ACO-Vienneseserenade Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

ACO-Vienneseserenade Web.Pdf Bach, Mozart, Linnaeus... Masterpieces for generations to come Linnaeus is a private estate embracing the principles of sustainability and inter-generational equity, where owners share a passion for nature, intellectual stimulation and the creative arts. Experience Linnaeus - pristine wilderness and luxury in an idyllic coastal environment. T: +61 2 6687 6670 E: [email protected] www.linnaeus.com.au The people The chatter The silence The spotlight The performance The applause The smiles Qantas is proud to be the official airline of the Australian Chamber Orchestra and principal partner of AC02. Qantas Airways Limited ABN 16 009 661 901 CBS0185 Handcrafted in 1759. Rockin’ out in 2011. The rare and beautiful Guadagnini violin has been on tour with the ACO since 1996. It’s on loan from our art collection so that thousands can enjoy its remarkable sound. To find out more about our proud sponsorship of the arts, visit commbank.com.au/arts A/¿@/ 2/6:/. >2/ +?=><+63+8 -2+7,/< 9<-2/=><+ 19 A3</6/== BT_S _SP ?PW^_]L 9Pc_ 2 YP_bZ]V LYO T_^ bT]PWP^^ ^ZW`_TZY^ _SP ,`^_]LWTLY .SLXMP] :]NSP^_]L NLY YZb NZYO`N_ M`^TYP^^ ZY _SP ]ZLO MZ_S LN]Z^^ ,`^_]LWTL LYO _SP bZ]WO CALL 1300 TELSTRA | VISIT TELSTRA.COM/ENTERPRISE ?02: # !$& #'$ $&! !'$ %&! !"&! + $ % $) )%, %! %%!&! )& $! ' % )!'&%-%!& )%$&! !'$&!"$& $)&&'%&$ $ $%&$ &$ & 1&!'$&!&% %&&%-+!%!'. %'%&$0% "'%$!$! )%""$% )%&%- %! "! &$!)& (!" &!& !' &$+0%"$!( &$%.&!'$+ 1 $! %&($ & $&( &'$!!'$ !' &% %!)%)!$/ & & &! ""$&( !)' . &)% "$(&!$ &!$%&$&! !'$!&!) % %!!%-)$%! +"!" &$!&%%!& %.!$ + %&' &%-&+*"$ %&$%%' +!&$-$!%!!'%&$0%$&%& '%& &%. % )%, ! & '%&!$!) &%! $&%-&%&$!'"$& $%"%%'%&%! )&&'%&$ $ $%&$&&) *" ! &"!$& &'&'$ %! !$ $%&! &&)! !'$!' &%. $"$!'&!"$& $)&& %!)% %!!'%&$0% %&'% & &%. $ (! # !' # ' # &# " '% *'&( )%, Racing pedigree. Hand-built luxury. GranTurismo MC Stradale, BY MASERATI Pure adrenaline runs in this motorcar’s veins. MC Stradale is the new Maserati for the road, engineered on the racetrack. Light, fast, nimble and vastly powerful, it’s also hand-builtt wwithith aallll ththee rerefinedfined elegance you’d expect from one of the world’s great marques. BRISBANE 1300 707 147 | www.maserati.com.au ACO 2012 SEASON OVERVIEW Th e Australian Chamber Orchestra’s 2012 In a season that swoops across centuries, season is perhaps the most wide-ranging continents and styles, it’s nice to have two ever, and sees the culmination of many of moments of focus. Richard Egarr’s program Richard Tognetti’s long-term projects. in October delves into music from the beginning of the Baroque to the start of the Tognetti completes his internationally- Classical period – 200 years of immense acclaimed Beethoven symphony series with invention and imagination, particularly the mighty Symphony No.9, Choral. An in string writing. Steven Osborne is guest expanded ACO and four exceptional singers pianist in November in an entirely Russian are joined by the Choir of Clare College, program featuring Prokofi ev, Shostakovich Cambridge, from the heart of the British and Tchaikovsky. choral tradition. Russian pianist Polina Leschenko returns Tognetti’s ongoing exploration of the links in February to perform Chopin’s Piano between the ocean and music peaks in Th e Concerto No.1 and Gorecki’s Piano Reef. Th is new fi lm and music collaboration Concerto. In the same concert, the