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Hansen, Cinema and Experience: Siegfried Kracauer, Walter
Cinema and Experience WEIMAR AND NOW: GERMAN CULTURAL CRITICISM Edward Dimendberg, Martin Jay, and Anton Kaes, General Editors Cinema and Experience Siegfried Kracauer, Walter Benjamin, and Th eodor W. Adorno Miriam Bratu Hansen UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2012 by Th e Regents of the University of California Library of Congress Cataloging-in-Publication Data Hansen, Marian Bratu, 1949–2011. Cinema and experience : Siegfried Kracauer, Walter Benjamin, and Th eodor W. Adorno / Miriam Bratu Hansen. p. cm.—(Weimar and now: German cultural criticism ; 44) Includes bibliographical references and index. isbn 978-0-520-26559-2 (cloth : alk. paper) isbn 978-0-520-26560-8 (pbk. : alk. paper) 1. Motion pictures. 2. Kracauer, Siegfried, 1889–1966—Criticism and interpretation. 3. Benjamin, Walter, 1892–1940—Criticism and interpretation. 4. Adorno, Th eodor W., 1903–1969—Criticism and interpretation. I. Title. PN1994.H265 2012 791.4309—dc23 2011017754 Manufactured in the United States of America 20 19 18 17 16 15 14 13 12 10 9 8 7 6 5 4 3 2 1 In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Rolland Enviro100, a 100 percent postconsumer fi ber paper that is FSC certifi ed, deinked, processed chlorine-free, and manufactured with renewable biogas energy. -
Sébastien Goubault Le Chien Dans Les Jeux Vidéo
Sébastien Goubault Le chien dans les jeux vidéo : archéologie, filiation et développement d’une réalité virtuelle ---------------------------------------------------------------------------------------------------------------------------------------------- GOUBAULT Sébastien. Le chien dans les jeux vidéo : archéologie, filiation et développement d’une réalité virtuelle, sous la direction d’Éric Baratay. - Lyon : Université Jean Moulin (Lyon 3), 2018. Disponible sur : http://www.theses.fr/2018LYSE3001 ---------------------------------------------------------------------------------------------------------------------------------------------- Document diffusé sous le contrat Creative Commons « Paternité – pas d’utilisation commerciale - pas de modification » : vous êtes libre de le rep roduire, de le distribuer et de le communiquer au public à condition d’en mentionner le nom de l’auteur et de ne pas le modifier, le transformer, l’adapter ni l’utiliser à des fin s commerciales. N°d’ordre NNT : 2018LYSE3001 THÈSE de DOCTORAT DE L’UNIVERSITÉ DE LYON Opérée au sein de l’Université Jean Moulin Lyon 3 École Doctorale de Sciences sociales ED 483 Discipline : Doctorat en Histoire mention histoire religieuse, politique et culturelle Soutenue publiquement le 17/01/2018, par : Sébastien Goubault Le chien dans les jeux vidéo Archéologie, filiation et développement d’une réalité virtuelle Devant le jury composé de : GUILLO, Dominique Directeur de recherche/CNRS Rapporteur SERVAIS Olivier Professeur/Université de Louvain Rapporteur DESPRET, Vinciane -
An Exploration of Comics and Architecture in Post-War Germany and the United States
An Exploration of Comics and Architecture in Post-War Germany and the United States A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Ryan G. O’Neill IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Rembert Hueser, Adviser October 2016 © Ryan Gene O’Neill 2016 Table of Contents List of Figures……………………………………………………………………………………...……….i Prologue……………………………………………………………………………………….....…1 Introduction………………………………………………………………………………………...8 Chapter 1: The Comic Laboratory…………………………………………………...…………………………………….31 Chapter 2: Comics and Visible Time…………………………………………………………………………...