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Der Mann Im Schatten Seine Ämter Haben Inzwischen Andere, Seine Macht Haben Sie Nicht
Deutschland CDU Der Mann im Schatten Seine Ämter haben inzwischen andere, seine Macht haben sie nicht. Plant Wolfgang Schäuble ein Comeback? Von Tina Hildebrandt nichtsnutzige Zeitgenossen geisti- ge Überlegenheit spüren zu las- sen, haben seit jeher Distanz zwi- schen Schäuble und seiner Umge- bung geschaffen. Herrisch, kalt, fast unmensch- lich in seiner Kontrolliertheit fan- den und finden ihn viele. In der Fraktion, die er acht Jahre lang streng geführt hat, sowieso. Auch in seinem eigenen Landesverband Baden-Württemberg war Schäuble nie unumstritten. Seit seinem putschartigen Sturz vom Chefsessel der CDU ver- größert ein kollektives schlechtes Gewissen die Distanz. In der Frak- tion sitzt Schäuble hinten links bei seiner Landesgruppe, im Plenum des Bundestags in der zweiten Reihe. Ein Denkmal der Disziplin, das die so genannten Spitzenkräf- te in der ersten Reihe durch bloße Anwesenheit deklassiert und alle anderen daran erinnert, dass sie einen erfolgreichen Parteichef dem Rechtsbrecher Helmut Kohl STEFFEN SCHMIDT / AP SCHMIDT STEFFEN geopfert haben. CDU-Politiker Schäuble: „Ich beschäftige mich nicht mit Posten“ Schäuble weiß das alles. Er hat oft unter dieser Distanz gelitten. ie Hände senken sich auf das Ge- sagt, „können mich das überhaupt nicht Umso mehr genießt er die Wertschätzung, sicht wie ein Vorhang auf die Büh- fragen. Fragen können mich nur die Vor- die ihm nun von Parteifreunden wie dem Dne. Blaue Augen spähen belustigt sitzenden von CDU und CSU.“ sächsischen Premier Kurt Biedenkopf, dem zwischen den Fingern hervor, dann lässt Anderthalb Jahre ist es her, dass sie ihn Thüringer Bernhard Vogel oder dem CSU- Wolfgang Schäuble ein mildes Grinsen se- als Partei- und Fraktionschef verjagt ha- Mann Michael Glos entgegengebracht hen. -
Dresden Kempinski
World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Australian Bar Association Conference DRESDEN 27 – 29 June 2011 CONFERENCE HOTEL Hotel Taschenbergpalais Kempinski Taschenberg 3 D 01067 DRESDEN GERMANY Phone: 49 351 4912 612 Fax: 49 351 4912 646 www.kempinski-dresden.de Hotel Location The Taschenbergpalais Kempinski is located in the city centre of Dresden and is only a few steps away from renowned sights of Semper Opera House, the Residential Castle, Zwinger and Frauenkirche. Hotel Features The hotel has 214 rooms including 32 suites, on 4 levels, both Smoking and Nonsmoking. There are several Restaurants, including Restaurant Intermezzo, the Palais Bistro, or Café Vestibül Check in Time: 3pm Checkout Time: 12 Noon Room Features Kurfürsten Deluxe Rooms 45 m with - Views to the baroque scenery of Dresden - Lounge area with armchairs - Writing Desk and chair - Pillow Options - Individually adjustable Air-Conditioning - Separate Bathtub, Shower and separate Toilet - Internet Protocol Television with 100 Channels - High Speed Internet and Wireless LAN at EUR25 per day - ISDN Telephone including cordless Telephone for in-house use and fax connection - 110 V Plugs- American Standard – for small Appliances - Hairdryer World Travel Professionals ABN 92 080 629 689 Lic No. TAG 1502 World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Page 2 - Window can be opened - Safe - Laundry/Ironing Facilities - 24 hour Room Service - Bath Robes - Daily Newspaper Business Centre Full Service ABA Room Allotment from 27 June to 30 June 2011 Pre and Post Allotment Nights at Conference Rate upon Request. -
EBERHARD HAVEKOST 1967-2019 Born Dresden, Germany
