Recommended Sights in and Around Dresden1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
4 the Structural Framework of Governance
4 The structural framework of governance The last few decades of historical research have been focused on social interactions as a key issue in the research on the past. Medievalists have withdrawn to large extent from studying constitutional and legal matters, leaving such topics behind as some sort of anachronistic holdover of positivistic methodology. It seems, however, that there is no way for a study of political issues to abandon questions of the structural means of power – as defined in Chapter 1 – as an important element of the instrumentarium of particular players on the dynamic chessboard of the European High Middle Ages. These means, including changes and redefinitions of the legal status of the province under study, were an indispensable counterpart of the ad hoc political and personal measures related to in the previous chapter. 4.1 Marchia Milzania: the status of Milsko in the structure of the Ottonian and early Salian Empire The starting point for considerations about the formal status of Milsko as part of the Empire should be the assertion from Chapter 3 that between 1004–1007, Milsko for the first time became a territory administered by an individual appointed by the German king as comes, Herman I. Herman’s status as a royal administrator is illustrated in several sources. The most significant of these is a charter by Henry II from January 1, 1007 (DH II, no. 124) confirming the donation by the king of three ringforts (castella) in Milsko along with their districts (burgwards) to the Bishopric of Meissen. The strongholds -
Phase Evolution of Ancient and Historical Ceramics
EMU Notes in Mineralogy, Vol. 20 (2019), Chapter 6, 233–281 The struggle between thermodynamics and kinetics: Phase evolution of ancient and historical ceramics 1 2 ROBERT B. HEIMANN and MARINO MAGGETTI 1Am Stadtpark 2A, D-02826 Go¨rlitz, Germany [email protected] 2University of Fribourg, Dept. of Geosciences, Earth Sciences, Chemin du Muse´e6, CH-1700 Fribourg, Switzerland [email protected] This contribution is dedicated to the memory of Professor Ursula Martius Franklin, a true pioneer of archaeometric research, who passed away at her home in Toronto on July 22, 2016, at the age of 94. Making ceramics by firing of clay is essentially a reversal of the natural weathering process of rocks. Millennia ago, potters invented simple pyrotechnologies to recombine the chemical compounds once separated by weathering in order to obtain what is more or less a rock-like product shaped and decorated according to need and preference. Whereas Nature reconsolidates clays by long-term diagenetic or metamorphic transformation processes, potters exploit a ‘short-cut’ of these processes that affects the state of equilibrium of the system being transformed thermally. This ‘short-cut’ is thought to be akin to the development of mineral-reaction textures resulting from disequilibria established during rapidly heated pyrometamorphic events (Grapes, 2006) involving contact aureoles or reactions with xenoliths. In contrast to most naturally consolidated clays, the solidified rock-like ceramic material inherits non-equilibrium and statistical states best described as ‘frozen-in’. The more or less high temperatures applied to clays during ceramic firing result in a distinct state of sintering that is dependent on the firing temperature, the duration of firing, the firing atmosphere, and the composition and grain-size distribution of the clay. -
'A Mind to Copy': Inspired by Meissen
‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2. -
A Detective Story: Meissen Porcelains Copying East Asian Models. Fakes Or Originals in Their Own Right?
A detective story: Meissen porcelains copying East Asian models. Fakes or originals in their own right? Julia Weber, Keeper of Ceramics at the Bavarian National Museum, Munich he ‘detective story’ I want to tell relates to how the French mer- fact that Saxon porcelain was the first in Europe to be seriously capable of chant Rodolphe Lemaire managed, around 1730, to have accurate competing with imported goods from China and Japan. Indeed, based on their copies of mostly Japanese porcelain made at Meissen and to sell high-quality bodies alone, he appreciated just how easily one might take them them as East Asian originals in Paris. I will then follow the trail of for East Asian originals. This realisation inspired Lemaire to embark on a new Tthe fakes and reveal what became of them in France. Finally, I will return business concept. As 1728 drew to a close, Lemaire travelled to Dresden. He briefly to Dresden to demonstrate that the immediate success of the Saxon bought Meissen porcelains in the local warehouse in the new market place copies on the Parisian art market not only changed how they were regarded and ordered more in the manufactory. In doing this he was much the same in France but also in Saxony itself. as other merchants but Lemaire also played a more ambitious game: in a bold Sometime around 1728, Lemaire, the son of a Parisian family of marchand letter he personally asked Augustus the Strong, Elector of Saxony and of faïencier, became acquainted with Meissen porcelain for the first time whilst Poland, to permit an exclusive agreement with the Meissen manufactory. -
The Japanese Palace in Dresden: a Highlight of European 18Th-Century
