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Kontakt: [email protected] Dorotheergasse 10 a – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49
Kontakt: [email protected] Dorotheergasse 10 A – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49 mathias rüegg (*1952 Zürich) (https://www.mathiasrueegg.com) „Meine Tonsprache bezeichne ich als Romantik aus der Sicht von heute, unter Einbeziehung aller musikalischen Entwicklungen seither.“ (mathias rüegg) 1952 in Zürich geboren und in Schiers (GR) aufgewachsen. 1974-76 Musikstudium in Graz 1977 Gründung und Leitung des Vienna Art Orchestra (bis zu dessen Ende 2010 1993 Gründung und Leitung des Jazzclubs Porgy & Bess bis 1995 1997 Gründung und Leitung des Hans Koller Preises bis zu dessen Ende 2010 Seit 2013 Zusammenarbeit mit Lia Pale © Claus Peuckert mathias rüegg wurde 1952 in Zürich geboren. Er machte seinen Abschluss als Primarschullehrer und unterrichtete zunächst an verschiedenen Sonderschulen. Von 1973 bis 1975 studierte er in Graz klassische Komposition & Jazzklavier und übersiedelte 1976 nach Wien, wo er freiberuflich als Pianist arbeitete. Der Soloarbeit müde geworden, gründete er 1977 das Vienna Art Orchestra (VAO), für das er praktisch alle Programme schrieb. Von 1983 bis 1987 leitete er zusätzlich den Vienna Art Choir. Er schrieb u.a. Auftragskompositionen für Jazzformationen wie der NDR Big-Band, SDR Big-Band, UMO Big-Band Helsinki, der Swedish Radio Jazz Group & der RTV Big Band Slovenia. Klassische Aufträge u.a. für die Wiener Symphoniker, Basler Sinfonietta, Ensemble Kontrapunkte, Die Reihe, Deutsche Kammerphilharmonie, Orchestre de la Normandie Basse, Opus Novum & L’Orchestra della Svizzera Italiana. Als Leiter internationaler Workshops fungierte er u.a. in Wien, Köln, Hannover, Berlin, Bern & Trento. rüegg komponierte Film- und Theatermusiken im Rahmen seiner Zusammenarbeit mit George Tabori und dem Wiener Serapionstheater. Spezielle Projekte zwischen Musik und Literatur verbanden ihn 1983 bis 1990 mit dem Wiener Lyriker Ernst Jandl. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
Spring 2006 Music
Music Today Spring 2006 at Iowa State University The ISU Wind Ensemble conducted by Michael Golemo. ISU alumnus and U.S. Poet Laurette Ted Kooser. ISU sound Omaha bound Third ISU President’s Concert to feature world premiere of alumnus’ poem set to music. he piece isn’t very long, third President’s Concert on Symphony Orchestra are also on only about four minutes. Sunday, March 26. A biennial the program. The Wind T But it’s a composition that event, this year’s President’s Ensemble will premiere an James Rodde, the Louise Moen Concert will be held at the new original fanfare composed by Professor of Music and director Holland Performing Arts Center Jeffrey Prater, professor of music. of choral activities, feels will stay in Omaha, Neb. Simon Estes, the F. Wendell with individuals for a long time. “The President’s Concerts Miller Distinguished Artist-in- “I can see this poem in a have spread interest for the music Residence, will be featured with beautiful new light,” Rodde says. program across campus,” Rodde the Symphony Orchestra and “It’s a well-written, expressive said. “It’s nice to have other Wind Ensemble. composition.” University-wide activities The concert gives students in The piece is a new work by surrounding this event and the three ensembles an René Clausen entitled The Early realize the Department of Music opportunity not only to give a Bird. It is a setting of a poem by is the catalyst that will draw the joint concert but also to perform Ted Kooser, current U.S. -
Following His Heart: Your Next Five Career Moves Your Ears and Your Career from Opera to Jazz with Sylvia Mcnair
