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Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
Kontakt: [email protected] Dorotheergasse 10 a – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49
Kontakt: [email protected] Dorotheergasse 10 A – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49 mathias rüegg (*1952 Zürich) (https://www.mathiasrueegg.com) „Meine Tonsprache bezeichne ich als Romantik aus der Sicht von heute, unter Einbeziehung aller musikalischen Entwicklungen seither.“ (mathias rüegg) 1952 in Zürich geboren und in Schiers (GR) aufgewachsen. 1974-76 Musikstudium in Graz 1977 Gründung und Leitung des Vienna Art Orchestra (bis zu dessen Ende 2010 1993 Gründung und Leitung des Jazzclubs Porgy & Bess bis 1995 1997 Gründung und Leitung des Hans Koller Preises bis zu dessen Ende 2010 Seit 2013 Zusammenarbeit mit Lia Pale © Claus Peuckert mathias rüegg wurde 1952 in Zürich geboren. Er machte seinen Abschluss als Primarschullehrer und unterrichtete zunächst an verschiedenen Sonderschulen. Von 1973 bis 1975 studierte er in Graz klassische Komposition & Jazzklavier und übersiedelte 1976 nach Wien, wo er freiberuflich als Pianist arbeitete. Der Soloarbeit müde geworden, gründete er 1977 das Vienna Art Orchestra (VAO), für das er praktisch alle Programme schrieb. Von 1983 bis 1987 leitete er zusätzlich den Vienna Art Choir. Er schrieb u.a. Auftragskompositionen für Jazzformationen wie der NDR Big-Band, SDR Big-Band, UMO Big-Band Helsinki, der Swedish Radio Jazz Group & der RTV Big Band Slovenia. Klassische Aufträge u.a. für die Wiener Symphoniker, Basler Sinfonietta, Ensemble Kontrapunkte, Die Reihe, Deutsche Kammerphilharmonie, Orchestre de la Normandie Basse, Opus Novum & L’Orchestra della Svizzera Italiana. Als Leiter internationaler Workshops fungierte er u.a. in Wien, Köln, Hannover, Berlin, Bern & Trento. rüegg komponierte Film- und Theatermusiken im Rahmen seiner Zusammenarbeit mit George Tabori und dem Wiener Serapionstheater. Spezielle Projekte zwischen Musik und Literatur verbanden ihn 1983 bis 1990 mit dem Wiener Lyriker Ernst Jandl. -
Baden-Württemberg 2021
Christoph Neuhaus JAZZ AWARD Baden-Württemberg 2021 Artists JAZZ Festivals Baden-Württemberg 2021 Venues Labels Universities of Music Welcome Petra Olschowski Baden-Württemberg‘s jazz scene is both steeped in tradition and modern, rooted in the region and yet internationally wide reaching, and is therefore an important part of culture in the state. With over sixty venues, numerous festivals, creative labels and a wealth of experimental musicians, Baden-Württemberg‘s jazz scene again and again shows its importance as a driving cultural force. The cultural life has been virtually uneventful for the past year. And yet the organisers and musicians have been working on new ideas – which could hardly be seen or heard from the outside. For many performing artists, music and jazz are an important part of life which they just cannot and do not want to give up. Christoph Neuhaus, whom we award with the Baden-Württemberg Jazz Award 2021, was also creative during the pandemic. He had been working hard on his new album „Ramblin Bird“, which was released in March 2021. Imprint Editor This brochure provides interesting details about this year‘s jazz award winner. Ad- Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart ditionally, it gives you an up-to-date overview of the multi-faceted jazz scene in Ba- Graphics, Layout den-Württemberg. You‘ll also learn more about the local musicians, the festivals, venu- Jazzverband Baden-Württemberg e.V. es and labels in this brochure. Furthermore, it briefly describes the promotion lines for Texts Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart jazz and the training opportunities in the field. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
