Sydney Symphony Under the Starssydney Symphony Under the Stars

Total Page:16

File Type:pdf, Size:1020Kb

Sydney Symphony Under the Starssydney Symphony Under the Stars SYDNEY SYMPHONY Photos: Victor Photos: Frankowski UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM SYDNEY Ludwig van Beethoven (German, 1770–1827) SYMPHONY Fidelio: Overture Bedřich Smetana (Czech, 1824–1884) UNDER THE Má Vlast: Vltava (The Moldau) STARS John Williams (American, born 1932) SYDNEY SYMPHONY ORCHESTRA AND Theme from Schindler's List PARRAMATTA PARK TRUST | AUSTRALIA Sun Yi, violin THE CRESCENT PARRAMATTA PARK Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 18 JANUARY The Nutcracker: Three Dances 120 MINS Alexander Borodin (Russian, 1833–1887) Benjamin Northey conductor Prince Igor: Polovtsian Dances Sun Yi violin Leah Lynn cello INTERVAL Sydney Symphony Orchestra Giuseppe Verdi (Italian, 1813–1901) The Force of Destiny: Overture Aram Khachaturian (Armenian, 1903–1978) Spartacus: Adagio of Spartacus and Phrygia Camille Saint-Saëns (French, 1835–1921) (orch. Vidal) Carnival of the Animals: The Swan Leah Lynn, cello Jacques Offenbach (German-French, 1819–1880) (arr. Binder) Orpheus in the Underworld: Can-Can Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEY SYMPHONY UNDER THE STARSSYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY SUN YI CONDUCTOR VIOLIN Associate Concertmaster Benjamin Northey is Chief Conductor of the Christchurch Sun Yi was born in Hunan, China. He attended the Symphony Orchestra and Associate Conductor of the Shanghai Conservatory of Music from 1988 to 1993 Melbourne Symphony Orchestra. He was previously where he was the Concertmaster for the Youth Orchestra Resident Guest Conductor of the Australia Pro Arte and Chamber Orchestra. In 1990, he won the third Chamber Orchestra (2002–2006) and Principal prize for the senior section in the China National Violin Conductor of the Melbourne Chamber Orchestra (2007– Competition, and also participated in the International 2010). He also appears regularly as a guest conductor Chamber Music Competition in Melbourne, Australia. with all the major Australian symphony orchestras, as After graduating with a Bachelor of Music degree from well as Opera Australia, Victorian Opera and State Opera the Shanghai Conservatory, Sun Yi was engaged as the of South Australia. Associate Concertmaster of the Shanghai Symphony His international appearances include concerts with the Orchestra. London Philharmonic Orchestra, Tokyo Philharmonic He also became the leader of the Orient String Quartet, Orchestra, Mozarteum Orchestra Salzburg, Hong Kong which toured Japan and France and won the special Philharmonic, National Symphony Orchestra of Colombia, nomination prize in the 3rd Borciani International String Malaysian Philharmonic, Auckland Philharmonia and Quartet Competition in Italy. The quartet studied with New Zealand Symphony Orchestra. the Amadeus String Quartet at the International Summer Benjamin Northey studied conducting with John Hopkins Camp in London. As a soloist he performed The Butterfly at the University of Melbourne Conservatorium of Music, Lovers concerto in Taiwan with the Shanghai Symphony with Leif Segerstam and Atso Almila at the Sibelius Orchestra in 1994. He has also performed Vivaldi's Four Academy, and with Jorma Panula at the Stockholm Royal Seasons for the televised Shanghai New Year concert, College of Music. and with the Shanghai Symphony Orchestra on their 1996 tour to Thailand. With a progressive and diverse approach to repertoire, he has collaborated with a broad range of artists, From 2002 to 2007, Sun Yi held the position of including Maxim Vengerov, Julian Rachlin, Karen Gomyo, Associate Concertmaster of the Australian Opera Piers Lane, Alban Gerhardt, Johannes Moser, Amy and Ballet Orchestra. He was appointed Associate Dickson, Slava Grigoryan and Marc-André Hamelin. Concertmaster with the Sydney Symphony Orchestra in 2007 and has appeared as soloist with the orchestra in He is a regular guest of the Sydney Symphony Saint-Saëns' Introduction and Rondo Capriccioso. Orchestra; recent engagements have included an He is also the founding member of the Whiteley Trio all-Rautavaara program in the 2016 Sydney Festival as and Nexus-2MBS Virtuosi. well as the 2018 and 2019 Sydney Symphony Under the Stars concerts in Parramatta Park, and concerts featuring Simon Tedeschi, Kate Miller-Heidke and Megan Washington. A SEASON OF LIVE