December 2016 Michael Chioldi Following His Heart: Your Next Five Career Moves Your Ears and Your Career From Opera to Jazz with Sylvia McNair U.S.A. $6.50 • Can $8.70 CS VOCAL COMPETITION $20,000 Cash Prizes Competition Classical & Musical Theatre $4,000 First Place Prize and No Age Limits! High School, University, and Emerging Professional Divisions First Round - Online or Live Locations, January-May Finals - CS Convention in Chicago, May 26-28, 2017 Convention Classes Four days of masterclasses and presentations by universities, conservatories, summer programs, industry experts, and more. Free for Competition Participants The Expo More than 80 schools, summer programs, and professional companies eager to recruit top singers and offer scholarship and performance opportunities. More than $12,700,000 in Scholarships Offered since 2004 Sponsored by magazine Use the $20 Coupon Code Magazine www.ClassicalSinger.com/vocalcompetition CELEBRATING 15 SHENANDOAH CONSERVATORy’S YEARS CCM VOCAL PEDAGOGY INSTITUTE Vocal Pedagogy for the 21st Century July 15 – 23, 2017 “I will recommend the CCM Institute to literally every vocal pedagogue I know! Shenandoah is offering the world exactly what has been needed for such a long time! I’m so grateful that I took Dr. Matthew Edwards Lifetime Achievement the time to do it, and I will definitely be back.” Artistic Director Award Recipient Dr. Robert Sataloff, Luisa Rodriguez, Boulder, CO Otolaryngologist and 2016 participant Keynote Speaker SESSION 1: JULY 15–17 RESPIRATION AND PHONATION FOR CCM SINGERS Matt Edwards with returning guests Wendy LeBorgne and Marci Rosenberg, authors of “Building on the new format established last summer, we are proud “The Vocal Athlete” to announce our first Lifetime Achievement Award honoree, world renowned otolaryngologist Dr. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
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REV I EWS The Canadian Musical Heritage / Le Patrimoine Musical Canadien. 3: Songs I to Engl i sh texts/Chansons I sur des textes anglai S. Frederick- A. Ha1 l, Edi tor/Di recteur de l 'ouvrage. Ottawa- 1985. (xxx, 235 p., $34.95) Last month I nad the pleasure of reading product of tne time, and the Canadian one, Robertson Davies' new novel, What's bred seem to be on tne level of presentation. in the bone, and tnis last weekend of watching Tne American oublisners were bound to be the television broadcast of Harry Somers' richer, and could afford showier formats, opera Louis Riel. UD Canada! It is no surprise fancier covers and the like. Also, some of then to find this songbook published by the the Canadian choices for engravers were pernaps Canadian Musical Heritage Society a real injudicious (see 00.18-19, where clearly treasure in both songs and historical someone from tne old school was westling background. That Edward B. Shuttleworth, with the new-fangled steel-type machine). who wrote the words for the romantic serenade, But the overall ~hysiognomy of the material "I am waiting for thee," (11.154) was an is virtually indistinguishable from the "acknowledged authority on the study of American product in many details. A song microbes," is interesting, but even more like "The Ottawa fire" (p.151) is a clear fun to discover is that tne song's ComDoser, imitation of the Charles K. Harris- Monroe Ro- Edwin Gledhill , was the son of a tenor who senfeld scnool of reportage songs that toured witn Jenny Lind, under tne name "Signor flourished around 1895, and it is just as Salvi". -
Louis Riel Tosca
