LINGUISTIC CONTEXT of H-DROPPING Heinrich RAMISCH University of Bamberg Heinrich
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Paul Foulkes and Gerard Docherty (Eds.), Urban Voices: Accent Studies in the British Isles
408 ENGLISH LANGUAGE AND LINGUISTICS further explanations for their contemporary distribution. Now, with Krug's results at one's ®nger tips, further research can be spear-headed grounded in his rich ®ndings. Reviewer's address: Department of Linguistics University of Toronto 130 St George Street, Room 6076 Toronto, Ontario M5S 3H1 Canada [email protected] References Facchinetti, R., M. Krug, & F. Palmer (eds.) (to appear). Modality in contemporary English. Berlin and New York: Mouton de Gruyter. Ho¯and, K., A. Lindebjerg, & J. Thunestvedt (1999). ICAME collection of English language corpora. CD. 2nd edition. The HIT Centre. University of Bergen. Bergen, Norway. Kroch, A. S. (1989). Re¯exes of grammar in patterns of language change. Language Variation and Change 1: 199±244. Kroch, A. S. (2001). Syntactic change. In Baltin, M. & C. Collins (eds.), The handbook of contemporary syntactic theory. Malden: Blackwell Publishers. 699±729. Mair, C. & M. Hundt (1997). `Agile' and `uptight' genres: the corpus-based approach to language change in progress. Paper presented at International Conference on Historical Linguistics. DuÈsseldorf, Germany. Tagliamonte, S. A. (2001). Have to, gotta, must: grammaticalization, variation and specialization in English deontic modality. Paper presented at the Symposium on Corpus Research on Grammaticalization in English (CORGIE). Vaxjo, Sweden. 20±22 April 2001. Tagliamonte, S. A. (to appear). `Every place has a different toll': determinants of grammatical variation cross-variety perspective. In Rhodenberg G. & B. Mondorf (eds.), Determinants of grammatical variation in English. Berlin and New York: Mouton de Gruyter. (Received 3 May 2002) DOI: 10.1017/S1360674302270288 Paul Foulkes and Gerard Docherty (eds.), Urban voices: accent studies in the British Isles. -
The Past, Present, and Future of English Dialects: Quantifying Convergence, Divergence, and Dynamic Equilibrium
Language Variation and Change, 22 (2010), 69–104. © Cambridge University Press, 2010 0954-3945/10 $16.00 doi:10.1017/S0954394510000013 The past, present, and future of English dialects: Quantifying convergence, divergence, and dynamic equilibrium WARREN M AGUIRE AND A PRIL M C M AHON University of Edinburgh P AUL H EGGARTY University of Cambridge D AN D EDIU Max-Planck-Institute for Psycholinguistics ABSTRACT This article reports on research which seeks to compare and measure the similarities between phonetic transcriptions in the analysis of relationships between varieties of English. It addresses the question of whether these varieties have been converging, diverging, or maintaining equilibrium as a result of endogenous and exogenous phonetic and phonological changes. We argue that it is only possible to identify such patterns of change by the simultaneous comparison of a wide range of varieties of a language across a data set that has not been specifically selected to highlight those changes that are believed to be important. Our analysis suggests that although there has been an obvious reduction in regional variation with the loss of traditional dialects of English and Scots, there has not been any significant convergence (or divergence) of regional accents of English in recent decades, despite the rapid spread of a number of features such as TH-fronting. THE PAST, PRESENT AND FUTURE OF ENGLISH DIALECTS Trudgill (1990) made a distinction between Traditional and Mainstream dialects of English. Of the Traditional dialects, he stated (p. 5) that: They are most easily found, as far as England is concerned, in the more remote and peripheral rural areas of the country, although some urban areas of northern and western England still have many Traditional Dialect speakers. -
Teaching the Art of Poetry Using Dialect in Your Poems
TEACHING THE ART OF POETRY USING DIALECT IN YOUR POEMS by Liz Berry hinny … glinder … jinnyspins … dayclean1 Choosing to write poems using dialect is like finding a locked box full of treasure. You know there’s all sorts of magical things inside, you just have to find the key that will let you in. So put down your notebook, close your laptop, and start listening to the voices around you. For this is the way in, the place where the strongest dialect poetry starts: a voice you can hear. That’s how writing in Black Country dialect started for me - by listening to the voices of the area I’d grown up in. The Black Country dialect has long been mocked as guttural and middle-earthy but to me it’s beautiful because the people I love best have spoken it. None of them are poets but to me their language is the stuff of poetry. I started listening more carefully, rooting around in the past. It was like digging up my own Staffordshire Hoard; a field full of spectacular words, sounds and phrases glinting out of the muck. I was inspired by other poets who’d written using dialect. The brilliant Faber Book of Vernacular Verse edited by Tom Paulin presents a wonderful alternative poetic tradition. It praises the 'springy, irreverent, chanting, often tender and intimate, vernacular voice … which speaks for an alternative community that is mostly powerless and invisible'. Contemporary poets like Kathleen Jamie, Daljit Nagra and Jen Hadfield continue the tradition in fresh and irresistible ways. Reading their work you’re bowled over by the fizz and charm of dialect and how poetry can be a powerful way of protecting and celebrating the spoken language of regions and communities. -
