Osmanli Öncesi Dönemde Trabzon Şehri
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BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Byzantium's Balkan Frontier
This page intentionally left blank Byzantium’s Balkan Frontier is the first narrative history in English of the northern Balkans in the tenth to twelfth centuries. Where pre- vious histories have been concerned principally with the medieval history of distinct and autonomous Balkan nations, this study regards Byzantine political authority as a unifying factor in the various lands which formed the empire’s frontier in the north and west. It takes as its central concern Byzantine relations with all Slavic and non-Slavic peoples – including the Serbs, Croats, Bulgarians and Hungarians – in and beyond the Balkan Peninsula, and explores in detail imperial responses, first to the migrations of nomadic peoples, and subsequently to the expansion of Latin Christendom. It also examines the changing conception of the frontier in Byzantine thought and literature through the middle Byzantine period. is British Academy Postdoctoral Fellow, Keble College, Oxford BYZANTIUM’S BALKAN FRONTIER A Political Study of the Northern Balkans, – PAUL STEPHENSON British Academy Postdoctoral Fellow Keble College, Oxford The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Paul Stephenson 2004 First published in printed format 2000 ISBN 0-511-03402-4 eBook (Adobe Reader) ISBN 0-521-77017-3 hardback Contents List ofmaps and figurespagevi Prefacevii A note on citation and transliterationix List ofabbreviationsxi Introduction .Bulgaria and beyond:the Northern Balkans (c.–) .The Byzantine occupation ofBulgaria (–) .Northern nomads (–) .Southern Slavs (–) .The rise ofthe west,I:Normans and Crusaders (–) . -
Ai Margini Dell'impero. Potere E Aristocrazia a Trebisonda E in Epiro
Università del Piemonte Orientale Dipartimento di Studi Umanistici Dottorato di ricerca in ‘Linguaggi, storia e istituzioni’, curriculum storico Coordinatore: Referente per il curriculum: Ch.mo Prof. Claudio Marazzini Ch.mo Prof. Claudio Rosso Anno Accademico 2016/2017, XXIX ciclo Ai margini dell’Impero. Potere e aristocrazia a Trebisonda e in Epiro nel basso medioevo Tesi di dottorato in storia medievale, SSD M-STO/01 Tutor: Candidato: Ch.ma Prof.sa Germana Gandino Dott. Marco Fasolio 1 Indice Introduzione, p. 5 Per un profilo storico dell’aristocrazia bizantina, p. 11 Il dibattito storiografico, p. 22 1. Affari di famiglie. Trebisonda e il Ponto da Basilio II il Bulgaroctono alla quarta crociata, p. 45 1.1 Cenni storico-geografici su Trebisonda e la Chaldia, p. 45 1.2 Potere e aristocrazia in Chaldia prima della battaglia di Manzicerta, p. 48 1.3 Da Teodoro Gabras ad Andronico Comneno: l’alba del particolarismo pontico, p. 73 1.3.1 I primi Gabras, p. 74 1.3.2 Il progenitore dell’autonomia ponitca: Teodoro Gabras e il suo tempo, p. 79 1.3.3 I discendenti di Teodoro Gabras tra potere locale, servizio imperiale e intese con i Turchi, p. 93 1.3.4 Da principi armeni a magnati pontici, il caso dei Taroniti, p. 110 1.3.5 La Chaldia dopo Costantino Gabras: i Comneni e il ritorno dell’Impero, p. 123 1.4 Potere e aristocrazia nel Ponto prima del 1204: uno sguardo d’insieme, p. 135 2. Un covo di ribelli e di traditori. L’Epiro e le isole ionie tra l’XI secolo e il 1204, p. -
Did the Loss of Anatolia in the 11Th Century Leave a Trace in Family Names? Sait Emre ÇİFTÇİ1*+
