ANNUAL REPORT for Fiscal Year 2018
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10.7596.Taksad.V6.I1.707 the Tragedy in the Story of Rostam and Sohrab
Journal of History Culture and Art Research (ISSN: 2147-0626) Special Issue Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 6, No. 1, February 2017 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr ﻣﺠﻠﺔ ﺍﻟﺒﺤﻮﺙ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﻟﻔﻨﻴﺔ DOI: 10.7596.taksad.v6.i1.707 Citation: Ebrahimi, M., & Taheri, A. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh. Journal of History Culture and Art Research, 6(1), 96-105. doi:http://dx.doi.org/10.7596/taksad.v6i1.707 The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh Mokhtar Ebrahimi1, Abdollah Taheri2 Abstract Tragedy is a stunning example of confrontation between man and nature along with sadness and consequently fate and life. In tragedy, usually one person (hero) is in the center of the story and all of the stories come together to make the inevitable fate happen for that hero. This inevitable fate is usually along with death or a tragic end which occurs for the hero. The purpose of poet in tragedy is illustration of an advice for readers after death of the hero. In this article, we have tried to review various aspects of tragic story of Rostam and Sohrab and the way the Master of Tous makes his audience and fans aware of passage of time and the eternal destiny using analytical descriptive method. Undoubtedly, what the ancient Greeks, especially Aristotle have proposed as a definition for tragedy as, is in some cases different from Ferdowsi's view but there is a close consistency between the nature of tragedy and the base of tragedy of Rostam and Sohrab and definition of tragedy. -
Tur Family in Shahname
International Letters of Social and Humanistic Sciences Online: 2013-09-26 ISSN: 2300-2697, Vol. 9, pp 31-38 doi:10.18052/www.scipress.com/ILSHS.9.31 CC BY 4.0. Published by SciPress Ltd, Switzerland, 2013 Tur Family in Shahname Susan Fotoohi Faculty Member, Farhangyan University, Bent al-Hoda Sadr Pardis, Sanandaj, Iran E-mail address: [email protected] ABSTRACT In Shahname, Turanian has been regard as the opposite side of Iranians (Iraj’s Family). Ferdowsi has been devoted the main part of his masterpiece, Shahname, in to the dispute between these two family. In this paper, Tur story, their family and the causes of their dispute are take into consideration then, in a comprehensible manner, Tur family members, the meaning of their names, psychological characteristics wars and their genealogy are studied. Keywords: Iran; Turan; Iranians; Ferdowsi; shahname 1. INTRODUCTION One of the most strengthened and glorious literary works remaining from human culture is Abulghasim Ferdosi’s Shahname. Shahname not only is an epic work dealing with the kings adventures, but also is considered as a marvelous world with various good and bad manifestations of human deeds during their life. One can adjust this masterpiece and its event with the realities of his her life. Actually Ferdowsi, as a skillful psychologist, has the complete familiarity with human pain and mental obsession. So, in their definition and explanation he has enjoyed from allegory and created the war and dispute stories between Iran and Turan sides. He considers Iran and Turan as good and bad symbol, relatively. In explaining Turan side, he has considered indecent characteristics of human and their painful exclusion. -
Vohu Manah-Persian.Pdf
َبه َمن Barman (Bahman) - In Persian cosmology, Barman was a great angel who looked after all the animals on earth, except for mankind. He was also the chief of the thirty angles who looked after each day of the month. http://www.angelicreflections.com/angel-Dictionary-B.asp Bahman PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sat, 30 Aug 2014 22:22:57 UTC Contents Articles Bahman Jadhuyih 1 Kay Bahman 2 Bahman 5 Bahman Ghobadi 6 Bahman Kiarostami 9 Amesha Spenta 10 Theophoric name 14 References Article Sources and Contributors 20 Image Sources, Licenses and Contributors 21 Article Licenses License 22 Bahman Jadhuyih 1 Bahman Jadhuyih Bahman Jadhuyih Died 636 Al-Qadisiyyah, Iraq Allegiance Sasanian Empire Service/branch Sasanian army Battles/wars Muslim conquest of Persia ﺑﻬﻤﻦ :or Bahman Jādhawayh (Arabic ,(ﺑﻬﻤﻦ ﺟﺎﺩﻭﯾﻪ :Bahman Jādhūyah/Jādūyah (also Jādhōē/Jādōē; New Persian [in Middle Persian: Vahūman Ĵādaggōw) was a Sasanian general. He had a reputation for being anti-Arab.[1) (ﺟﺎﺫﻭﻳﻪ He led the Sasanians to victory against the Arabs at the Battle of the Bridge. The Arab forces referred to Bahman as owner of bushy eyebrows"). He is often confused with Mardanshah, another Sasanian" ,ﺫﻭ ﺍﻟﺤﺎﺟﺐ) ,Dhul Hājib general. Biography Nothing is known of his early life, but Bahman Jadhuyih is recorded as an old man by 634. Bahman may have been the son of the Sasanian commander Hormozd Jadhuyih. Bahman is first mentioned in 633, as one the spokesmen for the Sasanians and a member of the Parsig faction led by Piruz Khosrow.[2] In 633, the Sasanian monarch ordered an Sasanian commander named Andarzaghar who was in charge of protecting the borders of Khorasan to protect the western frontiers from the Arabs who were plundering Persia. -
