE 2020 Art direction and design: Eduardo Pignata Illustrations: Bicho Coletivo 3 4 CHAPTER 3 - FILMING IN SÃO PAULO _ P. 41 Partnership with Brazilian product company _ p. 43 CONTENT Current co-production treaties _ p. 44 Entering Brazil _ p. 45 Visa _ p. 46 ATA Carnet _ p. 51 Taxes _ p. 52 Remittance abroad taxes _ p. 53 IRRF (Withholding income tax) _ p. 53 Labour rights _ p. 54 CHAPTER 1 - SÃO PAULO _ P. 9 Workdays and days off _ p. 55 Offset time compensation _ p. 55 An introduction to São Paulo _ p. 11 Payment schedule _ p. 56 Big productions featuring São Paulo _ p. 17 Health & safety protocols _ p. 59 The Brazilian screening sector around the world _ p. 21 Filming infrastructure _ p. 61 São Paulo’s main events _ p. 23 Sound stages _ p. 62 São Paulo’s diversity _ p. 26 Equipment _ p. 62 Daily life in São Paulo _ p. 65 Locations _ p. 66 Weather and sunlight _ p. 69 Safety & public security _ p. 70 Logistics _ p. 70 Airports _ p. 71 Guarulhos Airport _ p. 71 CHAPTER 2 - SPCINE _ P. 27 Congonhas Airport _ p. 72 Who we are _ p. 29 Viracopos Airport _ p. 72 Spcine _ p. 30 Ports _ p. -
Peoples in the Brazilian Amazonia Indian Lands
Brazilian Demographic Censuses and the “Indians”: difficulties in identifying and counting. Marta Maria Azevedo Researcher for the Instituto Socioambiental – ISA; and visiting researcher of the Núcleo de Estudos em População – NEPO / of the University of Campinas – UNICAMP PEOPLES IN THE BRAZILIAN AMAZONIA INDIAN LANDS source: Programa Brasil Socioambiental - ISA At the present moment there are in Brazil 184 native language- UF* POVO POP.** ANO*** LÍNG./TRON.**** OUTROS NOMES***** Case studies made by anthropologists register the vital events of a RO Aikanã 175 1995 Aikanã Aikaná, Massaká, Tubarão RO Ajuru 38 1990 Tupari speaking peoples and around 30 who identify themselves as “Indians”, RO Akunsu 7 1998 ? Akunt'su certain population during a large time period, which allows us to make RO Amondawa 80 2000 Tupi-Gurarani RO Arara 184 2000 Ramarama Karo even though they are Portuguese speaking. Two-hundred and sixteen RO Arikapu 2 1999 Jaboti Aricapu a few analyses about their populational dynamics. Such is the case, for RO Arikem ? ? Arikem Ariken peoples live in ‘Indian Territories’, either demarcated or in the RO Aruá 6 1997 Tupi-Mondé instance, of the work about the Araweté, made by Eduardo Viveiros de RO Cassupá ? ? Português RO/MT Cinta Larga 643 1993 Tupi-Mondé Matétamãe process of demarcation, and also in urban areas in the different RO Columbiara ? ? ? Corumbiara Castro. In his book (Araweté: o povo do Ipixuna – CEDI, 1992) there is an RO Gavião 436 2000 Tupi-Mondé Digüt RO Jaboti 67 1990 Jaboti regions of Brazil. The lands of some 30 groups extend across national RO Kanoe 84 1997 Kanoe Canoe appendix with the populational data registered by others, since the first RO Karipuna 20 2000 Tupi-Gurarani Caripuna RO Karitiana 360 2000 Arikem Caritiana burder, for ex.: 8,500 Ticuna live in Peru and Colombia while 32,000 RO Kwazá 25 1998 Língua isolada Coaiá, Koaiá contact with this people in 1976. -
Alkonat® L 18
ALKONAT® L 18 DESCRIPTION ALKONAT® L 18 is a polyoxyethylene (1.8) lauryl alcohol ether PHYSICAL PROPERTIES¹ CHARACTERISTICS AND BENEFITS Appearance (25°C) 1 Liquid • Versatile surfactant for water in oil emulsificaton Active Content, wt% 2 100% • Oil Soluble Moles of EO 3 1.8 • Feedstock for sulfation Hydroxyl Number 4 203 mgKOH/g • Compatible with cationic, anionic and other nonionic surfactants HLB 5 5.8 Flash Point 0 6 150 °C Melting Point 7 5°C pH (1 wt%, IPA:Water 1:1) 8 7.0 STORAGE AND HANDLING Viscosity (25°C) 9 32 mPa.s The product should be stored in Use in a well-ventilated area, away Density (25°C) 10 0.910 g/cm³ from sunlight and sources of heat or open flames. Keep containers Color (Pt-Co, 25°C) 11 30 (max) tightly closed when not in use. For more information, consult the 12 Safety Data Sheet (SDS). 13 14 15 16 SHELF LIFE 17 24 Months from manufacturing date 18 19 STANDARD PACKAGING 20 Totes (metric ton) Samples Drums(407 lbs, 185 kg) Bulk ADDITIONAL INFORMATION REGULATORY Sourcing 1 Oleo/Synthetic CAS Registry No.² 1 68551-12-2 Percent Renewable Content 2 71% USA (TSCA) 2 Listed INCI Name 3 Not applicable Canada (DSL) 3 Listed Non-GMO 4 Not applicable Australia (AICS) 4 Listed 5 China (IECSC) 5 Listed 6 Korea (ECL) 6 Listed 7 New Zealand (NZIoC) 7 Listed 8 Philippines (PICCS) 8 Listed 9 EU (EINECS) 9 Listed 10 EU (ELINCS) 10 Listed 11 Yes US DOT 11 Not classified in bulk 12 0 12 13 General 13 14 0 14 15 15 ¹The physical properties described in the table are only for informational purposes and may be changed without notice. -
Gen 0.1-1 Brasil 25 Jun 15
