A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and Dr.Masoodsepahvandi Abstract
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A Monthly Letter August 15 1936
2)*<¿<yt*d' Mi' cS)a¿u¿Ua£ &%¿éaSopÁ¿ea¿ &xaéébnt4' — ¿ r 9?l«K¿r 9 . August IS, 1936. ZOROASTER Dear Friend:- Zarathustrism, or Zoroastrianism as it is more be properly ordered because the Zend language is commonly called, was the ancient faith of the utterly extinct and the old records have found no Irano-Aryan peoples who at some remote period perpetuators in the modern world. migrated from India and civilized Persia, Media Greeks writers derive the term Zoroaster from a and other parts of ancient Chaldea. According to combination of syllables so that the word can have the earliest tradition the Magian Rites of the Per one of several meanings. First, a worshipper of the sians were established by the fire-prophet Zarathus stars. Second, the image of secret things. Third, a tra, but no reliable information is available as to the fashioner of images from hidden fire. Or most exact time of his life and ministry. He is variously probably, fourth, the son of the stars. placed from the first to the tenth millenium before The oldest of the Iranian books, called the Sesatir, Christ. This uncertainty results in part at least contains a collection of teachings and revelations from the destruction of the libraries of the Magian from fourteen of the ancient prophets of Iran, and philosophers by the armies of Alexander the Great. in this list Zoroaster stands thirteenth. It is not Zarathustra, in Greek Zoroaster, is a generic improbable that at some~prehistoric time a great name bestowed upon several initiated and divinely sage, an initiate of the original Mysteries of the illumined law-givers and religious reformers among Aryan Hindus, established the line of priest-prophets the Chaldeans. -
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected]
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected] Introduction Studying the roots of a particular literary history enables us to better understand the allusions the literature transmits and why we appreciate them. It also allows us to foresee how the literature may progress.1 I will try to keep this attitude in the reader’s mind in offering this brief summary of medieval Persian literature, a formidable task considering the variety and wealth of the texts and documentation on the subject.2 In this study we will pay special attention to the development of the Persian literature over the last millennia, focusing in particular on the initial development and background of various literary genres in Persian. Although the concept of literary genres is rather subjective and unstable,3 reviewing them is nonetheless a useful approach for a synopsis, facilitating greater understanding, deeper argumentation, and further speculation than would a simple listing of dates, titles, and basic biographical facts of the giants of Persian literature. Also key to literary examination is diachronicity, or the outlining of literary development through successive generations and periods. Thriving Persian literature, undoubtedly shaped by historic events, lends itself to this approach: one can observe vast differences between the Persian literature of the tenth century and that of the eleventh or the twelfth, and so on.4 The fourteenth century stands as a bridge between the previous and the later periods, the Mongol and Timurid, followed by the Ṣafavids in Persia and the Mughals in India. Given the importance of local courts and their support of poets and writers, it is quite understandable that literature would be significantly influenced by schools of thought in different provinces of the Persian world.5 In this essay, I use the word literature to refer to the written word adeptly and artistically created. -
1 EBRU TURAN Fordham University-Rose Hill 441 E
Turan EBRU TURAN Fordham University-Rose Hill 441 E. Fordham Road, Dealy 620 Bronx NY, 10458 [email protected] (718-817-4528) EDUCATION University of Chicago, Ph.D., Near Eastern Languages and Civilizations, March 2007 Bogazici University, B.A., Business Administration, 1997 Bogazici University, B.A., Economics, 1997 EMPLOYMENT Fordham University, History Department, Assistant Professor, Fall 2006-Present Courses Thought: Introduction to Middle East History, History of the Ottoman Empire (1300-1923), Religion and Politics in Islamic History University of Chicago, Near Eastern Languages and Civilizations, Graduate Lecturer, 2003-2005 Courses Thought: Ottoman Turkish I, II, III; History of the Ottoman Empire (1300-1700); Islamic Political Thought (700-1550) GRANTS AND FELLOWSHIPS Visiting Research