MUSIC IN PARRAMATTA PARK LEAH LYNN CELLO Acting Associate Principal, Sydney Symphony Orchestra Vanguard Chair Leah Lynn was born in Adelaide where she completed her Bachelor of Music degree, studying with Janis Laurs. She was involved in various Youth Music and National Academy Parramatta Park is delighted to welcome back activities and undertook tours with the Australian Youth the Sydney Symphony Orchestra for the 14th Orchestra, with whom she performed as Principal Cello. year in The Crescent – our beautiful natural She travelled to Europe while in her 20s and studied with a outdoor amphitheatre alongside the number of distinguished cellists, including Georg Faust and Parramatta River. Maria Kliegel. We’re equally pleased to be partnering again with Sydney Festival, bringing this wonderful Leah Lynn has worked with the Adelaide and Tasmanian concert to audiences both regular and new. symphony orchestras, and has toured extensively with the Australian Chamber Orchestra. She joined the Sydney Sydney Symphony Under the Stars is a highlight Symphony Orchestra in 1997. In 2001 she took part in an of the annual Crescent Summer Series. It’s one of four free concerts for everyone to enjoy. To exchange with the BBC Philharmonic as part of the Sydney find out more about how you can see and hear Symphony's Friends scholarship. While in the UK, she the stars in The Crescent across the coming studied with Hannah Roberts at the Royal Northern College months, see crescentsummerseries.com.au of Music. We hope you have a truly wonderful evening. In addition to her orchestral career, Leah Lynn has been And don’t forget to tag us @parrapark a member of numerous chamber ensembles including #TheCrescent. the Sydney Soloists, Australia Ensemble, Song Company and the Australian and Seraphim trios. She has performed in several Government House series concerts as well as performing in ABC Classic FM's Sunday Live broadcasts. TELL US ABOUT YOUR EVENING... AND WIN We want to hear from you! Our short survey will only take a few minutes and you’ll go into the draw to win a $200 Westfield voucher. Click http://bit.ly/parra-park-survey for the survey SYDNEY SYMPHONY ORCHESTRA PATRON Her Excellency The Honourable Margaret Beazley AO QC Founded in 1932 by the Australian Broadcasting Commission, the Sydney Symphony Orchestra has evolved into one of the world’s finest orchestras as Sydney has become one of the world’s great cities. Resident at the iconic Sydney Opera House, the Sydney Symphony Orchestra also performs in venues throughout Sydney and regional New South Wales, and international tours to Europe, Asia and the USA have earned the Orchestra worldwide recognition for artistic excellence. Well on its way to becoming the premier orchestra of the Asia Pacific region, the Sydney Symphony Orchestra has toured China on five occasions, and in 2014 won the arts category in the Australian Government’s inaugural Australia-China Achievement Awards, recognising ground-breaking work in nurturing the cultural and artistic SYDNEY SYMPHONY ORCHESTRA relationship between the two nations. The Orchestra’s first chief conductor was Sir Eugene Benjamin Northey, conductor Goossens, appointed in 1947; he was followed by Nicolai Saturday 18 January 2020 Malko, Dean Dixon, Moshe Atzmon, Willem van Otterloo, Louis Frémaux, Sir Charles Mackerras, Zdeněk Mácal, FIRST VIOLINS Stuart Challender, Edo de Waart and Gianluigi Gelmetti. Sun Yi Vladimir Ashkenazy was Principal Conductor from 2009 Associate Concertmaster to 2013, followed by David Robertson as Chief Conductor Lerida Delbridge Assistant Concertmaster from 2014 to 2019. The Orchestra’s history also boasts Jenny Booth collaborations with legendary figures such as George Claire Herrick Szell, Sir Thomas Beecham, Otto Klemperer and Georges Lentz Igor Stravinsky. Nicola Lewis The Sydney Symphony Orchestra's concerts encompass Emily Long masterpieces from the classical repertoire, music by some Alexandra Mitchell of the finest living composers, and collaborations with Alexander Norton guest artists from all genres, reflecting the Orchestra's Anna Skálová versatility and diverse appeal. Its award-winning education Léone Ziegler program is central to its commitment to the future of live † symphonic music, developing audiences and engaging the Brian Hong participation of young people, and the Orchestra promotes the work of Australian composers through performances, SECOND VIOLINS recordings and