Albrecht Goes Zum Hundertsten
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Margaret Atwood 2017
Emcke 2016 Kermani 2015 Lanier 2014 Margaret Atwood 2017 Alexijewitsch 2013 Liao 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Conferment speeches Achebe 2002 Habermas 2001 Peace Prize of the German Book Trade 2017 Djebar 2000 Sunday, October 15, 2017 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Dedecius 1990 Havel 1989 Lenz 1988 Jonas 1987 Bartoszewski 1986 Kollek 1985 Paz 1984 The spoken word prevails. Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Hinweis: Die ausschließlichen Rechte für die Reden liegen bei den Autoren. Tillich 1962 Radhakrishnan 1961 Die Nutzung der Texte ist ohne ausdrückliche Lizenz nicht gestattet, sofern Gollancz 1960 nicht gesetzliche Bestimmungen eine Nutzung ausnahmsweise erlauben. Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Friedenspreis des Deutschen Buchhandels 2017 Peter Feldmann Lord Mayor of the City of Frankfurt Greeting On behalf of the City of Frankfurt, I would like what I can say with confidence is that I and many to welcome you to the presentation of this year’s other readers know that your books have changed Peace Prize of the German Book Trade to Margaret our world. Among many other things, you have Atwood. -
THE THEOLOGICAL ]OURNAL Or EMANUEL UMVERSITY OT ORADEA
Perichoresis THE THEOLOGICAL ]OURNAL or EMANUEL UMVERSITY OTORADEA VOLI.JME5 ISSUE1 2007 EMANI.JELI.JNIYERSTry PUBLISHING HOUSE BOARD OF EDITORS Prof. Dr. PAL'I,NEGRUT, The Rector of Emanuel University (Systematic Theology) Dr. Manrus D. CnucrRU, Editor-in-Chief (Patristics and Classical Languages) Dr. Dr. CoRNELT C. Sn4LT' Asst. Editor-in-Chief (Reformation Studies, Historical and Dognatic Theology) Dr. oer.ie. Bolce, Theological Editor (Old and New Testament Studies) EDITORIAL AD\'ISORS Prof. Dr. DIHC. JAMESMCMAHoN, Albert E[is Institute (APPlied Theology) hof. Dr, FRANKA. JAMFGIn, Reformed Theological Seminary (Reformation Studies) Prof. Dr. HAMILToN MooRE, tish Baptist College, Queerls University of Belfasi (BiblicalTheology) Asst. Prof, Dr. STEvENSvmr, Southwesterri-Biptist Theological Seminary (flomiletics and Pastoral Theology) MANAGING EDITOR Dr. D!. CoRNELT C. Sn.{u,r The theoloqical researchof Emanuel University is developed mairrly by The Faculty .,i fn"oto.i attd the Brian CriIfiths School of Management The researchactivity of tfr" i"*if,i.f fn"of"gy is carried out by the following departments: The Seminar of ftr"oloeicit Res"utci, The Cenhe foi Reformation studjes, The Centre for Mis- .ioi"aiJ st"ai"", fn" centre for Pastoral counselling, and the Billy Graham Chair of Evangelism, Peicharesists Dublished twice a year at the end of each acadernic semestre (March utti S.ot"-#t) by The Faculty of Theology and The Brian Griffitfu School of Vun"gL*"nt itt.otperation wiih colleagues and contributors from abroad Thus' the idias expressed in various articles may not rePresent the formal dogmatic confession ofEmaruel University and they should be acknowledged as such' For permission to reproduce information fuonPerichotesis, pleasewrite to the Boari of Editors at U'niversitatea Emanuel din Oradea/Emanuel University of OraJea, Facultatea de Teologie/The Faculty of Theology,St Nuflrului Nr' 8Z 410597Oradea, Bihor, Romfia/Romania, or to the Managing Editor at [email protected]. -
Luise Haus',Intro
Introduction The Haushofers And The Nazis Luise Haushofer’s Jail Journal follows on from Albrecht Haushofer’s Moabite Sonnets, a bilingual edition of which appeared in 2001 with an introduction about the Haushofers, Geopolitics and the Second World War. Luise (née Renner) was Albrecht’s sister-in-law. After Moabite Sonnets appeared, her daughter—Andrea Haushofer-Schröder, Albrecht’s niece—contacted me and gave me some documents which illustrate the family consequences of Albrecht’s resistance activities. One of these was that Luise served time in jail as the Gestapo suspected her of helping Albrecht to elude capture after the 20th July 1944—a phrase which is shorthand for the attempt to assassinate Hitler and establish an alternative Government that would