Melodrama After the Tears
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Cinephilia Or the Uses of Disenchantment 2005
Repositorium für die Medienwissenschaft Thomas Elsaesser Cinephilia or the Uses of Disenchantment 2005 https://doi.org/10.25969/mediarep/11988 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Elsaesser, Thomas: Cinephilia or the Uses of Disenchantment. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 27– 43. DOI: https://doi.org/10.25969/mediarep/11988. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Cinephilia or the Uses of Disenchantment Thomas Elsaesser The Meaning and Memory of a Word It is hard to ignore that the word “cinephile” is a French coinage. Used as a noun in English, it designates someone who as easily emanates cachet as pre- tension, of the sort often associated with style items or fashion habits imported from France. As an adjective, however, “cinéphile” describes a state of mind and an emotion that, one the whole, has been seductive to a happy few while proving beneficial to film culture in general. The term “cinephilia,” finally, re- verberates with nostalgia and dedication, with longings and discrimination, and it evokes, at least to my generation, more than a passion for going to the movies, and only a little less than an entire attitude toward life. -
Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II -
Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
Newsletter 04/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 04/14 DIGITAL EDITION Nr. 339 - Mai 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/14 (Nr. 339) Mai 2014 editorial Hallo Laserdisc- und DVD-Fans, ben, sondern auch den aufwändigen liebe Filmfreunde! Proben beizuwohnen und uns ausführ- lich mit Don Davis zu unterhalten. Das Wenn Sie sich in den letzten Wochen gesamte Bild- und Tonmaterial, das gefragt haben, warum wir nur sehr ein- dabei entstanden ist, hat eine Größe geschränkt telefonisch erreichbar wa- von über 100 Gbyte und wird in den ren, dann finden Sie die Antwort auf nächsten Wochen in ein Video umgear- dieser Seite. Nicht nur hielt uns die beitet, das nach Fertigstellung natür- jährlich stattfindende FMX in Atem, lich auf unserem Youtube-Kanal abruf- sondern auch noch ein Filmmusik-Kon- bar sein wird. zert der besonderen Art. Und da aller guten Dinge bekanntlich Doch zunächst zur FMX. Hierbei han- drei sind, haben wir die Gelegenheit delt es sich um einen Branchentreff der genutzt, den deutschen Kameramann Visual Effects Industrie, der jedes Jahr Alexander Sass bei seinem Kurzbesuch Oben: Hollywood-Produzent Jon Landau Unten: Hollywood-Produzent Chris DeFaria renommierte VFX-Spezialisten in die in Stuttgart vor unsere Kamera zu ho- schwäbische Hauptstadt holt. Diese len. Was er uns erzählte und auch den Spezialisten präsentieren dort im Haus Zuschauern bei der Sondervorführung der Wirtschaft ihre neuesten Arbeiten seines neuesten Films FASCINATING und geben damit tiefe Einblicke in die INDIA 3D, können Sie demnächst auf Welt der visuellen Effekte. -
Christian Metz and the Codes of Cinema Film Theory in Media History
Christian Metz and the Codes of Cinema Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship. Combining the book form with open access online publishing the series reaches the broadest possible audience of scholars, students, and other readers with a passion for film and theory. Series editors Prof. Dr. Vinzenz Hediger (Goethe University Frankfurt, Germany), Weihong Bao (University of California, Berkeley, United States), Dr. Trond Lundemo (Stockholm University, Sweden). Editorial Board Members Dudley Andrew, Yale University, United States Raymond Bellour, CNRS Paris, France Chris Berry, Goldsmiths, University of London, United Kingdom Francesco Casetti, Yale University, United States Thomas Elsaesser, University of Amsterdam, the Netherlands Jane Gaines, Columbia University, United States Andre Gaudreault, University of Montreal, Canada Gertrud Koch, Free University of Berlin, Germany John MacKay, Yale University, United States Markus Nornes, University of Michigan, United States Patricia Pisters, University of Amsterdam, the Netherlands Leonardo Quaresima, University of Udine, Italy David Rodowick, University of Chicago, United States Philip Rosen, Brown University, United States Petr Szczepanik, Masaryk University Brno, Czech Republic Brian Winston, Lincoln University, United Kingdom Film Theory in Media History is published in cooperation with the Permanent Seminar for the History of Film Theories. -
