Gaeltacht UCD Report, September 2019
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The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Llanelli Cymru
GWyl Cyfryngau Celtaidd LLANELLI CYMRU 2 — 4 May 2018 Celtic Media Festival 2ail — 4ydd o Fai 2018 Gŵyl Cyfryngau Celtaidd Celtic Media Festival Trongate 103 Glasgow G1 5HD Scotland T: +44 (0)141 553 5409 E: [email protected] W: www.celticmediafestival.co.uk celtic media cmf festival welcome connect Pádhraic Ó Ciardha Croeso, Fàilte, Fáilte, Dynergh, Degemar, Benvido, Ein her barhaus ni fel trefnwyr ydi sicrhau bod yr An online hub for media professionals Failt erriu Ŵyl yn adlewyrchu ein byd cyfryngau newidiol, i ddenu’r cynhyrchwyr cynnwys gorau i anrhydeddu from the Celtic Nations and Regions. Braint a phleser yw eich croesawu chi i’r 39ain Ŵyl ein cystadlaethau, a denu sylwebwyr ac ymarferwyr Cyfryngau Celtaidd yn Llanelli. Rydym yn craff i ysbrydoli trafodaethau’r gynhadledd. www.celticmediafestival.co.uk/connect ddiolchgar am y cyfle i wahodd cynadleddwyr, myfyrwyr, a siaradwyr i’r lleoliad unigryw hwn sydd Fel Bwrdd Gweithredol, hoffwn ddiolch i’r rhai sydd â hanes balch ac enw da am eu llwyddiannau yn y wedi gweithio’n galed i sicrhau llwyddiant yr Ŵyl, meysydd diwylliant, chwaraeon a chyfryngau. yn enwedig Pwyllgor Lleol yr Ŵyl, Cyfarwyddwr yr Daw’r cyfle hwn o ganlyniad i holl gynllunio a Ŵyl, Catriona Logan, Rheolwr yr Ŵyl, Naomi pharatoi brwd aelodau staff yr Ŵyl, ynghyd â Wright, Joe Hoban o RTÉ, a’r Cyfarwyddwr chefnogaeth gan fy nghydweithwyr ar y Bwrdd Technegol, John Smith. Rydym hefyd yn hynod o Gweithredol. ddiolchgar i holl aelodau y rheithgorau cenedlaethol a rhyngwladol, ein gwesteion Fe ddown ni yma ar drothwy cyfnod newydd i’r arbennig, y siaradwyr a’r panelwyr, ein noddwyr a’r cyfryngau yng Nghymru ac yn y byd Celtaidd yn sefydliadau addysg, ynghyd ag aelodau staff a gyffredinol. -
Lib News Planned October 07:Lib News Planned Dec 06 01/10/2007 13:54 Page 3
Lib News planned October 07:Lib News planned Dec 06 01/10/2007 13:54 Page 3 Issued by An Chomhairle Leabharlanna (The Library Council) No. 275 October 2007 ISSN 0332-0049 NATIONAL RECREATION POLICY FOR This month in pictures YOUNG PEOPLE Teenspace – the National Recreation Policy for Young People was developed by the Office of the Minister for Children in response to concerns raised by teenagers and parents. In the consultations conducted throughout the country in the development of the National Childrenʼs Strategy (2000), the need for improved play and recreation facilities was the single biggest concern cited by p.1-2 children and young people. The report based on the research, was launched by the Minister for Children, Brendan Smith TD, at Larkin Community College on September 10 2007. Teenspace recognises that young people donʼt always want to participate in structured activities and that hanging out is a valid and important aspect of teenage life. ʻTeenspace promotes new initiatives and the need for interagency co-operation but also outlines a strategic approach to existing investmentʼ said the Minister. ʻTo invest wisely in the future, we need to involve young people in helping us to plan and design the facilities, which are most relevant to themʼ he added. Liz Canavan, Principal Officer in the Office of the Minister for Children, said: p.2 ʻitʼs fantastic to see the kinds of recreational innovations which are already happening and seem to be hitting the mark with young people. We need to mainstream these projects and foster more interagency collaboration by the way we invest in the futureʼ. -
Legal Translation and Terminology in the Irish Free State, 1922-1937
DOCTOR OF PHILOSOPHY Legal Translation and Terminology in the Irish Free State, 1922-1937 McGrory, Orla Award date: 2018 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Joined up Speaking