EBERHARD HAVEKOST 1967-2019 Born Dresden, Germany . EDUCATION 1984-85 Apprenticeship as a stonemason 1991-96 MFA, Hochschule für Bildende Künste (HfBK), Dresden, Germany 2010 Professor at the Kunstakademie, Dusseldorf, Germany SOLO EXHIBITIONS 2017 “Havekost Meets Austria” Austrian Cultural Forum, Berlin, Germany “Logik” Galerie Rudolfinum, Prague, Czech Republic 2016 “Inhalt” KINDL, Berlin, Germany [cat.] “Expulsion from Paradise Freeze” Anton Kern Gallery, New York, NY 2015 “Natur” Galerie Gebr. Lehmann, Dresden, Germany 2013 “Retrospektive 1+2” Galerie Gebr. Lehmann, Dresden/Berlin, Germany “Cosmos Now” White Cube, Mason’s Yard, London, UK “Title” Museum Küppersmühle, Duisburg, Germany “La Fin et le lever du jour” Galerie Hussenot, Paris, France 2012 “COPY + OWNERSHIP” Anton Kern Gallery, New York, NY “Endless” Brandenburgischer Kunstverein, Postdam, Germany “Eberhard Havekost-Sightseeing Trip” Bhau Daji Lad Museum, Mumbai, India “Eberhard Havekost” Die Sammlung MAP, Museum der Moderne, Salsburg, Austria Kochi-Muziris Biennale 2012, Kerala Lalitha Kala Akademi Durbar Hall Art Gallery, Ernakulam/Kochi, Kerala “Prints from 2001 to 2012” Kunstverein, Augsburg, Augsburg 2011 “Structure and Absence” White Cube Bermondsey, London, UK “Take Care” Roberts & Tilton, Culver City, CA “Farbenspiel” Galerie Gebr. Lehmann, Berlin, Germany 2010 “Guest” White Cube, Hoxton Square, London, UK “Ausstellung” Staatliche Kunstsammlungen, Dresden, Germany “Affirmation” Ausstellungsraum Celine u. Heiner Bastian, Berlin, Germany “If Not in This Period of Time -
Dresden Paintings in the Permanent Collection Galleries
DRESDEN PAINTINGS IN THE PERMANENT COLLECTION GALLERIES To complement the display of works by two of the best-known artists who worked in Dresden, Caspar David Friedrich (1774-1840) and Gerhard Richter (born 1932), thirteen works from the Galerie Neue Meister are interspersed throughout the paintings galleries of the J. Paul Getty Museum in juxtapositions with works from the Getty’s permanent collection. Rather than following a strict chronology, the pairings touch on key themes in German painting from 1800 to the present and highlight the artists’ diverse approaches to similar subjects. They also illustrate the relationship between German art and that produced elsewhere in Europe, the connection between hsitory and art in Germany, and the role of Dresden in the development of German art. Galerie Neue Meister, Dresden The J. Paul Getty Museum West Pavilion, Plaza Level Carl Blechen (German, 1798-1840) Christen Schjellerup Købke (Danish, Ruins of a Gothic Church, 1826 1810-1848) Oil on canvas The Forum, Pompeii, with Vesuvius in the Distance, 1841 Oil on paper, mounted on canvas West Pavilion, Upper Level Christian Friedrich Gille (German, 1805-1899) Jean-Baptiste-Camille Corot (French, At the Weisseritz River in Plauen, 1833 1796-1875) Oil on paper, mounted on cardboard House near Orléans, France, about 1830 Oil on paper, mounted on millboard Jean Joseph-Xavier Bidault (French, 1758-1846) View of the Bridge and Part of the Town of Cava, Kingdom of Naples, 1785-90 Oil on paper, mounted on canvas Simon Joseph-Alexandre-Clément Denis (Flemish, 1755-1812) Study of Clouds with a Sunset near Rome, 1786-1801 Oil on paper -more- Page 2 Théodore Caruelle d’Aligny (French, 1798-1871) View of a Mountain Valley with Buildings, about 1829-33 Oil on paper, mounted on canvas Lent by a private collector .................................................................................................................................................. -
Klausurtagungen U. Gäste CSU-Landesgr
Gäste der CSU-Landesgruppe - Klausurtagungen in Wildbad Kreuth und Kloster Seeon Kloster Seeon (II) 04.01. – 06.01.2018 Greg Clark (Britischer Minister für Wirtschaft, Energie und Industriestrategie) Vitali Klitschko (Bürgermeister von Kiew und Vorsitzender der Regierungspartei „Block Poroshenko“) Frank Thelen (Gründer und Geschäftsführer von Freigeist Capital) Dr. Mathias Döpfner (Vorstandsvorsitzender der Axel Springer SE und Präsident des Bundesverbandes Deutscher Zeitungsverleger) Michael Kretschmer (Ministerpräsident des Freistaates Sachsen) Kloster Seeon (I) 04.01. – 06.01.2017 Erna Solberg (Ministerpräsidentin von Norwegen und Vorsitzende der konservativen Partei Høyre) Julian King (EU-Kommissar für die Sicherheitsunion) Fabrice Leggeri (Exekutive Direktor EU-Grenzschutzagentur FRONTEX) Dr. Bruno Kahl (Präsident des Bundesnachrichtendienstes) Prof. Dr. Heinrich Bedford-Strohm (Landesbischof von Bayern und Vorsitzender des Rates der EKD) Prof. Dr. Norbert Lammert MdB (Präsident des Deutschen Bundestages) Joe Kaeser (Vorstandsvorsitzender der Siemens AG) Wildbad Kreuth XL 06.01. – 08.01.2016 Dr. Angela Merkel MdB David Cameron ( Premierminister des Vereinigten Königreichs) Prof. Peter Neumann ( Politikwissenschaftler) Guido Wolf MdL (Vorsitzender der CDU-Fraktion im Landtag von Baden-Württemberg) Dr. Frank-Jürgen Weise (Vorstandsvorsitzender der Bundesagentur für Arbeit und Leiter des Bundesamtes für Migration und Flüchtlinge) Wildbad Kreuth XXXIX 07.01. – 09.01.2015 Professor Dr. Vittorio Hösl * Günther Oettinger (EU-Kommissar für Digitale Wirtschaft und Gesellschaft) Jens Stoltenberg (Nato-Generalsekretär) Margret Suckale (Präsidentin des Chemiearbeitgeberverbandes) Hans Peter Wollseifer (Präsident des Zentralverbandes des Deutschen Handwerks) Dr. Thomas de Maizière (Bundesminister des Innern) Pawlo Anatolijowytsch Klimkin (Außenminister der Ukraine) Wildbad Kreuth XXXVIII 07.01. – 09.01.2014 Matthias Horx (Gründer und Inhaber des Zukunftsinstituts Horx GmbH, Wien) * S.E. John B. -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
The Theatricality of the Baroque City: M
THE THEATRICALITY OF THE BAROQUE CITY: M. D. PÖPPELMANN’S ZWINGER AT DRESDEN FOR AUGUSTUS THE STRONG OF SAXONNY PATRICK LYNCH TRINITY HALL CAMBRIDGE UNIVERSITY 1996 MASTER OF PHILOSOPHY DISSERTATION THE HISTORY AND PHILSOPHY OF ARCHITECTURE 1 CONTENTS: Acknowledgements. Preface. 1 Introduction to the topic of theatricality as an aspect of the baroque. i.i The problem of the term baroque. i.ii The problem of theatricality in the histories of baroque architecture: i.ii.a The theatricality of the Frame. i.ii.b The theatricality of Festival. ii The hermeneutics of theatricality: ii.i Hans-Georg Gadamer's formulation of play, symbol and festival as an interpretation of baroque theatricality. 2 The historical situation of the development of the Zwinger. i The European context. ii The local context. 3 The urban situation of the Zwinger. i Barockstadt Dresden. ii Barockstaat Sachsen. 4 A description of the development of the Zwinger. Conclusion: i Festival and the baroque city. A description of the Zwinger in use as it was inaugurated during the wedding celebrations of Augustus III and Marie Josepha von Habsburg, September 1719. ii Theatricality and the city. Bibliography. Illustrations: Volume 2 2 ACKNOWLEDGEMENTS: I would like to thank D.V. for supervising me in his inimitable way, and Dr. Christopher Padfield (and Trinity Hall) for generous financial support. This dissertation is dedicated to my family and friends, absent or otherwise and to C.M. in particular for first showing me the Zwinger and without whose care this document would not exist. PATRICK LYNCH 09/96 3 'Als ich nach der Augustusbrücke kam, die ich schon so gut aus Kupferstichen und Gemälden kannte, kam es mir vor, als ob ich schon früher einmal in Traum hier gewesen wäre.' (As I came upon the Augustusbrücke, which I knew so well from engravings and paintings, it seemed to me as if I had been here once before, in a dream.) Hans Christian Andersen 'This luscious and impeccable fruit of life Falls, it appears, of its own weight to earth. -
EOSG/CENTEB Note to Mr
UNITED NATIONS NATIONS UNIES POSTAL ADDRESS ADRESSE POSTAL E: UNITED NATIONS. N. Y 10017 CABLE ADDRESS ADRESSE T E L EG R A P III Q LFE: UNATIONS KEWVOHK EXECUTIVE OFFICE OF THE SECRETARY-GENERAL CABINET DU SECRETAIRE GENERAL DEFERENCE 6 March 2003 Dear Dr. Wahlers, Thank you for your letter of 27 February 2003, enquiring whether the Secretary- General would be able to meet with Professor Dr. Kurt Biedenkopf during the week 4 through 8 April 2003. The Secretary-General would enjoy an opportunity to discuss the current world outlook with Professor Biedenkopf. However, given the press of international events and the uncertainties of his travel schedule, the Secretary-General is not able to commit in advance to an appointment during that week. Could I suggest that you call this office in the