Complete Dissertation
VU Research Portal Next Generation Diaspora: the formation of Iranian American-ness among second- generation migrant internet users in Los Angeles Alinejad, D. 2015 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Alinejad, D. (2015). Next Generation Diaspora: the formation of Iranian American-ness among second- generation migrant internet users in Los Angeles. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 03. Oct. 2021 VRIJE UNIVERSITEIT Next Generation Diaspora: the formation of Iranian American-ness among second-generation migrant internet users in Los Angeles ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad Doctor aan de Vrije Universiteit Amsterdam, op gezag van de rector magnificus prof.dr. F.A. van der Duyn Schouten, in het openbaar te verdedigen ten overstaan van de promotiecommissie van de Faculteit der Sociale Wetenschappen op maandag 16 februari 2015 om 13.45 uur in de aula van de universiteit, De Boelelaan 1105 door Donya Alinejad geboren te Teheran, Iran i promotoren: prof.dr. -
A K I N G S B O O K O F K I N G S the Houghton Shah-Nameh The
A KINGS BOOK OF KINGS The Houghton Shah-nameh The Metropolitan Museum of Art A,k A KING'S BOOK OF KINGS THE HOUGHTON SHAH-NAMEH SYNOPSES OF THE STORIES ILLUSTRATED IN THE EXHIBITION A KING'S BOOK OF KINGS May 4 - October 31, 1972 Compiled by Marie Lukens Swietochowski and Suzanne Boorsch The Metropolitan Museum of Art The Shah-nameh, Persia's Book of Kings, recounts the history of Iran's ancient empire from its legendary birth to its downfall in the middle of the seventh century at the hands of Arab armies. Around the year 975, at a time of renewed national consciousness, the poet Firdowsi of Tus began writing this great epic, a task lasting about thirty-five years. In time, it became the custom among various major and minor rulers of Iran to have their own Shah-nameh copied out and illus trated by the best artists their prestige could command. The Houghton Shah-nameh was commissioned for the second ruler of the Safavid Dynasty, Shah Tahmasp, early in a reign that began in 1524. It contains an unprecedented 258 miniature paintings, some as large as 11 x 14 inches, and represents a culmination of a long tradition in this art. Seventy-five miniatures from the manuscript were selected for this exhibition. The stories here are arranged in consecutive order as they appear in the Shah-nameh, with the folio number, recto or verso, indicated. The folio numbers are indicated above the miniatures in the exhibition, and the titles here correspond to those in the exhibition. -
The Shahnama;
MMMMMMMM = CNI ICO =cr> co I o - ' T t x TRUBNER'S ORIENTAL SERIES. THE SHAHNAMA OF FIRDAUSf DONE INTO ENGLISH BY ARTHUR GEORGE WARNER, M.A. AND EDMOND WARNER, B.A. " The homes that are the dwellings of to-day Will sink rnenth shower and sunshine to decay, But storm, and rain shall never inar what I " Have luilt the palace of iny poetry. FlRDAUSl VOL. Ill LONDON KEGAN PAUL, TRENCH, TRUBNER & CO. L DHYUEN HOUSE, GERRARD STREET, W. 1908 The rights of translation and of reproduction are reserved 3 Printed by BALLANTYNK, HANSON fir Co. At the Ballantyne Press, Edinburgh CONTENTS PAGE ABBREVIATIONS 3 NOTE ON PRONUNCIATION 4 THE KAIANIAN DYNASTY (continued) KAI KHUSRAU PART I. How KAI KHUSRAU, TO AVENGE SIY^WUSH, SENT A HOST AGAINST TlJRAN SECT. 1. The Prelude 15 2. How the Nobles did Homage to Kai Khusrau . 17 3. How Kai Khusrau made a Progress through his Realm 19 4. How Kai Khusrau sware to Kai Kaus to take Venge- ance on Afrasiyab 20 5. How Kai Khusrau numbered the Paladins . 24 6. How Kai Khusrau bestowed Treasures upon the Paladins 26 7. How Kai Khusrau sent Bustam to the Land of Hind 30 8. How Kai Khusrau reviewed *he Host . .31 THE STORY OF FARDD THE SON OF SIYAWUSH 9. The Prelude 37 10. How Tiis went to Turkistan 38 1 1 . How Farud heard of the Coming of Tus . -41 12. How Farud and Tukhdr went to view the Host . 44 13. How Bahrani came to Farud upon the Mountain . 47 14. -
Considering Light and Dark Concepts in Shahnameh
Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 Considering Light and Dark Concepts in Shahnameh Fazel Abbas Zadeh1, Mahnaz Akbari1 1.Department of Persian Language and Literature, Parsabad Moghan Branch, Islamic Azad University, Parsabad Moghan, Iran Abstract The contrast of good and evil is the main themes of Shahnameh. Bipolar belief in God's existence and evil, is rooted in mythological Iranian. Believing in the existence of two poles of the holy angels and demons rooted in mythological Iranian. And this belief is also reflected throughout the Shahnameh. In Shahnameh, where the forces of good, like Rostam, Fereydoun and Iraj who are the symbol of wisdom and goodness, are existence. The forces of darkness, like Zahhak and Tour as well, which symbolizes evil and folly are working to contend with them. Demons are a symbol of anti-values and heroes are symbol of values. These two forces are constantly struggling. An evil force is powerful enough to force for good, so sometimes overcome with it, but eventually will dominate force for good over evil. Effects of Ahura and Ahriman as well as introducing beauty in the ugliness of the kings and heroes, women and God's people, God and freedom-loving people against evil, cruel, bullying is too demanding; in fact, the deployment of truth against falsehood and evil and evil is good and right in the face. The mix of prose and poetry in simplicity and directness in this plan together and has a certain beauty to it. Dark and light concepts in the pain and suffering of God's people- friendly, free-loving, brave and justice-seeking and reveals the story of ugliness, lies and deceit, betrayal, evil and injustice, and power and fame-seeking kings and princes Turan. -
Legends That Every Child Should Know
Legends That Every Child Should Know Hamilton Wright Mabie Legends That Every Child Should Know Table of Contents Legends That Every Child Should Know...............................................................................................................1 Hamilton Wright Mabie.................................................................................................................................1 INTRODUCTION.........................................................................................................................................1 CHAPTER I. WIGWAM LEGEND OF HIAWATHA.................................................................................3 CHAPTER II. BEOWULF............................................................................................................................5 CHAPTER III. CHILDE HORN.................................................................................................................11 CHAPTER IV. SIR GALAHAD.................................................................................................................18 CHAPTER V. RUSTEM AND SOHRAB..................................................................................................20 CHAPTER VI. THE SEVEN SLEEPERS OF EPHESUS..........................................................................35 CHAPTER VII. GUY OF WARWICK.......................................................................................................37 CHAPTER VIII. CHEVY CHASE..............................................................................................................46 -
Assessment Engineer's Report for Descriptions of Land Use Code and Land Use Factor
Assessment Engineer’s Report MIRAMAR RANCH NORTH MAINTENANCE ASSESSMENT DISTRICT Annual Update for Fiscal Year 2011 under the provisions of the San Diego Maintenance Assessment District Ordinance of the San Diego Municipal Code and Landscaping & Lighting Act of 1972 of the California Streets & Highways Code Prepared For City of San Diego, California Prepared By EFS Engineering, Inc. P.O. Box 22370 San Diego, CA 92192-2370 (858) 752-3490 June 2010 CITY OF SAN DIEGO Mayor Jerry Sanders City Council Members Sherri Lightner Carl DeMaio District 1 District 5 Kevin Faulconer Donna Frye District 2 (Council President Pro Tem) District 6 Todd Gloria Marti Emerald District 3 District 7 Tony Young Ben Hueso District 4 District 8 (Council President) City Attorney Jan Goldsmith Chief Operating Officer Jay Goldstone City Clerk Elizabeth Maland Independent Budget Analyst Andrea Tevlin City Engineer Afshin Oskoui Assessment Engineer EFS Engineering, Inc. Table of Contents Assessment Engineer’s Report Miramar Ranch North Maintenance Assessment District Preamble ........................................................................1 Executive Summary.......................................................2 Background....................................................................3 District Proceedings for Fiscal Year 2011.....................4 Bond Declaration .....................................................4 District Boundary...........................................................4 Project Description ........................................................4 -
