One-Day Itinerary Dresden, Moritzburg & Meissen
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4 the Structural Framework of Governance
4 The structural framework of governance The last few decades of historical research have been focused on social interactions as a key issue in the research on the past. Medievalists have withdrawn to large extent from studying constitutional and legal matters, leaving such topics behind as some sort of anachronistic holdover of positivistic methodology. It seems, however, that there is no way for a study of political issues to abandon questions of the structural means of power – as defined in Chapter 1 – as an important element of the instrumentarium of particular players on the dynamic chessboard of the European High Middle Ages. These means, including changes and redefinitions of the legal status of the province under study, were an indispensable counterpart of the ad hoc political and personal measures related to in the previous chapter. 4.1 Marchia Milzania: the status of Milsko in the structure of the Ottonian and early Salian Empire The starting point for considerations about the formal status of Milsko as part of the Empire should be the assertion from Chapter 3 that between 1004–1007, Milsko for the first time became a territory administered by an individual appointed by the German king as comes, Herman I. Herman’s status as a royal administrator is illustrated in several sources. The most significant of these is a charter by Henry II from January 1, 1007 (DH II, no. 124) confirming the donation by the king of three ringforts (castella) in Milsko along with their districts (burgwards) to the Bishopric of Meissen. The strongholds -
Dresden Kempinski
World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Australian Bar Association Conference DRESDEN 27 – 29 June 2011 CONFERENCE HOTEL Hotel Taschenbergpalais Kempinski Taschenberg 3 D 01067 DRESDEN GERMANY Phone: 49 351 4912 612 Fax: 49 351 4912 646 www.kempinski-dresden.de Hotel Location The Taschenbergpalais Kempinski is located in the city centre of Dresden and is only a few steps away from renowned sights of Semper Opera House, the Residential Castle, Zwinger and Frauenkirche. Hotel Features The hotel has 214 rooms including 32 suites, on 4 levels, both Smoking and Nonsmoking. There are several Restaurants, including Restaurant Intermezzo, the Palais Bistro, or Café Vestibül Check in Time: 3pm Checkout Time: 12 Noon Room Features Kurfürsten Deluxe Rooms 45 m with - Views to the baroque scenery of Dresden - Lounge area with armchairs - Writing Desk and chair - Pillow Options - Individually adjustable Air-Conditioning - Separate Bathtub, Shower and separate Toilet - Internet Protocol Television with 100 Channels - High Speed Internet and Wireless LAN at EUR25 per day - ISDN Telephone including cordless Telephone for in-house use and fax connection - 110 V Plugs- American Standard – for small Appliances - Hairdryer World Travel Professionals ABN 92 080 629 689 Lic No. TAG 1502 World Travel Professionals Level 22 333 Ann Street Brisbane QLD 4000 T +61 7 3220 2277 F +61 7 3220 2288 E [email protected] W www.worldtravel.com.au Page 2 - Window can be opened - Safe - Laundry/Ironing Facilities - 24 hour Room Service - Bath Robes - Daily Newspaper Business Centre Full Service ABA Room Allotment from 27 June to 30 June 2011 Pre and Post Allotment Nights at Conference Rate upon Request. -
A Detective Story: Meissen Porcelains Copying East Asian Models. Fakes Or Originals in Their Own Right?
A detective story: Meissen porcelains copying East Asian models. Fakes or originals in their own right? Julia Weber, Keeper of Ceramics at the Bavarian National Museum, Munich he ‘detective story’ I want to tell relates to how the French mer- fact that Saxon porcelain was the first in Europe to be seriously capable of chant Rodolphe Lemaire managed, around 1730, to have accurate competing with imported goods from China and Japan. Indeed, based on their copies of mostly Japanese porcelain made at Meissen and to sell high-quality bodies alone, he appreciated just how easily one might take them them as East Asian originals in Paris. I will then follow the trail of for East Asian originals. This realisation inspired Lemaire to embark on a new Tthe fakes and reveal what became of them in France. Finally, I will return business concept. As 1728 drew to a close, Lemaire travelled to Dresden. He briefly to Dresden to demonstrate that the immediate success of the Saxon bought Meissen porcelains in the local warehouse in the new market place copies on the Parisian art market not only changed how they were regarded and ordered more in the manufactory. In doing this he was much the same in France but also in Saxony itself. as other merchants but Lemaire also played a more ambitious game: in a bold Sometime around 1728, Lemaire, the son of a Parisian family of marchand letter he personally asked Augustus the Strong, Elector of Saxony and of faïencier, became acquainted with Meissen porcelain for the first time whilst Poland, to permit an exclusive agreement with the Meissen manufactory. -
