Jazz Collection: Lauren Newton (W)

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Jazz Collection: Lauren Newton (W) Samstag, 13. Juli 2013, 22.00 - 24.00 Uhr Die Amerikanerin Lauren Newton gilt als eine der wichtigsten zeitgenössischen Vokalimprovisatorinnen. Nach einem klassischen Gesangs- und Kompositionsstudium an der University of Oregon und der Musikhochschule Stuttgart machte sie sich schnell einen Namen in der Jazzszene. Von 1979 bis 1989 war Lauren Newton die Stimme des Vienna Art Orchestra, und prägte den Sound dieses Orchesters massgeblich mit. Mühelos wechselte sie die Rollen von der vierten Stimme im Trompetensatz zur Solistin in Songs und im freien Kontext.Sie trat aber immer auch als Solistin und mit eigenen Vokalensembles auf, nachdem sie 1982 mit einer der stilbildenden Gruppen in diesem Bereich für Furore gesorgt hatte. Im Vocal Summit sang sie neben Bobby McFerrin, Jeanne Lee, Urszula Dudziak und Jay Clayton. Die SRF-Jazzredaktorin Annina Salis hat an der Musikhochschule Luzern bei Lauren Newton studiert und ist Gast von Peter Bürli. Lauren Newton / Vocal Summit: Sorrow Is Not Forever – Love Is CD Moers Music Track 3: Conversations junior Vienna Art Orchestra: The Minimalism Of Erik Satie CD hat ART Track 5: Gnossienne No.3 Lauren Newton: Filigree CD hatOLOGy Track 2: Conversations Track 4: Run Of the Mill Lauren Newton & Thomas Horstmann: Art Is … CD Leo Track 4: Solitude Lauren Newton: Soundsongs CD Leo Track 6: Wordsong Ernst Jandl: Vomvomzumzum LP Extraplatte Track B5: Pi Lauren Newton-Masahiko Togashi-Peter Kowald: Contrast LP Paddle Wheel Track A 2: Twilight South West Lauren Newton & Aki Takase: Spring in Bangkok CD Intakt Track 3: Insel Vienna Art Orchestra: Suite For The Green Eighties CD hatArt Track 6: Suite For The Green Eighties Part III Bonustracks – nur in der Samstagsausgabe Bellatrice: Barnard CD MGB Track 9: Senorita Smiles Susanne Abbuehl: Compass CD ECM Track 2: Black Is The Color Vienna Art Orchestra: Swiss Swing CD Moers Track 5: Bergecho Track 6: S’wott es Fraueli Track 7: Von der Rige Track 8: Zitatmaschine Vienna Art Choir: From No Art To Mo(z)art CD Moers Track 7: Chi-ni-pre-sta-huk-wo-ei Track 8: Chi-ni-pre-sta-huk-wo-ei-eu Track 9: Chi-ni-pre-sta-huk-wo-ei-eu-au- Track 10: Chi-ni-pre-sta-huk-wo-ei-eu-au-bd Track 11: Chi-ni-pre-sta-huk-wo-ei-eu-au-bd-gsch Vienna Art Orchestra: Inside Out CD Moers Track 5: Cry Me A River Susanne Abbuehl: April CD ECM Track 8: Round Midnight .