attempt to negotiate an end to the Second World War, and re-establish democracy in Germany. Because of the Nazi policy of Sippenhaft— arresting the family of an accused—Albrecht landed the Renner as well as the Haushofer families in trouble with the Gestapo and caused some dispute and ill- feeling between the two. The documents Andrea gave me appear here in the original German and in English translation. They comprise a communication from Martha Haushofer to Anna Renner; another from Karl Haushofer to Paul Renner; a reply from Renner; and a surviving fragment of a Jail Journal written by Luise Haushofer in 1963. In addition, there are several illustrations from the Haushofer archive (provided by Andrea). Albrecht was summarily executed in the closing hours of the War for his part in the Resistance to the Hitler regime. He had been captured in December 1944 and kept on ice in the Berlin Moabite Prison by the Nazis, in case his English contacts would be useful in the event of a negotiated end to the war. -
Melodrama After the Tears
Melodrama After the Tears Amsterdam UniversityPress Amsterdam UniversityPress Melodrama After the Tears New Perspectives on the Politics of Victimhood Scott Loren and Jörg Metelmann (eds.) Amsterdam UniversityPress Amsterdam University Press Cover illustration: Man Ray, “The Tears” (c. 1930) © Man Ray Trust / 2015, ProLitteris, Zurich Cover design: Kok Korpershoek, Amsterdam AmsterdamLay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 673 6 e-isbn 978 90 4852University 357 3 doi 10.5117/9789089646736 nur 670 Press © The authors / Amsterdam University Press B.V., Amsterdam 2016 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Acknowledgements As part of the project entitled “Aesthetics of Irritation” (2010-2012), funding for this volume was generously provided by the “Kulturen, Institutionen, Märkte” (KIM) research cluster at the School of Humanities and Social Sciences, University of St.Gallen, Switzerland. Many of the contributions to the volume were first presented in November 2011 at the conference “After the Tears: Victimhood and Subjectivity in the Melodramatic Mode,” also hosted by KIM and the University of St.Gallen, with the support of the Haniel Foundation Duisburg. -
Autographen-Auktion 1. Oktober 2011
26. AutogrAphen-Auktion A u 1. oktober 2011 T o g r A p H Los |168 E n - A s u p A K ni T E n – Jo i o n ha nn i. 1.10. 2011 A x E L Los 542 | Hermann Löns s c Axel Schmolt | Autographen-Auktionen H M 47807 Krefeld | steinrath 10 o Telefon (02151) 93 10 90 | Telefax (02151) 93 10 9 99 L E-Mail: [email protected] T AutogrAphen-Auktion hier die genaue Anschrift für ihr Autographen-Auktionen Autographen inhaltsverzeichnis navigationssystem: Bücher Dokumente 47807 Krefeld | steinrath 10 Fotos Los-nr. g eschichte – Europäische Königshäuser 1 - 187 (sammlung peter Michielsen, utrecht, niederlande) Krefeld A 57 Auktionshaus Schmolt Richtung – napoleonische Zeitdokumente 188 - 198 Richtung am besten über die A 44 Abfahrt Essen – Deutsche Länder (ohne preußen) 199 - 219 Venlo Krefeld-Fischeln Meerbusch-Osterath✘ – preußen und Kaiserreich bis 1914 220 - 247 – i. Weltkrieg und Deutsche Marine 248 - 253 A 44 – Weimarer republik 254 - 265 A 44 – nationalsozialismus und ii. Weltkrieg 266 - 344 – Deutsche geschichte seit 1945 345 - 377 A 61 – geschichte des Auslands bis 1945 378 - 407 A 52 A 52 – geschichte des Auslands seit 1945 408 - 458 Düsseldorf – Kirche-religion 459 - 467 Mönchengladbach Neuss Literatur 468 - 603 Richtung A 57 Roermond Musik 604 - 869 – oper-operette (sänger/-innen) 870 - 945 Richtung Richtung Bühne - Film - tanz 946 - 1035 Koblenz Köln Bildende kunst 1036 - 1182 A 57 Wissenschaft 1183 - 1235 Autographen-Auktionen – Forschungsreisende und geographen 1236 - 1241 Axel Schmolt Steinrath 10 Luftfahrt 1242 - 1252 ✘ Kölner Straße Weltraumfahrt 1253 - 1258 A 44 Ausfahrt Sport 1259 - 1284 Osterath A 44 Kreuz Widmungsexemplare - Signierte Bücher 1285 - 1310 Meerbusch Richtung Krefelder Straße Mönchengladbach Sammlungen - konvolute 1311 - 1339 A 57 Autographen-Auktion am Samstag, den 1. -
From Martin Buber’S Iand Thou to Mikhail Bakhtin’Sconcept of ‘Polyphony’ 21