The Shahname of Firdowsi
The Shahname of Firdowsi The Shahname of Firdowsi by Iraj Bashiri copyright, Bashiri 1993, 2003 and 2008 Introduction The conflict between the present-day Uzbeks and their Tajik neighbors that is at times inflamed has a long and multi-faceted history. On the one hand, it is related to the ancient history of the two peoples, when the Turks, arriving in Central Asia from the confines of Mongolia, overthrew Iranian rule, including Tajik rule. And, on the other hand, it is related to the resilience of the Tajik culture and the ability of the Tajiks to retain their authority in spite of the might of the Turkish sultans and amirs. In recent decades, especially after the fall of the Soviet Union, the Turks revived Pan-Turkism, once again denying the Tajiks their identity. In this regard, they often cite Afrasiyab from the epic of Firdowsi, as the eponymous ancestor of the Turks. This claim presents several difficulties. First, both in the ancient Iranian texts and in Firdowsi's Shahname, Afrasiyab is a mythical character. He is not the real-world king that, for instance, al-Tabari would like us to believe.[1] Secondly, within the myth, he is a Turanian who has lost his farr (kingly glory) and seeks to restore it. This means that the Turanians of the Shahname are of Iranian stock. Thirdly, a review of the Orkhon inscriptions and life on the steppe indicates that neither the Turanians nor the Iranians of the Shahname share the öz (real) Turk cultural heritage of which the Turks are proud. -
An Annotated Micro-History and Bibliography of the Houghton Shahnama
An Annotated Micro-history and Bibliography of the Houghton Shahnama by Burzine Waghmar In 1981 Stuart Welch and Martin Dickson published a study of [a] strange and amazing book in two volumes so huge and expensive as almost to be unreadable except in the best libraries. For a novel I am working on, I studied, this spring, the volumes of The Houghton Shahnameh (Harvard University Press) in the New York Public Library, and was astounded and delighted by the writers’ eccentric scholarship. By examining and re-examining pictures of countless kings, princesses, soldiers, heroes, servants, horses, camels, rabbits, demons, dragons, birds, balconies, gardens, flowers, trees, leaves, hunters, lions, lovers, dreams and dreamers. Dickson and Welch rebuilt a lost culture and restored a lost history to minute details. The delightful book, with its imaginative and eccentric scholarship, reminds me of Nabokov’s translations of and commentary on Pushkin’s Eugene Ogin, and John Livingstone Lowe’s The Road to Xanadu. — ORHAN PAMUK So for a great Safavid manuscript the binder, the calligrapher, the illustrating painter or painters, the illuminator proper, the margin-gilder, and the ruler, with all the highly specialized rules of their crafts and with all the personal variety imprinted by the varying delicacies and strengths of various hands and minds, yet in their several mysteries all labored with kindred notions of the beautiful. It is awkward, but may convey meaning, to say that such a book becomes not so much a microcosm as a little macrocosm. — ARTHUR UPHAM POPE Persian book illuminations ‘are the most decorative and poetic’ among paintings of the Islamic world. -
Shahnameh.Pdf
www.sattor.com Shahnameh The Epic of Kings By: Hakim Abol Qasem Ferdowsi Tousi Translated by: Helen Zimmern 01- The Shah of Old Kaiumers first sat upon the throne of Persia, and was master of the world. He took up his ... 02- Feridoun Five hundred years did Feridoun rule the world, and might and virtue increased in the land ... 03- Zal Seistan, which is to the south of Iran, was ruled by Sam, the Pehliva, girt with might and glory, and, but for the grief that he was childless, his days were ... 04- Zal and Rodabeh When Rodabeh had listened to these words her heart burned with love for Zal, so that she could neither eat nor rest, and ... 05- Rostam And when Rodabeh beheld the babe, she smiled and said: Verily he shall be called Rostam ... 06- The March into the Mazanderan Kai Kaous seated him on the crystal throne, and the world was obedient to his will. But Ahriman was ... 07- Kai Kawous Committeth More Follies Whilom the fancy seized upon the Shah of Iran that he would visit his empire, and look face to face upon his ... 08- Rostam and Sohrab Give ear unto the combat of Sohrab against Rostam, though it be a tale replete with tears. 09- Saiawosh Now after many days there was born to her a son, and he was of goodly mien, tall and strong, and the name that was given to him was Saiawosh. And Kai Kawous ... 10- The Return of Kai Khosrow In a little time it came about that there was born unto Ferangis, in the house of Piran, a son of the race of Saiawush.