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Kontakt: [email protected] Dorotheergasse 10 a – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49
Kontakt: [email protected] Dorotheergasse 10 A – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49 mathias rüegg (*1952 Zürich) (https://www.mathiasrueegg.com) „Meine Tonsprache bezeichne ich als Romantik aus der Sicht von heute, unter Einbeziehung aller musikalischen Entwicklungen seither.“ (mathias rüegg) 1952 in Zürich geboren und in Schiers (GR) aufgewachsen. 1974-76 Musikstudium in Graz 1977 Gründung und Leitung des Vienna Art Orchestra (bis zu dessen Ende 2010 1993 Gründung und Leitung des Jazzclubs Porgy & Bess bis 1995 1997 Gründung und Leitung des Hans Koller Preises bis zu dessen Ende 2010 Seit 2013 Zusammenarbeit mit Lia Pale © Claus Peuckert mathias rüegg wurde 1952 in Zürich geboren. Er machte seinen Abschluss als Primarschullehrer und unterrichtete zunächst an verschiedenen Sonderschulen. Von 1973 bis 1975 studierte er in Graz klassische Komposition & Jazzklavier und übersiedelte 1976 nach Wien, wo er freiberuflich als Pianist arbeitete. Der Soloarbeit müde geworden, gründete er 1977 das Vienna Art Orchestra (VAO), für das er praktisch alle Programme schrieb. Von 1983 bis 1987 leitete er zusätzlich den Vienna Art Choir. Er schrieb u.a. Auftragskompositionen für Jazzformationen wie der NDR Big-Band, SDR Big-Band, UMO Big-Band Helsinki, der Swedish Radio Jazz Group & der RTV Big Band Slovenia. Klassische Aufträge u.a. für die Wiener Symphoniker, Basler Sinfonietta, Ensemble Kontrapunkte, Die Reihe, Deutsche Kammerphilharmonie, Orchestre de la Normandie Basse, Opus Novum & L’Orchestra della Svizzera Italiana. Als Leiter internationaler Workshops fungierte er u.a. in Wien, Köln, Hannover, Berlin, Bern & Trento. rüegg komponierte Film- und Theatermusiken im Rahmen seiner Zusammenarbeit mit George Tabori und dem Wiener Serapionstheater. Spezielle Projekte zwischen Musik und Literatur verbanden ihn 1983 bis 1990 mit dem Wiener Lyriker Ernst Jandl.
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French Stewardship of Jazz: the Case of France Musique and France Culture
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JAMU 20140416-2 – Vienna Art Orchestra (2) Výběr Z Následujících Alb Orchestru
JAMU 20140416-2 – Vienna Art Orchestra (2) výběr z následujících alb orchestru: ART & FUN Universal Music Emarcy 017 072-2 2002 Live 1-1 Art & Fun 4:26 1-2 L'Art Du Son 7:20 1-3 Art Of Sin 5:59 1-4 Art Is Gone 4:49 1-5 Art Is Smart 5:40 1-6 Art With Heart 8:15 1-7 Art To Dance 3:26 1-8 Art In Trance 4:08 1-9 Art To Lunch 7:12 1-10 Art With Punch 6:47 1-11 Art Got Drunk 4:14 1-12 L'Art Goes Funk 4:35 1-13 Fun & Art 7:21 Remixed 2-1 Artful Noise 4:12 2-2 Son Of Sun 4:20 2-3 Time To Sin 5:07 2-4 Gone Movies 4:44 2-5 Smart Shades 1:57 2-6 Heartbeat 5:02 2-7 Trance Versus Dance 5:39 2-8 Out For Lunch? 5:11 2-9 Dark Water Punch 5:45 2-10 Drunk With Consuela 4:30 2-11 Funkloch 6:32 2-12 Funny Accent 4:17 2-13 Marquis De Satie 6:16 CD1 Recorded at Porgy and Bess, Vienna, August 2001 Mixed at Studio Powerplay, Zurich, January 2002 CD2 All remixes of CD1 at Sonic Spell Lounge/Berlin, November-December 2001 Duke Ellington’s Sound of Love Vol. 2 Universal Music Emarcy 0602498654194 2003 Titles: 1. such sweet thunder 2. very special 3. rem blues 4. after all 5. smada 6. circle in fourths 7.