Dialogue as a Trans-disciplinary Concept Studia Judaica Forschungen zur Wissenschaft des Judentums Begründet von Ernst Ludwig Ehrlich Herausgegeben von Günter Stemberger, Charlotte Fonrobert und Alexander Samely Band 83 Dialogue as a Trans-disciplinary Concept Martin Buber’s Philosophy of Dialogue and its Contemporary Reception Edited by Paul Mendes-Flohr DE GRUYTER An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-037915-0 e-ISBN (PDF) 978-3-11-040222-3 e-ISBN (EPUB) 978-3-11-040237-7 ISSN 0585-5306 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2015 Walter de Gruyter GmbH, Berlin/Munich/Boston Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com TableofContents Paul Mendes-Flohr Introduction: Dialogue as aTrans-DisciplinaryConcept 1 Jürgen -
Information Issued by The
Volume XXXVIII No. 6 June 1983 INFORMATION ISSUED BY THE ASSOamnOH OFJCWISH ROVGOS IN GRUTBimUH Egon Larsen could not be expected to know that we, the left- behinds in Berlin, sang "Jetzt geht's der Dolly gut,/ sie sitzt in Hollywood..." When Hitler had usurped power and the Reichstag went up in flames, the trickle of immigrants grew to "NEW WEIMAR" IN HOLLYWOOD a flood of prominent refugees: Thomas and Heinrich Mann, Bert Brecht and Lion Feuchtwanger, Kurt Weill and Lotte Lenya, Peter Lorre and Albert A Cast of Thousands in the Film Metropolis Bassermann, Alfred DOblin and Hanns Eisler. Some, like Feuchtwanger, had to make their escape during the war, from Nazi-occupied France and through Fascist Italy or Spain. If the majority of Jewish newcomers had hoped to We who were living and working in pre-Hitler Still later, Marlene Dietrich left Berlin straight be helped and welcomed with open arms by their Germany never realised that we were witnessing the after her phenomenal success in the "Blue Angel" in fellow-Jews amongst the old-established film moguls, oinh and rise of a new cultural era, now post 1930, together with her director, Josef von Stemberg, they were disappointed. The Mayers and Goldwyns humously called "Weimar". Thus it sounds rather and continued her star career in Hollywood without did not seem to feel any obligation to employ them, absurd when a publisher proclaims, on the flap of a a break. Taylor also mentions Dolly Haas, but he and some went so far as to point out that they were, new book about the emigration of "the cream ofthe first and foremost, Americans, and proud of it. -
The Critical Reception of German Poetry and Fiction in Translation by Specific American News Media, 1945-1960
The critical reception of German poetry and fiction in translation by specific American news media, 1945-1960 Item Type text; Thesis-Reproduction (electronic) Authors Fousel, Kenneth Dale, 1930- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 14:22:27 Link to Item http://hdl.handle.net/10150/318920 THE CRITICAL RECEPTION OF GERMAN POETRY AND FICTION IN . -'TRANSLATION BY SPECIFIC AMERICAN NEWS MEDIA, 1945-1960 b y : . " ' • . • Kenneth D, Fousel — A Thesis Submitted, to the Faculty of the DEPARTMENT OF GERMAN In Partial Fulfillment of the Requirements' For the Degree of . ' MASTER OF ARTS In the Graduate College - THE UNIVERSITY OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree ait the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use. of the material is in the interest of scholarship. In all other instances, however, permission must be obtained from the author. -
Speeches Peace Prize 2012
Liao Yiwu 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Achebe 2002 Habermas 2001 Djebar 2000 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Dedecius 1990 Havel 1989 Lenz 1988 Peace Prize of the German Book Trade 2012 Jonas 1987 Conferment Speeches Bartoszewski 1986 Kollek 1985 The spoken word prevails. Paz 1984 Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Tillich 1962 Radhakrishnan 1961 Gollancz 1960 Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Peace Prize of the German Book Trade 2012 Gottfried Honnefelder, President of the German Publishers and Booksellers Association Greeting Finding one’s own voice is fundamentally im- Trade. It is not first and foremost the high liter- portant to all human beings. But it is not some- ary quality of their work that leads them to be thing that simply happens on its own. It is only honoured – that excellence, of course, is recog- when a child is addressed by its name that it nised by the Deutscher Buchpreis (German Book begins to comprehend itself as an I and to dis- Prize), which will be handed out this year for the cover its own identity by means of this self- eighth time. -