Salient Features of the Welsh Accent That Are Chosen to Be Portrayed in Film
MA Language and Communication Research Cardiff University Salient Features of the Welsh Accent that are Chosen to be Portrayed in Film Andrew Booth C1456511 Supervisor: Dr Mercedes Durham Word Count: 16,448 September 2015 Abstract The accent portrayed by an actor in films has many different implications to the audience. For authenticity, the filmmakers need their accent to be as close to genuine speech as possible. The Welsh-English accent in film is portrayed in many different ways; the aim of this study is to investigate which features are viewed as salient to filmmakers when portraying a Welsh accent. This dissertation focuses the portrayal of salient features of the Welsh-English accent in the film Pride (2014). Pride was chosen because it can compare Welsh to non-Welsh actors who portray a Welsh-English accent. The research is carried out on the film using both auditory and acoustic analysis. Tokens from the film were coded in terms of their realisations for analysis and comparison to previous literature. This research produced a number of key findings: first, the Welsh actors supported previous research on patterns of realisation for Welsh-English. Second, the non-Welsh actors recognised and produced the key features of a Welsh-English accent. Finally, the features presented are salient when representing a Welsh accent in film. In summary, theories such as accommodation, language transference, hypercorrection, fudging and transition were used to explain variation of accents. This research argues for a multi- methodological approach to analysing different features of a Welsh-English accent in film. ACKNOWLEDGEMENTS I would like to thank my supervisor, Dr Mercedes Durham for her instrumental advice and insight over the past few months. -
The Black Country Annual Economic Review 2019
THE BLACK COUNTRY Annual Economic Review THE BLACK COUNTRY - A PLACE TO WORK, LIVE, INVEST 01 Introduction “The Black Country Economic Review is produced annually by the Black Country Consortium’s Economic Intelligence Unit (EIU) to provide an overview of the Black Country’s economic performance during the year. The report measures success as set out in our Performance Management Framework and enables us to monitor real progress towards delivery of the Black Country Strategic Economic Plan (SEP). Significant developments in 2018 include the development of a West Midlands Local Industrial Strategy (LIS), a unique opportunity to drive increased productivity and inclusive growth across the region. The Black Country Economic Intelligence Unit has played a fundamental role in the development of the West Midlands LIS, in particular utilising experienced skill sets to provide the deep, diverse and robust evidence base that underpins the strategy. The EIU is Stewart Towe CBE DL also a key delivery partner in the recently launched Midlands Engine Observatory.” Chairman of the Black Country Consortium How We Measure Success The Black Country Performance Management Framework The Black Country Performance Management Framework (PMF) set out on page 3, provides a clear framework to monitor progress and the changes required to achieve our 30-year Vision and the ambitions across the twelve programmes in our Strategic Economic Plan (SEP). This framework was politically endorsed by the Association of Black Country Local Authorities in 2004 and is updated and reported annually. The PMF is maintained and updated by the Economic Intelligence Unit (EIU) of Black Country Consortium Ltd who provide in depth cross-thematic spatial analysis on the Black Country economy on behalf of the Black Country Consortium and the Local Enterprise Partnership. -
“Cockney and the Queen”
“Cockney and the Queen” The importance and development of the accent known as Estuary English Maren Kristine Haugom MA Thesis UNIVERSITY OF OSLO Faculty of Humanities Department of Literature, Area Studies and European Languages Spring 2012 Abstract For this MA thesis I have chosen to investigate the accent known as Estuary English (EE). Even though it is having a massive impact on the development of the English language (especially in Britain) there are few extensive sources regarding this accent, and even though studies have been conducted they are few and hard to come across. Even linguists agree that there are few sources regarding EE, which makes it an interesting research topic. Due to the structure and (lack of) status of EE it is being discussed by linguists and commoners alike, and the media has acted as a linguistic “battlefield” of sorts where linguists and members of the general public have presented their arguments, suggested definitions, and frustrations regarding the new accent. The fact that the general opinions differ greatly and that definitions are changing continually makes it a very interesting base for research. It is a dynamic topic, a linguistic phenomenon which is happening in our time. As my thesis is being written over the course of only one semester I have chosen not to do field work or conduct a survey, although I will attempt to refer to studies conducted by other researchers where this is feasible. Because of the time limit I have chosen to focus mainly on theoretical aspects, such as the problems regarding a proper definition of EE and the discussion around which phonemic traits are part of the accent. -