ART FARMER NEA Jazz Master (1999)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right. -
JAMU 20140416-2 – Vienna Art Orchestra (2) Výběr Z Následujících Alb Orchestru
JAMU 20140416-2 – Vienna Art Orchestra (2) výběr z následujících alb orchestru: ART & FUN Universal Music Emarcy 017 072-2 2002 Live 1-1 Art & Fun 4:26 1-2 L'Art Du Son 7:20 1-3 Art Of Sin 5:59 1-4 Art Is Gone 4:49 1-5 Art Is Smart 5:40 1-6 Art With Heart 8:15 1-7 Art To Dance 3:26 1-8 Art In Trance 4:08 1-9 Art To Lunch 7:12 1-10 Art With Punch 6:47 1-11 Art Got Drunk 4:14 1-12 L'Art Goes Funk 4:35 1-13 Fun & Art 7:21 Remixed 2-1 Artful Noise 4:12 2-2 Son Of Sun 4:20 2-3 Time To Sin 5:07 2-4 Gone Movies 4:44 2-5 Smart Shades 1:57 2-6 Heartbeat 5:02 2-7 Trance Versus Dance 5:39 2-8 Out For Lunch? 5:11 2-9 Dark Water Punch 5:45 2-10 Drunk With Consuela 4:30 2-11 Funkloch 6:32 2-12 Funny Accent 4:17 2-13 Marquis De Satie 6:16 CD1 Recorded at Porgy and Bess, Vienna, August 2001 Mixed at Studio Powerplay, Zurich, January 2002 CD2 All remixes of CD1 at Sonic Spell Lounge/Berlin, November-December 2001 Duke Ellington’s Sound of Love Vol. 2 Universal Music Emarcy 0602498654194 2003 Titles: 1. such sweet thunder 2. very special 3. rem blues 4. after all 5. smada 6. circle in fourths 7. -
Jazz Collection: Lauren Newton (W)
Jazz Collection: Lauren Newton (W) Samstag, 13. Juli 2013, 22.00 - 24.00 Uhr Die Amerikanerin Lauren Newton gilt als eine der wichtigsten zeitgenössischen Vokalimprovisatorinnen. Nach einem klassischen Gesangs- und Kompositionsstudium an der University of Oregon und der Musikhochschule Stuttgart machte sie sich schnell einen Namen in der Jazzszene. Von 1979 bis 1989 war Lauren Newton die Stimme des Vienna Art Orchestra, und prägte den Sound dieses Orchesters massgeblich mit. Mühelos wechselte sie die Rollen von der vierten Stimme im Trompetensatz zur Solistin in Songs und im freien Kontext.Sie trat aber immer auch als Solistin und mit eigenen Vokalensembles auf, nachdem sie 1982 mit einer der stilbildenden Gruppen in diesem Bereich für Furore gesorgt hatte. Im Vocal Summit sang sie neben Bobby McFerrin, Jeanne Lee, Urszula Dudziak und Jay Clayton. Die SRF-Jazzredaktorin Annina Salis hat an der Musikhochschule Luzern bei Lauren Newton studiert und ist Gast von Peter Bürli. Lauren Newton / Vocal Summit: Sorrow Is Not Forever – Love Is CD Moers Music Track 3: Conversations junior Vienna Art Orchestra: The Minimalism Of Erik Satie CD hat ART Track 5: Gnossienne No.3 Lauren Newton: Filigree CD hatOLOGy Track 2: Conversations Track 4: Run Of the Mill Lauren Newton & Thomas Horstmann: Art Is … CD Leo Track 4: Solitude Lauren Newton: Soundsongs CD Leo Track 6: Wordsong Ernst Jandl: Vomvomzumzum LP Extraplatte Track B5: Pi Lauren Newton-Masahiko Togashi-Peter Kowald: Contrast LP Paddle Wheel Track A 2: Twilight South West Lauren Newton & Aki Takase: -
Criss Cross › Vienna › Austria Music › Adriane › Muttenthaler
