A Social Network Analysis of Irish Language Use in Social Media
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Paul Foulkes and Gerard Docherty (Eds.), Urban Voices: Accent Studies in the British Isles
408 ENGLISH LANGUAGE AND LINGUISTICS further explanations for their contemporary distribution. Now, with Krug's results at one's ®nger tips, further research can be spear-headed grounded in his rich ®ndings. Reviewer's address: Department of Linguistics University of Toronto 130 St George Street, Room 6076 Toronto, Ontario M5S 3H1 Canada [email protected] References Facchinetti, R., M. Krug, & F. Palmer (eds.) (to appear). Modality in contemporary English. Berlin and New York: Mouton de Gruyter. Ho¯and, K., A. Lindebjerg, & J. Thunestvedt (1999). ICAME collection of English language corpora. CD. 2nd edition. The HIT Centre. University of Bergen. Bergen, Norway. Kroch, A. S. (1989). Re¯exes of grammar in patterns of language change. Language Variation and Change 1: 199±244. Kroch, A. S. (2001). Syntactic change. In Baltin, M. & C. Collins (eds.), The handbook of contemporary syntactic theory. Malden: Blackwell Publishers. 699±729. Mair, C. & M. Hundt (1997). `Agile' and `uptight' genres: the corpus-based approach to language change in progress. Paper presented at International Conference on Historical Linguistics. DuÈsseldorf, Germany. Tagliamonte, S. A. (2001). Have to, gotta, must: grammaticalization, variation and specialization in English deontic modality. Paper presented at the Symposium on Corpus Research on Grammaticalization in English (CORGIE). Vaxjo, Sweden. 20±22 April 2001. Tagliamonte, S. A. (to appear). `Every place has a different toll': determinants of grammatical variation cross-variety perspective. In Rhodenberg G. & B. Mondorf (eds.), Determinants of grammatical variation in English. Berlin and New York: Mouton de Gruyter. (Received 3 May 2002) DOI: 10.1017/S1360674302270288 Paul Foulkes and Gerard Docherty (eds.), Urban voices: accent studies in the British Isles. -
An Tuarascáil Bhliantúil 2013-14
Bord na Gaeilge Coláiste na hOllscoile, Corcaigh Tuarascáil Bhliantúil 2013 ~ 2014 0 Clár Leagan Gaeilge Comhthéacs ........................................................................................................... 3 Buaiceanna na Bliana ............................................................................................. 3 Maoiniú ................................................................................................................. 4 Osradharc ar chláir teanga ..................................................................................... 5 Léachtaí, Seimineáir, Comhdhálacha ...................................................................... 6 Cuid Gníomhaíochta Fhoireann an Ionaid ............................................................... 7 Margaíocht agus Caidreamh Poiblí ....................................................................... 10 Tuairisc Mhion Ar Imeachtaí an Bhoird ................................................................. 10 Dún Chíomháin .................................................................................................... 13 Scéim na Scoláireachtaí Gaeltachta ...................................................................... 13 Cúrsaí agus Comhdhálacha Inseirbíse ................................................................... 14 Ballraíocht ar Choistí/Bhoird Agallaimh ................................................................ 14 An Seomra Caidrimh ........................................................................................... -
Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
Gaeltacht UCD Report, September 2019