www.ucd.ie/ucdtoday SPRING 2014 13. Collaboration between 13. Collaboration Art and Science in unison of speakingandsinging the cognitivescience speaking : Joined up INSIDE Taking a stab at Taking 9. measuring knife forces Bringing ‘The Dead’ to life 7. 5. Joined up speaking Contents Features Joined up Bringing ‘The Measuring Art and 5 speaking 7 Dead’ to life 9 knife forces 13 Science 45 and falling… First preferences for UCD continue to climb despite the reduction in CAO entry codes A recent article in The Irish Examiner highlights concerns that – with the exception of UCD – the trend in the university sector has been to increase the number of entry routes listed in the CAO handbook, with a consequence of increasing pressure on Leaving Cert points. Over the past three years the number of Level 8 degrees has increased from 567 to 579 while the number listed for UCD has been reduced from 56 to 45. EILIS O’BRIEN Director of When UCD began to reduce the number of CAO codes there was a concern that Communication our first to third preferences would suffer, that we would receive less “mentions” on the CAO form and that points for our degrees would fall. However, there is an argument that, for example, the old see-saw between languages and points is simply unfair on students, as one year French tops German and the next year Spanish out-climbs them both. This year, the codes for denominated languages were merged into the BA International and while it will take a little time for the preferences to settle, we have seen a rise in demand in Commerce International of over 17%, where a similar merger of denominated languages took place in 2011. -
A Short Guide to Irish Science Fiction
A Short Guide to Irish Science Fiction Jack Fennell As part of the Dublin 2019 Bid, we run a weekly feature on our social media platforms since January 2015. Irish Fiction Friday showcases a piece of free Irish Science Fiction, Fantasy or Horror literature every week. During this, we contacted Jack Fennell, author of Irish Science Fiction, with an aim to featuring him as one of our weekly contributors. Instead, he gave us this wonderful bibliography of Irish Science Fiction to use as we saw fit. This booklet contains an in-depth list of Irish Science Fiction, details of publication and a short synopsis for each entry. It gives an idea of the breadth of science fiction literature, past and present. across a range of writers. It’s a wonderful introduction to Irish Science Fiction literature, and we very much hope you enjoy it. We’d like to thank Jack Fennell for his huge generosity and the time he has donated in putting this bibliography together. His book, Irish Science Fiction, is available from Liverpool University Press. http://liverpooluniversitypress.co.uk/products/60385 The cover is from Cathal Ó Sándair’s An Captaen Spéirling, Spás-Phíolóta (1961). We’d like to thank Joe Saunders (Cathal’s Grandson) for allowing us to reprint this image. Find out more about the Bid to host a Worldcon in Dublin 2019 on our webpage: www.dublin2019.com, and on our Facebook page; Dublin2019. You can also mail us at [email protected] Dublin 2019 Committee Anonymous. The Battle of the Moy; or, How Ireland Gained Her Independence, 1892-1894. -
Oriel – a Renewal of Tradition CLÁR MÓR CCE 2018
Oriel a renewal of tradition 190 Pádraigín Ní Uallacháín Oriel - a renewal of (1) research and publication, tradition (2) assimilation and recording, Oirialla, anglicised as Oriel, is regarded (3) transmission and online access to as one of the richest regions in Ireland tradition, (4) public performance. for traditional music and song. For centuries, its traditional music Oriel and Oral Traditions heritage has been passed down orally Oriel is a region without boundaries from generation to generation: which stretches inland, across county instrumental music and the song and state borders, from the Cooley tradition in English has thrived; classes peninsula on the east coast of Ireland. for young people in harp, fiddle, pipes, It straddles two provinces of Ireland, flute, accordion and bodhrán continue extending from Carlingford across to fill to capacity and its teachers and south Armagh, through the south players are celebrated throughout drumlins of Monaghan; north from the Ireland. Although Oriel was regarded borders of County Down, south to the as a mecca of literary and song hinterlands of Drogheda. Although activity during the 18th and 19th in Leinster now, County Louth was centuries, while Irish was its in Ulster until the late 16th century. community language, the song It was Ulster in dialect, song, literary tradition in our own time has been and cultural activity, sensibility and hanging on by a hair’s breadth. allegiances. Fortunately, the tide has turned again: Oriel is now regarded by many Much of Oriel was a Gaeltacht until Gaeltacht sean-nós singers as a key recent times, and its cultural heritage location of song; Oriel singers are is one of the richest in Ireland. -