ACO’s will be created at Ningaloo Reef in WA, Guarneri, Stradivarius and Guadagnini where the desert meets the sea, by Tognetti, violins are featured side by side in a Paganini surf photographer Jon Frank, director Mick arrangement by Tognetti. During the tour, Sowry, composer Iain Grandage, didjeridu Leschenko and ACO will record a new CD player Mark Atkins and ACO2, and staged in for the BIS record label, following rapturous Darwin, Perth, Sydney and regional WA. international acclaim for the ACO’s Mozart With Th e Reef and a tour of Tasmania, Violin Concertos release in 2011. ACO2 reaches a milestone: just 5 years after After leaving Melbourne at the age of 11 its formation, it will have toured regional to conquer the world, soprano Danielle de centres of every state in Australia. Niese returns in June a star, feted in opera Tognetti’s long-term interest in combining houses from New York to Glyndebourne, to music with other artforms also leads to the make her professional debut in the country collaboration with Sydney Dance Company, of her birth. Keen to sing an Australian and the creation of a new work based on his work, as well as Mozart and Schubert, she and Rafael Bonachela’s mutual passion for the has commissioned Carl Vine to set words by ballet music of Rameau. Patrick White. Equally adventurous is the collaboration with Th e ACO is the Orchestra in residence the Hilliard Ensemble, which delves into at four festivals in 2012: Niseko in Japan, Gregorian and Russian orthodox chant and Maribor in Slovenia, TarraWarra in Victoria medieval, renaissance and contemporary and Vasse Felix in Western Australia. vocal music. A mesmerising meeting Over 23 years, ACO fans have happily between two of the world’s best ensembles. followed Richard Tognetti on whatever Smaller in scale but equally ambitious musically adventures he might lead them. Th ey know and emotionally is a concert combining he’ll make them fall in love with new music, Schubert’s Trout Quintet and Messiaen’s musicians, cultures and places more often Quartet for the End of Time, with brilliant than he’ll play them something they shy away young Palestinian-Israeli pianist Saleem from. If you’re not already part of this band of Abboud Ashkar and clarinettist Paul Dean. adventurers, 2012 is the year to jump aboard. 2 AUSTRALIAN CHAMBER ORCHESTRA TOUR SIX VIENNESE SERENADE BENJAMIN SCHMID Guest Director & Lead Violin HELENA RATHBONE Violin SPEED READ BACH This program shows some of Concerto for two violins, BWV1043 the variety of Benjamin Schmid’s multifaceted musical personality — KORNGOLD everything from Bach to jazz, Lento religioso (from Symphonic Serenade) with some stops in between. The only piece in this program HK GRUBER without a specifi c Viennese Violin Concerto, “Nebelsteinmusik” connection is Bach’s Concerto for [AUSTRALIAN PREMIERE] two violins although, like music in Vienna at the same moment, it owes a lot to Italy (and Vivaldi in INTERVAL particular). It’s a sublime musical conversation. SCHUBERT Korngold left Austria to seek Rondo in A, D438 fame and fortune in Hollywood, each of which he achieved in LANNER some measure, but after World Die Romantiker, Op.167 & Die Werber, Op.103 War Two his attentions were drawn again by music for the BREINSCHMID concert hall. The Symphonic Musette pour Elisabeth & Wien bleibt Krk Serenade was one of the fi rst results: lushly romantic without [AUSTRALIAN PREMIERE] being