Fellow, Institute for Historical Studies, University of Texas-Austin, 2008-2009 Grant to attend the Folger Institute's Faculty Weekend Seminar,"Constantinople/Istanbul: Destination, Way-Station, City of Renegades," September 2007 Dissertation Write-Up Grant, Division of Humanities, Franke Institute for the Humanities, University of Chicago, 2005-2006 Grant to participate in Mellon Summer Institute in Italian Paleography Program, Newberry Library, Summer 2005 Turkish Studies Grant, University of Chicago, Summer 2004 Overseas Dissertation Research Fellowship, Division of Humanities, University of Chicago, 2003 American Research Institute in Turkey Dissertation Grant, 2002-2003 Turkish Studies Grant, University of Chicago, Summer 2002 Doctoral Fellow in Sawyer Seminar on Islam 1300-1600, Franke Institute for Humanities, University of Chicago, 2001-2002 Tuition and Stipend, Division of Humanities, University of Chicago, 1997-2001 PUBLICATIONS Articles: “Voice of Opposition in the Reign of Sultan Suleyman: The Case of Ibrahim Pasha (1523-1536),” in Studies on Istanbul and Beyond: The Freely Papers, Volume I, ed. -
Survey on the Meaning of Love from Nur Ad-Din Abd Ar Rahman Jami View Point
J. Basic. Appl. Sci. Res., 3(2)1156-1161, 2013 ISSN 2090-4304 Journal of Basic and Applied © 2013, TextRoad Publication Scientific Research www.textroad.com Survey on the Meaning of Love from Nur ad-Din Abd Ar Rahman Jami View Point Parvaneh Adelzadeh, Masoumeh Khalilnoe Aliabad Department of Persian Language and Literature, Tabriz Branch, Islamic Azad University, Tabriz, Iran ABSTRACT Love is a principle issue of mysticism that causes to humors and quest for perfection of the creatures. Abd Ar Rahman Jami expresses this quest from virtual love toward real love in “Layla and Majnun” eloquently in literature history. Scholars and poets point to words like love, beloved, lover, request, and requestor in their speech. Jami uses these words in his poems explicitly and repeats them as allegorical stories implicitly. This article tries to investigate the meaning of love from Nur ad-Din Abd Ar Rahman Jami view point. KEYWORDS: Abd Ar Rahman Jami, love in Persian literature, Layla and Majnun. INTRODUCTION “Nur ad din Abd Ar-Rahman Nizamad din Ahmad Ben Mohammad Jami is one of the Persian poets of fifteen century. He wrote his triplet divans in 1517 in three periods of his life and he called them “Fatihat al- Shabab”, (the beginning of youth), “Wasitat al-'ikd” (the central pearl in the necklace), and “Khatimat al- hayat” (the conclusion of life). Certainly, he considered Amir Khosro Dehlavi as a great poet of fifteen century in this work and he divided his divans into three periods. Triplet divans of Jami involves sonnets, elegy and quatrain (review and sentiments of Jami works: 1999:90) .Haft Awrang (seven thrones) is his major poetical work. -
Zarathushtra
366 THE OPEN COURT. in the restoration of a single roadway in Pekin, he would have earned for himself the respect and gratitude of all. His mistakes, however, were due to his past edu- cation. Nevertheless, his influence over the literati in China and elsewhere could not be disputed, and for such practical measures as above indicated we must look to some other Peter the Great or perhaps Napoleon. ZARATHUSHTRA. Professor A. V Williams Jackson, the Zend-Avesta Scholar of Columbia Uni- ity, New York, published in the January number of the Cosmopolitan an in- teresting illustrated article on Zarathushtra or Zoroaster, the prophet of Iran, born about 660 B. C. The canonical gospels tells us of the three Magi who came from the East to worship Christ and an apocryphal gospel adds the statement that they MISCELLANEOUS. 367 Takht-i Bostan Sculpture. The figure supposed to be Zarathushtra is the third figure in the row. It stands on a plant-like pedestal and the head is surrounded by a halo of rays, 368 THE OPEN COURT. came in compliance with a prophecy of Zoroaster. We quote the following passage which is a condensed statement of Zoroaster's life : "Tradition says that Zoroaster retired from the world when he came of age and that he lived for some years upon a remote mountain in the silence of the forest Idealised Portrait from a Sculpture Supposed to Represent ZarathushTra. (From Karaka's History of the Parsees.) or taking shelter in a lonely cave. It was the solemn stillness of such surroundings that lifted him into direct communion with God. -
The La Trobe Journal No. 91 June 2013 Endnotes Notes On