…………………..52 Chapter 3: Comic Cities and Comic Empires………………………………...……………………………...……..…………………….80 Chapter 4: In the Shadow of No Archive…………………………………………………………………………..…….…………114 Epilogue: The Painting that Ate Paris………………………………………………………………………………...…………….139 Works Cited…..……………………………………………………………………………..……152 i Figures Prologue Figure 1: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 2: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 3: Image of Vitra Feuerwehrhaus Uncredited. https://www.vitra.com/de-de/campus/architecture/architecture-fire-station Figure 4: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Introduction Figure 1: Goscinny, René (w), Alberto Uderzo (i). Die Trabantenstadt. trans. Gudrun Penndorf. Stuttgart: Ehapa Verlag GmbH, 1974. Pp.28-29. Print. Figure 2: Forum at Pompeii, Vitruvius Vitrubius. The Ten Books on Architecture. trans. Morris Hicky Morgan, Ph.D., LL.D. Illustrations under the direction of Herbert Langford Warren, A.M. pp. 132. Print. Figure 3: Töpffer, Rodolphe. -
Disney Comics from Italy♦ © Francesco Stajano 1997-1999
Disney comics from Italy♦ © Francesco Stajano 1997-1999 http://i.am/filologo.disneyano/ A Roberto, amico e cugino So what exactly shall we look at? First of all, the Introduction fascinating “prehistory” (early Thirties) where a few pioneering publishers and creators established a Disney Most of us die-hard Disney fans are in love with those presence in Italy. Then a look at some of the authors, seen comics since our earliest childhood; indeed, many of us through their creations. Because comics are such an learnt to read from the words in Donald’s and Mickey’s obviously visual medium, the graphical artists tend to get balloons. Few of us, though, knew anything about the the lion’s share of the critics’ attention; to compensate for creators of these wonderful comics: they were all this, I have decided to concentrate on the people who calligraphically signed by that “Walt Disney” guy in the actually invent the stories, the script writers (though even first page so we confidently believed that, somewhere in thus I’ve had to miss out many good ones). This seems to America, a man by that name invented and drew each and be a more significant contribution to Disney comics every one of those different stories every week. As we studies since, after all, it will be much easier for you to grew up, the quantity (too many) and quality (too read a lot about the graphical artists somewhere else. And different) of the stories made us realise that this man of course, by discussing stories I will also necessarily could not be doing all this by himself; but still, we touch on the work of the artists anyway. -
Under Exclusive License to Springer Nature Switzerland AG 2021 PC
INDEX1 A C Adaptation studies, 130, 190 Canon, 94, 146, 187, 188, 193, Adenauer, Konrad, 111, 123 194, 214 Adenauer Era, 105 Cochran, Russ, 164 Another Rainbow, 164, 176 Comics Code, 122 Comics collecting, 146, 161 Cultural diplomacy, 51, 55, 59, B 113, 116 Barks, Carl, 3, 43–44, 61, 62, 69, 185 Calgary Eye-Opener, 72, 156 D early life and career, 71 Dell Comics, 3, 5, 15, 30, 98, “The Good Duck Artist,” 67 123, 143 identifcation by fans, 99 De-Nazifcation, 6, 105 oil portraits, 72, 100, 165 Disney, Walt, 2, 38, 49, 53, 57, 59, retirement, 97 66, 69, 80, 143 Beagle Boys, 74, 135 Disney animated shorts Branding, 39, 56, 57, 66 The Band Concert, 40 Europe, 106 Commando Duck, 65, 121 Bray, J.R., 34 Der Fuehrer’s Face, 62 Col. Heeza Liar, 47 Donald and Pluto, 42 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s), under exclusive license to Springer Nature 219 Switzerland