remotely cheesy. Approximate durations (minutes): Like much of HK Gruber’s slightly 17 – 11 – 17 – INTERVAL – 14 – 8 – 7 – 5 – 7 dotty music, Nebelsteinmusik Th e concert will last approximately two hours including a draws on a number of infl uences 20-minute interval. (particularly jazz) but wears them lightly, in a concerto structure made up of four short BRISBANE NEWCASTLE ADELAIDE movements. QPAC City Hall Town Hall Mon 12 Sep 8pm Th u 15 Sep 7.30pm Tue 20 Sep 8pm The two or three extended pieces BRISBANE for violin and string orchestra PRESENTING PARTNER CANBERRA SYDNEY are as close as Schubert got to Llewellyn Hall Opera House a full-scale concerto. The Rondo Sat 17 Sep 8pm Sun 25 Sep 2pm is more than a mere occasional piece: it’s a stunning virtuoso MELBOURNE showpiece. SYDNEY City Recital Hall Town Hall Lanner’s waltzes Die Werber and Angel Place Sun 18 Sep 2.30pm Die Romantiker are fi ne examples Tue 13 Sep 8pm Mon 19 Sep 8pm of the beautiful late work of Wed 14 Sep 7pm the composer who, more than Sat 24 Sep 7pm any other, can be said to have invented the Viennese waltz. Pre-concert talks take place 45 minutes prior to the concerts. A central fi gure on the Viennese jazz scene, Georg Breinschmid is Th e Australian Chamber Orchestra reserves the right to alter scheduled one of Benjamin Schmid’s regular programs or artists as necessary. collaborators and his albums explore the theme of Vienna as a vibrant, modern musical city. Cover photo: Madeleine Boud © Gary Heery AUSTRALIAN CHAMBER ORCHESTRA 3 one table for two in a quiet corner one bottle of mornington peninsula pinot noir rise refreshed, leisurely breakfast two perfect nights to remember Feast your senses from $275 per night* Your ideal stay awaits with our Gourmet Delight package, which includes $100 to spend in radii restaurant. Two nights gives you more time to indulge in luxurious rooms, delicious food and wine, and decadent spa treatments. Reservations 13 1234 or melbourne.park.hyatt.com and quote PM815 1 Parliament Square, Melbourne, Victoria, 3002 Australia * Minimum two night stay. $100 credit is valid for radii dinner only, per room per stay, and is not transferable. Book and stay before 30 December 2011. The trademarks HYATT™, PARK HYATT™ and related marks PHMCO110707 are trademarks of Hyatt Hotels Corporation. ©2011 Hyatt Hotels Corporation. MESSAGE FROM THE GENERAL MANAGER FREE PROGRAMS With a repertoire which eff ortlessly crosses boundaries of To save trees and money, we ask history and styles, Benjamin Schmid makes his ACO debut that you share one program in a program of music from the city of his birth. between two people where possible. While Benjamin Schmid is directing the ACO around PREPARE IN ADVANCE Australia, Richard Tognetti is directing Festival Maribor A PDF and e-reader version of in Slovenia, devising creative and unconventional the program are available at programs which look so brilliant on paper that we’re aco.com.au and on the ACO hoping to present them to audiences at home in future iPhone app one week before each tour begins, together with music seasons. A few minutes browsing through festivalmaribor. clips, videos and podcasts. si will give you an enticing glimpse into some future ACO programming. Next year, Maribor becomes HAVE YOUR SAY European Cultural Capital and the ACO is planning a We invite your feedback about this concert at strong presence in the 2012 Festival Maribor.