Gaeltacht UCD, UCD Global Centre for Irish Language and Culture, 2019-20 1 Gaeltacht UCD, UCD Global Centre for Irish Language and Culture, 2019-20 Special Provision for the Support of the Irish Language 2019 Gaeltacht UCD, UCD Global Centre for Irish Language and Culture, University College Dublin Report on Activities, September 2019 to August 2020 www.ucd.ie/bnag Project 1 Irish Language Courses for UCD Students and Employees o Irish Language Courses o Irish Language Yoga Course Project 2 Irish Language Cultural Program o Fonn, Steip & Ceoil o Cultúr na Céadaoine Project 3 Teach na Gaeilge 2019-2020: Irish Language Student Residential Scholarship Scheme o Residential Scholarship Competition, Orientation, Training o Accredited Module o Meantóirí Theach na Gaeilge, Alumni Mentoring Scheme o Fiche Bliain ag Fás- 20th Anniversary celebration o Student Activities o Gradaim Ghaeltacht UCD 2020/ Online Student Awards Project 4 Gaeltacht UCD Engagement o Local Engagement o ‘Spórt & Spraoi le Gaeltacht UCD’ o National Engagement o International Engagement 2 Gaeltacht UCD, UCD Global Centre for Irish Language and Culture, 2019-20 Project 5 Translation and Advisory Service o Translation Project o Facilitation of University’s compliance with language legislation o 2019 Signage Review Project 6 Irish Language Promotional Activities o Publications o Website & Social Media o Irish Language Media o Sponsorship University Support o Structure, Management and Administration 3 Gaeltacht UCD, UCD Global Centre for Irish Language and Culture, 2019-20 Overview Gaeltacht UCD, UCD’s Global Centre for Irish Language and Culture, actively promotes the use of the Irish language and its associated culture in University College Dublin. -
Reduction of Allomorphy and the Plural in Irish1
In: Ériu (36), 1985, 143-62. Reduction of allomorphy and the plural in Irish1 Raymond Hickey University of Bonn INTRODUCTION Throughout the development of Irish there has been, much as in English, a decline in the complexity of nominal morphology. Considerable case syncretism has taken place so that only three cases survive, the nominative the genitive with the semantically anomalous vocative. In the nominal system of Modern Irish the form of the genitive singular is decisive. It has been responsible for organizing the nouns into cases (Christian Brothers 1960, 57ff). These classes are themselves unsatisfactory, a fact noted quite early by Finck (1899, 160), later by Ó Cuív (1956, 86f.) and recently by Wigger (1973,61), particularly as they are based on orthographical considerations and do not contain a maximum degree of generalization concerning genitive formation. In Modern Irish nominal morphology the form of the negative is only half of the story, so to speak. The second half is the form of the nominative plural. With all but a few nouns ( such as monosyllables with palatalize for the genitive singular) the plural has only one form for both the nominative and genitive case. In all productive formations the plural is not diaform but uniform. But this single form is by no means the same for all declensions. To go by surface forms Irish has a very large number of plural formational types. Despite the plethora of manifestations, however, the number of basic plural types is reducible to two, as will be presently shown, with a very small number of unproductive plurals remaining as remnants of older declensional types. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
The$Irish$Language$And$Everyday$Life$ In#Derry!
The$Irish$language$and$everyday$life$ in#Derry! ! ! ! Rosa!Siobhan!O’Neill! ! A!thesis!submitted!in!partial!fulfilment!of!the!requirements!for!the!degree!of! Doctor!of!Philosophy! The!University!of!Sheffield! Faculty!of!Social!Science! Department!of!Sociological!Studies! May!2019! ! ! i" " Abstract! This!thesis!explores!the!use!of!the!Irish!language!in!everyday!life!in!Derry!city.!I!argue!that! representations!of!the!Irish!language!in!media,!politics!and!academic!research!have! tended!to!overKidentify!it!with!social!division!and!antagonistic!cultures!or!identities,!and! have!drawn!too!heavily!on!political!rhetoric!and!a!priori!assumptions!about!language,! culture!and!groups!in!Northern!Ireland.!I!suggest!that!if!we!instead!look