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Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
Googoosh and Diasporic Nostalgia for the Pahlavi Modern
Popular Music (2017) Volume 36/2. © Cambridge University Press 2017, pp. 157–177 doi:10.1017/S0261143017000113 Iran’s daughter and mother Iran: Googoosh and diasporic nostalgia for the Pahlavi modern FARZANEH HEMMASI University of Toronto Faculty of Music, 80 Queen's Park, Toronto, Ontario, M5S 2C5, Canada E-mail: [email protected] Abstract This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its ‘victimisation’ in the revolution, and an attendant ‘nostalgia for the modern’ (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since her departure from Iran in 2000, Googoosh has embraced her national metaphorization and produced new works that build on historical tropes link- ing nation, the erotic, and motherhood while capitalising on the nostalgia that surrounds her. A well-preserved blonde in her late fifties wearing a silvery-blue, décolletage-revealing dress looks deeply into the camera lens. A synthesised string section swells in the back- ground. Her carefully groomed brows furrow with pained emotion, her outstretched arms convey an exhausted supplication, and her voice almost breaks as she sings: Do not forget me I know that I am ruined You are hearing my cries IamIran,IamIran1 Since the 1979 establishment of the Islamic Republic of Iran, Iranian law has dictated that all women within the country’s borders must be veiled; women must also refrain from singing in public except under circumscribed conditions. -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
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Farzaneh hemmasi TEHRANGELES DREAMING IRANIAN POP MUSIC IN SOUTHERN CALIFORNIA’S INTIMACY AND IMAGINATION TEHRANGELES DREAMING Farzaneh hemmasi TEHRANGELES DREAMING INTIMACY AND IMAGINATION IN SOUTHERN CALIFORNIA’S IRANIAN POP MUSIC Duke University Press · Durham and London · 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Matthew Tauch Typeset in Portrait Text Regular and Helvetica Neue Extended by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Hemmasi, Farzaneh, [date] author. Title: Tehrangeles dreaming : intimacy and imagination in Southern California’s Iranian pop music / Farzaneh Hemmasi. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019041096 (print) lccn 2019041097 (ebook) isbn 9781478007906 (hardcover) isbn 9781478008361 (paperback) isbn 9781478012009 (ebook) Subjects: lcsh: Iranians—California—Los Angeles—Music. | Popular music—California—Los Angeles—History and criticism. | Iranians—California—Los Angeles—Ethnic identity. | Iranian diaspora. | Popular music—Iran— History and criticism. | Music—Political aspects—Iran— History—20th century. Classification:lcc ml3477.8.l67 h46 2020 (print) | lcc ml3477.8.l67 (ebook) | ddc 781.63089/915507949—dc23 lc record available at https://lccn.loc.gov/2019041096 lc ebook record available at https://lccn.loc.gov/2019041097 Cover art: Downtown skyline, Los Angeles, California, c. 1990. gala Images Archive/Alamy Stock Photo. To my mother and father vi chapter One CONTENTS ix Acknowledgments 1 Introduction 38 1. The Capital of 6/8 67 2. Iranian Popular Music and History: Views from Tehrangeles 98 3. Expatriate Erotics, Homeland Moralities 122 4. Iran as a Singing Woman 153 5. A Nation in Recovery 186 Conclusion: Forty Years 201 Notes 223 References 235 Index ACKNOWLEDGMENTS There is no way to fully acknowledge the contributions of research interlocutors, mentors, colleagues, friends, and family members to this book, but I will try. -
Leopard and Its Mythological-Epic Motifs in Shahnameh and Four Other Epic Works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh)
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e891 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 RESEARCH ARTICLES Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Leopardo y sus motivos mitológicos-épicos en Shahnameh y otras cuatro obras épicas (Garshasbnameh, Kushnameh, Bahmannameh y Borzunameh) Nasrin Sharifizad PhD student in Persian Language and Literature (pure), Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0001-7171-7103 Mohammad Shah Badi’zadeh Assistant Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-1555-3877 Reza Ashrafzadeh Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-5392-9273 Received 02-08-20 Revised 04-10-20 Accepted 01-11-21 On line 01-18-21 *Correspondence Cite as: Email: [email protected] Sharifizad, N., Badizadeh, M., & Ashrafzadeh, R. (2021). Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh). Propósitos y Representaciones, 9 (SPE1), e891. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Summary In Shahnameh and other epic poems where the reflection of myths is the life of primitive and ancient Iranian communities, animals and other creatures are of great importance and go beyond their normal features and position. -
Persian Manuscripts