Recommended publications
  • Kontakt: [email protected] Dorotheergasse 10 a – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49
    Kontakt: [email protected] Dorotheergasse 10 A – 1010 Wien (Vienna) +43 / 1 / 515 03 - 49 mathias rüegg (*1952 Zürich) (https://www.mathiasrueegg.com) „Meine Tonsprache bezeichne ich als Romantik aus der Sicht von heute, unter Einbeziehung aller musikalischen Entwicklungen seither.“ (mathias rüegg) 1952 in Zürich geboren und in Schiers (GR) aufgewachsen. 1974-76 Musikstudium in Graz 1977 Gründung und Leitung des Vienna Art Orchestra (bis zu dessen Ende 2010 1993 Gründung und Leitung des Jazzclubs Porgy & Bess bis 1995 1997 Gründung und Leitung des Hans Koller Preises bis zu dessen Ende 2010 Seit 2013 Zusammenarbeit mit Lia Pale © Claus Peuckert mathias rüegg wurde 1952 in Zürich geboren. Er machte seinen Abschluss als Primarschullehrer und unterrichtete zunächst an verschiedenen Sonderschulen. Von 1973 bis 1975 studierte er in Graz klassische Komposition & Jazzklavier und übersiedelte 1976 nach Wien, wo er freiberuflich als Pianist arbeitete. Der Soloarbeit müde geworden, gründete er 1977 das Vienna Art Orchestra (VAO), für das er praktisch alle Programme schrieb. Von 1983 bis 1987 leitete er zusätzlich den Vienna Art Choir. Er schrieb u.a. Auftragskompositionen für Jazzformationen wie der NDR Big-Band, SDR Big-Band, UMO Big-Band Helsinki, der Swedish Radio Jazz Group & der RTV Big Band Slovenia. Klassische Aufträge u.a. für die Wiener Symphoniker, Basler Sinfonietta, Ensemble Kontrapunkte, Die Reihe, Deutsche Kammerphilharmonie, Orchestre de la Normandie Basse, Opus Novum & L’Orchestra della Svizzera Italiana. Als Leiter internationaler Workshops fungierte er u.a. in Wien, Köln, Hannover, Berlin, Bern & Trento. rüegg komponierte Film- und Theatermusiken im Rahmen seiner Zusammenarbeit mit George Tabori und dem Wiener Serapionstheater. Spezielle Projekte zwischen Musik und Literatur verbanden ihn 1983 bis 1990 mit dem Wiener Lyriker Ernst Jandl.
    [Show full text]
  • French Stewardship of Jazz: the Case of France Musique and France Culture
    ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs.
    [Show full text]
  • SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
    SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra.
    [Show full text]
  • British and Commonwealth Concertos from the Nineteenth Century to the Present
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.
    [Show full text]
  • An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
    AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years.
    [Show full text]
  • JAMU 20140416-2 – Vienna Art Orchestra (2) Výběr Z Následujících Alb Orchestru
    JAMU 20140416-2 – Vienna Art Orchestra (2) výběr z následujících alb orchestru: ART & FUN Universal Music Emarcy 017 072-2 2002 Live 1-1 Art & Fun 4:26 1-2 L'Art Du Son 7:20 1-3 Art Of Sin 5:59 1-4 Art Is Gone 4:49 1-5 Art Is Smart 5:40 1-6 Art With Heart 8:15 1-7 Art To Dance 3:26 1-8 Art In Trance 4:08 1-9 Art To Lunch 7:12 1-10 Art With Punch 6:47 1-11 Art Got Drunk 4:14 1-12 L'Art Goes Funk 4:35 1-13 Fun & Art 7:21 Remixed 2-1 Artful Noise 4:12 2-2 Son Of Sun 4:20 2-3 Time To Sin 5:07 2-4 Gone Movies 4:44 2-5 Smart Shades 1:57 2-6 Heartbeat 5:02 2-7 Trance Versus Dance 5:39 2-8 Out For Lunch? 5:11 2-9 Dark Water Punch 5:45 2-10 Drunk With Consuela 4:30 2-11 Funkloch 6:32 2-12 Funny Accent 4:17 2-13 Marquis De Satie 6:16 CD1 Recorded at Porgy and Bess, Vienna, August 2001 Mixed at Studio Powerplay, Zurich, January 2002 CD2 All remixes of CD1 at Sonic Spell Lounge/Berlin, November-December 2001 Duke Ellington’s Sound of Love Vol. 2 Universal Music Emarcy 0602498654194 2003 Titles: 1. such sweet thunder 2. very special 3. rem blues 4. after all 5. smada 6. circle in fourths 7.