The Japanese Palace in Dresden: a Highlight of European 18Th-Century
都市と伝統的文化 The ‘Japanese Palace’ in Dresden: A Highlight of European 18th-century Craze for East-Asia. Cordula BISCHOFF Dresden, seat of government and capital of present-day federal state Saxony, now benefits more than any other German city from its past as a royal residence. Despite war-related destructions is the cityscape today shaped by art and architecture with a history of 500 years. There is possibly no other place in Germany where to find so many exceptional artworks concentrated in such a small area. This accumulation is a result of the continuosly increasing significance of the Dresden court and a gain in power of the Saxon Wettin dynasty. The Holy Roman Empire of the German Nation was a conglomeration of more than 350 large and tiny territories. The 50 to 100 leading imperial princes struggled in a constant competition to maintain their positions. １） In 1547 the Saxon Duke Moritz（1521-1553）was declared elector. Thus Saxony gained enormous political significance, as the seven, in 18th century nine electors, were the highest-ranking princes. They elected the Roman-German emperor and served as his innermost councils. The electors of Saxony and of the Palatinate were authorised to represent the emperor in times of vacancy. At the same time in 16th century Saxony rose due to its silver mining industry to one of the richest German territorial states. ２） In the second half of the 17th century the Saxon court even counted among the most important European courts. A peak of political power was reached under Frederick August（us）I. -
Modern, Elegant and Wonderfully Versatile
MODERN, ELEGANT AND WONDERFULLY VERSATILE. MEISSEN® COSMOPOLITAN CHANGES THE WAY WE THINK ABOUT DINING SERVICES. WWW.MEISSEN.COM 1 AM-000076 TABLEWARE MEISSEN® COSMOPOLITAN STAATLICHE PORZELLAN-MANUFAKTUR MEISSEN GMBH 2 3 ABOUT US Meissen Porcelain Manufactory Meissen porcelain was born out of passion. Augustus the Strong (1670- 1733), Elector of Saxony, zealously pursued the so-called white gold after becoming struck with “Maladie de Porcelaine.” It was for him that alchemist Johann Friedrich Böttger (1682-1719) created the first European porcelain in 1708. At MEISSEN, this storied passion remains the fundament of the manufactory’s masterful works up to this day. More than 300 years of tra- dition and exquisite craftsmanship, unbounded imagination and an avowed dedication to modernity come together to create a timeless aesthetic that can be lived and experienced – every piece handmade in Germany. In 1710, Augustus the Strong decreed the founding of the Meissen porce- lain manufactory, making it the oldest in Europe. The signet of two crossed swords has been the unmistakable trademark of Meissen porcelain since 1722. The swords represent the uncompromising quality, unsurpassed craftsmanship and cultural heritage to which MEISSEN remains committed to this day: from the purest raw material sourced from the manufactory’s own kaolin mine, the world’s largest and oldest trove of moulds, models, patterns and decorations spanning centuries of artistic epochs, to the 10,000 proprietary paint formulas created in the on-site laboratory. And last but not least, they stand for the unsurpassed handicraft, experience and dedication of the manufactory’s artisans, lending every Meissen piece its one-of-a-kind beauty. -
The Theatricality of the Baroque City: M
THE THEATRICALITY OF THE BAROQUE CITY: M. D. PÖPPELMANN’S ZWINGER AT DRESDEN FOR AUGUSTUS THE STRONG OF SAXONNY PATRICK LYNCH TRINITY HALL CAMBRIDGE UNIVERSITY 1996 MASTER OF PHILOSOPHY DISSERTATION THE HISTORY AND PHILSOPHY OF ARCHITECTURE 1 CONTENTS: Acknowledgements. Preface. 1 Introduction to the topic of theatricality as an aspect of the baroque. i.i The problem of the term baroque. i.ii The problem of theatricality in the histories of baroque architecture: i.ii.a The theatricality of the Frame. i.ii.b The theatricality of Festival. ii The hermeneutics of theatricality: ii.i Hans-Georg Gadamer's formulation of play, symbol and festival as an interpretation of baroque theatricality. 2 The historical situation of the development of the Zwinger. i The European context. ii The local context. 3 The urban situation of the Zwinger. i Barockstadt Dresden. ii Barockstaat Sachsen. 