: SUPPLEMENT TO THE CATALOGUE OF THE PERSIAN MANUSCRIPTS IN THE BRITISH MUSEUM BY CHARLES RIEU, Ph.D. PRINTED BY ORDER OF THE TRUSTEES Sontion SOLD AT THE BRITISH MUSEUM; AND BY Messrs. LONGMANS & CO., 39, Paternoster Row; R QUARITCH, 15, Piccadilly, W.j A. ASHEE & CO., 13, Bedford .Street, Covent Garden ; KEGAN PAUL, TRENCH, TRUBNER & CO., Paternoster House, Charing Cross Eoad ; and HENEY FROWDE, Oxford University Press, Amen Corner. 1895. : LONDON printed by gilbert and rivington, limited , st. John's house, clerkenwell, e.g. TUP r-FTTY CFNTEf ; PEE FACE. The present Supplement deals with four hundred and twenty-five Manuscripts acquired by the Museum during the last twelve years, namely from 1883, the year in which the third and last volume of the Persian Catalogue was published, to the last quarter of the present year. For more than a half of these accessions, namely, two hundred and forty volumes, the Museum is indebted to the agency of Mr. Sidney J. A. Churchill, late Persian Secretary to Her Majesty's Legation at Teheran, who during eleven years, from 1884 to 1894, applied himself with unflagging zeal to the self-imposed duty of enriching the National Library with rare Oriental MSS. and with the almost equally rare productions of the printing press of Persia. By his intimate acquaintance with the language and literature of that country, with the character of its inhabitants, and with some of its statesmen and scholars, Mr. Churchill was eminently qualified for that task, and he availed himself with brilliant success of his exceptional opportunities. His first contribution was a fine illuminated copy of the Zafar Namah, or rhymed chronicle, of Hamdullah Mustaufi (no. -
Connection Between Epic and Play in Shahnameh: Comparative Study of Cognitive Drama Features in Two Stories of “Rostam and Sohrab” and “Rostam and Esfandiar”
Journal of Sociological Research ISSN 1948-5468 2014, Vol. 5, No.1 Connection between epic and play in Shahnameh: Comparative Study of Cognitive Drama features in two Stories of “Rostam and Sohrab” and “Rostam and Esfandiar” io eodallo haolotamRaR ymoA,nm moA,hvRmAvmhoAthimamomv hcmoAv h,yaloeRvhnUothzARcmmaRdI Email: [email protected] no mmm hcoaor oAR ymoA,hmmeoAa o h,hmmeoAa o hcmoAv h,yaloeRvhnUothzARcmmaRdI RAhtmmaRoAhnoAa oamhoAthnRdmmod mmh.n.M Doi:10.5296/jsr.v5i1.6167 URL: http://dx.doi.org/10.5296/jsr.v5i1.6167 Abstract This article aims to reject the eastern theories that believe Iranians lack classical texts which are presentable in play and makes an attempt to modify this theory and show that Ferdowsi has been able to link epic and play in his stories by describing and matching based on capabilities and dramatic features of the stories of Rostam and Sohrab and Rostam and Esfandiar. The article provides the context of Iranian literature for the generation of play and drama, because existence of plan, description, characterization, causation, suspension, tragedy, conflict, climax, dialogue, time, and location have given play form and context to many tales of Shahnameh. Of course, Ferdowsi has not composed play but has composed epic. It can be argued that the stories in Shahnameh have the play structure in epic form. Keywords: Play, Epic, Shahnameh, Dramatic, Story Elements. Introduction Giving importance to common human affliction is the secret of maintaining oral and written literary works of any nation. The reason is that topics such as ill-temper, good-temper, hatred, love, chastity, honesty, hypocrisy, envy, anger and greed have been and will be the subjects of all generations and eras and no generation has been able to ignore, abandon or lose them entirely. -
A Comparative Study of the Hero in Medieval Ireland, Persia, and England
A COMPARATIVE STUDY OF THE HERO IN MEDIEVAL IRELAND, PERSIA, AND ENGLAND by Connell Raymond Monette A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of The Centre for Medieval Studies University of Toronto © Copyright by Connell Monette (2008) Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-40012-8 Our file Notre reference ISBN: 978-0-494-40012-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Medical Services Commission
MEDICAL SERVICES COMMISSION Financial Statement for the fiscal year ended March 31, 2020 Medical Services Commission Administering the Medical Services Plan of British Columbia FINANCIAL STATEMENT For the Fiscal Year Ended March 31, 2020 Published in accordance with the Financial Information Act, Chapter 140, Revised Statutes of British Columbia, 1996 British Columbia Cataloguing in Publication Data British Columbia. Medical Services Commission. Financial statements for the fiscal year ended March 31 . –1978– Annual. Includes financial statements for Medical Services Plan of British Columbia. Continues: Medical Services Commission of British Columbia. Financial statements. ISSN 0383-3534 ISSN 0383-3534 = Financial statements – Medical Services Commission of British Columbia 1. Medical Services Plan of British Columbia – Periodicals. 2. Medical care, Cost of – British Columbia – Periodicals. I. Medical Services Plan of British Columbia. II.Title. RA410.55.C3B74 354.7110084’1 Index of Financial Information Financial Statement of the Medical Services Plan: Statement of Operations for the Year Ended March 31, 2020 .....................................................5 Notes to Financial Statement for the Year Ended March 31, 2020 ..............................................6 Supplementary Information: Unaudited Schedule of Payments by the Medical Services Plan ..................................................7 Medical Services Plan 5 Statement of Operations for the Year Ended March 31, 2020 Unaudited (Thousands of Dollars) 2020 2019 EXPENDITURE -