    [Show full text]
  • Sydney Symphony Under the Starssydney Symphony Under the Stars
    SYDNEY SYMPHONY Photos: Victor Photos: Frankowski UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM SYDNEY Ludwig van Beethoven (German, 1770–1827) SYMPHONY Fidelio: Overture Bedřich Smetana (Czech, 1824–1884) UNDER THE Má Vlast: Vltava (The Moldau) STARS John Williams (American, born 1932) SYDNEY SYMPHONY ORCHESTRA AND Theme from Schindler's List PARRAMATTA PARK TRUST | AUSTRALIA Sun Yi, violin THE CRESCENT PARRAMATTA PARK Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 18 JANUARY The Nutcracker: Three Dances 120 MINS Alexander Borodin (Russian, 1833–1887) Benjamin Northey conductor Prince Igor: Polovtsian Dances Sun Yi violin Leah Lynn cello INTERVAL Sydney Symphony Orchestra Giuseppe Verdi (Italian, 1813–1901) The Force of Destiny: Overture Aram Khachaturian (Armenian, 1903–1978) Spartacus: Adagio of Spartacus and Phrygia Camille Saint-Saëns (French, 1835–1921) (orch. Vidal) Carnival of the Animals: The Swan Leah Lynn, cello Jacques Offenbach (German-French, 1819–1880) (arr. Binder) Orpheus in the Underworld: Can-Can Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEY SYMPHONY UNDER THE STARSSYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY SUN YI CONDUCTOR VIOLIN Associate Concertmaster Benjamin Northey is Chief Conductor of the Christchurch Sun Yi was born in Hunan, China. He attended the Symphony Orchestra and Associate Conductor of the Shanghai Conservatory of Music from 1988 to 1993 Melbourne Symphony Orchestra. He was previously where he was the Concertmaster for the Youth Orchestra Resident Guest Conductor of the Australia Pro Arte and Chamber Orchestra. In 1990, he won the third Chamber Orchestra (2002–2006) and Principal prize for the senior section in the China National Violin Conductor of the Melbourne Chamber Orchestra (2007– Competition, and also participated in the International 2010).
    [Show full text]
  • Don Banks, Australian Composer
    Don Banks, Australian Composer: Eleven Sketches Graham Hair Southern Voices ISBN 1–876463–09–0 First published in 2007 by Southern Voices 38 Diamond Street Amaroo, ACT 2914 AUSTRALIA Southern Voices Editorial Board: Professor Graham Hair, University of Glasgow, United Kingdom Ms Robyn Holmes, Curator of Music, National Library of Australia Professor Margaret Kartomi, Monash University Dr Jonathan Powles, Australian National University Dr Martin Wesley-Smith, formerly Senior Lecturer, Sydney Conservatorium of Music Distributed by The Australian Music Centre, trading asSounds Australian PO Box N690 The Rocks Sydney, NSW 2000 AUSTRALIA tel +(612) 9247 - 4677 fax +(612) 9241 - 2873 email [email protected] website www.amcoz.com.au/amc Copyright © Graham Hair, 2007 This book is copyright. Apart from fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act 1968, no part may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission. Enquiries to be made to the publisher. Copying for educational purposes Where copies of part or the whole of the book are made under section 53B or 53D of the Act, the law requires that records of such copying be kept. In such cases the copyright owner is entitled to claim payment. ISBN 1–876463–09–0 Printed in Australia by QPrint Pty Ltd, Canberra City, ACT 2600 and in the UK by Garthland Design and Print, Glasgow, G51 2RL Acknowledgements Extracts from the scores by Don Banks are reproduced by permission of Mrs Val Banks and Mrs Karen Sutcliffe.