its commissioning program. Marina Marsden Principal In 2020, the Orchestra embarks on an exciting Marianne Edwards Associate Principal partnership with the Sydney Coliseum Theatre, West HQ, Alice Bartsch bringing live symphonic music to music-lovers in Greater Rebecca Gill Western Sydney. Emma Hayes Shuti Huang Monique Irik Wendy Kong Maja Verunica Tim Yu† VIOLAS HORNS Justin Williams Acting Associate Principal Samuel Jacobs* Guest Principal Rosemary Curtin Euan Harvey Graham Hennings Marnie Sebire Stuart Johnson Rachel Silver Justine Marsden Emily Newham† Amanda Verner Leonid Volovelsky TRUMPETS Dana Lee† Brent Grapes* Guest Principal Anthony Heinrichs CELLOS David Johnson# Leah Lynn Acting Associate Principal Fletcher Cox† Kristy
Recommended publications
  • Leevi Madetoja (1887–1947) Symphony No
    Leevi Madetoja (1887–1947) Symphony No. 2 / Kullervo / Elegy 1. Kullervo, Symphonic Poem, Op. 15 14:13 Symphony No. 2, Op. 35 2. I. Allegro moderato – 13:23 LEEVI MADETOJA II. Andante 13:36 SYMPHONY NO. 2 III. Allegro non troppo – 9:39 KULLERVO IV. Andantino 4:53 ELEGY 3. Elegy, Op. 4/1 (First movement from the Symphonic Suite, Op. 4) 5:53 –2– Leevi Madetoja To be an orchestral composer in Finland as a contemporary of Sibelius and nevertheless create an independent composer profile was no mean feat, but Leevi Madetoja managed it. Though even he was not LEEVI MADETOJA completely immune to the influence of SYMPHONY NO. 2 his great colleague, he did find a voice for KULLERVO ELEGY himself where the elegiac nature of the landscape and folk songs of his native province of Ostrobothnia merged with a French elegance. Madetoja’s three symphonies did not follow the trail blazed by Sibelius, and another mark of his independence as a composer is that his principal works include two operas, Pohjalaisia (The Ostrobothnians, 1924) and Juha (1935), a genre that Sibelius never embraced. Madetoja emerged as a composer while still a student at the Helsinki Music Institute, when Robert Kajanus conducted his first orchestral work, elegy (1909) for strings, in January 1910. The work was favourably received and was given four further performances in Helsinki that spring. It is a melodically charming and harmonically nuanced miniature that betrays the influence of Tchaikovsky in its achingly tender tones. Later, Madetoja incorporated Elegia into his four-movement Sinfoninen sarja (Symphonic Suite, 1910), but even so it is better known as a separate number.
    [Show full text]
  • 2014 Annual Report
    2014 Annual Report SOLD Five sell-out seasons,including Bellini’s Norma, new OUT Australian opera The Riders, Sondheim’s Into the Woods, children’s production Hansel and Gretel and youth opera The Play of Herod. In partnership with Arts Centre Melbourne, Victorian Opera staged the first ‘relaxed performance’ for children with disabilities attempted in Victoria with children’s production Hansel and Gretel. Two new works staged: Iain Grandage and Alison Croggon’s The Riders, co-produced with Malthouse Theatre, and Richard Mills’ The Play of Herod. Children’s production Hansel and Gretel was staged in a special performance at The Royal Children’s Hospital. Aspiring singers from across Melbourne and regional Victoria joined Victorian Opera and Orchestra Victoria to perform in The Big Sing at Hamer Hall. Regional community choir workshops and masterclasses conducted in Mildura, Wodonga, Stawell, Bendigo and Warragul. The Riders received critical acclaim and two Green Room Awards including ‘New Australian Opera’. The second intake of the National Graduate Opera Program, including seven opera singers and a répétiteur, commenced their Master of Music (Opera Performance) delivered in partnership between Victorian Opera and Melbourne Conservatorium of Music, The University of Melbourne. Victorian Opera launches Australia’s first year-round youth Opera Chorus VOYCE (Victorian Opera Youth Chorus Ensemble). [Image credit: The Riders (cover) photograph by Jeff Busby.] Contents Company Profile 2 Mission 2 Chairman’s Report 3 Artistic Director’s Report 5 Managing Director’s Report 7 Education and Community Engagement Report 9 Activities 2014 11 Artists & Creatives 2014 19 Individual Giving 21 Partners 23 Victorian Opera Board, Staff & Developing Artists 24 Financial Report 27 1 / Victorian Opera Annual Report // 2014 2 Company Mission Profile Victorian Opera: Uniquely Victorian, Victorian Opera aspires to present Uniquely Australian.