International Review of Humanities Studies E-ISSN: 2477-6866, P-ISSN: 2527-9416 Vol.1, No.1, January 2016, Pp
International Review of Humanities Studies www.irhs.ui.ac.id, e-ISSN: 2477-6866, p-ISSN: 2527-9416 Vol.1, No.1, January 2016, pp. 122-133 FIRDOWSI: NATIONAL CHARACTER IN PERSIAN LITERATURE Bastian Zulyeno Faculty of Humanities, Universitas Indonesia [email protected] Abstract It is compulsory for every citizen to look after their national identity and to raise it up. Nationalism spirit will bring up confidence and national union in dealing with any foreign threats. Literature-sourced nationalism has become an important role in its exertion. It can be found in the most phenomenal literature in Persian, named Shah Nameh, written by Firdowsi that has made the people and the language of Persian risen out of “intellectual silence” during Arab conquest. In approximately three centuries, Persian territory was under Arab authority, though, Persian language has remained exist when other language in conquered territories were totally influenced by Arabic. In writings, some writers would always minimize the use of Arabic as a means of giving pressures on Arabic expanding influence in the region at that time. Keywords: nationalism, Firdowsi, Shahnameh, Iran, epic, heroes Introduction The word of Persia or Farsi often refers to a language name of Persian state, which is currently known as Iran. As Iran king request, the name of Persia has been changed into Iran in 1935. Since then, the name of Iran was commonly used by other countries in diplomatic terms. The original word of Pars or Fars was from a tribe name in Pars area, in southwest Iran, where ancient Greek people considered it as a common name of the area, it was then known as what it is in 600 BC after generating conquerors such as Cyrus (559-530 BC) and Darius (521-485 BC). -
Iran to Respond to U.S. Exit from JCPOA on Wednesday
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 39th year No.13382 Tuesday MAY 7, 2019 Ordibehesht 17, 1398 Ramadan 1, 1440 There’s zero Israel exposed Persepolis Tehran Ariana Gallery gets possibility of its true face in knocked out of AFC warning over Tahmineh U.S. war on Iran 2 Gaza attacks 3 Champions League 15 Milani exhibition 16 India considering new bank to Iran to respond to U.S. exit facilitate trade with Iran TEHRAN — Indian Ambassador to Teh- his country’s determination for expanding ran Gaddam Dharmendra said India is trade ties with Iran, saying, “Considering considering a new bank besides UCO the problems regarding the banking rela- bank for undertaking trade with Iran, tions, commodity exchange could be a good IRIB reported. The ambassador made solution for boosting the bilateral trade.” from JCPOA on Wednesday the remarks in a meeting with the Head The official mentioned the two coun- of Iran Chamber of Commerce, Indus- tries’ current $14 billion trade turnover tries, Mines and Agriculture (ICCIMA) and noted that adding new commodity Gholam-Hossein Shafei on Sunday. groups to the basket of trade could further See page 2 In the meeting, Dharmendra expressed boost the figure up. 4 Iranian, Chinese universities plan to open joint innovation tech offices TEHRAN — The University of Tehran’s People’s Political Consultative Con- science and technology park and China’s ference, held a meeting with the Uni- Yunnan University plan to establish joint versity of Tehran chancellor Mahmoud offices at the universities in the near future, Nili on Monday. -
The Shahnama;
MMMMMMMM = CNI ICO =cr> co I o - ' T t x TRUBNER'S ORIENTAL SERIES. THE SHAHNAMA OF FIRDAUSf DONE INTO ENGLISH BY ARTHUR GEORGE WARNER, M.A. AND EDMOND WARNER, B.A. " The homes that are the dwellings of to-day Will sink rnenth shower and sunshine to decay, But storm, and rain shall never inar what I " Have luilt the palace of iny poetry. FlRDAUSl VOL. Ill LONDON KEGAN PAUL, TRENCH, TRUBNER & CO. L DHYUEN HOUSE, GERRARD STREET, W. 1908 The rights of translation and of reproduction are reserved 3 Printed by BALLANTYNK, HANSON fir Co. At the Ballantyne Press, Edinburgh CONTENTS PAGE ABBREVIATIONS 3 NOTE ON PRONUNCIATION 4 THE KAIANIAN DYNASTY (continued) KAI KHUSRAU PART I. How KAI KHUSRAU, TO AVENGE SIY^WUSH, SENT A HOST AGAINST TlJRAN SECT. 1. The Prelude 15 2. How the Nobles did Homage to Kai Khusrau . 17 3. How Kai Khusrau made a Progress through his Realm 19 4. How Kai Khusrau sware to Kai Kaus to take Venge- ance on Afrasiyab 20 5. How Kai Khusrau numbered the Paladins . 24 6. How Kai Khusrau bestowed Treasures upon the Paladins 26 7. How Kai Khusrau sent Bustam to the Land of Hind 30 8. How Kai Khusrau reviewed *he Host . .31 THE STORY OF FARDD THE SON OF SIYAWUSH 9. The Prelude 37 10. How Tiis went to Turkistan 38 1 1 . How Farud heard of the Coming of Tus . -41 12. How Farud and Tukhdr went to view the Host . 44 13. How Bahrani came to Farud upon the Mountain . 47 14.