The Shahnama;
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369
Mah Tir, Mah Bahman & Asfandarmad 1 Mah Asfandarmad 1369, Fravardin & l FEZAN A IN S I D E T HJ S I S S U E Federation of Zoroastrian • Summer 2000, Tabestal1 1369 YZ • Associations of North America http://www.fezana.org PRESIDENT: Framroze K. Patel 3 Editorial - Pallan R. Ichaporia 9 South Circle, Woodbridge, NJ 07095 (732) 634-8585, (732) 636-5957 (F) 4 From the President - Framroze K. Patel president@ fezana. org 5 FEZANA Update 6 On the North American Scene FEZ ANA 10 Coming Events (World Congress 2000) Jr ([]) UJIR<J~ AIL '14 Interfaith PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF '15 Around the World NORTH AMERICA 20 A Millennium Gift - Four New Agiaries in Mumbai CHAIRPERSON: Khorshed Jungalwala Rohinton M. Rivetna 53 Firecut Lane, Sudbury, MA 01776 Cover Story: (978) 443-6858, (978) 440-8370 (F) 22 kayj@ ziplink.net Honoring our Past: History of Iran, from Legendary Times EDITOR-IN-CHIEF: Roshan Rivetna 5750 S. Jackson St. Hinsdale, IL 60521 through the Sasanian Empire (630) 325-5383, (630) 734-1579 (F) Guest Editor Pallan R. Ichaporia ri vetna@ lucent. com 23 A Place in World History MILESTONES/ ANNOUNCEMENTS Roshan Rivetna with Pallan R. Ichaporia Mahrukh Motafram 33 Legendary History of the Peshdadians - Pallan R. Ichaporia 2390 Chanticleer, Brookfield, WI 53045 (414) 821-5296, [email protected] 35 Jamshid, History or Myth? - Pen1in J. Mist1y EDITORS 37 The Kayanian Dynasty - Pallan R. Ichaporia Adel Engineer, Dolly Malva, Jamshed Udvadia 40 The Persian Empire of the Achaemenians Pallan R. Ichaporia YOUTHFULLY SPEAKING: Nenshad Bardoliwalla 47 The Parthian Empire - Rashna P. -
A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and Dr.Masoodsepahvandi Abstract
Date:12/1/18 A Comparative Analysis of Educational Teaching in Shahnameh and Iliad Elhamshahverdi and dr.Masoodsepahvandi Abstract Ferdowsi's Shahnameh and Homer's Iliad are among the first literary masterpieces of Iran and Greece. These teachings include the educational teachings of Zal and Roudabeh, and Paris and Helen. This paper presents a comparative look at the immortal effect of this Iranian poet with Homer's poem-- the Greek blind poet. In this comparison, using a content analysis method, the effects of the educational teachings of these two stories are extracted and expressed, The results of this study show that the human and universal educational teachings of Shahnameh are far more than that of Homer's Iliad. Keywords: teachings, education,analysis,Shahname,Iliad. Introduction The literature of every nation is a mirror of the entirety of thought, culture and customs of that nation, which can be expressed in elegance and artistic delicacy in many different ways. Shahnameh and Iliad both represent the literature of the two peoples of Iran and Greece, which contain moral values for the happiness of the individual and society. "The most obvious points of Shahnameh are its advice and many examples and moral commands. To do this, Ferdowsi has taken every opportunity and has made every event an excuse. Even kings and warriors are used for this purpose. "Comparative literature is also an important foundation for the exodus of indigenous literature from isolation, and it will be a part of the entire literary heritage of the world, exposed to thoughts and ideas, and is also capable of helping to identify contemplation legacies in the understanding and friendship of the various nations."(Ghanimi, 44: 1994) Epic literature includes poems that have a spiritual aspect, not an individual one. -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
Persian 2704 SP15.Pdf
Attention! This is a representative syllabus. The syllabus for the course you are enrolled in will likely be different. Please refer to your instructor’s syllabus for more information on specific requirements for a given semester. THE OHIO STATE UNIVERSITY Persian 2704 Introduction to Persian Epic Instructor: Office Hours: Office: Email: No laptops, phones, or other mobile devices may be used in class. This course is about the Persian Book of Kings, Shahnameh, of the Persian poet Abulqasim Firdawsi. The Persian Book of Kings combines mythical themes and historical narratives of Iran into a mytho-historical narrative, which has served as a source of national and imperial consciousness over centuries. At the same time, it is considered one of the finest specimen of Classical Persian literature and one of the world's great epic tragedies. It has had an immense presence in the historical memory and political culture of various societies from Medieval to Modern, in Iran, India, Central Asia, and the Ottoman Empire. Yet a third aspect of this monumental piece of world literature is its presence in popular story telling tradition and mixing with folk tales. As such, a millennium after its composition, it remains fresh and rife in cultural circles. We will pursue all of those lines in this course, as a comprehensive introduction to the text and tradition. Specifically, we will discuss the following in detail: • The creation of Shahname in its historical context • The myth and the imperial image in the Shahname • Shahname as a cornerstone of “Iranian” identity. COURSE MATERIAL: • Shahname is available in English translation. -