    [Show full text]
  • Commencement1990.Pdf (7.862Mb)
    TheJohns Hopkins University Conferring of Degrees At the Close of the 1 14th Academic Year May 24, 1990 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1990 Contents Order of Procession 1 Order of Events 2 Honorary Degree Citations 9 Academic Regalia 16 Awards 18 Honor Societies 22 Student Honors 25 Degree Candidates 28 Order of Procession MARSHALS Stephen R. Anderson Marion C. Panyan Andrew S. Douglas Peter B. Petersen Elliott W. Galkin Edward Scheinerman Grace E. Goodell Henry M. Seidel Sharon S. Krag Stella Shiber Bonnie J. Lake Susan Wolf Bruce D. Marsh Eric D. Young THE GRADUATES MARSHALS Jerome Kruger Dean W. Robinson THE FACULTIES to MARSHALS Frederic Davidson AJ.R. Russell-Wood THE DEANS OFFICERS OF THE UNIVERSITY THE TRUSTEES CHIEF MARSHAL Owen M. Phillips THE PRESIDENT OF THE JOHNS HOPKINS UNIVERSITY ALUMNI COUNCIL THE CHAPLAINS THE PRESENTERS OF THE HONORARY DEGREE CANDIDATES THE HONORARY DEGREE CANDIDATES THE INTERIM PROVOST OF THE UNIVERSITY THE GOVERNOR OF THE STATE OF MARYLAND THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY - /- Order ofEvents Si even Muller President of the University, presiding * • 4 PRELUDE La Mourisque Tielman Susato (? -1561) Basse Dance Tielman Susato (? -1561) Two Ayres for Cornetts and Sagbuts JohnAdson (?- 1640) Sonata No. 22 Johann Pezel (1639-1694) » PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. FESTIVAL MARCHES THE PRESIDENTS PROCESSION Fanfare Walter Piston (1894-1976) Pomp and Circumstance March No.
    [Show full text]
  • Jazz Collection: Lauren Newton (W)
    Jazz Collection: Lauren Newton (W) Samstag, 13. Juli 2013, 22.00 - 24.00 Uhr Die Amerikanerin Lauren Newton gilt als eine der wichtigsten zeitgenössischen Vokalimprovisatorinnen. Nach einem klassischen Gesangs- und Kompositionsstudium an der University of Oregon und der Musikhochschule Stuttgart machte sie sich schnell einen Namen in der Jazzszene. Von 1979 bis 1989 war Lauren Newton die Stimme des Vienna Art Orchestra, und prägte den Sound dieses Orchesters massgeblich mit. Mühelos wechselte sie die Rollen von der vierten Stimme im Trompetensatz zur Solistin in Songs und im freien Kontext.Sie trat aber immer auch als Solistin und mit eigenen Vokalensembles auf, nachdem sie 1982 mit einer der stilbildenden Gruppen in diesem Bereich für Furore gesorgt hatte. Im Vocal Summit sang sie neben Bobby McFerrin, Jeanne Lee, Urszula Dudziak und Jay Clayton. Die SRF-Jazzredaktorin Annina Salis hat an der Musikhochschule Luzern bei Lauren Newton studiert und ist Gast von Peter Bürli. Lauren Newton / Vocal Summit: Sorrow Is Not Forever – Love Is CD Moers Music Track 3: Conversations junior Vienna Art Orchestra: The Minimalism Of Erik Satie CD hat ART Track 5: Gnossienne No.3 Lauren Newton: Filigree CD hatOLOGy Track 2: Conversations Track 4: Run Of the Mill Lauren Newton & Thomas Horstmann: Art Is … CD Leo Track 4: Solitude Lauren Newton: Soundsongs CD Leo Track 6: Wordsong Ernst Jandl: Vomvomzumzum LP Extraplatte Track B5: Pi Lauren Newton-Masahiko Togashi-Peter Kowald: Contrast LP Paddle Wheel Track A 2: Twilight South West Lauren Newton & Aki Takase:
    [Show full text]
  • Criss Cross › Vienna › Austria Music › Adriane › Muttenthaler