4 A description of the development of the Zwinger. Conclusion: i Festival and the baroque city. A description of the Zwinger in use as it was inaugurated during the wedding celebrations of Augustus III and Marie Josepha von Habsburg, September 1719. ii Theatricality and the city. Bibliography. Illustrations: Volume 2 2 ACKNOWLEDGEMENTS: I would like to thank D.V. for supervising me in his inimitable way, and Dr. Christopher Padfield (and Trinity Hall) for generous financial support. This dissertation is dedicated to my family and friends, absent or otherwise and to C.M. in particular for first showing me the Zwinger and without whose care this document would not exist. PATRICK LYNCH 09/96 3 'Als ich nach der Augustusbrücke kam, die ich schon so gut aus Kupferstichen und Gemälden kannte, kam es mir vor, als ob ich schon früher einmal in Traum hier gewesen wäre.' (As I came upon the Augustusbrücke, which I knew so well from engravings and paintings, it seemed to me as if I had been here once before, in a dream.) Hans Christian Andersen 'This luscious and impeccable fruit of life Falls, it appears, of its own weight to earth. -
Meissen Porcelain: Precision, Presentation, and Preservation
Graduate Theses, Dissertations, and Problem Reports 2011 Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol Nicole Peters West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Peters, Nicole, "Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol" (2011). Graduate Theses, Dissertations, and Problem Reports. 756. https://researchrepository.wvu.edu/etd/756 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol. Nicole Peters Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Approved by Janet Snyder, Ph.D., Committee Chair Rhonda Reymond, Ph.D. Jeff Greenham, M.F.A. Michael Belman, M.S. Division of Art and Design Morgantown, West Virginia 2011 Keywords: Meissen porcelain, conservation, Fürstenzug Mural, ceramic riveting, material substitution, object replacement Copyright 2011 Nicole L. -
Meissen Masterpieces Exquisite and Rare Porcelain Models from the Royal House of Saxony to Be Offered at Christie’S London
For Immediate Release 30 October 2006 Contact: Christina Freyberg +44 20 7 752 3120 [email protected] Alexandra Kindermann +44 20 7 389 2289 [email protected] MEISSEN MASTERPIECES EXQUISITE AND RARE PORCELAIN MODELS FROM THE ROYAL HOUSE OF SAXONY TO BE OFFERED AT CHRISTIE’S LONDON British and Continental Ceramics Christie’s King Street Monday, 18 December 2006 London – A collection of four 18th century Meissen porcelain masterpieces are to be offered for sale in London on 18 December 2006 in the British and Continental Ceramics sale. This outstanding Meissen collection includes two white porcelain models of a lion and lioness (estimate: £3,000,000-5,000,000) and a white model of a fox and hen (estimate: £200,000-300,000) commissioned for the Japanese Palace in Dresden together with a white element vase in the form of a ewer (£10,000-15,000). “The porcelain menagerie was an ambitious and unparalleled project in the history of ceramics and the magnificent size of these models is a testament to the skill of the Meissen factory,” said Rodney Woolley, Director and Head of European Ceramics. “The sheer exuberance of these examples bears witness to the outstanding modelling of Kirchner and Kändler. The opportunity to acquire these Meissen masterpieces from the direct descendants of Augustus the Strong is unique and we are thrilled to have been entrusted with their sale,” he continued. The works of art have been recently restituted to the heirs of the Royal House of Saxony, the Wettin family. Commenting on the Meissen masterpieces, a spokesperson for the Royal House of Saxony said: “The Wettin family has worked closely, and over many years with the authorities to achieve a successful outcome of the restitution of many works of art among which are these four Meissen porcelain objects, commissioned by our forebear Augustus the Strong. -
From Geology to Art History: Ceramist Alexandre Brongniart’S Overlooked Contribution to the Developing Science of Art History in the Early Nineteenth Century
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2014 FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY Julia A. Carr-Trebelhorn University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Carr-Trebelhorn, Julia A., "FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY" (2014). Theses and Dissertations--Art & Visual Studies. 4. https://uknowledge.uky.edu/art_etds/4 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
SCHLOESSERLAND SACHSEN. Fireplace Restaurant with Gourmet Kitchen 01326 Dresden OLD SPLENDOR in NEW GLORY