ANNUAL REPORT for Fiscal Year 2018
ANNUAL REPORT for Fiscal Year 2018 MIRAMAR RANCH NORTH MAINTENANCE ASSESSMENT DISTRICT under the provisions of the San Diego Maintenance Assessment District Procedural Ordinance of the San Diego Municipal Code Prepared For City of San Diego, California Prepared By EFS Engineering, Inc. P.O. Box 22370 San Diego, CA 92192-2370 (858) 752-3490 June 2017 CITY OF SAN DIEGO Mayor Kevin Faulconer City Council Members Barbara Bry Mark Kersey District 1 District 5 (Council President Pro Tem) Lorie Zapf Chris Cate District 2 District 6 Chris Ward Scott Sherman District 3 District 7 Myrtle Cole David Alvarez District 4 (Council President) District 8 Georgette Gómez District 9 City Attorney Mara W. Elliott Chief Operating Officer Scott Chadwick City Clerk Elizabeth Maland Independent Budget Analyst Andrea Tevlin City Engineer James Nagelvoort Table of Contents Annual Report for Fiscal Year 2018 Miramar Ranch North Maintenance Assessment District Preamble........................................................................1 Executive Summary ......................................................2 Background ...................................................................3 District Boundary ..........................................................3 Project Description........................................................3 Separation of General and Special Benefits..................4 Cost Estimate.................................................................4 Annual Cost-Indexing .............................................5 Method of Apportionment.............................................5 -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Iran (Persia) and Aryans Part - 1
INDIA (BHARAT) - IRAN (PERSIA) AND ARYANS PART - 1 Dr. Gaurav A. Vyas This book contains the rich History of India (Bharat) and Iran (Persia) Empire. There was a time when India and Iran was one land. This book is written by collecting information from various sources available on the internet. ROOTSHUNT 15, Mangalyam Society, Near Ocean Park, Nehrunagar, Ahmedabad – 380 015, Gujarat, BHARAT. M : 0091 – 98792 58523 / Web : www.rootshunt.com / E-mail : [email protected] Contents at a glance : PART - 1 1. Who were Aryans ............................................................................................................................ 1 2. Prehistory of Aryans ..................................................................................................................... 2 3. Aryans - 1 ............................................................................................................................................ 10 4. Aryans - 2 …............................………………….......................................................................................... 23 5. History of the Ancient Aryans: Outlined in Zoroastrian scriptures …….............. 28 6. Pre-Zoroastrian Aryan Religions ........................................................................................... 33 7. Evolution of Aryan worship ....................................................................................................... 45 8. Aryan homeland and neighboring lands in Avesta …...................……………........…....... 53 9. Western -
Research Analysis in Eclectic Theory (Kaboudan and Sfandiar)
World Academy of Science, Engineering and Technology International Journal of Social, Behavioral, Educational, Economic, Business and Industrial Engineering Vol:8, No:7, 2014 Research Analysis in Eclectic Theory (Kaboudan and Sfandiar) Farideh Alizadeh, Mohd Nasir Hashim 8- Western-influenced theatre and 9- Eclectic theatre [3]. In Abstract—Present research investigates eclecticism in Iranian the current study, researcher attempts to investigate Kaboudan theatre on the basis of eclectic theory. Eclectic theatre is a new theory and Sfandiar as a kind of Iranian contemporary theatre on the in postmodernism. The theory appeared during 60th – 70th century in basis of and relying on eclectic theatre. The present research some theatres such as “Conference of the Birds”. objective is to review the eclectic theater in Iranian current Special theatrical forms have been developed in many geographical- cultural areas of the world and are indigenous to that theater. area. These forms, as compared with original forms, are considered to be traditional while being comprehensive, the form is considered to II. SUMMARY OF THE STORY be national. Kaboudan and Sfandiar theatre has been influenced by Upon Garzam1 trick (one of the king companions), Sfandiar elements of traditional form of Iran. is charged to overthrow Goshtaseb ruling. Goshtaseb (the king) asks others to help, but all are talking about Sfandiar Keywords—Eclectic theatre, theatrical forms, tradition, play. conspiracy at night and capturing Bactria. Then, upon I. INTRODUCTION Goshtaseb order and in front of Sfandiar, children breaks his wing. Like mocking players they send him far from the palace EW approach of Critical Theories in Eclectic Theatre has and imprison him in Gonbadan castle. -