AG 2021 P. C. Bryan, Creation, Translation, and Adaptation in Donald Duck Comics, Palgrave Fan Studies, https://doi.org/10.1007/978-3-030-73636-1 220 INDEX Disney animated shorts (cont.) F Donald Gets Drafted, 61 Fan studies, 26, 160 Don Donald, 43 Fanzines, 148, 163 Education for Death, 63 Barks Collector, 149, 165, 180 Modern Inventions, 43 Der Donaldist, 157 The New Spirit, 61 Duckburg Times, 157, 158, 180 The Spirit of ‘43, 62 Female characters in Disney comics, 19 Disney Animation, 44, 47, 72 Frontier theory, 85–86, 94 Kimball, Ward, 44 Fuchs, Erika, 6, 15, 16, 105, 152, 201 World War II, 50 early life and career, 125 Disney comics, 177, 180 ”Erikativ,” -
List of Search Engines
A blog network is a group of blogs that are connected to each other in a network. A blog network can either be a group of loosely connected blogs, or a group of blogs that are owned by the same company. The purpose of such a network is usually to promote the other blogs in the same network and therefore increase the advertising revenue generated from online advertising on the blogs.[1] List of search engines From Wikipedia, the free encyclopedia For knowing popular web search engines see, see Most popular Internet search engines. This is a list of search engines, including web search engines, selection-based search engines, metasearch engines, desktop search tools, and web portals and vertical market websites that have a search facility for online databases. Contents 1 By content/topic o 1.1 General o 1.2 P2P search engines o 1.3 Metasearch engines o 1.4 Geographically limited scope o 1.5 Semantic o 1.6 Accountancy o 1.7 Business o 1.8 Computers o 1.9 Enterprise o 1.10 Fashion o 1.11 Food/Recipes o 1.12 Genealogy o 1.13 Mobile/Handheld o 1.14 Job o 1.15 Legal o 1.16 Medical o 1.17 News o 1.18 People o 1.19 Real estate / property o 1.20 Television o 1.21 Video Games 2 By information type o 2.1 Forum o 2.2 Blog o 2.3 Multimedia o 2.4 Source code o 2.5 BitTorrent o 2.6 Email o 2.7 Maps o 2.8 Price o 2.9 Question and answer . -
Onkel Dagobert“-Zeichners Don Rosa Ist Da!
PRESSEMITTEILUNG Sein Leben, seine Comics: Die lang ersehnte Gesamtausgabe des legendären „Onkel Dagobert“-Zeichners Don Rosa ist da! Berlin, 26.05.2020 – Don Rosa gehört zu den berühmtesten Zeichnern Entenhausens. Die Ducks in der Tradition seines Kindheitshelden Carl Barks zu zeichnen, so sagt er, wäre seit jeher seine Bestimmung gewesen. Seine Comics beweisen dies: schon längst gelten die Abenteuer Don Rosas rund um Onkel Dagobert als Klassiker. Jetzt endlich finden sich alle seine Geschichten mit den Ducks in einer Hardcover-Edition! In dieser neuen, chronologischen Gesamtausgabe sind sämtliche Don Rosa- Geschichten in der vom Künstler bevorzugten Kolorierung und Aufmachung enthalten. Abgerundet wird die Edition durch spannende Hintergrundinformationen, Biografien, Skizzen und Kommentaren des Comic-Zeichners selbst. Dieses auf 10 Bände ausgelegte Gesamtwerk darf in keiner Sammlung fehlen! „Dem Ingenieur ist nichts zu schwör“: Getreu dem Daniel Düsentrieb-Motto begann 1987 die Zeichnerkarriere des gelernten Ingenieurs Don Rosa aus Kentucky, als er erstmals die Gelegenheit bekam, eine Geschichte mit den legendären Ducks von Carl Barks zu zeichnen. Seitdem hat Don Rosa längst selbst den Titel eines legendären Entenzeichner erlangt: Sein schräger Witz, die detailreichen und mit Gags gefüllten Zeichnungen und vor allem seine mit historischen Fakten angereicherten Abenteuergeschichten haben ihm weltweit Fans beschert und machen ihn zu dem beliebtesten lebenden Zeichner Entenhausens. Der erste Band „Der Sohne der Sonne“ erscheint am 04. Juni bei der Egmont Comic Collection (30,00€, ISBN 978-3-7704-4052-8). Band 2 „Zurück ins Land der viereckigen Eier“ folgt am 03. September (30,00€, ISBN 978-3-7704-4053-5). Zusätzlich erscheint ebenfalls am 04. Juni eine gebündelte Schuberausgabe mit den ersten beiden Bänden der „Onkel Dagobert und Donald Duck – Don Rosa Library“ (70,00€, 978-3-7704-4113-6) in begrenzter Stückzahl. -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75 -