Savor with all your senses Our family-led four star hotel offers culinary richness and attractive arrangements for your discovery tour along Sa- xony’s Wine Route. Only a few minutes walking distance away from the hotel you can find the vineyard of Saxon master vintner Klaus Zimmerling – his expertise and our GLORY. NEW IN SPLENDOR OLD SACHSEN. SCHLOESSERLAND cuisine merge in one of Saxony’s most beautiful castle Dresden-Pillnitz Castle Hotel complexes into a unique experience. Schloss Hotel Dresden-Pillnitz August-Böckstiegel-Straße 10 SCHLOESSERLAND SACHSEN. Fireplace restaurant with gourmet kitchen 01326 Dresden OLD SPLENDOR IN NEW GLORY. Bistro with regional specialties Phone +49(0)351 2614-0 Hotel-owned confectioner’s shop [email protected] Bus service – Elbe River Steamboat jetty www.schlosshotel-pillnitz.de Old Splendor in New Glory. Herzberg Żary Saxony-Anhalt Finsterwalde Hartenfels Castle Spremberg Fascination Semperoper Delitzsch Torgau Brandenburg Senftenberg Baroque Castle Delitzsch 87 2 Halle 184 Elsterwerda A 9 115 CHRISTIAN THIELEMANN (Saale) 182 156 96 Poland 6 PRINCIPAL CONDUCTOR OF STAATSKAPELLE DRESDEN 107 Saxony 97 101 A13 6 Riesa 87 Leipzig 2 A38 A14 Moritzburg Castle, Moritzburg Little Buch A 4 Pheasant Castle Rammenau Görlitz A72 Monastery Meissen Baroque Castle Bautzen Ortenburg Colditz Albrechtsburg Castle Castle Castle Mildenstein Radebeul 6 6 Castle Meissen Radeberg 98 Naumburg 101 175 Döbeln Wackerbarth Dresden Castle (Saale) 95 178 Altzella Monastery Park A 4 Stolpen Gnandstein Nossen Castle -
THETRIS Signposted Churches
THETRIS Signposted Churches Church Name Village / Town Church Name in native language Region GPS - N GPS - E Country in English 1 Koselitz Church Koselitz Dorfkirche Koselitz Meissen District 51.380728 13.425972 Germany sign post 2 Seußlitz Castle church Seußlitz Schlosskirche Seußlitz Meissen District 51.24052 13.417286 Germany sign post 3 Zabeltitz St. Georgen church St. Georgenkirche Meissen District 51.353981 13.497599 Germany sign post 4 Frauenhain Church Frauenhain Ev.-Luth. Kirche Frauenhain Meissen District 51.390637 13.47333 Germany sign post 5 Wildenhain Church Wildenhain Ev.-Luth. Kirche Wildenhain Meissen District 51.307854 13.474814 Germany sign post 6 Görzig Church Görzig Ev.-Luth.Kirche Görzig Meissen District 51362580 13465665 Germany further sign post 7 Walda Church Walda Ev.-Luth. Kirche Walda Meissen District 51 319 828 13 494 169 Germany further sign post 8 Skassa Village church Skassa Dorfkirche Skassa Meissen District 5 128 868 1 347 566 Germany further sign post 9 Lommatzsch Church St. Wenzel St. Wenzelskirche Meissen District 51 196 747 13 308 127 Germany further sign post 10 Jahnishausen Castle Church Jahnishausen Schloskirche Jahnishausen Meissen District 51 273 063 13 282 848 Germany poster 11 Borna Village church Borna Dorfkirche Borna Nordsachsen District 51 314 259 13 184 187 Germany further sign post 12 Oschatz Church Oschatz Klosterkirche Oschatz Nordsachsen District 51 298 302 13 105 264 Germany further sign post 13 Terpitz Village church Terpitz Dorfkirche Terpitz Nordsachsen District 51 328 750 13 126 329 Germany further sign post 14 Lorenzkirch Church "St. Laurentius" Ev.-Luth. Kirche "Sankt Laurentius" Lorenzkirch Meissen District 51 354 443 13 244 346 Germany further sign post 15 Krenitz Church "St. -
ICOMOS Advisory Process Was
Background A nomination under the title “Mining Cultural Landscape Erzgebirge/Krušnohoří Erzgebirge/Krušnohoří” was submitted by the States (Germany/Czechia) Parties in January 2014 for evaluation as a cultural landscape under criteria (i), (ii), (iii) and (iv). The No 1478 nomination dossier was withdrawn by the States Parties following the receipt of the interim report. At the request of the States Parties, an ICOMOS Advisory process was carried out in May-September 2016. Official name as proposed by the States Parties The previous nomination dossier consisted of a serial Erzgebirge/Krušnohoří Mining Region property of 85 components. ICOMOS noticed the different approaches used by both States Parties to identify the Location components and to determine their boundaries; in some Germany (DE), Free State of Saxony; Parts of the cases, an extreme atomization of heritage assets was administrative districts of Mittelsachsen, Erzgebirgskreis, noticed. This is a new, revised nomination that takes into Meißen, Sächsische Schweiz-Osterzgebirgeand Zwickau account the ICOMOS Advisory process recommendations. Czechia (CZ); Parts of the regions of Karlovy Vary (Karlovarskýkraj) and Ústí (Ústeckýkraj), districts of Consultations and technical evaluation mission Karlovy Vary, Teplice and Chomutov Desk reviews have been provided by ICOMOS International Scientific Committees, members and Brief description independent experts. Erzgebirge/Krušnohoří (Ore Mountains) is a mining region located in southeastern Germany (Saxony) and An ICOMOS technical evaluation mission visited the northwestern Czechia. The area, some 95 km long and property in June 2018. 45 km wide, is rich in a variety of metals, which gave place to mining practices from the Middle Ages onwards. In Additional information received by ICOMOS relation to those activities, mining towns were established, A letter was sent to the States Parties on 17 October 2018 together with water management systems, training requesting further information about development projects academies, factories and other structures.