AIP GEN 0.1-1 BRASIL 25 JUN 15 PART 1 – GENERAL (GEN) GEN 0.1 PREFACE 1. NAME OF PUBLISHING AUTHORITY The Director of the Department of Airspace Control (DECEA) is responsible for the publication of the AIP Brasil. 2. APPLICABLE ICAO DOCUMENTS The AIP is prepared in accordance with the Standards and Recommended Practices (SARPS) of Annex 15 to the Convention on International Civil Aviation and the Aeronautical Information Services Manual (ICAO Doc. 8126). Charts included in the AIP are produced in accordance with Annex 4 to the Convention on International Civil Aviation and the Aeronautical Chart Manual (ICAO Doc. 8697). Differences from ICAO Standards, Recommended Practices and Procedures are given in subsection GEN 1.7 3. PUBLICATION MEDIA Printed and online 4. THE AIP STRUCTURE AND ESTABLISHED REGULAR AMENDMENT INTERVAL 4.1 The AIP structure The AIP forms part of the integrated aeronautical package, details of which are given in subsection GEN 3.1. The principal AIP structure is shown in graphic form on page GEN 0.1-3. The AIP is made up of three parts, General (GEN), En Route (ENR) and Aerodromes (AD), each divided into sections and subsections as applicable, containing various types of information subjects. 4.1.1 Part 1 - General (GEN) Part 1 consists of five sections containing information as briefly described hereafter: GEN 0. Preface, record of AIP amendments, record of AIP supplements, checklist, list of hand amendments and the table of contents to Part 1. GEN 1. National regulations and requirements – Designated authorities; entry, transit and departure of aircraft; entry, transit and departure of passengers and crew; entry, transit and departure of cargo; aircraft instruments, equipment and flight documents; summary of national regulations and international agreements/conventions; and differences from ICAO standards, recommended practices and procedures. -
Filmkatalog IAI Stand Februar 2015 Alph.Indd
KATALOG DER FILMSAMMLUNG Erwerbungen 2006 - 2014 CATÁLOGO DE LA COLECCIÓN DE CINE Adquisiciones 2006 - 2014 Inhalt Argentinien............................................................................. 4 Bolivien....................................................................................18 Brasilien...................................................................................18 Chile.........................................................................................31 Costa Rica................................................................................36 Cuba.........................................................................................36 Ecuador....................................................................................43 Guatemala...............................................................................46 Haiti.........................................................................................46 Kolumbien...............................................................................47 Mexiko.....................................................................................50 Nicaragua.................................................................................61 Peru.........................................................................................61 Spanien....................................................................................62 Uruguay...................................................................................63 Venezuela................................................................................69 -
As Línguas Indígenas Na Universidade Federal De São Carlos
Edmar Neves da Silva. As línguas indígenas... Artículo AS LÍNGUAS INDÍGENAS NA UNIVERSIDADE FEDERAL DE SÃO CARLOS Edmar Neves da Silva [email protected] Departamento de Letras - UFSCar (DL) Universidade Federal de São Carlos (UFSCar), Brasil RESUMO Com um programa de Ações Afirmativas que garante uma vaga anual para candidatos indígenas em todos os cursos da graduação, a Universidade Federal de São Carlos (UFSCar) tornou-se referência nacional no acesso dos povos indígenas do Brasil ao ensino superior. Atualmente a UFSCar conta com 150 estudantes indígenas de várias etnias em seus quatro campi. Assim, a Universidade sofreu um impacto extremamente positivo com as Políticas de Ações Afirmativas, tornando-se um grande polo de diversidade cultural e linguística. O presente artigo apresenta um perfil geral dos estudantes indígenas da UFSCar e um mapeamento das línguas indígenas faladas por esses estudantes. Palavras-chave: Políticas linguísticas; Línguas indígenas; Educação indígena; Ações Afirmativas; Ensino superior. THE INDIGENOUS LANGUAGES AT UNIVERSIDADE FEDERAL DE SÃO CARLOS ABSTRACT With an affirmative action program that guarantees one annual vacancy for indigenous candidates in all of undergraduate courses, the Universidade Federal de São Carlos (UFSCar) has become a national reference in the access of Brazilian indigenous people to higher education. Currently UFSCar has 150 indigenous students from various ethnicities at its four campuses. Thus, the university has had an extremely positive impact with affirmative action policies, becoming a major pole of cultural and linguistic diversity. This article presents a 92 © Revista Digital de Políticas Lingüísticas. Año 10, Volumen 10, noviembre 2018. ISSN 1853-3256 general profile of UFSCar’s indigenous students, and a mapping of the indigenous languages spoken by them. -
O Imaginêrio De Antonio Carlos Jobim