last week of March, and I will ascertain whether the Secretary-General will be available. In the meantime, if Professor Biedenkopf would care to meet with other senior United Nations officials, I would be pleased to try and arrange such meetings. Yours sincer Michael Doyle Assistant Secretary-General Dr. Gerhard Wahlers Director Konrad Adenauer Stiftung 2005 Massachusetts Avenue NW Washington DC 20036 EOSG/CENTEB Note to Mr. Riza Visit of Professor Dr. Kurt Biedenkopf I hesitate to recommend anything additional for the SG's schedule, given the press of events now and the likelihood that the same pressure will exist in early April. Nonetheless, the SG might find a conversation with this eminent scholar/official interesting and useful. Biedenkopf s knowledge of trans-Atlantic relations is profound. -
Meissen Masterpieces Exquisite and Rare Porcelain Models from the Royal House of Saxony to Be Offered at Christie’S London
For Immediate Release 30 October 2006 Contact: Christina Freyberg +44 20 7 752 3120 [email protected] Alexandra Kindermann +44 20 7 389 2289 [email protected] MEISSEN MASTERPIECES EXQUISITE AND RARE PORCELAIN MODELS FROM THE ROYAL HOUSE OF SAXONY TO BE OFFERED AT CHRISTIE’S LONDON British and Continental Ceramics Christie’s King Street Monday, 18 December 2006 London – A collection of four 18th century Meissen porcelain masterpieces are to be offered for sale in London on 18 December 2006 in the British and Continental Ceramics sale. This outstanding Meissen collection includes two white porcelain models of a lion and lioness (estimate: £3,000,000-5,000,000) and a white model of a fox and hen (estimate: £200,000-300,000) commissioned for the Japanese Palace in Dresden together with a white element vase in the form of a ewer (£10,000-15,000). “The porcelain menagerie was an ambitious and unparalleled project in the history of ceramics and the magnificent size of these models is a testament to the skill of the Meissen factory,” said Rodney Woolley, Director and Head of European Ceramics. “The sheer exuberance of these examples bears witness to the outstanding modelling of Kirchner and Kändler. The opportunity to acquire these Meissen masterpieces from the direct descendants of Augustus the Strong is unique and we are thrilled to have been entrusted with their sale,” he continued. The works of art have been recently restituted to the heirs of the Royal House of Saxony, the Wettin family. Commenting on the Meissen masterpieces, a spokesperson for the Royal House of Saxony said: “The Wettin family has worked closely, and over many years with the authorities to achieve a successful outcome of the restitution of many works of art among which are these four Meissen porcelain objects, commissioned by our forebear Augustus the Strong. -
Residenzschloss
Zum Buchungsformular Residenzschloss Die Highlights der Museen im Residenzschloss Neues Grünes Gewölbe, Rüstkammer Dauer Das Dresdner Residenzschloss zählt zu den prächtigsten und 120 Minuten bedeutendsten Schlossbauten der Renaissance in Deutschland. Seit Gruppenstärke 1485 war Dresden ständige Residenz sächsischer Fürsten, max. 25 Teilnehmer Kurfürsten und Könige. Heute beherbergt es hochrangige Museen, Gebühr die zu den bedeutendsten Kunstmuseen weltweit zählen. Die 120 € pro Gruppe zzgl. Eintritt Führung stellt die Highlights dieser Ausstellungen, unter anderem aus dem Neuen Grünen Gewölbe, der Rüstkammer und dem Renaissanceflügel, vor. Zur Buchung Juwelentour – Grünes Gewölbe Total! Neues Grünes Gewölbe, Historisches Grünes Gewölbe Dauer Nach einer kurzweiligen Führung im Neuen Grünen Gewölbe 60 Minuten (Führung) begeben Sie sich in die berühmte und wohl schönste Schatzkammer Gruppenstärke Europas – das Historische Grüne Gewölbe. Hier entdecken Sie max. 25 Teilnehmer während einer individuellen Audioguide-Tour, die originalgetreu Gebühr gestalteten barocken Prunkräume des Residenzschlosses und 60 € pro Gruppe zzgl. Eintritt genießen ein einzigartiges Ensemble aus Gold und Edelsteinen. Zur Buchung Die Königlichen Gemächer Augusts des Starken