Faranak in the Shahnameh; the Woman with Three Faces”, Iran Nameh, 29:3-4 (Fall/Winter 2014-2015), 4-23
Shokoufeh Taghi, “Faranak in the Shahnameh; the Woman with Three Faces”, Iran Nameh, 29:3-4 (Fall/Winter 2014-2015), 4-23. Faranak in the Shahnameh; the Woman with Three Faces Shokoufeh Taghi Introduction In the religions of the ancient world, especially those of Mesopotamian origin, gods of both genders worked in a familial way together to create a balanced and harmonious world.1 What was seen in the house of gods reflected what was going on in the society. The rules of religion could mirror the rules of the agricultural states of Sumer, where the weather was not hostile, the soil and the animals were fertile, food was accessible, and people did not need to kill each other in order to survive. In the ancient Iranian religion Zruvānism, reflecting the rules of a pastoral society, women were not considered important in terms of creation.2 Zruvān,3 the God of infinite time was regarded as a neutral God who alone conceived 1One of the most notable goddesses was the 2 During the second half of the second millennium Sumerian love deity Inanna, who was later BCE, two groups of culturally and linguistically equated with the Akkadian Ishtar who was the related peoples who called themselves arya (“no- basis for the Aramean and Phoenician Asta. bles”) migrated from the steppes down into the ISSN 0892-4147-print/ISSN 2159-421X online/2014-2015/29.3-4/4-23 4 Iran Nameh, Volume 29, Numbers 3-4, Fall/Winter 2014-2015 aša or arta),5 and Angra اشه) two opposites: AhurāMazdā,4 the God of truth druj).7 The cosmological dichotomy of (دروگ Mainyu,6 the lord of chaos chaos and order figured in both Iranian mythology and worldview. -
10.7596.Taksad.V6.I1.707 the Tragedy in the Story of Rostam and Sohrab
Journal of History Culture and Art Research (ISSN: 2147-0626) Special Issue Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 6, No. 1, February 2017 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr ﻣﺠﻠﺔ ﺍﻟﺒﺤﻮﺙ ﺍﻟﺘﺎﺭﻳﺨﻴﺔ ﻭﺍﻟﺜﻘﺎﻓﻴﺔ ﻭﺍﻟﻔﻨﻴﺔ DOI: 10.7596.taksad.v6.i1.707 Citation: Ebrahimi, M., & Taheri, A. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh. Journal of History Culture and Art Research, 6(1), 96-105. doi:http://dx.doi.org/10.7596/taksad.v6i1.707 The Tragedy in the Story of Rostam and Sohrab in Ferdowsi’s Shahnameh Mokhtar Ebrahimi1, Abdollah Taheri2 Abstract Tragedy is a stunning example of confrontation between man and nature along with sadness and consequently fate and life. In tragedy, usually one person (hero) is in the center of the story and all of the stories come together to make the inevitable fate happen for that hero. This inevitable fate is usually along with death or a tragic end which occurs for the hero. The purpose of poet in tragedy is illustration of an advice for readers after death of the hero. In this article, we have tried to review various aspects of tragic story of Rostam and Sohrab and the way the Master of Tous makes his audience and fans aware of passage of time and the eternal destiny using analytical descriptive method. Undoubtedly, what the ancient Greeks, especially Aristotle have proposed as a definition for tragedy as, is in some cases different from Ferdowsi's view but there is a close consistency between the nature of tragedy and the base of tragedy of Rostam and Sohrab and definition of tragedy. -
Jewelry Design Based on the Female Characters in Shahnameh Ferdowsi*
37 quarterly, No. 30| Winter 2021 DOI: 10.22034/jaco.2020.230654.1161 Persian translation of this paper entitled: طراحی جواهر براساس شخصیت های زن در شاهنامه فردوسی is also published in this issue of journal. Original Research Article Jewelry Design Based on the Female Characters in Shahnameh Ferdowsi* Sedigheh Beyraminia1, Alireza Ajdari**2, Raika Khorshidian3 1. M. A. of Islamic Art, Tabriz University of Islamic Art, Iran. 2. Assistant Professor, Department of Industrial Design, College of Fine Arts, University of Tehran, Iran. 3. Ph.D. in Art Research, Faculty of Art and Architecture, Tarbiat Modares University, Tehran, Iran. Received; 26/05/2020 accepted; 16/09/2020 available online; 01/01/2021 Abstract Because of the entry of foreign patterns to the jewelry market, the need to produce artworks with a cultural burden and an emphasis on the identity of Iranian women is felt more than ever. Choosing Shahnameh composed by Ferdowsi can be a good source of inspiration. This study focuses on Rudaba, one of the women of Shahnameh, who has the most descriptions in this book. This study was shaped based on the two main question1)how mythical character of Rudaba can be applied for designing jewelry, and how can storytelling approach be used for designing jewelry. Therefore, This study aimed to design jewelry for contemporary Iranian women based on an Iranian mythical woman (Rudaba) to introduce this archetype. In the storytelling approach, the focus is not on the function of a product but on its message. This study comprised two phases: In the first phase, mythology research was carried out and the story related to the selected character was narrated.