    music CRISS CROSS › VIENNA › AUSTRIA MUSIC › ADRIANE › MUTTENTHALER THE BAND DISCOGRAPHY TOURS PRESS THE COMPOSER THE MUSICIANS booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT the band ADRIANE MUTTENTHALER › PIANO, COMPOSITION STEFAN ÖLLERER › SOPRANO SAX CHRISTOPH »PEPE« AUER › ALTO SAX MICHAEL ERIAN › TENOR SAX HEINRICH WERKL › BASS EMIL KRIØTOF › DRUMS CRISS CROSS was founded by Adriane Muttenthaler in 1983 and is at present one of the most distinctive and profound formations in the Austrian jazz scene. CRISS CROSS concerts in Austria and abroad have manifested Austria’s reputation in the world of jazz, and so CRISS CROSS presents a new and really individual swinging and funky emphasis on »modern jazz« and »cross over« making use of all kinds of related styles and experimental fields. The supreme aim of CRISS CROSS is to widen the spectre of extension of contemporary jazz. Adriane Muttenthaler makes use of the manifold possibilities a sextet offers in out- standing arrangements, thus giving the band members opportunities to develop freely their talents for improvisation. CHRISTIAN BAIER booking ADRIANE MUTTENTHALER › LAUDONGASSE 21/9 › A-1080 WIEN › AUSTRIA GSM +43680 3019540 [email protected] › WWW.ADRIANE-MUTTENTHALER.AT discography & tours ASPHALT & NEON (GRAMOLA) › BLACK CHERRIES (GRAMOLA) WITH ADRIANE MUTTENTHALER & ALBERTA GAGGL › VISIONS & REALITIES (EXTRAPLATTE) › KALEIDOSCOPE (EXTRAPLATTE) › PLACES & FACES (PG RECORDS) WITH SPRING STRING
    [Show full text]
  • UTR 6.400 – the ROSEMARY and JOHN HOPKINS AWARD Background 1. the University of Melbourne Received from Sarah Hopkins, Evelyn
    UTR 6.400 – THE ROSEMARY AND JOHN HOPKINS AWARD Background 1. The University of Melbourne received from Sarah Hopkins, Evelyn (Ruth) Hopkins, Clare Hopkins, and friends and donors pursuant to an Appeal a sum sufficient to establish in perpetuity The Rosemary and John Hopkins Award (Fund.) The Fund was established to honour Rosemary and John Hopkins. 2. The purpose of the Fund is to support in perpetuity an award or awards for Australian conductors of any age assisting with a youth or community music project. Awards made from the Fund are to be called The Rosemary and John Hopkins Award. (Purpose). 3. John Hopkins OBE AM (1927–2013) was a distinguished conductor, music academic and music administrator, and a leading figure in Australian musical life for nearly 50 years. Born in Britain, John was one of the youngest-ever conductors of a BBC orchestra before moving to New Zealand, where he led the National Orchestra of New Zealand (later NZSO) and New Zealand Opera Company, and founded the New Zealand National Youth Orchestra. Moving to Australia in the 1960s, John was Federal Director of Music for the ABC until 1973, overseeing a vibrant and prolific period of performance of Australian music. Other career highlights included a six-year tenure as Director of the Sydney Conservatorium of Music, conducting the Melbourne and Sydney Symphony Orchestras, and numerous overseas tours to conduct orchestras internationally. A passionate champion of music education and youth music, John became the founding Dean of the College of Music at the newly formed Victorian College of the Arts (now incorporated into the Faculty of Fine Arts and Music at the University) in 1974, and was the Convenor of Conducting and Honorary Professorial Fellow in the Melbourne Conservatorium of Music at the University until his death.
    [Show full text]