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Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and Dr.Masoodsepahvandi Abstract
Date:12/1/18 A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and dr.Masoodsepahvandi Abstract Ferdowsi's Shahnameh and Homer's Iliad are among the first literary masterpieces of Iran and Greece. These teachings include the educational teachings of Zal and Roudabeh, and Paris and Helen. This paper presents a comparative look at the immortal effect of this Iranian poet with Homer's poem-- the Greek blind poet. In this comparison, using a content analysis method, the effects of the educational teachings of these two stories are extracted and expressed, The results of this study show that the human and universal educational teachings of Shahnameh are far more than that of Homer's Iliad. Keywords: teachings, education,analysis,Shahname,Iliad. Introduction The literature of every nation is a mirror of the entirety of thought, culture and customs of that nation, which can be expressed in elegance and artistic delicacy in many different ways. Shahnameh and Iliad both represent the literature of the two peoples of Iran and Greece, which contain moral values for the happiness of the individual and society. "The most obvious points of Shahnameh are its advice and many examples and moral commands. To do this, Ferdowsi has taken every opportunity and has made every event an excuse. Even kings and warriors are used for this purpose. "Comparative literature is also an important foundation for the exodus of indigenous literature from isolation, and it will be a part of the entire literary heritage of the world, exposed to thoughts and ideas, and is also capable of helping to identify contemplation legacies in the understanding and friendship of the various nations."(Ghanimi, 44: 1994) Epic literature includes poems that have a spiritual aspect, not an individual one. -
Iconological Study of “Rustam in Struggle with Div-E Sepid” in Tilework of Karim Khan-E Zand Citadel Portal in Shiraz Based on Erwin Panofsky Method Ali Asadpour*1
Bagh-e Nazar, 17(86), 33-46 /Aug. 2020 DOI: 10.22034/bagh.2019.185313.4105 Persian translation of this paper entitled: مطالعۀ شمایل شناسانۀ نبرد »رستم و دیو سپید« در کاشی نگارۀ سردر ارگ کریمخان شیراز به روش »اروین پانوفسکی« is also published in this issue of journal. Iconological Study of “Rustam in Struggle with Div-e Sepid” in Tilework of Karim Khan-e Zand Citadel Portal in Shiraz Based on Erwin Panofsky Method Ali Asadpour*1 1. Assistant Professor, Interior Architecture Department, Shiraz University of Arts, Shiraz, Iran. Received: 11/05/2019 ; revised: 14/10/2019 ; accepted: 19/10/2019 ; available online: 22/07/2020 Abstract Problem Statement: The “Rustam and Div-e Sepid (White Demon)” tilework painting on the Karim Khan citadel (Arg) is one of the Qajarian’s interventions into this Zandian’s building. In addition to its artistic features, this work has a special social and governmental significance. However, it has received less attention from researchers. A new interpretation of it could provide a deeper understanding of the developments of the Zandian’s complex at Qajar era. The research is based on the hypotheses that this tilework in spite of its artistic role -in keeping with the Iranian tradition of illustrating the struggle of Rustam and Div-e Sepid in the art- also has non-artistic (political and governmental) functions. Research objective: The aim of the research is to recognize the content and conceptual aspects of this neglected tilework in its historical and social context and to identify its political and governmental functions in the Karim Khan citadel (Arg). -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
ANNUAL REPORT for Fiscal Year 2018
ANNUAL REPORT for Fiscal Year 2018 MIRAMAR RANCH NORTH MAINTENANCE ASSESSMENT DISTRICT under the provisions of the San Diego Maintenance Assessment District Procedural Ordinance of the San Diego Municipal Code Prepared For City of San Diego, California Prepared By EFS Engineering, Inc. P.O. Box 22370 San Diego, CA 92192-2370 (858) 752-3490 June 2017 CITY OF SAN DIEGO Mayor Kevin Faulconer City Council Members Barbara Bry Mark Kersey District 1 District 5 (Council President Pro Tem) Lorie Zapf Chris Cate District 2 District 6 Chris Ward Scott Sherman District 3 District 7 Myrtle Cole David Alvarez District 4 (Council President) District 8 Georgette Gómez District 9 City Attorney Mara W. Elliott Chief Operating Officer Scott Chadwick City Clerk Elizabeth Maland Independent Budget Analyst Andrea Tevlin City Engineer James Nagelvoort Table of Contents Annual Report for Fiscal Year 2018 Miramar Ranch North Maintenance Assessment District Preamble........................................................................1 Executive Summary ......................................................2 Background ...................................................................3 District Boundary ..........................................................3 Project Description........................................................3 Separation of General and Special Benefits..................4 Cost Estimate.................................................................4 Annual Cost-Indexing .............................................5 Method of Apportionment.............................................5 -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Iran (Persia) and Aryans Part - 1