music CRISS CROSS › VIENNA › AUSTRIA MUSIC › ADRIANE › MUTTENTHALER THE BAND DISCOGRAPHY TOURS PRESS THE COMPOSER THE MUSICIANS booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT the band ADRIANE MUTTENTHALER › PIANO, COMPOSITION STEFAN ÖLLERER › SOPRANO SAX CHRISTOPH »PEPE« AUER › ALTO SAX MICHAEL ERIAN › TENOR SAX HEINRICH WERKL › BASS EMIL KRIØTOF › DRUMS CRISS CROSS was founded by Adriane Muttenthaler in 1983 and is at present one of the most distinctive and profound formations in the Austrian jazz scene. CRISS CROSS concerts in Austria and abroad have manifested Austria’s reputation in the world of jazz, and so CRISS CROSS presents a new and really individual swinging and funky emphasis on »modern jazz« and »cross over« making use of all kinds of related styles and experimental fields. The supreme aim of CRISS CROSS is to widen the spectre of extension of contemporary jazz. Adriane Muttenthaler makes use of the manifold possibilities a sextet offers in out- standing arrangements, thus giving the band members opportunities to develop freely their talents for improvisation. CHRISTIAN BAIER booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT discography & tours ASPHALT & NEON (GRAMOLA) › BLACK CHERRIES (GRAMOLA) WITH ADRIANE MUTTENTHALER & ALBERTA GAGGL › VISIONS & REALITIES (EXTRAPLATTE) › KALEIDOSCOPE (EXTRAPLATTE) › PLACES & FACES (PG RECORDS) WITH SPRING STRING -
Vienna Art Orchestra Nightride of a Lonely Saxophoneplayer Vol
Vienna Art Orchestra Nightride Of A Lonely Saxophoneplayer Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Nightride Of A Lonely Saxophoneplayer Vol. 1 Country: Germany Released: 1986 Style: Contemporary Jazz MP3 version RAR size: 1360 mb FLAC version RAR size: 1480 mb WMA version RAR size: 1273 mb Rating: 4.8 Votes: 363 Other Formats: VOC AU WAV DMF MIDI ADX AIFF Tracklist Hide Credits 1 Perpetuum Mobile 10:20 2 4106 6:55 3 Seven Changes 11:05 4 5-String Pinocchio 11:20 5 Lexicon Of Musical Invective 8:20 Ragtime 6 9:20 Arranged By – Uli SchererComposed By – Igor Stravinsky Companies, etc. Phonographic Copyright (p) – Burkhard Hennen Publishing Copyright (c) – Burkhard Hennen Publishing Recorded At – Le Locle Manufactured By – CDP Berlin Credits Alto Saxophone, Flute – Wolfgang Puschnig Bass – Heiri Kaenzig Drums – Joris Dudli Engineer [Sound] – Erich Dorfinger Guitar – Andy Manndorff Keyboards – Uli Scherer Leader, Composed By, Arranged By – Mathias Rüegg Percussion – Tom Nicholas Producer – Burkhard Hennen Recorded By – Peter Pfister Soprano Saxophone, Tenor Saxophone, Flute – Harry Sokal Tenor Saxophone, Clarinet – Roman Schwaller Trombone – Christian Radovan Trumpet – Bumi Fian* Trumpet [Lead Trumpet] – Hannes Kottek Trumpet, Flugelhorn – Herbert Joos Tuba – John Sass* Voice – Lauren Newton Barcode and Other Identifiers Matrix / Runout: CDP-BERLIN 02054-5 01 Rights Society: GEMA Label Code: LC 6059 Related Music albums to Nightride Of A Lonely Saxophoneplayer Vol. 1 by Vienna Art Orchestra Wolfgang Fuchs • Hans Koch • Evan Parker • Louis Sclavis - Duets, Dithyrambisch The Hawk-Richard Jazz Orchestra - The Hawk's Out Vienna Art Orchestra - Two Little Animals Saxofour, Jamaaladeen Tacuma, Timmy Hutson - 25 Years Of Joy And Fun Burkhard Von Dallwitz - The Orchestra - Noxx Vienna Art Orchestra - Concerto Piccolo Nico Lohmann Quintett - Merging Circles Stefano Battaglia Theatrum - Gesti George Khan - Ah! Depart - Depart Lyle Ritz And His Jazz Ukulele - 50th State Jazz. -