O IMAGINÁRIO DE ANTONIO CARLOS JOBIM: REPRESENTAÇÕES E DISCURSOS Patrícia Helena Fuentes Lima A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (Portuguese). Chapel Hill 2008 Approved by: Advisor: Monica Rector Reader: Teresa Chapa Reader: John Chasteen Reader: Fred Clark Reader: Richard Vernon © 2008 Patrícia Helena Fuentes Lima ALL RIGHTS RESERVED ii ABSTRACT PATRÍCIA HELENA FUENTES LIMA: Antonio Carlos Jobim: representações e discursos (Under the direction of Monica Rector) My aim with the present work is to describe the personal and creative trajectory of this artist that became known to his audience and people as a hero in the mythological sense—an individual that constructs a series of victories and defeats that continues until death, after which he is glorified by his community. Therefore, I approach the narratives that made him famous: the ones produced by the print press as well as those texts that negotiate meaning, memory, domain and identity created by his fans. I will place special emphasis on the fact that his public produced a definitive narrative about his figure, an account imbued with devotion, familiarity and creativity following his death. More specifically, I identify intertwined relations between the Brazilian audience and the media involved with creating the image of Antonio Carlos Jobim. My hypothesis is that Antonio Carlos Jobim’s image was exhaustively associated with the Brazilian musical movement Bossa Nova for ideological reasons. Specially, during a particular moment in Brazilian history—the Juscelino Kubitschek’s years (1955-1961). -
Dancing Through Difficulties: Capoeira As a Fight Against Oppression by Sara Da Conceição
Dancing Through Difficulties: Capoeira as a Fight Against Oppression by Sara da Conceição Capoeira is difficult to define. It is an African form of physical, spiritual, and cultural expression. It is an Afro-Brazilian martial art. It is a dance, a fight, a game, an art form, a mentality, an identity, a sport, an African ritual, a worldview, a weapon, and a way of life, among other things. Sometimes it is all of these things at once, sometimes it isn’t. It can be just a few of them or something different altogether. Capoeira is considered a “game” not a “fight” or a “match,” and the participants “play” rather than “fight” against each other. There are no winners or losers. It is dynamic and fluid: there is no true beginning or end to the game of capoeira. In perhaps the most widely recognized and referenced book dealing with capoeira, Ring of Liberation: Deceptive Discourse in Brazilian Capoeira, J. Lowell Lewis attempts to orient the reader with a fact-based, straightforward description of this blurred cultural genre: A game or sport played throughout Brazil (and elsewhere in the world) today, which was originally part of the Afro-Brazilian folk tradition. It is a martial art, involving a complete system of self-defense, but it also has a dance-like, acrobatic movement style which, combined with the presence of music and song, makes the games into a kind of performance that attracts many kinds of spectators, both tourists and locals. (xxiii) An outsider experiencing capoeira for the first time would undoubtedly assert that the “game” is a spectacular, impressive, and peculiar sight, due to its graceful and spontaneous integration of fighting techniques with dance, music, and unorthodox acrobatic movements. -
Following the Trail of the Snake: a Life History of Cobra Mansa “Cobrinha” Mestre of Capoeira
ABSTRACT Title of Document: FOLLOWING THE TRAIL OF THE SNAKE: A LIFE HISTORY OF COBRA MANSA “COBRINHA” MESTRE OF CAPOEIRA Isabel Angulo, Doctor of Philosophy, 2008 Directed By: Dr. Jonathan Dueck Division of Musicology and Ethnomusicology, School of Music, University of Maryland Professor John Caughey American Studies Department, University of Maryland This dissertation is a cultural biography of Mestre Cobra Mansa, a mestre of the Afro-Brazilian martial art of capoeira angola. The intention of this work is to track Mestre Cobrinha’s life history and accomplishments from his beginning as an impoverished child in Rio to becoming a mestre of the tradition—its movements, music, history, ritual and philosophy. A highly skilled performer and researcher, he has become a cultural ambassador of the tradition in Brazil and abroad. Following the Trail of the Snake is an interdisciplinary work that integrates the research methods of ethnomusicology (oral history, interview, participant observation, musical and performance analysis and transcription) with a revised life history methodology to uncover the multiple cultures that inform the life of a mestre of capoeira. A reflexive auto-ethnography of the author opens a dialog between the experiences and developmental steps of both research partners’ lives. Written in the intersection of ethnomusicology, studies of capoeira, social studies and music education, the academic dissertation format is performed as a roda of capoeira aiming to be respectful of the original context of performance. The result is a provocative ethnographic narrative that includes visual texts from the performative aspects of the tradition (music and movement), aural transcriptions of Mestre Cobra Mansa’s storytelling and a myriad of writing techniques to accompany the reader in a multi-dimensional journey of multicultural understanding.