Margaret Atwood 2017
Emcke 2016 Kermani 2015 Lanier 2014 Margaret Atwood 2017 Alexijewitsch 2013 Liao 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Conferment speeches Achebe 2002 Habermas 2001 Peace Prize of the German Book Trade 2017 Djebar 2000 Sunday, October 15, 2017 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Dedecius 1990 Havel 1989 Lenz 1988 Jonas 1987 Bartoszewski 1986 Kollek 1985 Paz 1984 The spoken word prevails. Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Hinweis: Die ausschließlichen Rechte für die Reden liegen bei den Autoren. Tillich 1962 Radhakrishnan 1961 Die Nutzung der Texte ist ohne ausdrückliche Lizenz nicht gestattet, sofern Gollancz 1960 nicht gesetzliche Bestimmungen eine Nutzung ausnahmsweise erlauben. Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Friedenspreis des Deutschen Buchhandels 2017 Peter Feldmann Lord Mayor of the City of Frankfurt Greeting On behalf of the City of Frankfurt, I would like what I can say with confidence is that I and many to welcome you to the presentation of this year’s other readers know that your books have changed Peace Prize of the German Book Trade to Margaret our world. Among many other things, you have Atwood. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
THE THEOLOGICAL ]OURNAL Or EMANUEL UMVERSITY OT ORADEA
Perichoresis THE THEOLOGICAL ]OURNAL or EMANUEL UMVERSITY OTORADEA VOLI.JME5 ISSUE1 2007 EMANI.JELI.JNIYERSTry PUBLISHING HOUSE BOARD OF EDITORS Prof. Dr. PAL'I,NEGRUT, The Rector of Emanuel University (Systematic Theology) Dr. Manrus D. CnucrRU, Editor-in-Chief (Patristics and Classical Languages) Dr. Dr. CoRNELT C. Sn4LT' Asst. Editor-in-Chief (Reformation Studies, Historical and Dognatic Theology) Dr. oer.ie. Bolce, Theological Editor (Old and New Testament Studies) EDITORIAL AD\'ISORS Prof. Dr. DIHC. JAMESMCMAHoN, Albert E[is Institute (APPlied Theology) hof. Dr, FRANKA. JAMFGIn, Reformed Theological Seminary (Reformation Studies) Prof. Dr. HAMILToN MooRE, tish Baptist College, Queerls University of Belfasi (BiblicalTheology) Asst. Prof, Dr. STEvENSvmr, Southwesterri-Biptist Theological Seminary (flomiletics and Pastoral Theology) MANAGING EDITOR Dr. D!. CoRNELT C. Sn.{u,r The theoloqical researchof Emanuel University is developed mairrly by The Faculty .,i fn"oto.i attd the Brian CriIfiths School of Management The researchactivity of tfr" i"*if,i.f fn"of"gy is carried out by the following departments: The Seminar of ftr"oloeicit Res"utci, The Cenhe foi Reformation studjes, The Centre for Mis- .ioi"aiJ st"ai"", fn" centre for Pastoral counselling, and the Billy Graham Chair of Evangelism, Peicharesists Dublished twice a year at the end of each acadernic semestre (March utti S.ot"-#t) by The Faculty of Theology and The Brian Griffitfu School of Vun"gL*"nt itt.otperation wiih colleagues and contributors from abroad Thus' the idias expressed in various articles may not rePresent the formal dogmatic confession ofEmaruel University and they should be acknowledged as such' For permission to reproduce information fuonPerichotesis, pleasewrite to the Boari of Editors at U'niversitatea Emanuel din Oradea/Emanuel University of OraJea, Facultatea de Teologie/The Faculty of Theology,St Nuflrului Nr' 8Z 410597Oradea, Bihor, Romfia/Romania, or to the Managing Editor at [email protected]. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Three German Women