A Social Network Analysis of Irish Language Use in Social Media
A SOCIAL NETWORK ANALYSIS OF IRISH LANGUAGE USE IN SOCIAL MEDIA JOHN CAULFIELD School of Welsh Cardiff University 2013 This thesis is submitted to the School of Welsh, Cardiff University in partial fulfillment of the requirements for the degree of PhD. DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… (candidate) Date ………………….. STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD. Signed ………………………………… (candidate) Date ………………….. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… (candidate) Date ………………….. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………… (candidate) Date ………………….. STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… (candidate) Date …………………. 2 ABSTRACT A Social Network Analysis of Irish Language Use in Social Media Statistics show that the world wide web is dominated by a few widely spoken languages. However, in quieter corners of the web, clusters of minority language speakers can be found interacting and sharing content. -
Sean-Nós Song in the Oireachtas Na Gaeilge Festival: the Aesthetics of Sean-Nós Song Through the Gaze of the Oireachtas Na Gaeilge Adjudicators
Sean-nós song in the Oireachtas na Gaeilge Festival: The Aesthetics of sean-nós song through the Gaze of the Oireachtas na Gaeilge Adjudicators. Eamonn Costello Abstract The term sean -nós (old-style, way, method) has been used to describe vernacular Irish language song since the turn of the last century, when the Gaelic Revival of that time cast many aspects of vernacular Gaelic culture into national focus. From that time various individuals and groups have been debating what exactly sean-nós means. To add to this debate I have examined adjudicator feedback sheets from a number of sean-nós singing competitions dating from 1940-2011. All the competitions in question took place at the Oireachtas na Gaeilge (“assembly of Irish”) festival, Ireland’s oldest arts festival, established at the height of the Gaelic revival; collectively these sheets can be read as an ethnographic survey that reveals what is considered aesthetically and ethically1 important from the perspective of the adjudicators. I argue that, the various Oireachtas sean-nós singing competitions should be viewed as a nexus where individuals from various backgrounds come together to create a unique musical culture with its own performance ethic and aesthetic. It is important to point out that I am not suggesting that sean-nós within the Oireachtas be viewed as “authentic” vernacular Irish- language song. Instead, I argue that those who perform and adjudicate at the festival have collectively contributed to the authoring of a genre of song that is widely framed as traditional Irish language song. In my opinion, it is useful instead to frame the “Oireachtas Irish-language song style” as a sub- genre of what is widely referred to as Irish traditional song; one that shares many characteristics with other forms of the tradition but is nonetheless distinct both aesthetically and ethically. -
Scandinavian Loanwords in English in the 15Th Century
Studia Celtica Posnaniensia, Vol 1 (1), 2016 doi: 10.1515/scp-2016-0003 SUCCESSFUL LEARNERS OF IRISH AS AN L2: MOTIVATION, IDENTITY AND LINGUISTIC MUDES KEVIN PETIT Université Lumière Lyon 2 ABSTRACT This article presents the results of a small-scale research conducted for a master’s thesis on the motivation to learn Irish on the part of university students and members of the Gaelic society An Cumann Gaelach. In the light of questionnaires’ results and interviews, the emphasis is placed on the links between motivation, identity, and potential key moments in learners’ lives. Using an AMTB-type questionnaire (n=45), the author puts