!at!the!mundane! and!the!everyday!moments!of!individual!lives,!and!listen!to!the!voices!of!those!who!are! rarely!heard!in!political!or!media!debate,!a!different!story!of!the!Irish!language!emerges.! Drawing!on!eighteen!months!of!ethnographic!research,!together!with!document!analysis! and!investigation!of!historical!statistics!and!other!secondary!data!sources,!I!argue!that! learning,!speaking,!using,!experiencing!and!relating!to!the!Irish!language!is!both!emotional! and!habitual.!It!is!intertwined!with!understandings!of!family,!memory,!history!and! community!that!cannot!be!reduced!to!simple!narratives!of!political!difference!and! constitutional!aspirations,!or!of!identity!as!emerging!from!conflict.!The!Irish!language!is! bound!up!in!everyday!experiences!of!fun,!interest,!achievement,!and!the!quotidian!ebbs! and!flows!of!daily!life,!of!getting!the!kids!to!school,!going!to!work,!having!a!social!life!and! -
Salient Features of the Welsh Accent That Are Chosen to Be Portrayed in Film
MA Language and Communication Research Cardiff University Salient Features of the Welsh Accent that are Chosen to be Portrayed in Film Andrew Booth C1456511 Supervisor: Dr Mercedes Durham Word Count: 16,448 September 2015 Abstract The accent portrayed by an actor in films has many different implications to the audience. For authenticity, the filmmakers need their accent to be as close to genuine speech as possible. The Welsh-English accent in film is portrayed in many different ways; the aim of this study is to investigate which features are viewed as salient to filmmakers when portraying a Welsh accent. This dissertation focuses the portrayal of salient features of the Welsh-English accent in the film Pride (2014). Pride was chosen because it can compare Welsh to non-Welsh actors who portray a Welsh-English accent. The research is carried out on the film using both auditory and acoustic analysis. Tokens from the film were coded in terms of their realisations for analysis and comparison to previous literature. This research produced a number of key findings: first, the Welsh actors supported previous research on patterns of realisation for Welsh-English. Second, the non-Welsh actors recognised and produced the key features of a Welsh-English accent. Finally, the features presented are salient when representing a Welsh accent in film. In summary, theories such as accommodation, language transference, hypercorrection, fudging and transition were used to explain variation of accents. This research argues for a multi- methodological approach to analysing different features of a Welsh-English accent in film. ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr Mercedes Durham for her instrumental advice and insight over the past few months. -
Understanding Irish Spelling
Understanding Irish Spelling A Handbook for Teachers and Learners Nancy Stenson and Tina Hickey Understanding Irish Spelling A Handbook for Teachers and Learners Nancy Stenson and Tina Hickey i © Stenson and Hickey 2018 ii Acknowledgements The preparation of this publication was supported by a grant from An Chomhairle um Oideachas Gaeltachta agus Gaelscolaíochta, and we wish to express our sincere thanks to COGG, and to Muireann Ní Mhóráin and Pól Ó Cainín in particular. We acknowledge most gratefully the support of the Marie Skłodowska-Curie Fellowship scheme for enabling this collaboration through its funding of an Incoming International Fellowship to the first author, and to UCD School of Psychology for hosting her as an incoming fellow and later an as Adjunct Professor. We also thank the Fulbright Foundation for the Fellowship they awarded to Prof. Stenson prior to the Marie Curie fellowship. Most of all, we thank the educators at first, second and third level who shared their experience and expertise with us in the research from which we draw in this publication. We benefitted significantly from input from many sources, not all of whom can be named here. Firstly, we wish to thank most sincerely all of the participants in our qualitative study interviews, who generously shared their time and expertise with us, and those in the schools that welcomed us to their classrooms and facilitated observation and interviews. We also wish to thank the participants at many conferences, seminars and presentations, particularly those in Bangor, Berlin, Brighton, Hamilton and Ottawa, as well as those in several educational institutions in Ireland who offered comments and suggestions. -