Vol 10, Issue 4, December 2011
MMAAGGAAZZIINNEE OOFF TTHHEE GGEEOOLLOOGGIISSTTSS’’ AASSSSOOCCIIAATTIIOONN VVoolluummee 1100 NNoo.. 44 DDeecceemmbbeerr 22001111 The Association Future Lectures FESTIVAL OF GEOLOGY Nominations Required Field Trip to France part 2 October Lecture Weald Clay Field Trip Curry Fund Report Circular GA Two-Day Meeting Rockwatch News Rockwatch Young Writer Sher-rock Holmes Geology of NE Churches 1 Winners of Photographic Competition Magazine of the Geologists’ Association Volume 10 No. 4, 2011 CONTENTS Published by the Geologists’ Association. Four issues per year. ISSN 1476-7600 Production team: JOHN CROCKER, Paula Carey, John 3 The Association Cosgrove, Vanessa Harley, Jon Trevelyan, 4 Future Lectures Chris Woolston 5 FESTIVAL OF GEOLOGY Printed by City Print, Milton Keynes 6 Nominations Required 7 Field Trip to France part 2 The GEOLOGISTS’ ASSOCIATION does not accept any responsibility for views and opinions expressed by 11 October Lecture individual authors in this magazine. 12 Weald Clay Field Trip 13 Curry Fund Report The Geologists’ Association 14 Circular The Association, founded in 1858, exists to foster the progress and diffusion of the science of geology, and to encourage 20 GA Two-Day Meeting research and the development of new methods. It holds meetings 23 Rockwatch News for the reading of papers and the delivery of lectures, organises museum demonstrations, publishes Proceedings and Guides, and 25 Rockwatch Young Writer conducts field meetings. Annual Subscriptions for 2012 are £40.00, Associates £30.00, 27 Sher-rock Holmes Joint Members £58.00, Students £18.00. 28 Geology of NE Churches 1 For forms of Proposal for Membership and further information, apply to the Executive Secretary, The Geologists’ Association, 31 Kite Flying or Fossil Hunting? Burlington House, Piccadilly, London W1J 0DU. -
A Sociolinguistic Study of T-Glottalling in Young RP: Accent, Class and Education
A Sociolinguistic Study of T-glottalling in Young RP: Accent, Class and Education Berta Badia Barrera A thesis submitted for the degree of Doctorate of Philosophy Department of Language and Linguistics University of Essex August 2015 It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. George Bernard Shaw, Pygmalion (1916) preface Irish dramatist & socialist (1856 - 1950) 2 Table of Contents List of Tables - 6 List of Figures - 8 Acknowledgements - 10 PhD thesis abstract - 12 Introduction to the PhD thesis - 14 Chapter 1 Elite Accents of British English: Introduction to RP - 16 1.1.Why study RP sociolinguistically? - 16 1.2.The rise of accent as a social symbol in Britain: elite public boarding schools and RP - 17 1.3.What is RP and how has it been labelled? - 21 1.4 Phonological characteristics of RP and phonological innovations - 23 1.5.What is characteristic of RP and how should it be defined? - 26 1.6.Discussion on Received Pronunciation (RP): elite accents of British English - 27 Chapter 2 Literature Review - 33 2.1.What is t-glottalling and where does it come from? – 33 2.2.T-glottalling in descriptive accounts of RP - 36 2.3.T-glottalling in the South of England - 39 2.4.T-glottalling in Wales - 52 2.5.T-glottalling in Northern England - 53 2.6.T-glottalling in Scotland - 55 2.7.T-glottalling outside the UK: the United States and New Zealand - 58 2.8.Variationist studies on upper-class varieties of English - 60 2.9.Brief review on a secondary linguistic variant: tap (t) -
From "RP" to "Estuary English"
From "RP" to "Estuary English": The concept 'received' and the debate about British pronunciation standards Hamburg 1998 Author: Gudrun Parsons Beckstrasse 8 D-20357 Hamburg e-mail: [email protected] Table of Contents Foreword .................................................................................................i List of Abbreviations............................................................................... ii 0. Introduction ....................................................................................1 1. Received Pronunciation .................................................................5 1.1. The History of 'RP' ..................................................................5 1.2. The History of RP....................................................................9 1.3. Descriptions of RP ...............................................................14 1.4. Summary...............................................................................17 2. Change and Variation in RP.............................................................18 2.1. The Vowel System ................................................................18 2.1.1. Diphthongisation of Long Vowels ..................................18 2.1.2. Fronting of /!/ and Lowering of /"/................................21 2.2. The Consonant System ........................................................23 2.2.1. The Glottal Stop.............................................................23 2.2.2. Vocalisation of [#]...........................................................26 -