INDIA (BHARAT) - IRAN (PERSIA) AND ARYANS PART - 1 Dr. Gaurav A. Vyas This book contains the rich History of India (Bharat) and Iran (Persia) Empire. There was a time when India and Iran was one land. This book is written by collecting information from various sources available on the internet. ROOTSHUNT 15, Mangalyam Society, Near Ocean Park, Nehrunagar, Ahmedabad – 380 015, Gujarat, BHARAT. M : 0091 – 98792 58523 / Web : www.rootshunt.com / E-mail : [email protected] Contents at a glance : PART - 1 1. Who were Aryans ............................................................................................................................ 1 2. Prehistory of Aryans ..................................................................................................................... 2 3. Aryans - 1 ............................................................................................................................................ 10 4. Aryans - 2 …............................………………….......................................................................................... 23 5. History of the Ancient Aryans: Outlined in Zoroastrian scriptures …….............. 28 6. Pre-Zoroastrian Aryan Religions ........................................................................................... 33 7. Evolution of Aryan worship ....................................................................................................... 45 8. Aryan homeland and neighboring lands in Avesta …...................……………........…....... 53 9. Western -
The Symbolism of Bahram Gor‟S Dragon-Slaying in Haft Peykar and the Story‟S Reflection in Kamāl Ud-Dīn Behzād‟S Paintings
THE SYMBOLISM OF BAHRAM GOR’S DRAGON-SLAYING IN HAFT PEYKAR AND THE STORY’S REFLECTION IN KAMĀL UD-DĪN BEHZĀD’S PAINTINGS PJAEE, 17 (5) (2020) THE SYMBOLISM OF BAHRAM GOR‟S DRAGON-SLAYING IN HAFT PEYKAR AND THE STORY‟S REFLECTION IN KAMĀL UD-DĪN BEHZĀD‟S PAINTINGS Atefeh Garoossi1*, Mina Sadri2 1*Master Student of Persian Painting, Visual Arts Faculty, Tehran University, Tehran, Iran. 2Assistant Professor, Painting & Sculpture Department, Visual Arts Faculty, Tehran, University, Tehran Iran. Corresponding Author: 1*[email protected] Atefeh Garoossi, Mina Sadri. The Symbolism of Bahram Gor’s Dragon-slaying in Haft Peykar and the Story’s Reflection in Kamāl Ud-dīn Behzād’s Paintings-- Palarch’s Journal of Archaeology of Egypt/Egyptology 17(5), 1414-1424. ISSN 1567- 214x Keywords: Bahram Gor, Dragon Slaying, Symbol, Painting, Haft Peykar. Abstract Haft Peykar is One of Nezami Ganjavi‟s most prominent works. It is a symbolic one and each of its stories and scenes can be interpreted and deciphered in different ways. One of the most important stories among them is Bahram Gor‟s dragon-slaying, which has a considerable presence in Iranian visual arts, including painting. The present research aims to study and decipher the symbols used in this mysterious story, as we believe there are still ambiguous points that can be clarified through more accurate studies. To find them, the following questions have been raised: What are the secrets and mysteries behind the story of Bahram Gor‟s dragon-slaying? What are the characteristics of the reflection of Bahram Gor's dragon- slaying story in Iranian painting? The illustration of Bahram Gor's dragon-slaying story is consistent with the poetry images in Haft Peykar, but it seems that the symbols and mysteries that lie in the hidden layers of this story are not found in the paintings drawn according to this story. -
10.7596.Taksad.V6.I1.707 the Tragedy in the Story of Rostam and Sohrab
Journal of History Culture and Art Research (ISSN: 2147-0626) Special Issue Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 6, No. 1, February 2017 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr ﻣﺠﻠﺔ ﺍﻟﺒﺤﻮﺙ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﻟﻔﻨﻴﺔ DOI: 10.7596.taksad.v6.i1.707 Citation: Ebrahimi, M., & Taheri, A. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh. Journal of History Culture and Art Research, 6(1), 96-105. doi:http://dx.doi.org/10.7596/taksad.v6i1.707 The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh Mokhtar Ebrahimi1, Abdollah Taheri2 Abstract Tragedy is a stunning example of confrontation between man and nature along with sadness and consequently fate and life. In tragedy, usually one person (hero) is in the center of the story and all of the stories come together to make the inevitable fate happen for that hero. This inevitable fate is usually along with death or a tragic end which occurs for the hero. The purpose of poet in tragedy is illustration of an advice for readers after death of the hero. In this article, we have tried to review various aspects of tragic story of Rostam and Sohrab and the way the Master of Tous makes his audience and fans aware of passage of time and the eternal destiny using analytical descriptive method. Undoubtedly, what the ancient Greeks, especially Aristotle have proposed as a definition for tragedy as, is in some cases different from Ferdowsi's view but there is a close consistency between the nature of tragedy and the base of tragedy of Rostam and Sohrab and definition of tragedy. -