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Criss Cross › Vienna › Austria Music › Adriane › Muttenthaler
music CRISS CROSS › VIENNA › AUSTRIA MUSIC › ADRIANE › MUTTENTHALER THE BAND DISCOGRAPHY TOURS PRESS THE COMPOSER THE MUSICIANS booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT the band ADRIANE MUTTENTHALER › PIANO, COMPOSITION STEFAN ÖLLERER › SOPRANO SAX CHRISTOPH »PEPE« AUER › ALTO SAX MICHAEL ERIAN › TENOR SAX HEINRICH WERKL › BASS EMIL KRIØTOF › DRUMS CRISS CROSS was founded by Adriane Muttenthaler in 1983 and is at present one of the most distinctive and profound formations in the Austrian jazz scene. CRISS CROSS concerts in Austria and abroad have manifested Austria’s reputation in the world of jazz, and so CRISS CROSS presents a new and really individual swinging and funky emphasis on »modern jazz« and »cross over« making use of all kinds of related styles and experimental fields. The supreme aim of CRISS CROSS is to widen the spectre of extension of contemporary jazz. Adriane Muttenthaler makes use of the manifold possibilities a sextet offers in out- standing arrangements, thus giving the band members opportunities to develop freely their talents for improvisation. CHRISTIAN BAIER booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT discography & tours ASPHALT & NEON (GRAMOLA) › BLACK CHERRIES (GRAMOLA) WITH ADRIANE MUTTENTHALER & ALBERTA GAGGL › VISIONS & REALITIES (EXTRAPLATTE) › KALEIDOSCOPE (EXTRAPLATTE) › PLACES & FACES (PG RECORDS) WITH SPRING STRING
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Portrait Mathias Rüegg Anlässlich Seines Geburtstages Am 8
UniCredit\0020 Bank Austria gratuliert mathias rÃ¼egg zum 65. Geburtstag â€“ BILD ID: LCG17441 | 19.11.2017 | Kunde: UniCredit Bank Austria AG | Ressort: Kultur Ã–sterreich | Medieninformation Als langjähriger Wegbegleiter und Unterstützer von mathias rüegg gratuliert die UniCredit Bank Austria zum 65. Geburtstag. Rund um seinen Ehrentag am 8. Dezember 2017 porträtiert ein dreitägiges Kulturprogramm von 7. bis 9. Dezember 2017 im Porgy & Bess das Leben und Schaffen des Gründers des Vienna Art Orchestras. Bilder zur Meldung auf http:// presse.leisuregroup.at/ bankaustria/ ruegg Wien (LCG) – Über Jahre hinweg war die UniCredit Bank Austria in vielerlei Hinsicht eng mit dem Komponisten und Musiker, der Jazzikone mathias rüegg verbunden. „mathias rüegg ist eine außergewöhnliche Musikergröße! Er versteht es, die Grenzen von Jazz bis Klassik auszuloten und Musikgeschichte zu schreiben; zuletzt zeichnete er für die viel beachtete Neukomposition des ‚Jedermann’ verantwortlich. Als langjähriger Sponsor des von rüegg geleiteten Vienna Art Orchestras, des ebenfalls von ihm gegründeten Porgy & Bess und des Hans Koller Preises blicken wir auf eine erfolgreiche gemeinsame Geschichte zurück und gratulieren ihm herzlich zum 65. Geburtstag“, so Anton Kolarik , Leiter Identity & Communications in der UniCredit Bank Austria. Portrait mathias rüegg Anlässlich seines Geburtstages am 8. Dezember 2017 porträtiert ein dreitägiges Programm mit musikalischen Schmankerln und Diskussionen im Porgy & Bess das Leben von mathias rüegg . Unter anderem mit dabei: Konrad Paul Liessmann,Wolfram Berger ,Wolfgang Puschnig ,Lauren Newton ,Harry Sokal,Wolfgang Reisinger ,Mario Rom undLia Pale. Den Auftakt am 7. Dezember 2017 gestaltet rüegg als „The Arranger“ und sorgt für die lang ersehnte Reunion des Vienna Art Orchestras mit einer Neuauflage des erfolgreichen Programmes von 1983, „The Minimalism of Erik Satie“.
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The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades.