Endnotes NB: ‘Scollay’ refers to Susan Scollay, ed., Love and Devotion: from Persia and beyond, Melbourne: Macmillan Art Publishing in association with the State Library of Victoria and the Bodleian Library, 2012; reprinted with new covers, Oxford: The Bodleian Library, 2012. Melville, The ‘Arts of the Book’ and the Diffusion of Persian Culture 1 This article is a revised version of the text of the ‘Keynote’ lecture delivered in Melbourne on 12 April 2012 to mark the opening of the conference Love and Devotion: Persian cultural crossroads. It is obviously not possible to reproduce the high level of illustrations that accompanied the lecture; instead I have supplied references to where most of them can be seen. I would like to take this opportunity to thank all those at the State Library of Victoria who worked so hard to make the conference such a success, and for their warmth and hospitality that made our visit to Melbourne an unrivalled pleasure. A particular thanks to Shane Carmody, Robert Heather and Anna Welch. 2 The exhibition Love and Devotion: from Persia and beyond was held in Melbourne from 9 March to 1 July 2012 with a second showing in Oxford from 29 November 2012 to 28 April 2013. It was on display at Oxford at the time of writing. 3 Scollay. 4 For a recent survey of the issues at stake, see Abbas Amanat and Farzin Vejdani, eds., Iran Facing Others: identity boundaries in a historical perspective, New York: Palgrave Macmillan, 2012; the series of lectures on the Idea of Iran, supported by the Soudavar Memorial Foundation, has now spawned five volumes, edited by Vesta Sarkhosh Curtis and Sarah Stewart, vols. -
Jami and Nava'i/Fani's Rewritings of Hafez's Opening Ghazal
Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant To cite this version: Marc Toutant. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal. Charles Melville. The Timurid Century, 9, I.B. Tauris, 2020, The Idea of Iran, 9781838606886. hal-02906016 HAL Id: hal-02906016 https://hal.archives-ouvertes.fr/hal-02906016 Submitted on 23 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Imitational Poetry as Pious Hermeneutics? Jami and Nava’i/Fani’s Rewritings of Hafez’s Opening Ghazal Marc Toutant (CNRS Paris) He was the unique of the age (nadera-ye zaman) and a prodigy of the world (o‘juba-ye jahan). These are the first words with which Dowlatshah Samarqandi begins the notice he devotes to Hafez in his Tazkerat al-sho‘ara in 1486. Then he adds: ‘His excellence (fazilat) and his perfection (kamal) are endless and the art of poetry is unworthy of his rank. He is incomparable in the science of Qur’an and he is illustrious in the sciences of the exoteric (zaher) and the esoteric (baten).’1 Although Hafez died in 1389, his poetry was widely celebrated one century later, as shown by Dowlatshah’s eulogy. -
Persian 2704 SP15.Pdf
Attention! This is a representative syllabus. The syllabus for the course you are enrolled in will likely be different. Please refer to your instructor’s syllabus for more information on specific requirements for a given semester. THE OHIO STATE UNIVERSITY Persian 2704 Introduction to Persian Epic Instructor: Office Hours: Office: Email: No laptops, phones, or other mobile devices may be used in class. This course is about the Persian Book of Kings, Shahnameh, of the Persian poet Abulqasim Firdawsi. The Persian Book of Kings combines mythical themes and historical narratives of Iran into a mytho-historical narrative, which has served as a source of national and imperial consciousness over centuries. At the same time, it is considered one of the finest specimen of Classical Persian literature and one of the world's great epic tragedies. It has had an immense presence in the historical memory and political culture of various societies from Medieval to Modern, in Iran, India, Central Asia, and the Ottoman Empire. Yet a third aspect of this monumental piece of world literature is its presence in popular story telling tradition and mixing with folk tales. As such, a millennium after its composition, it remains fresh and rife in cultural circles. We will pursue all of those lines in this course, as a comprehensive introduction to the text and tradition. Specifically, we will discuss the following in detail: • The creation of Shahname in its historical context • The myth and the imperial image in the Shahname • Shahname as a cornerstone of “Iranian” identity. COURSE MATERIAL: • Shahname is available in English translation. -
Jalal Al-Din Rumi's Poetic Presence and Past
