February 1910) James Francis Cooke
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Maud Powell As an Advocate for Violinists, Women, and American Music Catherine C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 "The Solution Lies with the American Women": Maud Powell as an Advocate for Violinists, Women, and American Music Catherine C. Williams Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “THE SOLUTION LIES WITH THE AMERICAN WOMEN”: MAUD POWELL AS AN ADVOCATE FOR VIOLINISTS, WOMEN, AND AMERICAN MUSIC By CATHERINE C. WILLIAMS A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Summer Semester, 2012 Catherine C. Williams defended this thesis on May 9th, 2012. The members of the supervisory committee were: Denise Von Glahn Professor Directing Thesis Michael Broyles Committee Member Douglass Seaton Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For Maud iii ACKNOWLEDGMENTS I would like to thank my parents and my brother, Mary Ann, Geoff, and Grant, for their unceasing support and endless love. My entire family deserves recognition, for giving encouragement, assistance, and comic relief when I needed it most. I am in great debt to Tristan, who provided comfort, strength, physics references, and a bottomless coffee mug. I would be remiss to exclude my colleagues in the musicology program here at The Florida State University. The environment we have created is incomparable. To Matt DelCiampo, Lindsey Macchiarella, and Heather Paudler: thank you for your reassurance, understanding, and great friendship. -
Boston Symphony Orchestra Concert Programs, Season
INFANTRY HALL PROVIDENCE >©§to! Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 28 AT 8.15 COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER ii^^i^"""" u Yes, Ifs a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extr? dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere 2>ympif Thirty-fifth Season,Se 1915-1916 Dr. KARL MUC per; \l iCs\l\-A Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Fiedler, A. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ew riter face, while others may be fi’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improperalig n m ent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9420996 Music in the black and white conununities in Petersburg, Virginia, 1865—1900 Norris, Ethel Maureen, Ph.D. -
From Piano Girl to Professional: the Changing
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD- BELMONT SCHOOL, 1816-1920 Erica J. Rumbley University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Rumbley, Erica J., "FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD-BELMONT SCHOOL, 1816-1920" (2014). Theses and Dissertations--Music. 24. https://uknowledge.uky.edu/music_etds/24 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Autographen-Auktion 1. Oktober 2011
26. AutogrAphen-Auktion A u 1. oktober 2011 T o g r A p H Los |168 E n - A s u p A K ni T E n – Jo i o n ha nn i. 1.10. 2011 A x E L Los 542 | Hermann Löns s c Axel Schmolt | Autographen-Auktionen H M 47807 Krefeld | steinrath 10 o Telefon (02151) 93 10 90 | Telefax (02151) 93 10 9 99 L E-Mail: [email protected] T AutogrAphen-Auktion hier die genaue Anschrift für ihr Autographen-Auktionen Autographen inhaltsverzeichnis navigationssystem: Bücher Dokumente 47807 Krefeld | steinrath 10 Fotos Los-nr. g eschichte – Europäische Königshäuser 1 - 187 (sammlung peter Michielsen, utrecht, niederlande) Krefeld A 57 Auktionshaus Schmolt Richtung – napoleonische Zeitdokumente 188 - 198 Richtung am besten über die A 44 Abfahrt Essen – Deutsche Länder (ohne preußen) 199 - 219 Venlo Krefeld-Fischeln Meerbusch-Osterath✘ – preußen und Kaiserreich bis 1914 220 - 247 – i. Weltkrieg und Deutsche Marine 248 - 253 A 44 – Weimarer republik 254 - 265 A 44 – nationalsozialismus und ii. Weltkrieg 266 - 344 – Deutsche geschichte seit 1945 345 - 377 A 61 – geschichte des Auslands bis 1945 378 - 407 A 52 A 52 – geschichte des Auslands seit 1945 408 - 458 Düsseldorf – Kirche-religion 459 - 467 Mönchengladbach Neuss Literatur 468 - 603 Richtung A 57 Roermond Musik 604 - 869 – oper-operette (sänger/-innen) 870 - 945 Richtung Richtung Bühne - Film - tanz 946 - 1035 Koblenz Köln Bildende kunst 1036 - 1182 A 57 Wissenschaft 1183 - 1235 Autographen-Auktionen – Forschungsreisende und geographen 1236 - 1241 Axel Schmolt Steinrath 10 Luftfahrt 1242 - 1252 ✘ Kölner Straße Weltraumfahrt 1253 - 1258 A 44 Ausfahrt Sport 1259 - 1284 Osterath A 44 Kreuz Widmungsexemplare - Signierte Bücher 1285 - 1310 Meerbusch Richtung Krefelder Straße Mönchengladbach Sammlungen - konvolute 1311 - 1339 A 57 Autographen-Auktion am Samstag, den 1. -
