Autographen-Auktion 1. Oktober 2011
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8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time. -
EXECUTIVE DIRECTOR of DEVELOPMENT STRATEGY and GROWTH the METROPOLITAN OPERA New York, New York the Metropolitan Opera
EXECUTIVE DIRECTOR OF DEVELOPMENT STRATEGY AND GROWTH THE METROPOLITAN OPERA New York, New York The Metropolitan Opera The Aspen Leadership Group is proud to partner with The Metropolitan Opera in the search for an Executive Director of Development Strategy and Growth. The Executive Director will work in close partnership with the Assistant General Manager, Development, and will be responsible for identifying and implementing strategies for growth in contributed revenue. Areas of focus in 2019 and 2020 will include national and global corporate partnerships, planned giving, and international fundraising. The Executive Director will manage staff and projects as assigned by the Assistant General Manager and as appropriate to each growth strategy. REPORTING RELATIONSHIPS The Executive Director of Development Strategy and Growth will report to the Assistant General Manager, Development. PRINCIPAL OPPORTUNITIES The Met’s audience is global and includes millions of devoted viewers and listeners. This reach positions the Met for corporate partnerships at the highest levels, with significant growth opportunity. The Met is also uniquely positioned to reach and remain relevant to audience members until the very end of their lives, presenting an extraordinary opportunity for growth in planned giving. This global reach, combined with the growth of philanthropy in other countries, presents an additional opportunity for enhanced revenue from international sources. The Met has one of the strongest individual giving programs in the country, rivaling and surpassing the levels of giving and donor engagement seen in many major universities and health care centers. Its core audience is deeply and passionately devoted to the art form. The Executive Director will have the opportunity to build upon this strong foundation, immediately expanding revenue generation in identified areas with untapped potential. -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
Margaret Atwood 2017
Emcke 2016 Kermani 2015 Lanier 2014 Margaret Atwood 2017 Alexijewitsch 2013 Liao 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Conferment speeches Achebe 2002 Habermas 2001 Peace Prize of the German Book Trade 2017 Djebar 2000 Sunday, October 15, 2017 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Dedecius 1990 Havel 1989 Lenz 1988 Jonas 1987 Bartoszewski 1986 Kollek 1985 Paz 1984 The spoken word prevails. Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Hinweis: Die ausschließlichen Rechte für die Reden liegen bei den Autoren. Tillich 1962 Radhakrishnan 1961 Die Nutzung der Texte ist ohne ausdrückliche Lizenz nicht gestattet, sofern Gollancz 1960 nicht gesetzliche Bestimmungen eine Nutzung ausnahmsweise erlauben. Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Friedenspreis des Deutschen Buchhandels 2017 Peter Feldmann Lord Mayor of the City of Frankfurt Greeting On behalf of the City of Frankfurt, I would like what I can say with confidence is that I and many to welcome you to the presentation of this year’s other readers know that your books have changed Peace Prize of the German Book Trade to Margaret our world. Among many other things, you have Atwood. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE COMPLETED SYMPHONIC COMPOSITIONS OF ALEXANDER ZEMLINSKY DISSERTATION Volume I Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Robert L. -
Holocaust-Voices-Of-Scholars-2009
is book was published thanks to generous support from the Faculty of International Table of Contents and Political Studies and the Institute of European Studies of the Jagiellonian University, and the Auschwitz-Birkenau State Museum. e opinions expressed in this publication are those of the authors and do not necessarily reflect the policies or views of the Jagiellonian University or the Auschwitz-Birkenau State Museum. Foreword by Piotr M. A. Cywiński 9 Introduction by Jolanta Ambrosewicz-Jacobs All rights reserved. No part of this book may be reproduced, stored in a retrieval system, 13 or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publishers. I Yehuda Bauer: Holocaust Research – A Personal Statement 19 © e Jagiellonian University and the Individual Authors John K. Roth: Gray Zones: e Holocaust and the Failure(s) of Ethics 31 Ian Kershaw: Working on the Holocaust 41 John T. Pawlikowski: e Challenge of the Holocaust for 51 a Christian eologian Zdzisław Mach: Poland’s National Memory of the Holocaust 61 and Its Identity in an Expanded Europe Assistant Editor Translator Michael Jacobs II Michael R. Marrus: Holocaust Research and Scholarship Today 73 Managing Editor Charles S. Maier: Holocaust Fatigue 83 Anna Motyczka Omer Bartov: My Twisted Way to Buczacz 95 Editorial Assistants Shimon Redlich: Some Remarks on the Holocaust by a Marginal Historian 105 Katarzyna Nowak Dan Michman: e Challenge of Studying the Shoah as Jewish History: 101 -
THE THEOLOGICAL ]OURNAL Or EMANUEL UMVERSITY OT ORADEA