LOUIS RIEL TOSCA PROGRAM SPRING 2017 CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF LOUIS RIEL 12 HONOURING INDIGENEITY NEW EXPERIENCES, IN LOUIS RIEL NEW INITIATIVES 14 COMPOSER HARRY SOMERS This spring we celebrate the return ADOPTS A MODERN TONE IN of an iconic Canadian opera, Harry LOUIS RIEL Somers’ Louis Riel. 15 THE NISGA’A HISTORY OF THE “KUYAS” ARIA The fact that 50 years ago Somers and Moore made the bold decision 16 A CANADIANIZED RIEL: to focus their work on the struggles MAKING SPACE FOR MÉTIS of Riel and the Métis Nation against TO SPEAK Canada’s colonial government serves as a challenge for present and future WHAT’S PLAYING: TOSCA Great opera 18 understandings of our country. In Canada’s sesquicentennial year, these 24 A PASSION FOR PUCCINI: CONDUCTOR KERI-LYNN challenges remain at the forefront of WILSON our country’s conversations, particularly as part of the ongoing Truth and lives here. 28 GET TO KNOW ADRIANNE Reconciliation process. PIECZONKA With this new production of Louis 32 BACKSTAGE AND BEYOND Riel, we have taken the opportunity to expand our base of creative knowledge with not-for-profit arts groups, 34 BIOGRAPHIES: LOUIS RIEL and perspectives to include musical community partners, and social and performance practices that service organizations in Ontario BIOGRAPHIES: TOSCA 42 wouldn’t have been a part of the artistic to offer more than 1,000 people conversation in 1967. the opportunity to experience our EVERY NOTE COUNTS 45 mainstage programming free of 46 MEET A BOARD MEMBER: Building broader awareness of the charge. -
JAMU 20140416-2 – Vienna Art Orchestra (2) Výběr Z Následujících Alb Orchestru
JAMU 20140416-2 – Vienna Art Orchestra (2) výběr z následujících alb orchestru: ART & FUN Universal Music Emarcy 017 072-2 2002 Live 1-1 Art & Fun 4:26 1-2 L'Art Du Son 7:20 1-3 Art Of Sin 5:59 1-4 Art Is Gone 4:49 1-5 Art Is Smart 5:40 1-6 Art With Heart 8:15 1-7 Art To Dance 3:26 1-8 Art In Trance 4:08 1-9 Art To Lunch 7:12 1-10 Art With Punch 6:47 1-11 Art Got Drunk 4:14 1-12 L'Art Goes Funk 4:35 1-13 Fun & Art 7:21 Remixed 2-1 Artful Noise 4:12 2-2 Son Of Sun 4:20 2-3 Time To Sin 5:07 2-4 Gone Movies 4:44 2-5 Smart Shades 1:57 2-6 Heartbeat 5:02 2-7 Trance Versus Dance 5:39 2-8 Out For Lunch? 5:11 2-9 Dark Water Punch 5:45 2-10 Drunk With Consuela 4:30 2-11 Funkloch 6:32 2-12 Funny Accent 4:17 2-13 Marquis De Satie 6:16 CD1 Recorded at Porgy and Bess, Vienna, August 2001 Mixed at Studio Powerplay, Zurich, January 2002 CD2 All remixes of CD1 at Sonic Spell Lounge/Berlin, November-December 2001 Duke Ellington’s Sound of Love Vol. 2 Universal Music Emarcy 0602498654194 2003 Titles: 1. such sweet thunder 2. very special 3. rem blues 4. after all 5. smada 6. circle in fourths 7. -
Newsletter • Bulletin Winter 2011 Hiver
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Winter 2011 Hiver P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A Tribute To Bobbi Cain by Murray Kitts I n 1983 after thirteen years of mag- cessful of these was Fête Opera in nificent summer opera and concerts 1985 with outstanding singers and a Festival Ottawa was cancelled be- chorus and orchestra drawn from cause of major cuts to the budget of NAC productions under the direction the National Arts Centre. Mario of Brian Law. Any time there was an Bernardi conducted over thirty op- opera production staged at the NAC eras in those years including an out- Bobbi arranged a reception for the standing Queen of Spades with Jon principals and conductor, partly as a Vickers and Maureen Forrester and fund-raiser for the society and partly a splendid production of Handel’s to celebrate this great art. Every year Rinaldo which was given to the Met- brought new attempts to keep the ropolitan Opera for its very first pre- cause of opera in the minds of sentation of that opera in New York. Bobbi Cain 1936-2010 Ottawans. Every year there was a new Opera lovers came regularly from as “gala” like the one which paid tribute far away as Montreal to enjoy these to great opera composers. This gave performances at the NAC. Bobbi an opportunity to introduce Bobbi Cain, whose connec- some young singers to the public, tion with choral singing and music in “showcase them” as it is termed. -