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R-Gee Music Catalouge Spring 2013.Pdf
R-GEE MUSIC NEW AND EXCLUSIVE The Vienna Art Orchestra Series ...your professional partner in music-notation & layouting composing & arranging ...your shop for sheet-music of finest european music Catalogue Spring 2013 The Vienna Art Orchestra Series mathias rüegg wrote during 33 years of the Vienna Art Orchestra more or less 400 arrangements for (t)his band. The whole music-archive will be recovered by R-Gee music and most of the arrangements will be published in the Vienna Art Orchestra Series. These are the first arrangements of this series: TITEL COMP./ARR. ALBUM INSTRUMENTATION SOLOS PRIZE Afro Blue M. Santamaria / Swing & Affairs 5 reeds (1fl/as, 1as, 1ss, 1ts, 1bs) as € 100 mathias rüegg 4 trumpets, 3 trombones, 1 tuba/bass-trombone, guitar, bass, drums, percussion Art with heart mathias rüegg Art & Fun 5 reeds (2as, 2ts, 1bs) ts € 100 4 trumpets, 3 trombones, 1 tuba-opt. bass-trb, guitar, bass, drums, percussion Csárdas Johann Strauss II / All that Strauss 5 or 6 reeds (1cl, 1ss, 1as, 1ts, 1ts or bs, 1 fl(opt)) tp € 100 mathias rüegg (Vol.1) 4 trumpets, 3 trombones, 1 bass-trombone, guitar (opt. piano), bass, drums, percussion also available: - add. 4 french-horns, tuba & mallets € 120 Der Wegweiser Franz Schubert / Swing & Affairs 5 reeds (1as/fl, 1as, 1ts/ss, 1ts, 1bs) tp € 100 mathias rüegg 4 trumpets, 3 trombones, 1 bass-trombone, guitar, bass, drums Donauwalzer Johann Strauss II / All that Strauss 7 reeds (1as, 2as/fl, 1ts/as, 1fl/ss, 1ts, 1bcl/bs/ts) as € 150 mathias rüegg (Vol.1) 4 trumpets, 3 trombones, 1 bass-trombone, guitar (opt.
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TMS 3-1 Pages Couleurs
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IN AUSTRIA Jazz
JAZZ IN AUSTRIA © Ditz Fejer STUDIO DAN IMPRINT mica - music information center austria Stiftgasse 29, 1070 Vienna, Austria Tel +43 (1) 52104.0, [email protected] www.musicaustria.at The Austrian Music Information Center mica – music austria is the foremost source of information on contemporary Austrian music of all genres, and provides career guidance and counseling for Austria-based musicians and composers. Responsible for content: Helge Hinteregger Author: Michael Ternai Translation: Doris Brady, Kerstin Schuetz-Mueller Proofing: Andrea Jank-Hofbauer, Kerstin Schuetz-Mueller Cover photo: Peter Mußler Design & Layout: Doris Brady Status: April 2015 © Reto Andreoli ROM/SCHAERER/EBERLE JAZZ IN AUSTRIA A MELTING POT OF MUSICAL DIVERSITY It is the vast musical diversity that distinguishes today’s Austrian jazz scene, providing acclaim and attention well beyond the country’s borders. Regardless of subgenre, be it based on more traditional routes, larger or smaller instrumentations, experimental or avant-garde niches, unconventional or genre- crossing music: all are characterized by liveliness, innovation, and creativity. In terms of artistry and musical skills, the Austrian jazz scene easily ranges among the world’s finest. STYLISTIC DIVERSITY AS A HALLMARK OF AUSTRIAN JAZZ Members of the younger generation are moving Openness to all genres has become a trademark boldly beyond traditional boundaries of jazz, of many acts from Austria, such as the Swiss- and are increasingly flourishing in these new Austrian trio Rom/Schaerer/Eberle, who are crossover fields: the Ruff Pack trio, consisting constantly treading new musical paths. The of guitarist Matthias Löscher, bassist Stephan trio’s successful album released in 2013 “At The Kondert and the New York-based drummer Daru Age Of Six I Wanted To Become A Cook” ranges Jones, kick their version of jazz up a notch by among the most exciting jazz productions this combining it with hip hop.
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