Portrait Mathias Rüegg Anlässlich Seines Geburtstages Am 8
UniCredit\0020 Bank Austria gratuliert mathias rüegg zum 65. Geburtstag – BILD ID: LCG17441 | 19.11.2017 | Kunde: UniCredit Bank Austria AG | Ressort: Kultur Österreich | Medieninformation Als langjähriger Wegbegleiter und Unterstützer von mathias rüegg gratuliert die UniCredit Bank Austria zum 65. Geburtstag. Rund um seinen Ehrentag am 8. Dezember 2017 porträtiert ein dreitägiges Kulturprogramm von 7. bis 9. Dezember 2017 im Porgy & Bess das Leben und Schaffen des Gründers des Vienna Art Orchestras. Bilder zur Meldung auf http:// presse.leisuregroup.at/ bankaustria/ ruegg Wien (LCG) – Über Jahre hinweg war die UniCredit Bank Austria in vielerlei Hinsicht eng mit dem Komponisten und Musiker, der Jazzikone mathias rüegg verbunden. „mathias rüegg ist eine außergewöhnliche Musikergröße! Er versteht es, die Grenzen von Jazz bis Klassik auszuloten und Musikgeschichte zu schreiben; zuletzt zeichnete er für die viel beachtete Neukomposition des ‚Jedermann’ verantwortlich. Als langjähriger Sponsor des von rüegg geleiteten Vienna Art Orchestras, des ebenfalls von ihm gegründeten Porgy & Bess und des Hans Koller Preises blicken wir auf eine erfolgreiche gemeinsame Geschichte zurück und gratulieren ihm herzlich zum 65. Geburtstag“, so Anton Kolarik , Leiter Identity & Communications in der UniCredit Bank Austria. Portrait mathias rüegg Anlässlich seines Geburtstages am 8. Dezember 2017 porträtiert ein dreitägiges Programm mit musikalischen Schmankerln und Diskussionen im Porgy & Bess das Leben von mathias rüegg . Unter anderem mit dabei: Konrad Paul Liessmann,Wolfram Berger ,Wolfgang Puschnig ,Lauren Newton ,Harry Sokal,Wolfgang Reisinger ,Mario Rom undLia Pale. Den Auftakt am 7. Dezember 2017 gestaltet rüegg als „The Arranger“ und sorgt für die lang ersehnte Reunion des Vienna Art Orchestras mit einer Neuauflage des erfolgreichen Programmes von 1983, „The Minimalism of Erik Satie“. -
JAMU 20140416-2 – Vienna Art Orchestra (2) Výběr Z Následujících Alb Orchestru
JAMU 20140416-2 – Vienna Art Orchestra (2) výběr z následujících alb orchestru: ART & FUN Universal Music Emarcy 017 072-2 2002 Live 1-1 Art & Fun 4:26 1-2 L'Art Du Son 7:20 1-3 Art Of Sin 5:59 1-4 Art Is Gone 4:49 1-5 Art Is Smart 5:40 1-6 Art With Heart 8:15 1-7 Art To Dance 3:26 1-8 Art In Trance 4:08 1-9 Art To Lunch 7:12 1-10 Art With Punch 6:47 1-11 Art Got Drunk 4:14 1-12 L'Art Goes Funk 4:35 1-13 Fun & Art 7:21 Remixed 2-1 Artful Noise 4:12 2-2 Son Of Sun 4:20 2-3 Time To Sin 5:07 2-4 Gone Movies 4:44 2-5 Smart Shades 1:57 2-6 Heartbeat 5:02 2-7 Trance Versus Dance 5:39 2-8 Out For Lunch? 5:11 2-9 Dark Water Punch 5:45 2-10 Drunk With Consuela 4:30 2-11 Funkloch 6:32 2-12 Funny Accent 4:17 2-13 Marquis De Satie 6:16 CD1 Recorded at Porgy and Bess, Vienna, August 2001 Mixed at Studio Powerplay, Zurich, January 2002 CD2 All remixes of CD1 at Sonic Spell Lounge/Berlin, November-December 2001 Duke Ellington’s Sound of Love Vol. 2 Universal Music Emarcy 0602498654194 2003 Titles: 1. such sweet thunder 2. very special 3. rem blues 4. after all 5. smada 6. circle in fourths 7. -
Catalogue 2009/10 ECM Paul Griffiths Bread and Water
Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.