Inducks E Créditos Nos Quadrinhos Disney Brasileiros
Escola de Comunicações e Artes - Universidade de São Paulo - 23 a 26 de agosto de 2011 Eixo temático Quadrinhos e História INDUCKS E CRÉDITOS NOS QUADRINHOS DISNEY BRASILEIROS 1 2 Fernando Ventura , Celbi Pegoraro Resumo Inducks (ou I.N.D.U.C.K.S) é o nome de uma base de dados internacional que tem por objetivo catalogar todas as publicações e histórias em quadrinhos Disney do mundo todo. O projeto é distribuído sob sua própria licença e está próximo de catalogar cem mil edições diferentes. Este artigo destaca momentos históricos em que artistas brasileiros de quadrinhos Disney, por décadas negligenciados à condição de "artistas fantasmas", foram identificados ou creditados e como a participação de dois destes artistas no projeto Inducks modificou este cenário. Palavras-Chave Quadrinhos Disney, História dos; Disney, personagens de; Base de Dados; Inducks. Abstract Inducks (or I.N.D.U.C.K.S.) is a worldwide database aiming to index all Disney Universe comics and stories ever printed in the world. The project is distributed with its own license and it is close to achieve one hundred thousand different editions. This article discuss a few historical moments in witch Brazilian Disney comics artists, for decades neglected as "ghost artists", were identified and how the work of two of those artists on Inducks changed this scenario. Keywords Disney Comics, History of; Disney characters; Database; Inducks. 1 Introdução O registro mais antigo (até o presente momento) de produções Disney no Brasil data de 3 de janeiro de 1930. Neste dia, os cinemas cariocas Primor (centro) e Mascote 1 Graduado e Especialista em Design Gráfico, Centro Universitário Belas Artes de São Paulo, São Paulo, SP, Brasil [email protected] 2 Bacharel em Comunicação Social – Jornalismo pela Universidade Presbiteriana Mackenzie, Pós-graduado (Especialista) em Política e Relações Internacionais pela Fundação Escola de Sociologia e Política de São Paulo (FESP-SP) e mestrando em Ciências da Comunicação na Escola de Comunicações e Artes da Universidade de São Paulo (ECA/USP). -
Micky Maus & Donald Duck
SO FINDEN SIE ZU UNS DAS BEGLEITPROGRAMM Tauberbischofsheim Residenzschloss Mergentheim Die Ausstellung ist während der Öffnungszeiten Bad Mergentheim Bf Badweg Unterer Graben selbstständig zu erkunden. asse uerg Mün a zgass e M e er nt MICKY MAUS & FÜHRUNGEN U T örkelgasse Sybille Beyer, Dr. Nicole Scheuerbrandt, Christine Wahl 0 50 100 m Nonnengasse Holzapfelgasse RESIDENZSCHLOSS MERGENTHEIM SCHLOSSPARK DONALD DUCK TERMINE: Eingang Samstag, 5. Juni 14.30 Uhr Sonntag, 8. Aug. 14.30 Uhr Mühlwehrstraße GEZEICHNET VON BARKS, GOTTFREDSON, TALIAFERRO Burgstraße r. Sonntag, 20. Juni 14.30 Uhr Samstag, 21. Aug. 14.30 Uhr r St ime K he a rs p ge u I z in Sonntag, 4. Juli 14.30 Uhr Samstag, 4. Sep. 14.30 Uhr Wettga e sse r st ra Marktplatz ß e Samstag, 24. Juli 14.30 Uhr Sonntag, 19. Sep. 14.30 Uhr se as ng e rk Tü HINWEIS: Für Gruppen nach Vereinbarung buchbar. 22. MAI BIS Diese Führungen können auch für Gruppen von Kindern und Jugend- WEGBESCHREIBUNG 19. SEPT. 2021 lichen gebucht werden und werden von den Referent*innen der Das Schloss ist über die Autobahnen A 3, A 6, A 7 und A 81 sowie die Bundes- Altersgruppe entsprechend angepasst. straßen B 19 und B 290 erreichbar, kostenpflichtige Parkplätze sind in fuß- läufiger Reichweite vorhanden. Fußweg vom Bahnhof zum Schloss ca. 5 bis 7 Die Führungen können stattfinden, sobald die Situation es erlaubt. Minuten. Der Eingang zum Residenzschloss liegt im Inneren Schlosshof. Weitere Informationen unter www.schloss-mergentheim.de ÖFFNUNGSZEITEN KONTAKT UND INFORMATION ANMELDUNG: Telefonisch unter +49(0)79 31. 5 22 12 1. -