Wulfhorst CD Romantisches N
TTERSON MITC ULFHO © Martin Wulfhorst 1999 home DIE ROMANTISCHE MUSIKKULTUR IN NORDDEUTSCHLAND ie norddeutsche Region war im 19. Jahr• Die Gemeinsamkeiten der Komponisten D hundert eine besonders reiche Kultur• auf den beiden vorliegenden CDs gingen weit landschaft. In den Musikzentren Hamburg, über die geographische Zugehörigkeit zu ein Altona, Bremen, Lübeck, Kiel, Braunschweig, und derselben »Musiklandschaft« hinaus: Ver• Hannover und Detmold wirkte im Zeitalter der bunden waren sie durch ein Netz von persön• Romantik eine große Zahl fruchtbarer Kom• lichen und professionellen Beziehungen - ponisten, die nach der wesentlich vom Wiener Freundschaften, Schüler-Lehrer-Verhältnisse, Stil geprägten klassischen Epoche wieder einen gemeinsame Auftritte bei norddeutschen Mu• eigenständigen norddeutschen Stil schufen sikfesten und bei öffentlichen wie privaten und ihm zu breiter Geltung und historischer Konzerten. Von größter Bedeutung waren da• Bedeutung verhalfen. Im 20. Jahrhundert ge• bei die sogenannten »Musikpartien«, die sich rieten jedoch etliche der zu ihrer Zeit weithin deutlich abhoben von der modernen Hausmu• bekannten norddeutschen Komponisten in sik ebenso wie von heutigen Liederabenden Vergessenheit - oft aus Gründen, die nichts oder Kammerkonzerten. Ein breiter Kreis von mit der Qualität ihrer Musik zu tun hatten. Musikern - von fähigen Laien bis zu den be• Verantwortlich dafür waren u.a. Auflösungen sten Instrumentalvirtuosen und Opernsängern von Verlagshäusern, Veränderungen in der der Zeit - traf sich, um gemeinsam zu musl• Struktur der Konzertformen, Unterbrechung zieren, zu speisen und sich zu unterhalten. oder Behinderung der Rezeption durch na• Sänger boten Lieder und Arien dar, Instru• tionalsozialistische Kulturpolitik (sehr wahr• mentalisten Solowerke oder Kammermusik, scheinlich im Fall von Fielitz, Woyrsch und und oft schlossen sich Musiker in Besetzungen Pfohl) und schließlich die zunehmende Redu• zusammen, die heute kaum noch gepflegt zierung der romantischen Musik auf einige werden. -
Music (Opportunities for Research in the Watkinson Library)
Trinity College Trinity College Digital Repository Watkinson Library (Rare books & Special Watkinson Publications Collections) 2016 American Periodicals: Music (Opportunities for Research in the Watkinson Library) Leonard Banco Follow this and additional works at: https://digitalrepository.trincoll.edu/exhibitions Part of the Musicology Commons Recommended Citation Banco, Leonard, "American Periodicals: Music (Opportunities for Research in the Watkinson Library)" (2016). Watkinson Publications. 22. https://digitalrepository.trincoll.edu/exhibitions/22 Opportunities for Research in the Watkinson Library • • • • American Perioclicals: USIC Series Introduction A traditional focus of collecting in the Watkinson since we opened on August 28, 1866, has been American periodicals, and we have quite a good representation of them from the late 18th to the early 20th centuries. However, in terms of "discoverability" (to use the current term), it is not enough to represent each of the 600-plus titles in the online catalog. We hope that our students, faculty, and other researchers will appreciate this series ofannotated guides to our periodicals, broken down into basic themes (politics, music, science and medicine, children, education, women, etc.), MUSIC all of which have been compiled by Watkinson Trustee and Introduction volunteer Dr. Leonard Banco. We extend our deep thanks to Len for the hundreds of hours he has devoted to this project The library holds a relatively small but significant since the spring of 2014. His breadth of knowledge about the collection of19 periodicals focusing on music that period and inquisitive nature has made it possible for us to reflects the breadth ofmusical life in 19th-century promote a unique resource through this work, which has America as it transitioned from an agrarian to an already been of great use to visiting scholars and Trinity industrial society. -