“He Has Come, Visible and Hidden” Jalal al-Din Rumi’s Poetic Presence and Past Matthew B. Lynch The University of the South, USA Jalal al-Din Rumi (Jalal¯ al-Dın¯ Muh.ammad Rum¯ ı)¯ is best known as a mystic poet and promulgator of the Suftradition of Islam. During his lifetime, Jalal al-Din Rumi was a teacher in Islamic religious sciences, a prolifc author, and the fgurehead of a religious community that would come to be known as the Mevlevi Suforder. His followers called him “Khodavandgar” (an honorifc meaning “Lord”) or “Hazrat-e Mawlana” (meaning the “Majesty of Our Master,” often shortened to “Mawlana,” in Turkish rendered as “Mevlana”) (Saf 1999, 55–58). As with his appellations, the legacy and import of Rumi and his poetry have been understood in a variety of forms. Jalal al-Din Rumi’s renown places him amongst the pantheon of great Persian-language poets of the classical Islamicate literary tradition that includes Hafez (see Hafez of Shi- raz, Constantinople, and Weltliteratur), Sadi, Attar, Nezami (see Nizami’s Resonances in Persianate Literary Cultures and Beyond), and Ferdowsi (see The Shahnameh of Ferdowsi). While all of these poets produced large bodies of literature, Rumi’s writing differs some- what in the circumstances of its production. His poetry was composed in front of, and for the sake of, a community of murids (murıds¯ ), or pupils, who relied on Rumi for his mystical teachings related to the articulation of Islam through the lens of love of the divine. At times, he delivered his ghazal (see The Shahnameh of Ferdowsi) poetry in fts of ecstatic rapture. -
Iran's Traditional Foods
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO Iran’s Traditional Foods: A Heritage Worth Renewing By Soroush Niknamian ention Persia (modern-day Iran) in everyday con- versation, and you will likely evoke immediate Mimages of Persia’s rich cultural heritage—ornate woven carpets or the elegant poetry of Rumi, for example. However, Iran also deserves to be known and celebrated for its rich and varied traditional cuisine. In the past, traditionally prepared items that featured raw milk and bone broth were commonplace in the animal-fat-rich Iranian diet. These included Lighvan, a semihard cheese made from raw sheep’s milk (or a combination of raw sheep’s and goat’s milk), and Ab-goosht, a peas- ant stew that translates literally as “meat water” because it relies on the core ingredients of lamb shanks and neck bones to create a broth abundant in minerals, gelatin and collagen. Nowadays, unfortunately, the Iranian diet is much more likely to highlight cheap (in the short term) food industry standards such as vegetable oils, margarine, soy and sodas. Iran also has succumbed to Western fears about animal fats. As a result of this ongoing “nutrition transition,” diet-related chronic diseases are on the rise and are a leading cause of mortality.1 36 Wise Traditions WINTER 2016 From the 800s AD onward, Persia was inter- pomegranates, quince, apricots, prunes and Avicenna nationally admired for its scientific and cultural dates; and distinctive herbs, spices and flavoring leadership. The influential eleventh-century agents such as mint, parsley, saffron, cinnamon observed Persian philosopher and scientist Avicenna and rosewater. -
Rostam As a Pre-Historic Iranian Hero Or the Shi'itic Missionary?
When Literature and Religion Intertwine: Rostam as a Pre-Historic Iranian Hero or the Shi’itic Missionary? Farzad Ghaemi Department of Persian Language and Literature, Faculty of Letters and Humanities, Ferdowsi University of Mashhad, Azadi Square, Mashhad, Khorasan Province 9177948883, Iran Email: [email protected] Azra Ghandeharion* (Corresponding Author) Department of English Studies, Faculty of Letters and Humanities, Ferdowsi University of Mashhad, Azadi Square, Mashhad, Khorasan Province 9177948883, Iran Email: [email protected] Abstract This article aims to show how Rostam, the legendary hero of Iranian mythology, have witnessed ideological alterations in the formation of Persian epic, Shahnameh. Among different oral and written Shahnamehs, this paper focuses on Asadi Shahnameh written during the 14th or 15th century. Though he is a pre- Islamic hero, Rostam and his tasks are changed to fit the ideological purposes of the poet’s time and place. A century later, under the influence of the state religion of Safavid Dynasty (1501–1736), Iranian pre-Islamic values underwent the process of Shi’itization. Scarcity of literature regarding the interpretation of Asadi Shahnameh and the unique position of this text in the realm of Persian epic are the reasons for our choice of scrutiny. In Asadi Shahnameh Rostam is both a national hero and a Shi’ite missionary. By meticulous textual and historical analysis, this article shows how Asadi unites seemingly rival subjects like Islam with Zoroastrianism, philosophy with religion, and heroism with mysticism. It is concluded that Asadi’s Rostam is the Shi’ite-Mystic version of Iranians’ popular hero who helps the cause of Shi’itic messianism and performs missionary tasks in both philosophic and practical levels.