    [Show full text]
  • Turun Filharmoninen Orkesteri 20 VUOSIKERTOMUS 15 Luonnollisuus Ja Inhimillisyys Ovat Musisointimme Tärkeimmät Attribuutit
    Turun filharmoninen orkesteri 20 VUOSIKERTOMUS 15 Luonnollisuus ja inhimillisyys ovat musisointimme tärkeimmät attribuutit. Tervetuloa vaan elämysfenomenologiaanne rikastuttamaan! Intendentin puheenvuoro ................................................................................................... 3 Sinfoniakonsertit ..................................................................................................................... 4 Kamarimusiikkikonsertit ....................................................................................................... 6 Lapset ja nuoret ....................................................................................................................... 8 Vanhainkotikiertue ................................................................................................................. 9 Talous ........................................................................................................................................... 10 Hallinto ........................................................................................................................................ 11 Pääsylippujen, kausikorttien ja painotuotteiden hinnat .......................................... 12 Konsertti- ja yleisötilastot ..................................................................................................... 13 Levytykset, radiointi ja televisiointi .................................................................................. 14 Vuoden 2015 konsertit .........................................................................................................
    [Show full text]
  • 18.9. at 20:00 Helsinki Music Centre Esa-Pekka Salonen Paavali
    18.9. at 20:00 Helsinki Music Centre Esa-Pekka Salonen conductor Paavali Jumppanen piano Lotta Emanuelsson announcer Robert Schumann: Piano Concerto in A Minor, Op. 54 1. Allegro affettuoso 2. Intermezzo (Andantino grazioso) 3. Allegro vivace 1 Paavali Jumppanen will talk to Lotta Emanuelsson on the platform. John Adams: Chamber Symphony 1. Mongrel Airs 2. Aria with Walking Bass 3. Roadrunner No interval. The concert will end at about 21:15. Broadcast live on Yle Teema, Yle Radio 1 and Yle Areena. Robert Schumann: Piano Concerto in A Minor, Op. 54 The Piano Concerto in A Minor by Robert crop up throughout the concerto, and Schumann (1810–1856) began life as a also in the background to the first move- one-movement fantasia in 1841. His pub- ment’s second theme. The original fanta- lisher refused to accept it, however, so sia still hovers in the dreamy Andante es- Schumann revised it and in 1845 filled it pressivo section – as a sort of encore of out to make a concerto in three move- the main theme – before the traditional ments with the original fantasia as the development. A cadenza leads to a quick first. He wrote it for his wife Clara, one of coda that draws together all the threads the finest pianists of her day. Though the of the movement. technical demands of the solo part are un- The second movement is a delicate deniably great, they are more a means to Intermezzo bearing echoes of the core an end than an end in themselves. motif and has a romantically melodic In many of his works, Schumann exper- middle section.
    [Show full text]
  • Participating Artists
    The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia.
    [Show full text]
  • Australian Music Calendar Queensland : January – December 2012
