Dresden Kempinski

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Dresden Kempinski World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Australian Bar Association Conference DRESDEN 27 – 29 June 2011 CONFERENCE HOTEL Hotel Taschenbergpalais Kempinski Taschenberg 3 D 01067 DRESDEN GERMANY Phone: 49 351 4912 612 Fax: 49 351 4912 646 www.kempinski-dresden.de Hotel Location The Taschenbergpalais Kempinski is located in the city centre of Dresden and is only a few steps away from renowned sights of Semper Opera House, the Residential Castle, Zwinger and Frauenkirche. Hotel Features The hotel has 214 rooms including 32 suites, on 4 levels, both Smoking and Nonsmoking. There are several Restaurants, including Restaurant Intermezzo, the Palais Bistro, or Café Vestibül Check in Time: 3pm Checkout Time: 12 Noon Room Features Kurfürsten Deluxe Rooms 45 m with - Views to the baroque scenery of Dresden - Lounge area with armchairs - Writing Desk and chair - Pillow Options - Individually adjustable Air-Conditioning - Separate Bathtub, Shower and separate Toilet - Internet Protocol Television with 100 Channels - High Speed Internet and Wireless LAN at EUR25 per day - ISDN Telephone including cordless Telephone for in-house use and fax connection - 110 V Plugs- American Standard – for small Appliances - Hairdryer World Travel Professionals ABN 92 080 629 689 Lic No. TAG 1502 World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Page 2 - Window can be opened - Safe - Laundry/Ironing Facilities - 24 hour Room Service - Bath Robes - Daily Newspaper Business Centre Full Service ABA Room Allotment from 27 June to 30 June 2011 Pre and Post Allotment Nights at Conference Rate upon Request. Kurfuerstendam Deluxe Single Use AUD280 Double Use AUD325 Deluxe TWIN AUD325 THE ABOVE RATES ARE PER ROOM PER NIGHT ANDINCLUDE SERVICE CHARGES, VAT AND BREAKFAST AS WELL AS USE OF WELLNESS ANDFITNESS AREA/POOL/SAUNA THESE RATES ARE BASEDON THE CURRENT EXCHANGE RATE ANDVAT ANDARE SUBJECT TO CHANGES IN THOSE RATES AS WELL AS AVAILABILITY. 16 FEBRUARY 2011 World Travel Professionals ABN 92 080 629 689 Lic No. TAG 1502 .
Recommended publications
  • The Theatricality of the Baroque City: M
    THE THEATRICALITY OF THE BAROQUE CITY: M. D. PÖPPELMANN’S ZWINGER AT DRESDEN FOR AUGUSTUS THE STRONG OF SAXONNY PATRICK LYNCH TRINITY HALL CAMBRIDGE UNIVERSITY 1996 MASTER OF PHILOSOPHY DISSERTATION THE HISTORY AND PHILSOPHY OF ARCHITECTURE 1 CONTENTS: Acknowledgements. Preface. 1 Introduction to the topic of theatricality as an aspect of the baroque. i.i The problem of the term baroque. i.ii The problem of theatricality in the histories of baroque architecture: i.ii.a The theatricality of the Frame. i.ii.b The theatricality of Festival. ii The hermeneutics of theatricality: ii.i Hans-Georg Gadamer's formulation of play, symbol and festival as an interpretation of baroque theatricality. 2 The historical situation of the development of the Zwinger. i The European context. ii The local context. 3 The urban situation of the Zwinger. i Barockstadt Dresden. ii Barockstaat Sachsen. 4 A description of the development of the Zwinger. Conclusion: i Festival and the baroque city. A description of the Zwinger in use as it was inaugurated during the wedding celebrations of Augustus III and Marie Josepha von Habsburg, September 1719. ii Theatricality and the city. Bibliography. Illustrations: Volume 2 2 ACKNOWLEDGEMENTS: I would like to thank D.V. for supervising me in his inimitable way, and Dr. Christopher Padfield (and Trinity Hall) for generous financial support. This dissertation is dedicated to my family and friends, absent or otherwise and to C.M. in particular for first showing me the Zwinger and without whose care this document would not exist. PATRICK LYNCH 09/96 3 'Als ich nach der Augustusbrücke kam, die ich schon so gut aus Kupferstichen und Gemälden kannte, kam es mir vor, als ob ich schon früher einmal in Traum hier gewesen wäre.' (As I came upon the Augustusbrücke, which I knew so well from engravings and paintings, it seemed to me as if I had been here once before, in a dream.) Hans Christian Andersen 'This luscious and impeccable fruit of life Falls, it appears, of its own weight to earth.
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