Lithes Sonderband 5 (Dezember 2017)
Zeitschrift für Literatur- und Theatersoziologie Herausgegeben von Beatrix Müller-Kampel und Marion Linhardt JAHRGANG 10 (2017) SONDERBAND 5 Musiktheater in Deutschland in der ersten Hälfte des 20. Jahrhunderts Räume – Ästhetik – Strukturen. Bd. 1 Herausgegeben von Marion Linhardt und Thomas Steiert Publiziert mit Unterstützung der Karl-Franzens-Universität Graz. Medieninhaber LiTheS. Ein Forschungs-, Dokumentations- und Lehrschwerpunkt am Institut für Germanistik der Karl-Franzens-Universität Graz Leitung: Beatrix Müller-Kampel Herausgeberinnen Ao. Univ.-Prof. Dr. Beatrix Müller-Kampel Institut für Germanistik der Karl-Franzens-Universität Graz Mozartgasse 8 / P, 8010 Graz Tel.: ++43 / (0)316 / 380–2453 E-Mail: [email protected] Fax: ++43 / (0)316 / 380–9761 Prof. Dr. Marion Linhardt Universität Bayreuth Sprach- und Literaturwissenschaftliche Fakultät, Gebäude GW I Universitätsstraße 30, 95447 Bayreuth E-Mail: [email protected] ISSN 2071-6346=LiTheS Covergestaltung Dr. Margarete Payer, www.margarete-payer.at Satz mp – design und text / Dr. Margarete Payer Gartengasse 13, 8010 Graz Tel.: ++43 / (0) 664 / 32 23 790 E-Mail: [email protected] Druck Servicebetrieb ÖH-Uni Graz GmbH Der Inhalt der Beiträge sowie die Beschaffung der Abbildungen liegen in der Verantwor- tung der AutorInnen. ISBN 978-3-902666-55-0 www.unipress-graz.at Copyright 2017 by Unipress Graz Verlag GmbH. Kein Teil des Werkes darf ohne schriftliche Genehmigung des Verlages in irgendeiner Form verarbeitet, reproduziert oder zur Verfügung -
U.S. Sheet Music Collection
U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES B (VOCAL) Consists of vocal sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. -
Boston Symphony Orchestra Concert Programs, Season 11, 1891-1892
4®h TUB National Conservatory of music OF AMERICA. 126 and 128 East 17th Street, New York. [Incorporated September 21, 18S5.] OFFICERS. Pres. Mrs. JEANNETTE M. THURBER. Treas. RICHARD IRVIN, Jr. Secretary, CHAS. INSLEE PARDEE, A.M. Founded for the benefit of Musical Talent in the United States, and conferring its benefits free upon all applicants sufficiently gifted to warrant the prosecution of a thorough course of studies, and unable to pay for the same, and upon others of the requisite aptitude on the payment of a small fee. FACULTY. Dr. ANTONIN DVORAK Has been engaged as Director, and will enter upon his duties September 23, 1892. SlNGIN*G. Principal of Vocal Department— Mr. R. Sapio. Mr. Christian Fritsch. Miss Katharine W. Evans. Mme. Elena Corani. Mr. Oscar Saenger. Mr. Wilfred Watters. Mr. R. Sapio. Opera Class — Herr Emil Fischer. Oratorio Class — Mrs. Beebe Lawton. Ensemble and Operatic Chorus — To be selected. Piano. Mr. Rafael Joseffy. Miss Adele Margulies. Miss Elinor Comstock. Mr. Leopold Winkler. Mrs. Jessie Pitmey Baldwin. Miss Mabel Prnpps. Mr. J. G. Huneker. Organ — Mr. Samuel P. Warren. Harp — Mr. John Cheshire. Violin. Mme. Camilla Urso. Mr. Leopold Lichtenberg. Mr. Jan Koert. Mr. Juan Buitrago. Viola — Mr. Jan Koert. Violoncello — Mr. Victor Herbert, Mr. Emile Knell. Contrabass — Mr. Ludwig Manoly. Flute — Mr. Otto Oesterle. Oboe — Mr. Arthur Trepte. Clarinet — Mr. Richard Kohl. Bassoon — Mr. Adolph Sohst. Cornet — Mr. Carl Sohst. French Horn — Mr. Carl Pieper. Harmony, Counterpoint, and Composition. Mr. Bruno Oscar Klein. Mr. F. Q. Dulcken. Solfeggio — Mr. John Zobanaky, Miss Leila La Fetra. Chamber Music—Mr. -
January 1913) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1913 Volume 31, Number 01 (January 1913) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 31, Number 01 (January 1913)." , (1913). https://digitalcommons.gardner-webb.edu/etude/587 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE JANUARY 1913 30 th ANNIVERSARY NUMBER 1883-1913 51.50 PER YEAR 15c PER COPY THF.O PR F.SSFR TO. PHll.AnFl.PH1 A REMITTANCES should be made by post-office or express money orders, bank check or draft, or registered letter. United States postage stamps are always received for cash. Money sent in letters Is dan¬ gerous, and we are DISCONTINUANCE.—Wri RENEWAL,.—No receipt is ! On tlie wrapper of tlie i will l>e printed the <ls subscription is paid np, MANUSCRIPTS_Manuscripts should he addressed to THE ETUDE. Write on one side of the sheet only. Contributions on music-teaching and music-study are solicited.