    australian music calendar Queensland : January – December 2012 The Australian Music Calendar lists events from around Australia which feature music by one or more Australian composers, sound artists or improvisers. Below are events in Queensland in 2012. * denotes World premiere ; ** denotes Australian premiere QUEENSLAND 8 January 2012 - Music inspired by Sandgate : composed by Sarah Hopkins Venue: Sandgate Town Hall, Sandgate, Brisbane, 10am Program: Sarah Hopkins - Invocation, Sonic blue, Remember the joy, Honour the earth, Call to the ancestors, Blessings for world peace, Ancient forests once stood here*. Performers: Geoffrey Fabila, Bronwyn Gibbs, Sarah Hopkins, JAFA Community Choir, Jenni Lake, Moreton Bay Symphony Orchestra. 26 January 2012 - Australia Day Concert Venue: Outdoor Rotunda, Upper Moora Park, Shorncliffe - Brisbane, 2pm Program: Sarah Hopkins - Deep whirly heart song, Sonic blue, Remember the joy, Blessings for world peace. Performers: Geoffrey Fabila, Sarah Hopkins. 24 February 2012 - Topology: The Lady from the Sea Venue: Powerhouse Theatre - Brisbane Powerhouse, New Farm Program: Robert Davidson - Sagarakanyaka* 8 March 2012 - Australian String Quartet : Towards Light Venue: Conservatorium Theatre, Brisbane - Queensland Conservatorium Griffith University, 16 Russell St, South Brisbane, 7.00 pm. Program: Peter Sculthorpe - String quartet no. 11. Also: Dvorak, Shostakovich. Performers: Australian String Quartet, Daniel de Borah. 10 March 2012 - The Australian Voices in concert Venue: Redland Performing Art Centre
    [Show full text]
  • Mahler's Klagende Lied
    Mahler’s Klagende Lied SIMONE YOUNG’S VISIONS OF VIENNA 4 – 7 DECEMBER SYDNEY OPERA HOUSE CONCERT DIARY FEBRUARY 2020 The 1950s Latin Lounge Wed 5 Feb, 7pm Thu 6 Feb, 7pm Program includes: Sat 8 Feb, 7pm GERSHWIN Cuban Overture Sydney Town Hall MARQUEZ Danzón No.2 BERNSTEIN West Side Story – Mambo Guy Noble conductor Imogen Kelly dancer Ali McGregor soprano The Rite of Spring Symphony Hour Wed 19 Feb, 7pm RIOT AT THE BALLET Thu 20 Feb, 7pm WAGNER Die Meistersinger – Prelude Sydney Town Hall STRAVINSKY The Rite of Spring Pietari Inkinen conductor Abercrombie & Kent Debussy and Ravel Masters Series THE GREAT IMPRESSIONISTS Wed 26 Feb, 8pm RAVEL Piano Concerto in G Fri 28 Feb, 8pm MENDELSSOHN The Hebrides Sat 29 Feb, 8pm DEBUSSY La mer Thursday Afternoon Symphony Jun Märkl conductor Thu 27 Feb, 1.30pm Alexandra Dariescu piano Great Classics Sat 29 Feb, 2pm Sydney Town Hall MARCH 2020 Ben Folds Sydney Symphony Presents Fri 6 Mar, 8pm THE SYMPHONIC TOUR Sat 7 Mar, 8pm Pop icon and music innovator Ben Folds Sydney Town Hall returns to Sydney following his last sold- out shows with the Sydney Symphony. Ben Folds Nicholas Buc conductor Scheherazade Symphony Hour Wed 11 Mar, 7pm HYPNOTIC AND SUBLIME Thu 12 Mar, 7pm DEBUSSY Prelude to the Afternoon of a Faun Tea & Symphony RIMSKY-KORSAKOV Scheherazade Fri 13 Mar, 11am Alexander Shelley conductor Sydney Town Hall Debussy, Mozart and Rimsky-Korsakov Emirates Metro Series Fri 13 Mar, 8pm SENSE AND SENSUALITY Sydney Town Hall DEBUSSY Prelude to the Afternoon of a Faun MOZART Sinfonia Concertante, K.364 RIMSKY-KORSAKOV Scheherazade Alexander Shelley conductor Harry Bennetts violin Tobias Breider viola Abercrombie & Kent Beethoven Missa Solemnis Masters Series MUSIC OF INSPIRATION Wed 18 Mar, 8pm BEETHOVEN Missa Solemnis Fri 20 Mar, 8pm Sat 21 Mar, 8pm Donald Runnicles conductor Siobhan Stagg soprano Sydney Town Hall Vasilisa Berzhanskaya mezzo-soprano Samuel Sakker tenor Derek Welton bass Sydney Philharmonia Choirs Cats 240x150.indd 1 2/9/19 16:40 WELCOME Welcome to the Abercrombie & Kent Masters Series.
    [Show full text]
  • SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
    SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra.