Speaking the Unspeakable in Postwar Germany: Toward
Speaking the Unspeakable in Postwar Germany Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Speaking the Unspeakable in Postwar Germany Toward a Public Discourse on the Holocaust Sonja Boos A Signale Book Cornell University Press and Cornell University Library Ithaca, NY Cornell University Press and Cornell University Library gratefully acknowledge the College of Arts & Sciences, Cornell University, for support of the Signale series. Copyright © 2014 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2014 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Boos, Sonja, 1972– author. Speaking the unspeakable in postwar Germany : toward a public discourse on the Holocaust / Sonja Boos. pages cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-5360-1 (cloth : alk. -
The Critical Reception of German Poetry and Fiction in Translation by Specific American News Media, 1945-1960
The critical reception of German poetry and fiction in translation by specific American news media, 1945-1960 Item Type text; Thesis-Reproduction (electronic) Authors Fousel, Kenneth Dale, 1930- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 06:45:05 Link to Item http://hdl.handle.net/10150/318920 THE CRITICAL RECEPTION OF GERMAN POETRY AND FICTION IN . -'TRANSLATION BY SPECIFIC AMERICAN NEWS MEDIA, 1945-1960 b y : . " ' • . • Kenneth D, Fousel — A Thesis Submitted, to the Faculty of the DEPARTMENT OF GERMAN In Partial Fulfillment of the Requirements' For the Degree of . ' MASTER OF ARTS In the Graduate College - THE UNIVERSITY OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree ait the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use. of the material is in the interest of scholarship. In all other instances, however, permission must be obtained from the author. -
Rascheldruck 2013 Englisch
Svetlana Alexievich 2013 Liao 2012 Sansal 2011 Grossman 2010 Magris 2009 Kiefer 2008 Friedländer 2007 Lepenies 2006 Pamuk 2005 Esterházy 2004 Sontag 2003 Achebe 2002 Habermas 2001 Djebar 2000 Stern 1999 Walser 1998 Kemal 1997 Vargas Llosa 1996 Schimmel 1995 Semprún 1994 Schorlemmer 1993 Oz 1992 Konrád 1991 Peace Prize of the German Book Trade 2013 Dedecius 1990 Conferment Speeches Havel 1989 Lenz 1988 Jonas 1987 Bartoszewski 1986 Kollek 1985 Paz 1984 Sperber 1983 Kennan 1982 Kopelew 1981 Cardenal 1980 Menuhin 1979 Lindgren 1978 Kołakowski 1977 Frisch 1976 Grosser 1975 Frère Roger 1974 The Club of Rome 1973 Korczak 1972 Dönhoff 1971 Myrdal 1970 Mitscherlich 1969 Senghor 1968 Bloch 1967 Bea/Visser 't Hooft 1966 Sachs 1965 Marcel 1964 Weizsäcker 1963 Tillich 1962 Radhakrishnan 1961 Gollancz 1960 Heuss 1959 Jaspers 1958 Wilder 1957 Schneider 1956 Hesse 1955 Burckhardt 1954 Buber 1953 Guardini 1952 Schweitzer 1951 Tau 1950 Peace Prize of the German Book Trade 2013 Gottfried Honnefelder, President of the German Publishers and Booksellers Association Greeting How could the task of a peace prize be anything mute? Can we say there is peace when the world other than to give a voice to that which serves the loses sight of and sometimes even completely most fragile of human commodities: Peace. From forgets these people as if they were merely the the very beginning, the German Booksellers and marginal phenomenon of a political process? In a Publishers Association has understood that its world such as this, there is nothing more neces- Peace Prize embodies a highly unique task. In- sary than a person who commands the power of deed, the publishing of texts via the medium of words and has the courage to give a voice to those print implies nothing other than the act of grant- who have been silenced.