都市と伝統的文化 The ‘Japanese Palace’ in Dresden: A Highlight of European 18th-century Craze for East-Asia. Cordula BISCHOFF Dresden, seat of government and capital of present-day federal state Saxony, now benefits more than any other German city from its past as a royal residence. Despite war-related destructions is the cityscape today shaped by art and architecture with a history of 500 years. There is possibly no other place in Germany where to find so many exceptional artworks concentrated in such a small area. This accumulation is a result of the continuosly increasing significance of the Dresden court and a gain in power of the Saxon Wettin dynasty. The Holy Roman Empire of the German Nation was a conglomeration of more than 350 large and tiny territories. The 50 to 100 leading imperial princes struggled in a constant competition to maintain their positions. 1) In 1547 the Saxon Duke Moritz(1521-1553)was declared elector. Thus Saxony gained enormous political significance, as the seven, in 18th century nine electors, were the highest-ranking princes. They elected the Roman-German emperor and served as his innermost councils. The electors of Saxony and of the Palatinate were authorised to represent the emperor in times of vacancy. At the same time in 16th century Saxony rose due to its silver mining industry to one of the richest German territorial states. 2) In the second half of the 17th century the Saxon court even counted among the most important European courts. A peak of political power was reached under Frederick August(us)I. -
Wonders of Germany & Austria
WONDERS OF GERMANY & AUSTRIA with Oberammergau 2020 7 May 2020 15 Days from $5,499 This tour takes advantage of the European spring season, with the beauty and mild weather. There’ll be plenty of time to enjoy some of the great German-speaking cities of central Europe – Berlin, Dresden and Vienna; experiencing the life, culture, religion and history of these cities. Archdeacon John Davis leads this tour, his second time to Oberammergau. He is the former Vicar General of the Anglican Diocese of Wangarattta. John has led several groups to Assisi, as well as to Oberammergau. Archdeacon John Davis Tour INCLUSIONS • 12 nights’ accommodation at 4 star hotels as listed • Oberammergau package including 1 nights (or similar) with breakfast daily accommodation, category 2 ticket and dinner • 5 dinners in hotels; 3 dinners in local restaurants • Services of a professional English-speaking Travel • Lunch at the Hofbrahaus Director throughout. Local expert guides where required & as noted on the itinerary • Sightseeing and entrance fees as outlined in the itinerary • Tips to Travel Director and Driver • Luxury air-conditioned coach with panoramic • Archdeacon John Davis as your host windows myselah.com.au 1300 230 271 ITINERARY Summarised Friday 8 May Saturday 16 May BERLIN OBERAMMERGAU Free day to explore. Drive to Oberammergau (travel time approx. 90 mins). Spend some free time in the quaint village Saturday 9 May before the Passion Play performance beings BERLIN at 2.30pm. There is a dinner break followed Today we will visit the two cathedrals in the Mitte by the second half of the play, concluding at area (Berlin Cathedral and St Hedwig’s) before an approximately 10.30pm. -
Liberty International Reisen Gmbh Day 6: Leipzig – Porsche – Dresden Drive to Leipzig and Visit of the World of Porsche
Day 5: BMW – Munich – Neuschwanstein Castle Visit of the BMW Museum. Time at leisure in Munich or option excursion to the Fairy Tale Castle of Neuschwanstein. Overnight in Munich. Liberty International Reisen GmbH Day 6: Leipzig – Porsche – Dresden Drive to Leipzig and visit of the world of Porsche. Continue to Dresden. Overnight in Special Interest Dresden. Day 7: Dresden – Glass Factory of Volkswagen – ADAC safety training – Berlin Automobiles and City tour of Dresden. Visit of the “Glass Factory“ of Volkswagen, where the Technology luxury automobile Phaeton is produced.On the way to Berlin stop for a “Driver Training Session” from ADAC, Europe’s largest Automobile Association. Continue to Berlin. Overnight in Berlin. 9 Days / 8 Nights Day 8: Berlin – Automobile city of Volkswagen in Wolfsburg City tour of Berlin. Continue to Wolfsburg to visit the Automobile city of Volkswagen. Overnight in Wolfsburg/Hannover area. Day 9: Cologne Return to Cologne. Journey back home or extension in Cologne. Your Itinerary Day 1: Cologne Arrival in Cologne and city tour. Overnight in Cologne. Your Services: Day 2: Nürburgring – Heidelberg • 8 nights at tourist standard hotels, all rooms with private bathroom or shower & Drive to the Formula 1 Grand Prix race track Nürburgring. Optional ride on the toilet legendary north loop. Continue to the city of Heidelberg for a city tour. Overnight in • 8 x breakfast Heidelberg area. • Roundtrip by modern long-distance coach Day 3: Hockenheimring • All excursions and city tours not marked as optional. Drive to the Formula 1 Grand Prix race track Hockenheimring. Optional to do a “real • Professional guide throughout the tour race” on the track. -
11. Heine and Shakespeare
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Meissen Porcelain: Precision, Presentation, and Preservation
Graduate Theses, Dissertations, and Problem Reports 2011 Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol Nicole Peters West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Peters, Nicole, "Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol" (2011). Graduate Theses, Dissertations, and Problem Reports. 756. https://researchrepository.wvu.edu/etd/756 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Meissen Porcelain: Precision, Presentation, and Preservation. How Artistic and Technological Significance Influence Conservation Protocol. Nicole Peters Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Approved by Janet Snyder, Ph.D., Committee Chair Rhonda Reymond, Ph.D. Jeff Greenham, M.F.A. Michael Belman, M.S. Division of Art and Design Morgantown, West Virginia 2011 Keywords: Meissen porcelain, conservation, Fürstenzug Mural, ceramic riveting, material substitution, object replacement Copyright 2011 Nicole L. -