Jewelry Design Based on the Female Characters in Shahnameh Ferdowsi*
37 quarterly, No. 30| Winter 2021 DOI: 10.22034/jaco.2020.230654.1161 Persian translation of this paper entitled: طراحی جواهر براساس شخصیت های زن در شاهنامه فردوسی is also published in this issue of journal. Original Research Article Jewelry Design Based on the Female Characters in Shahnameh Ferdowsi* Sedigheh Beyraminia1, Alireza Ajdari**2, Raika Khorshidian3 1. M. A. of Islamic Art, Tabriz University of Islamic Art, Iran. 2. Assistant Professor, Department of Industrial Design, College of Fine Arts, University of Tehran, Iran. 3. Ph.D. in Art Research, Faculty of Art and Architecture, Tarbiat Modares University, Tehran, Iran. Received; 26/05/2020 accepted; 16/09/2020 available online; 01/01/2021 Abstract Because of the entry of foreign patterns to the jewelry market, the need to produce artworks with a cultural burden and an emphasis on the identity of Iranian women is felt more than ever. Choosing Shahnameh composed by Ferdowsi can be a good source of inspiration. This study focuses on Rudaba, one of the women of Shahnameh, who has the most descriptions in this book. This study was shaped based on the two main question1)how mythical character of Rudaba can be applied for designing jewelry, and how can storytelling approach be used for designing jewelry. Therefore, This study aimed to design jewelry for contemporary Iranian women based on an Iranian mythical woman (Rudaba) to introduce this archetype. In the storytelling approach, the focus is not on the function of a product but on its message. This study comprised two phases: In the first phase, mythology research was carried out and the story related to the selected character was narrated. -
Leopard and Its Mythological-Epic Motifs in Shahnameh and Four Other Epic Works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh)
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e891 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 RESEARCH ARTICLES Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Leopardo y sus motivos mitológicos-épicos en Shahnameh y otras cuatro obras épicas (Garshasbnameh, Kushnameh, Bahmannameh y Borzunameh) Nasrin Sharifizad PhD student in Persian Language and Literature (pure), Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0001-7171-7103 Mohammad Shah Badi’zadeh Assistant Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-1555-3877 Reza Ashrafzadeh Professor, Department of Persian Language and Literature, Mashhad Branch, Islamic Azad University, Mashhad, Iran ORCID: https://orcid.org/0000-0002-5392-9273 Received 02-08-20 Revised 04-10-20 Accepted 01-11-21 On line 01-18-21 *Correspondence Cite as: Email: [email protected] Sharifizad, N., Badizadeh, M., & Ashrafzadeh, R. (2021). Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh). Propósitos y Representaciones, 9 (SPE1), e891. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.891 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Leopard and its mythological-epic motifs in Shahnameh and four other epic works (Garshasbnameh, Kushnameh, Bahmannameh and Borzunameh) Summary In Shahnameh and other epic poems where the reflection of myths is the life of primitive and ancient Iranian communities, animals and other creatures are of great importance and go beyond their normal features and position. -
Persian Manuscripts
: SUPPLEMENT TO THE CATALOGUE OF THE PERSIAN MANUSCRIPTS IN THE BRITISH MUSEUM BY CHARLES RIEU, Ph.D. PRINTED BY ORDER OF THE TRUSTEES Sontion SOLD AT THE BRITISH MUSEUM; AND BY Messrs. LONGMANS & CO., 39, Paternoster Row; R QUARITCH, 15, Piccadilly, W.j A. ASHEE & CO., 13, Bedford .Street, Covent Garden ; KEGAN PAUL, TRENCH, TRUBNER & CO., Paternoster House, Charing Cross Eoad ; and HENEY FROWDE, Oxford University Press, Amen Corner. 1895. : LONDON printed by gilbert and rivington, limited , st. John's house, clerkenwell, e.g. TUP r-FTTY CFNTEf ; PEE FACE. The present Supplement deals with four hundred and twenty-five Manuscripts acquired by the Museum during the last twelve years, namely from 1883, the year in which the third and last volume of the Persian Catalogue was published, to the last quarter of the present year. For more than a half of these accessions, namely, two hundred and forty volumes, the Museum is indebted to the agency of Mr. Sidney J. A. Churchill, late Persian Secretary to Her Majesty's Legation at Teheran, who during eleven years, from 1884 to 1894, applied himself with unflagging zeal to the self-imposed duty of enriching the National Library with rare Oriental MSS. and with the almost equally rare productions of the printing press of Persia. By his intimate acquaintance with the language and literature of that country, with the character of its inhabitants, and with some of its statesmen and scholars, Mr. Churchill was eminently qualified for that task, and he availed himself with brilliant success of his exceptional opportunities. His first contribution was a fine illuminated copy of the Zafar Namah, or rhymed chronicle, of Hamdullah Mustaufi (no.