to the test Dörnyei’s Motivational Self System theory (2005) in the context of the learning of Irish by looking at the correlation between the motivational intensity of 45 students and six variables (Ideal L2 Self, Ought to Self, Ideal L2 Community, Instrumentality, Parental encouragement, and Role of teachers). The notion of Ideal L2 Self, or the capacity to picture oneself speaking an L2 in the future, clearly appears to be strongly correlated with the respondents’ motivational intensity (r=.75 p<.01), in accordance with Dörnyei’s model. However results concerning extrinsic factors differ from previous research, putting forward distinctive features of the learning of minority languages. The second phase of the research looks at the language learning narratives of three An Cumann Gaelach’s members through the qualitative analysis of three interview transcripts. The results clearly show that time spent in Irish summer colleges are linguistic mudes (Pujolar and Puigdevall 2015), or key- moments, which triggered the interest in the language for the three students interviewed. -
Leabharlann Náisiúnta Na Héireann National Library of Ireland
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 141 OIREACHTAS NA GAEILGE PAPERS (MSS G 1,318 /1 – MS G 1,416 /9) (Accession No. 5230) A collection of administrative records, competition entries, and adjudicators’ reports relating to An tOireachtas, or Oireachtas na Gaeilge, as it is also known - the National Festival of Irish Language and Culture held yearly from 1897 until the present. Compiled by Máire Ní Chonalláin, Assistant Keeper II, 2008 Table of Contents Introduction and Historical Note................................................................................................ 5 I. Administration of Oireachtas na Gaeilge................................................................................ 8 I.i. Early Programmes 1898-1924...................................................................................................................... 8 I.ii. Programmes 1939-1992 .............................................................................................................................. 9 I.iii. Annual Reports 1939-1988....................................................................................................................... 10 I.iv. Art exhibition programmes ....................................................................................................................... 12 I.v. Art exhibition log-books............................................................................................................................. 14 I.vi. Féile Náisiúnta Drámaíochta -
The Edition, 17Th of April, 2013. Vol 2, No. 12, 2013
Technological University Dublin ARROW@TU Dublin Student Publications Dublin Institute of Technology 2013-04-17 The Edition, 17th of April, 2013. Vol 2, No. 12, 2013 DIT News Society Follow this and additional works at: https://arrow.tudublin.ie/ditoth Part of the Arts and Humanities Commons Recommended Citation Dublin Institute of Technology News Society: The Edition, Vol. 2, No. 12, 17 April, 2013. Dublin, DIT, 2013 This Other is brought to you for free and open access by the Dublin Institute of Technology at ARROW@TU Dublin. It has been accepted for inclusion in Student Publications by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Grangegorman NEWS What support do the LMC Queen musical CULTURE developments P3 Challengers need? P8 reviewed P12 Supported by DIT News Soc 17 April 2013 Vol 2 No 12 www.edition.ie The theme for this year’s Fashion Show is “House of Chaos: A Twisted Tale” Photo courtesy of Vodafone DIT Fashion Show Photo courtsey Photo of Society Office College President, Brian Norton with Hélèné Duffy, Imogen Ní Riain, Daniel Sterling Uzice and Brian Gormley, Manager of Campus Life at the awards ceremony last month Society awards Rachael O’Brien Language.” Deputy Culture Editor There were many more awards on the night, including Best New Society, which On the 26 March 2013, the DIT Society went to Japanimation Society; Best Char- Awards were held in Gleeson Hall, DIT ity Event, going to Movember held by Kevin Street.