Augustus II the Strong's Porcelain Collection at the Japanisches
Augustus II the Strong’s Porcelain Collection at the Japanisches Palais zu Dresden: A Visual Demonstration of Power and Splendor Zifeng Zhao Department of Art History & Communication Studies McGill University, Montreal September 2018 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Zifeng Zhao 2018 i Abstract In this thesis, I examine Augustus II the Strong’s porcelain collection in the Japanisches Palais, an 18th-century Dresden palace that housed porcelains collected from China and Japan together with works made in his own Meissen manufactory. I argue that the ruler intended to create a social and ceremonial space in the chinoiserie style palace, where he used a systematic arrangement of the porcelains to demonstrate his kingly power as the new ruler of Saxony and Poland. I claim that such arrangement, through which porcelains were organized according to their colors and styles, provided Augustus II’s guests with a designated ceremonial experience that played a significant role in the demonstration of the King’s political and financial prowess. By applying Gérard de Lairesse’s color theory and Samuel Wittwer’s theory of “the phenomenon of sheen” to my analysis of the arrangement, I examine the ceremonial functions of such experience. In doing so, I explore the three unique features of porcelain’s materiality—two- layeredness, translucency and sheen. To conclude, I argue that the secrecy of the technology of porcelain’s production was the key factor that enabled Augustus II’s demonstration of power. À travers cette thèse, j'examine la collection de porcelaines d'Auguste II « le Fort » au Palais Japonais, un palais à Dresde du 18ème siècle qui abritait des porcelaines provenant de Chine, du Japon et de sa propre manufacture à Meissen. -
Saxony: Landscapes/Rivers and Lakes/Climate
Freistaat Sachsen State Chancellery Message and Greeting ................................................................................................................................................. 2 State and People Delightful Saxony: Landscapes/Rivers and Lakes/Climate ......................................................................................... 5 The Saxons – A people unto themselves: Spatial distribution/Population structure/Religion .......................... 7 The Sorbs – Much more than folklore ............................................................................................................ 11 Then and Now Saxony makes history: From early days to the modern era ..................................................................................... 13 Tabular Overview ........................................................................................................................................................ 17 Constitution and Legislature Saxony in fine constitutional shape: Saxony as Free State/Constitution/Coat of arms/Flag/Anthem ....................... 21 Saxony’s strong forces: State assembly/Political parties/Associations/Civic commitment ..................................... 23 Administrations and Politics Saxony’s lean administration: Prime minister, ministries/State administration/ State budget/Local government/E-government/Simplification of the law ............................................................................... 29 Saxony in Europe and in the world: Federalism/Europe/International -
Meissen Masterpieces Exquisite and Rare Porcelain Models from the Royal House of Saxony to Be Offered at Christie’S London
For Immediate Release 30 October 2006 Contact: Christina Freyberg +44 20 7 752 3120 [email protected] Alexandra Kindermann +44 20 7 389 2289 [email protected] MEISSEN MASTERPIECES EXQUISITE AND RARE PORCELAIN MODELS FROM THE ROYAL HOUSE OF SAXONY TO BE OFFERED AT CHRISTIE’S LONDON British and Continental Ceramics Christie’s King Street Monday, 18 December 2006 London – A collection of four 18th century Meissen porcelain masterpieces are to be offered for sale in London on 18 December 2006 in the British and Continental Ceramics sale. This outstanding Meissen collection includes two white porcelain models of a lion and lioness (estimate: £3,000,000-5,000,000) and a white model of a fox and hen (estimate: £200,000-300,000) commissioned for the Japanese Palace in Dresden together with a white element vase in the form of a ewer (£10,000-15,000). “The porcelain menagerie was an ambitious and unparalleled project in the history of ceramics and the magnificent size of these models is a testament to the skill of the Meissen factory,” said Rodney Woolley, Director and Head of European Ceramics. “The sheer exuberance of these examples bears witness to the outstanding modelling of Kirchner and Kändler. The opportunity to acquire these Meissen masterpieces from the direct descendants of Augustus the Strong is unique and we are thrilled to have been entrusted with their sale,” he continued. The works of art have been recently restituted to the heirs of the Royal House of Saxony, the Wettin family. Commenting on the Meissen masterpieces, a spokesperson for the Royal House of Saxony said: “The Wettin family has worked closely, and over many years with the authorities to achieve a successful outcome of the restitution of many works of art among which are these four Meissen porcelain objects, commissioned by our forebear Augustus the Strong.