    [Show full text]
  • Compassion Booklet
    481 0678 Compassion – Symphony of Songs Song cycle for voice and orchestra by Lior and Nigel Westlake based on a collection of ancient Hebrew and Arabic texts 1 Sim Shalom – Grant Peace 7’28 2 Eize Hu Chacham? – Who is Wise? 5’25 3 La Yu’minu – Until You Love Your Brother 4’18 4 Inna Rifqa – The Beauty Within 4’55 5 Al Takshu L’vavchem – Don’t Harden Your Hearts 4’45 6 Ma Wadani Ahadun – Until the End of Time 7’57 7 Avinu Malkeinu – Hymn of Compassion 5’57 Total Playing Time 40’46 Lior vocals Sydney Symphony Orchestra Nigel Westlake conductor Compassion was commissioned by the Sydney Symphony Orchestra, for the SSO and the other Australian symphony orchestras, with the support of Symphony Services International. 3 The Genesis of Compassion In stark contrast to what had preceded, here was another side to Lior’s artistry, his keening and emotionally charged voice allowing us an intimate glimpse into the rich vein of middle eastern heritage The catalyst for Compassion can be traced to a single watershed moment: the occurrence of my first that is his birthright. Lior concert. It was the winter of 2009 in the tiny rural village of St Albans NSW, the occasion being the inaugural fundraising event for the Smugglers of Light, a foundation formed by our family in The power and spirituality of the song struck a deep resonance amongst the crowd, all of whom were memory of my son Eli. captivated in spellbound rapture. For my own part, I had just experienced a small taste of a tantalising and exotic sound world and was overcome by a strange yearning to be a part of it.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • Kaapo Johannes Ijas B
    CV Kaapo Johannes Ijas b. 26.07.1988 Solvikinkatu 13 C 38 00990 Helsinki +358 44 5260788 [email protected] www.kaapoijas.com Kaapo Ijas (b.1988) is the Mills Williams Junior Fellow in Conducting at the Royal Northern College of Music. He has been fiercely interested in composing, performance, drama, group dynamics and the orchestra itself for all his life. In 2012 it lead him to conducting studies first in Sibelius Academy then Zürcher Hochschule der Künste and ultimately Royal College of Music in Stockholm where he graduated from in spring of 2017. His teachers during his studies and masterclasses include Jorma Panula, Johannes Schlaefli, Jaap van Zweden, Riccardo Muti, Esa-Pekka Salonen, David Zinman, Neeme and Paavo Järvi and Atso Almila. Ijas has conducted i.a. Tonhalle-Orchester Zürich, Norrköping SO, South Jutland SO, Musikkollegium Winterthur, Gävle Symfoniorkester, Kurpfälzisches Kammerorchester (Mannheim), Hradec Kralove Philharmonia, KMH Symphony Orchestra, Seinäjoki City Orchestra, KammarensembleN, Norrbotten NEO, Swedish Army Band, Helsinki Police band and numerous other project ensembles and choirs during masterclasses and in concerts. Ijas has been invited to various prestigious masterclasses including Gstaad Menuhin Festival 2018 with Jaap van Zweden, Riccardo Muti Opera Academy 2017 in Ravenna, the 8th Tonhalle-Orchester Zürich masterclass with David Zinman in 2017 and Järvi Academy with Paavo and Neeme Järvi in 2016. He was semifinalist in Donatella Flick Conducting Competition 2016 after invited to the competition with 2 weeks notice and among the top 7 in Cadaqués Conducting Competition 2017. In 2018 Ijas was selected as 24 conductors from 566 applicants to take part in Nikolai Malko competition in Copenhagen and won the 3rd prize in Jorma Panula Conducting Competition in Vaasa.
    [Show full text]
  • THURSDAY SERIES 7 John Storgårds, Conductor Golda
    2.3. THURSDAY SERIES 7 Helsinki Music Centre at 19.00 John Storgårds, conductor Golda Schultz, soprano Ernest Pingoud: La face d’une grande ville 25 min 1. La rue oubliée 2. Fabriques 3. Monuments et fontaines 4. Reclames lumineuses 5. Le cortege des chomeurs 6. Vakande hus 7. Dialog der Strassenlaternen mit der Morgenröte W. A. Mozart: Concert aria “Misera, dove son” 7 min W. A. Mozart: Concert aria “Vado, ma dove” 4 min W. A. Mozart: Aria “Non più di fiori” 9 min from the opera La clemenza di Tito INTERVAL 20 min John Adams: City Noir, fpF 30 min I The City and its Double II The Song is for You III Boulevard Nighto Interval at about 20.00. The concert ends at about 21.00. 1 ERNEST PINGOUD rare in Finnish orchestral music, as was the saxophone that enters the scene a (1887–1942): LA FACE moment later. The short, quick Neon D’UNE GRANDE VILLE Signs likewise represents new technol- ogy: their lights flicker in a xylophone, The works of Ernest Pingoud fall into and galloping trumpets assault the lis- three main periods. The young com- tener’s ears. The dejected Procession of poser was a Late-Romantic in the spirit the Unemployed makes the suite a true of Richard Strauss, but in the 1910s he picture of the times; the Western world turned toward a more animated brand was, after all, in the grips of the great of Modernism inspired by Scriabin and depression. Houses Waking provides a Schönberg. In the mid-1920s – as it glimpse of the more degenerate side happened around the time the days of urban life, since the houses are of of the concert focusing on a particular course brothels in which life swings composer began to be numbered – he to the beat of a fairly slow dance-hall entered a more tranquil late period and waltz.
    [Show full text]