Bursting Money Bins the Ice and Water Structure
Bursting Money Bins The ice and water structure Franco Bagnoli, Dept. of Physics and Astronomy and Center for the Study of Complex Dynamics, University of Florence, Italy Via G. Sansone, 1 50019 Sesto Fiorentino (FI) Italy [email protected] In the classic comics by Carl BarKs, “The Big Bin on Killmotor Hill” [1], Uncle Scrooge, trying to defend his money bin from the Beagle Boys, follows a suggestion by Donald DucK, and fills the bin with water. Unfortunately, that night is going be the coldest one in the history of Ducksburg. The water freezes, bursting the ``ten-foot walls'' of the money bin, and finally the gigantic cube of ice and dollars slips down the hill up to the Beagle Boys lot. That water expands when freezing is a well-Known fact, and it is at the basis of an experiment that is often involuntary performed with beer bottles in freezers. But why does the water behave this way? And, more difficult, how can one illustrate this phenomenon in simple terms? First of all, we have to remember that the temperature is related to the Kinetic energy of molecules, which tend to stay in the configuration of minimal energy. In general, if one adopts a simple ball model for atoms, the configuration of minimal energy is more compact than a more energetic (and thus disordered) configuration. But this is not the case for water. FIG. 1: A Schematic representation of the water molecule Indeed, water molecules resemble the head of MicKey Mouse (see Fig. 1), the two hydrogen atoms being the ears. -
COMIC COLLECTION Tel: 030-24008-0 Fax: 030-24008-130
EGMONT Verlagsgesellschaften mbH · Alte Jakobstraße 83 · 10179 Berlin Tel: +49 (0) 30-24008-0 (-DW) · Fax: +49 (0) 30-24008-130 [email protected] | www.egmont.de EGMONT FRÜHJAHR 2020 Ihre Ansprechpartner im Verlag APRIL 2020 BIS SEPTEMBER 2020 VORSCHAU UND GESAMTVERZEICHNIS Regional Sales & Marketing Director, GSA & Denmark Stefan Krogh-Hansen [email protected] COMIC COLLECTION Tel: 030-24008-0 Fax: 030-24008-130 Verkaufsleitung Vertrieb Kundenservice Marketing Comic und Manga Peter Kaboth [email protected] Markus Iking [email protected] [email protected] Tel: 030-24008-133 Tel: 030-24008-142 Fax: 030-24008-130 Fax: 030-24008-130 Verkaufsleitung Schneiderbuch Vertrieb Kundenservice Product Manager & Black Library Olaf Gabriel Rita Koch Ute Plaßmann [email protected] [email protected] [email protected] Tel: 030-24008-132 Tel: 030-24008-426 Tel: 030-24008-136 Fax: 030-24008-130 Fax: 030-24008-130 Außendienst Auslieferungen Außendienst Buchhandel, Schreib- Niedersachsen, Schleswig-Holstein, Auslieferungen Im Buchhandel vertreten durch: und Spielwaren, Warenhaus (D) Hamburg, Bremen Auslieferung Deutschland Österreich West Günther Pölking-Henkel VVA - arvato Edwin Mayr Bayern, Südtirol, Sachsen, Leher Heerstraße 231 Abt. D6F5 Kreuzweg 24, A-4600 Wels Sachsen-Anhalt, Thüringen 28357 Bremen An der Autobahn 100, Tel: 0664-3912833 Patricia Fuß-Beschta Tel: 0421-4170819 33333 Gütersloh Fax: 07242-910408 Fuß Beschta Verlagsvertretungen Fax: 0421-4170804 Tel: 05241-80-88280 [email protected] Handelsvertretungen CDH [email protected]