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2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts 310,000 watched worldwide Concertgoers 635 Top 10 Livestream new individual donors 71 80 Countries radio broadcasts Australia United States Countries United Kingdom Germany where Sydney Symphony France New Zealand Orchestra livestreams Japan Canada 16% were viewed Administrators Italy Spain 759 Jobs 20.1 Million Facebook provided by the 13 Million Sydney Symphony Orchestra Social Media Reach increased by 28% from 2018 30% Instagram of Australian works 3.2 Million performed were written YouTube by female composers 1.5 Million 84% Website Artists Twitter 2 Million LinkedIn 425,000 36,000 6 7 Sydney Symphony Orchestra 2019 Annual Report “ The audience was too stunned “ The solos and showcasing of orchestral “ It is a challenging task to integrate to applaud after the first sections in Bartók’s Concerto for jazz, swing and blues idioms into movement’s shocking final bars, Orchestra was a serene way to classical music forms. Wynton emitting something that sounded savour the Orchestra’s current depth Marsalis is one of the few to succeed. more like an awed exhalation... of musicianship. Tonal individuality He has a sure grasp of larger-scale Lamsma, Shelley and the and ensemble virtuosity both structures and knows how to use the Sydney Symphony Orchestra flowered under disciplined and resources of a symphony orchestra made a powerful argument... incisive conducting from Robertson.” with ingenuity and imagination... A superlative performance.” the contributions of the jazz group and Orchestra were seamlessly The Sydney Morning Herald, February 2019 integrated and equally inventive.” Limelight, April 2019 The Australian, February 2019 David Robertson conducts Bartók’s Concerto for Orchestra Photo: Christie Brewster “ Throughout, Wigglesworth built “ The Sydney Symphony Orchestra’s strings were the structure like a Mughal emperor particularly united, warm and vibrant, the winds and added the details like a impeccable in phrasing and tuning and the brass Fabergé jeweller. It was one of the section sounded as if it was a vast and carefully finest Sydney Symphony Orchestra balanced vocal chorus while the percussion section performances I’ve ever heard.” exhibited its usual excellence.” Limelight, August 2019 ArtsHub, June 2019 Simone Lamsma performs Beethoven’s Violin Concerto Photo: Daniela Testa Mark Wigglesworth conducts Shostakovich’s Symphony No.4 Photo: Jay Patel The Sydney Symphony performs Dvořák’s Symphony No.6. Levy Photo: Tim Wynton Marsalis and the Jazz at Lincoln Center Orchestra Skinner Photo: Tim 8 9 Sydney Symphony Orchestra 2019 Impact Report of 2021, and that many generous patrons have We also salute our long-time Principal donated their tickets back to us. The Australian Partner, Emirates, whose bedrock support Government’s JobKeeper program has also is crucial, our Premier Partner, Credit Suisse, underpinned our ongoing financial viability. whose Credit Suisse Music Education Chair’s Report Program is changing young lives through I am indebted to our Board of Directors music, Abercrombie & Kent as supporters Terrey Arcus AM whose members provide invaluable of our flagship Abercrombie & Kent Masters perspectives and informed business counsel Series, and the many corporate sponsors, on the complexities we face. The Board trusts and foundations, philanthropists, strives to manage and preserve the artistic, subscribers and patrons whose financial cultural and financial sustainability of our support underpins our sustainability. superb Orchestra in these challenging times. During 2019, the Sydney Symphony During 2019, we welcomed Geoff Ainsworth Orchestra closed out one important artistic and Geoff Wilson to the Board and farewelled The transformation required of era and looked ahead to an exciting future. David Livingstone, who served with distinction the Sydney Symphony Orchestra during his nine-year term. Our shared efforts over the next two years will throughout the year included successfully not be possible without your After six years as Chief Conductor and Artistic We finalised our dislocation plans for the completing a comprehensive Governance Director, we farewelled David Robertson duration of the Sydney Opera House Trust’s review by our Tripartite funders in preparation continued commitment to at the same time as our performance venue, two-year Renewal Project for the Concert Hall. for dislocation. ensuring that the Orchestra the Sydney Opera House Concert Hall, In partnership with the Lord Mayor of Sydney, With many of our preparatory investments remains strong and vibrant. closed for two years of acoustic renovations. Cllr. Clover Moore, we finalised a landmark behind us in 2018, our financial operating We salute the NSW Government for its agreement with the City of Sydney to return results for 2019 improved significantly, We are especially grateful to hundreds substantial investment in renewing the to our historic home at Sydney Town Hall for delivering a 1% shortfall on operating revenues of donors who increased their giving in Sydney Opera House for its 50th anniversary the 2020 and 2021 seasons. We are indebted of $42 million. Notable was the increase 2019 and to the many ticket holders who in 2023 and look forward to returning to an to the Lord Mayor for her leadership in of philanthropic support by 28% including chose to become donors for the first time. acoustically superior Concert Hall in 2022. ensuring our access to the acoustically superb generous new support from trusts and These generous gestures represent a vote Town Hall, which was our major home from David led artistic programs with distinction foundations. We are focused on managing of confidence in the Sydney Symphony’s 1932 up to the opening of the Sydney Opera risk prudently as we navigate the difficult vibrant future. Thank you for being with throughout his farewell season, including House. As we presented special concerts the Australian premiere of Wynton Marsalis’ waters of being absent from our performance us on this journey, and we look forward to there in August, we were delighted that venue for the next two years. welcoming you to Sydney Town Hall in 2020. The Jungle – Symphony No. 4 with the many patrons shared their fond memories of Jazz at Lincoln Center Orchestra, performances attending concerts there in earlier decades. Our efforts this year and every year are made of Mozart with piano superstar Lang Lang, possible through the enduring assistance and spectacular opera-in-concert performances We continued to work with the NSW provided under our Tripartite Agreement of Benjamin Britten’s Peter Grimes. David’s Government and Sydney Opera House with the Australian Government through the tenure has been marked by his adventurous Trust to address the implications of the Australia Council for the Arts and the New Terrey Arcus AM programming and we thank him for expanding Renewal Project through to our return to South Wales Government through Create Chair our musical horizons while fashioning himself the Sydney Opera House Concert Hall in NSW. On behalf of the Board and the entire into a quintessential Sydneysider along the way. 2022. In October 2018, the NSW Government company, I thank our government funders gave the Orchestra an assurance that it 2019 also saw our much-loved Conductor for sustaining their ongoing investment, would provide financial support during the particularly during these challenging times. Laureate, Vladimir Ashkenazy, step back period of the Renewal Project, subject to from public appearances. He celebrated the establishment of a Work Group whose his 50th anniversary with our Orchestra purpose was to identify options for the NSW 2019 BOARD OF DIRECTORS with unforgettable performances of Elgar, Government and the Company to address Prokofiev and Holst before retiring from the financial implications arising for the performance at the age of 82. We are Orchestra from the undertaking of the project. indebted to him for five decades of superlative music-making in Australia and This work was concluded in 2019 and the wish him the very best in his retirement. NSW Government confirmed a funding commitment to be provided over the two 2019 brought the exciting appointment of years of our dislocation (2020 and 2021). Terrey Arcus AM Geoff Ainsworth AM Andrew Baxter Kees Boersma Ewen Crouch AM Emma Dunch Simone Young as our next Chief Conductor We are grateful for this commitment and after a two-year international search. We are continue to work through the arrangements excited by her artistic vision and desire to with the Government. showcase “the best of Australia and the best of the world” during her tenure, which begins We have now also had to face the outbreak in 2022.
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