Llanelli Cymru
GWyl Cyfryngau Celtaidd LLANELLI CYMRU 2 — 4 May 2018 Celtic Media Festival 2ail — 4ydd o Fai 2018 Gŵyl Cyfryngau Celtaidd Celtic Media Festival Trongate 103 Glasgow G1 5HD Scotland T: +44 (0)141 553 5409 E: [email protected] W: www.celticmediafestival.co.uk celtic media cmf festival welcome connect Pádhraic Ó Ciardha Croeso, Fàilte, Fáilte, Dynergh, Degemar, Benvido, Ein her barhaus ni fel trefnwyr ydi sicrhau bod yr An online hub for media professionals Failt erriu Ŵyl yn adlewyrchu ein byd cyfryngau newidiol, i ddenu’r cynhyrchwyr cynnwys gorau i anrhydeddu from the Celtic Nations and Regions. Braint a phleser yw eich croesawu chi i’r 39ain Ŵyl ein cystadlaethau, a denu sylwebwyr ac ymarferwyr Cyfryngau Celtaidd yn Llanelli. Rydym yn craff i ysbrydoli trafodaethau’r gynhadledd. www.celticmediafestival.co.uk/connect ddiolchgar am y cyfle i wahodd cynadleddwyr, myfyrwyr, a siaradwyr i’r lleoliad unigryw hwn sydd Fel Bwrdd Gweithredol, hoffwn ddiolch i’r rhai sydd â hanes balch ac enw da am eu llwyddiannau yn y wedi gweithio’n galed i sicrhau llwyddiant yr Ŵyl, meysydd diwylliant, chwaraeon a chyfryngau. yn enwedig Pwyllgor Lleol yr Ŵyl, Cyfarwyddwr yr Daw’r cyfle hwn o ganlyniad i holl gynllunio a Ŵyl, Catriona Logan, Rheolwr yr Ŵyl, Naomi pharatoi brwd aelodau staff yr Ŵyl, ynghyd â Wright, Joe Hoban o RTÉ, a’r Cyfarwyddwr chefnogaeth gan fy nghydweithwyr ar y Bwrdd Technegol, John Smith. Rydym hefyd yn hynod o Gweithredol. ddiolchgar i holl aelodau y rheithgorau cenedlaethol a rhyngwladol, ein gwesteion Fe ddown ni yma ar drothwy cyfnod newydd i’r arbennig, y siaradwyr a’r panelwyr, ein noddwyr a’r cyfryngau yng Nghymru ac yn y byd Celtaidd yn sefydliadau addysg, ynghyd ag aelodau staff a gyffredinol. -
LINGUISTIC CONTEXT of H-DROPPING Heinrich RAMISCH University of Bamberg Heinrich
Dialectologia. Special issue, I (2010), 175-184. ISSN: 2013-22477 ANALYSING LINGUISTIC ATLAS DATA: THE (SOCIO-) LINGUISTIC CONTEXT OF H-DROPPING Heinrich R AMISCH University of Bamberg [email protected] Abstract This presentation will seek to illustrate how linguistic atlas data can be employed to obtain a better understanding of the mechanisms of linguistic variation and change. For this purpose, I will take a closer look at ‘H-dropping’ – a feature commonly found in various European languages and also widely used in varieties of British English. H-dropping refers to the non-realization of /h/ in initial position in stressed syllables before vowels, as for example, in hand on heart [ 'ænd ɒn 'ɑː t] or my head [m ɪ 'ɛd]. It is one of the best-known nonstandard features in British English, extremely widespread, but also heavily stigmatised and commonly regarded as ‘uneducated’, ‘sloppy’, ‘lazy’, etc. It prominently appears in descriptions of urban accents in Britain (cf. Foulkes/Docherty 1999) and according to Wells (1982: 254), it is “the single most powerful pronunciation shibboleth in England”. H-dropping has frequently been analysed in sociolinguistic studies of British English and it can indeed be regarded as a typical feature of working-class speech. Moreover, H-dropping is often cited as one of the features that differentiate ‘Estuary English’ from Cockney, with speakers of the former variety avoiding ‘to drop their aitches’. The term ‘Estuary English’ is used as a label for an intermediate variety between the most localised form of London speech (Cockney) and a standard form of pronunciation in the Greater London area.