The Black Country David Horovitz (Pp
JOURNAL OF THE ENGLISH PLACE-NAME SOCIETY Volume 43 (2011) ISSN 1351–3095 ______________________________________________________________ The Black Country David Horovitz (pp. 25–34) ______________________________________________________________ This article is from the Journal of the English Place-Name Society, an annual peer-reviewed journal issued free to members of the Society. The Journal welcomes contributions of articles and notes on subjects of relevance to English place-names. The English Place-Name Society (EPNS) was established in 1923 to conduct a county-by-county survey of the place-names of England. To date, the Survey has produced 90 volumes. Almost all English counties have been surveyed, at least in part, and work to complete the Survey is ongoing. The Survey is used by researchers, academics, and those interested in the origins, meaning, and significance of English place-names. The research work and the publication of the Survey are financed by the annual subscriptions of members of the Society, with the help of grants from the Arts and Humanities Research Council and the British Academy. Since the progress and success of the Survey depend largely upon the strength of the membership, the Society always welcomes new members, both personal and institutional. In return for the annual subscription, members receive free of charge the current issue of the Journal as well as the volume of the Survey allocated to that year’s subscription. They are entitled to order, in addition, any available volume of the Survey at a concessionary price. Associate Members pay a reduced subscription, for which they receive the Journal. Annual subscription prices (correct as of April 2017): Within the UK Outside the UK £40 (full) £45 (full)* £15 (associate) £18 (associate* *increased prices reflect increased postage cost. -
Ba Chelor Thesis
English (61-90), 30 credits BACHELOR BACHELOR Received Pronunciation, Estuary English and Cockney English: A Phonologic and Sociolinguistic Comparison of Three British English Accents THESIS Caroline Johansson English linguistics, 15 credits Lewes, UK 2016-06-27 Abstract The aim of this study is to phonologically and sociolinguistically compare three British English accents: Cockney English (CE), Estuary English (EE) and Received Pronunciation (RP), including investigating the status these accents have in Britain today. Estuary English, which is spoken in London and the Home Counties, is said to be located on a continuum between Cockney English, which is a London working class accent, and Received Pronunciation, spoken by the higher classes in Britain. Four authentic Youtube lectures by an author who considers herself to be an EE speaker were compared with previous research in the area. The findings regarding phonetic differences between the accents displayed many opposing opinions between the Youtube material and the previous research. This is likely to be partly because of regional and social differences, and partly because of the fact that accents change and also depend on the formality of the situation in which they are spoken. Furthermore, accents are not clearly defined units and Estuary English has been shown to be many different accents that also figure on a broad spectrum between Received Pronunciation and Cockney English (and any other regional accents that are spoken in the area). When it comes to attitudes to the three different accents, the Youtube material and previous research seem to agree on most levels: RP can be perceived as cold and reserved and is not the only accepted accent today for people who wish to acquire a high status job, at the same time as it is still associated with the highest prestige. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Accents, attitudes and Scouse influence in North Wales English Cremer, M. Publication date 2007 Published in Toegepaste Taalwetenschap in Artikelen Link to publication Citation for published version (APA): Cremer, M. (2007). Accents, attitudes and Scouse influence in North Wales English. Toegepaste Taalwetenschap in Artikelen, 77, 33-43. http://www.anela.nl/index.php?option=com_content&task=view&id=148#cremer General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 ACCENTS, ATTITUDES AND SCOUSE INFLUENCE IN NORTH WALES ENGLISH M. Cremer, ACLC, Universiteit van Amsterdam 1 Introduction Regarding the sociolinguistic situation in Wales, one can say that centuries of Anglicisation brought about by political, commercial and educational forces have not only left Wales with a new language, but have also left the Welsh with an inferiority complex.