Three German Women Three German Women: Personal Histories from the Twentieth Century By Erika Esau Three German Women: Personal Histories from the Twentieth Century By Erika Esau This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Erika Esau All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5697-2 ISBN (13): 978-1-5275-5697-3 In Memory of Thomas Elsaesser (1943-2019) Film historian, filmmaker, cultural historian, and too late a friend. He guided this project with his enthusiasm and generosity. He was, for me, "The path through the mirror" TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgments .................................................................................... xiii Introduction ................................................................................................. 1 Chapter One ................................................................................................. 9 “You Must Look at the Whole Thing, Not Just Part”: Anna von Spitzmüller (1903-2001) Chapter Two ............................................................................................. -
Luise Haus',Intro
Introduction The Haushofers And The Nazis Luise Haushofer’s Jail Journal follows on from Albrecht Haushofer’s Moabite Sonnets, a bilingual edition of which appeared in 2001 with an introduction about the Haushofers, Geopolitics and the Second World War. Luise (née Renner) was Albrecht’s sister-in-law. After Moabite Sonnets appeared, her daughter—Andrea Haushofer-Schröder, Albrecht’s niece—contacted me and gave me some documents which illustrate the family consequences of Albrecht’s resistance activities. One of these was that Luise served time in jail as the Gestapo suspected her of helping Albrecht to elude capture after the 20th July 1944—a phrase which is shorthand for the attempt to assassinate Hitler and establish an alternative Government that would attempt to negotiate an end to the Second World War, and re-establish democracy in Germany. Because of the Nazi policy of Sippenhaft— arresting the family of an accused—Albrecht landed the Renner as well as the Haushofer families in trouble with the Gestapo and caused some dispute and ill- feeling between the two. The documents Andrea gave me appear here in the original German and in English translation. They comprise a communication from Martha Haushofer to Anna Renner; another from Karl Haushofer to Paul Renner; a reply from Renner; and a surviving fragment of a Jail Journal written by Luise Haushofer in 1963. In addition, there are several illustrations from the Haushofer archive (provided by Andrea). Albrecht was summarily executed in the closing hours of the War for his part in the Resistance to the Hitler regime. He had been captured in December 1944 and kept on ice in the Berlin Moabite Prison by the Nazis, in case his English contacts would be useful in the event of a negotiated end to the war. -
THE WIRE Series Wrap-Up
THE WIRE Series Wrap-Up Andre Royo, the Character "Bubbles" Interview date: 03 March 2008 Introduction: Welcome to a special series of podcast from the Center for Emerging Media. I'm Marc Steiner. On Sunday March 9th, HBO will air the series finale of the hit television drama The Wire. The show, set in Baltimore Maryland, is an in depth look at the people who live in urban American centers. The show has focused on port workers, politicians, journalists, drug dealers, drug addicts, and more, and presented these people and their struggles in all their honest complexity. The show has become known for its refusal to submit to stereotype. Even the most murderous of characters range from the horrid, to the humble, to the honorable. Some, even admirable. Today we're bringing you our conversation with Andre Royo, the actor who portrayed the character Bubbles. Bubbles was one of the most beloved characters on The Wire. We watched him as he struggled with drug addiction, committing petty crimes and being a police informant in order to fund that addiction. We watched as he struggled with his opposing desires of getting clean and sober and continuing to use drugs. And in the final season, we watched as he began to live a sober life, and his battle to find out what the purpose of his life would be beyond drugs. I spoke with Andre about the experience of portraying such an intense character for so many years, about his future plans, and his thoughts about what The Wire ultimately says to all of us.