Perichoresis THE THEOLOGICAL ]OURNAL or EMANUEL UMVERSITY OTORADEA VOLI.JME5 ISSUE1 2007 EMANI.JELI.JNIYERSTry PUBLISHING HOUSE BOARD OF EDITORS Prof. Dr. PAL'I,NEGRUT, The Rector of Emanuel University (Systematic Theology) Dr. Manrus D. CnucrRU, Editor-in-Chief (Patristics and Classical Languages) Dr. Dr. CoRNELT C. Sn4LT' Asst. Editor-in-Chief (Reformation Studies, Historical and Dognatic Theology) Dr. oer.ie. Bolce, Theological Editor (Old and New Testament Studies) EDITORIAL AD\'ISORS Prof. Dr. DIHC. JAMESMCMAHoN, Albert E[is Institute (APPlied Theology) hof. Dr, FRANKA. JAMFGIn, Reformed Theological Seminary (Reformation Studies) Prof. Dr. HAMILToN MooRE, tish Baptist College, Queerls University of Belfasi (BiblicalTheology) Asst. Prof, Dr. STEvENSvmr, Southwesterri-Biptist Theological Seminary (flomiletics and Pastoral Theology) MANAGING EDITOR Dr. D!. CoRNELT C. Sn.{u,r The theoloqical researchof Emanuel University is developed mairrly by The Faculty .,i fn"oto.i attd the Brian CriIfiths School of Management The researchactivity of tfr" i"*if,i.f fn"of"gy is carried out by the following departments: The Seminar of ftr"oloeicit Res"utci, The Cenhe foi Reformation studjes, The Centre for Mis- .ioi"aiJ st"ai"", fn" centre for Pastoral counselling, and the Billy Graham Chair of Evangelism, Peicharesists Dublished twice a year at the end of each acadernic semestre (March utti S.ot"-#t) by The Faculty of Theology and The Brian Griffitfu School of Vun"gL*"nt itt.otperation wiih colleagues and contributors from abroad Thus' the idias expressed in various articles may not rePresent the formal dogmatic confession ofEmaruel University and they should be acknowledged as such' For permission to reproduce information fuonPerichotesis, pleasewrite to the Boari of Editors at U'niversitatea Emanuel din Oradea/Emanuel University of OraJea, Facultatea de Teologie/The Faculty of Theology,St Nuflrului Nr' 8Z 410597Oradea, Bihor, Romfia/Romania, or to the Managing Editor at [email protected]. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8. -
Luise Haus',Intro
Introduction The Haushofers And The Nazis Luise Haushofer’s Jail Journal follows on from Albrecht Haushofer’s Moabite Sonnets, a bilingual edition of which appeared in 2001 with an introduction about the Haushofers, Geopolitics and the Second World War. Luise (née Renner) was Albrecht’s sister-in-law. After Moabite Sonnets appeared, her daughter—Andrea Haushofer-Schröder, Albrecht’s niece—contacted me and gave me some documents which illustrate the family consequences of Albrecht’s resistance activities. One of these was that Luise served time in jail as the Gestapo suspected her of helping Albrecht to elude capture after the 20th July 1944—a phrase which is shorthand for the attempt to assassinate Hitler and establish an alternative Government that would attempt to negotiate an end to the Second World War, and re-establish democracy in Germany. Because of the Nazi policy of Sippenhaft— arresting the family of an accused—Albrecht landed the Renner as well as the Haushofer families in trouble with the Gestapo and caused some dispute and ill- feeling between the two. The documents Andrea gave me appear here in the original German and in English translation. They comprise a communication from Martha Haushofer to Anna Renner; another from Karl Haushofer to Paul Renner; a reply from Renner; and a surviving fragment of a Jail Journal written by Luise Haushofer in 1963. In addition, there are several illustrations from the Haushofer archive (provided by Andrea). Albrecht was summarily executed in the closing hours of the War for his part in the Resistance to the Hitler regime. He had been captured in December 1944 and kept on ice in the Berlin Moabite Prison by the Nazis, in case his English contacts would be useful in the event of a negotiated end to the war. -
Lps-Vocal Recitals All Just About 1-2 Unless Otherwise Described
LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00. -
9781469658254 WEB.Pdf
Literary Paternity, Literary Friendship From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Literary Paternity, Literary Friendship Essays in Honor of Stanley Corngold edited by gerhard richter UNC Studies in the Germanic Languages and Literatures Number 125 Copyright © 2002 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Richter, Gerhard. Literary Paternity, Liter- ary Friendship: Essays in Honor of Stanley Corngold. Chapel Hill: University of North Carolina Press, 2002. doi: https://doi.org/ 10.5149/9780807861417_Richter Library of Congress Cataloging-in-Publication Data Names: Richter, Gerhard, editor. Title: Literary paternity, literary friendship : essays in honor of Stanley Corngold / edited by Gerhard Richter. Other titles: University of North Carolina studies in the Germanic languages and literatures ; no. 125. Description: Chapel Hill : University of North Carolina Press, [2002] Series: University of North Carolina studies in the Germanic languages and literatures | Includes bibliographical references. Identifiers: lccn 2001057825 | isbn 978-1-4696-5824-7 (pbk: alk. paper) | isbn 978-1-4696-5825-4 (ebook) Subjects: German literature — History and criticism.