Paraderäume Dauer Die Führung zeigt die Paraderäume Augusts des Starken im 60 Minuten Residenzschloss. In den vier Sälen, bestehend aus Erstem Gruppenstärke Vorzimmer, Zweitem Vorzimmer, Audienzgemach und max. 25 Teilnehmer Paradeschlafzimmer, präsentierte der Kurfürst seine polnisch- Gebühr sächsische, könig-kurfürstliche Herrschaft der Außenwelt. Der 60 € pro Gruppe zzgl. Eintritt Besuch des kleinen Ballsaals mit seinen reichhaltigen Verzierungen aus Blattgold, Marmor und Stuck rundet die Führung ab. Zur Buchung Zum Buchungsformular Zwinger Der Zwinger - Barocke Pracht Gemäldegalerie Alte Meister, Porzellansammlung, Mathematisch Physikalischer Salon Dauer Der weltbekannte Dresdner Zwinger gehört zu den großartigsten 120 Minuten Bauwerken des Barocks in Deutschland. -
Altmarkt-Galerie QUICK FACTS Location Dresden, Germany
May 2015 ULI Case Studies Altmarkt-Galerie QUICK FACTS Location Dresden, Germany Project type Mixed use—three or more uses Site size 26,150 square metres (281,476 sq ft) Land uses Retail, office, hotel Keywords/special features Urban regeneration, historic building renovation, urban integration, natural air ventilation, regional and international tenant mix, daylight simulation, urban perforation/high number of entrances, central city development, pedestrian-friendly design, transit-oriented development Website PAULINE FABRY PAULINE www.altmarkt-galerie-dresden.de Altmarkt-Galerie comprises both historic and modern structures. The second-phase extension of the project opened up Altmarkt-Galerie to Dresden’s city centre for the first time. The first phase was contained within a Project address courtyard of residential buildings. Webergasse 1 01067 Dresden PROJECT SUMMARY Germany Altmarkt-Galerie is a mixed-use retail development in the centre of Dresden, Owner Deutsche EuroShop AG Germany, that features a shopping centre containing 64,400 square metres Heegbarg 36 (693,200 sq ft) of gross leasable area (GLA) that was originally opened in 2002 22391 Hamburg Germany and later expanded in 2009–2011. The project also includes a 5,300-square- www.deutsche-euroshop.de metre (57,049 sq ft) hotel and 7,300 square metres (78,577 sq ft) of office space. Developer ECE Projektmanagement GmbH & Co. KG The first phase of the project includes three modern blocks, arranged north to Heegbarg 30 south in a courtyard—surrounded on three sides by existing four- to six-storey 22391 Hamburg Germany residential apartment buildings. The modern blocks are connected by glass- www.ece.com covered pedestrian walkways. -
Recruitment to Leadership Positions in the German Bundestag, 1994-2006
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 1-2011 Recruitment to Leadership Positions in the German Bundestag, 1994-2006 Melanie Kintz Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Comparative Politics Commons, International and Area Studies Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Kintz, Melanie, "Recruitment to Leadership Positions in the German Bundestag, 1994-2006" (2011). Dissertations. 428. https://scholarworks.wmich.edu/dissertations/428 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. RECRUITMENT TO LEADERSHIP POSITIONS IN THE GERMAN BUNDESTAG, 1994-2006 by Melanie Kintz A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Political Science Advisor: Emily Hauptmann, Ph.D. Western Michigan University Kalamazoo, Michigan December 2011 RECRUITMENT TO LEADERSHIP POSITIONS IN THE GERMAN BUNDESTAG, 1994-2006 Melanie Kintz, Ph.D. Western Michigan University, 2011 This dissertation looks at the recruitment patterns to leadership positions in the German Bundestag from 1994 to 2006 with the objective of enhancing understanding of legislative careers and representation theory. Most research on political careers thus far has focused on who is elected to parliament, rather than on which legislators attain leadership positions. However, leadership positions within the parliament often come with special privileges and can serve as stepping stones to higher positions on the executive level.