20 November 2009 Page 1 of 42 SATURDAY 14 NOVEMBER 2009 Colin Tilney (Harpsichord)
Radio 3 Listings for 14 – 20 November 2009 Page 1 of 42 SATURDAY 14 NOVEMBER 2009 Colin Tilney (harpsichord) SAT 01:00 Through the Night (b00nppmv) 4.49am Including: Handel, George Frideric (1685-1759): Cara sposa, amante cara (Rinaldo, Act 1, Sc 7) 1.00am Graham Pushee (countertenor) Mozart, Wolfgang Amadeus (1756-1791): Mass in C minor, K427 Australian Brandenburg Orchestra (Grosse Messe) Paul Dyer (artistic director) Marita Solberg (soprano) Marianne Beate Kielland (mezzo-soprano) 5.01am Fredrik Akselberg (tenor) Le Concert Brise: Improvisation on La Monica Trond Gudevold (bass) Le Concert Brise Norwegian National Opera Choir Oslo Philharmonic 5.08am Arvid Engegard (conductor) Bach, Johann Sebastian (1685-1750): Contrapunctus 1 and 2 (The Art of Fugue) 2.20am Young Danish String Quartet Bach, Johann Sebastian (1685-1750): Fantasia and Fugue in G minor for organ, BWV542 (Great) 5.15am Ligita Sneibe (organ) Ravel, Maurice (1875-1937): Piano Concerto in G Alwin Bar (piano) 2.32am Netherlands Radio Symphony Orchestra Schumann, Robert (1810-1856): String Quartet in A, Op 41 No 3 Bernhard Klee (conductor) Faust Quartet 5.38am 3.01am Sullivan, Arthur (1842-1900): Symphony in E (Irish) Goldmark, Karoly (1830-1915): Overture (In Italien, Op 49) BBC Philharmonic Hungarian Radio Orchestra Richard Hickox (conductor) Geza Oberfrank (conductor) 6.14am 3.13am Trad, arr. Kreisler, Fritz (1875-1962): Farewell to Cucullain Moniuszko, Stanislaw (1819-1872): Triolet (Triolet); Dumka; Londonderry Air - an old Irish melody (orig for violin and piano) Przyczyna -
Play! Das Jahresmagazin Der Duisburger Philharmoniker 2011
Vielfalt im Einklang. Unsere fünf Geschäftsbereiche sind in unterschiedlichen Branchen aktiv. Gemeinsam sorgen sie dafür, dass Haniel auf internationaler Bühne tonangebend ist. Der Erfolg kommt unserer Heimat zugute: Neben zahlreichen Projekten in der Region unterstützen wir mit Leidenschaft die Duisburger Philharmoniker. Denn Musik bewegt die Menschen – und ihnen fühlt sich Haniel besonders verpfl ichtet. www.haniel.de play! 2011/2012 play! Das Jahresmagazin der Duisburger Philharmoniker play! 2011/2012 Duisburger Philharmoniker Philharmoniker Duisburger anz_philharmoniker_rz_01.indd 1 16.12.10 11:05 Ein Gütesiegel in über 80 Ländern der Erde. ThyssenKrupp ist ein globaler Werkstoff - und Technologiekonzern. Fast 188.000 Mitarbeiter arbeiten an Lösungen für die Zukunft. In unseren Geschäftsfeldern sind wir Vordenker und Schrittmacher. Darauf sind wir stolz. www.thyssenkrupp.com Wir entwickeln die Zukunft für Sie. Anzeige_Kammplatte_200x260.indd 1 30.03.11 14:57 play! Das Jahresmagazin der Duisburger Philharmoniker 2011/2012 Gefördert vom 5 Das Jahr der Kulturhauptstadt ist vorbei. Eine Region besinnt sich wieder auf den Alltag. Auf sich selbst und auf die Zukunft. Die Duisburger Philharmoniker gehen in eine neue Saison: eine Saison des „Dazwischen“. Zwischen einem Großereignis mit so genannten „Mega-Events“ und dem Anspruch, auch die kommende Spielzeit zu einer unvergesslichen zu machen – bevor ein neuer Generalmusikdirektor sein Amt antritt. Menschen machen Kultur. Kultur ist der Rahmen, der menschliches Miteinander strukturiert. Demgegenüber steht nur scheinbar die Natur. Selten treffen Kultur und Natur so deutlich und anschaulich aufeinander wie heute im Ruhrgebiet. Der Pott ist grün! Das stellen wir dar mit unse- rem fünften Spaziergang durch und um die Stadt Duisburg. Die Natur bahnt sich auch ohne uns ihren Weg: ein zartes Pflänzchen in einer Betonfuge oder wuchtiges Grün vor einer rostigen Industrieanlage.