E-ISSN: 2564-680X Haziran 2021 / June 2021 Yıl 4, Sayı 1 / Year 4, Issue 1 ATIF BİLGİSİ / REFERENCE INFORMATION ÇİFTÇİ, Sait Emre, “11. Yüzyılda Anadolu’nun Kaybı Aile Antroponimisinde İzler Bıraktı Mı?” Ortaçağ Araştırmaları Dergisi, IV/I, Haziran 2021, s. 126-132. Makale Türü: Tarih Çeviri DOI No: Geliş Tarihi / Received: 10 Kasım/November 2020 Kabul Tarihi / Accepted: 18 Nisan/April 2020 Online Yayın: 26 Haziran 2021 Published Online: 26 June 2021 11. Yüzyılda Anadolu’nun Kaybı Aile Antroponimisinde İzler Bıraktı Mı? Did the Loss of Anatolia in the 11th Century Leave a Trace in Family Names? Sait Emre ÇİFTÇİ1*+ 1 Arş. Gör., Bitlis Eren Üniversitesi, Fen-Edebiyat Fakültesi, Tarih Bölümü, BİTLİS. * [email protected] +ORCID: 0000-0002-2685-1714 Jean-Claude Cheynet, La perte de l’Asie Mineure au xie siècle a-t-elle laissé des traces dans l’anthroponymie familiale?, Studies in Byzantine Sigillography, Volume 12. Berlin, De Gruyter, Boston, 2016, s. 1-12 künyeli eserden çevrilmiştir. 126 ORTAÇAĞ ARAŞTIRMALARI DERGİSİ HAZİRAN/JUNE 2021 4/1 Sait Emre ÇİFTÇİ Anadolu 11. yüzyılın ikinci yarısında Selçuklu Türkleri tarafından yeniden fethetmesinden sonra geçici olarak İmparator Alexios fethedildi. 1081’de Anadolu’nun büyük kısmı artık imparatorun Komnenos’un9 kontrolü altına girdi. Böylece Türk ilerleyişinin neden doğrudan kontrolü altında olmayıp Türk öncü birlikleri olduğu göç, X. Konstantinos döneminden itibaren başladı. Konstantinopolis’in karşısında, İstanbul Boğazı üzerinde kamp Prosopografi (biyografi yazımı), bu fenomeni tanımlamanın kurmuşlardı. Bu fetih önemli nüfus hareketlerine neden olmuştur. ayrıcalıklı bir yolu olabilir. Kullanılan isimlerin sayısı, 11. yüzyıl Konu hakkında birkaç anlatıya ve belgesel kaynağın ifadesine boyunca arttı. Bu isimler sonraki iki yüzyılda gelişecek şekilde 8. -
The Madness of Genre
The Madness of Genre MARGARET MULLETT 4(• n author-even a Byzantine author-de- does violence not only to the sensibility of the critic serves to be regarded as an entity, not to be but also to the object he is studying. In the case of torn to pieces in the interests of proving the eter- genre, however, there has been a considerable re- nal stability of genres."' We need not be led astray vival. Much literature is emanating from such di- by the disarming parenthesis. The volume from verse schools of thought as New Criticism, Russian which this quotation is taken has transformed the Formalism, Structuralism, and Rezeptionstheorie,6 study of Byzantine literature as a serious study in and in classical studies generic analysts have its own right; its authors show nothing but scorn formed something of a school in themselves in the for scholars who delight in discussing Byzantine wake of Francis Cairns' GenericComposition in Greek literature simply to point out how bad it is. It used and Latin Poetry.7 Since Byzantine literary study is to be that "Byzantine literature has never had a so young, it may be helpful to learn what literary good press, least of all from its own students,"2 but theorists say about genre. The first point is per- that, after Kazhdan and Franklin, is no longer haps that, with the possible exception of the clas- true. The volume's opening chapter, which was sical genericists, no theorist of genre would now first given as a paper at the Institut fuir Byzantin- proclaim any eternal stability or immutability of istik in Vienna, points out the inadequacies of the genre. -
— La Crimea Tra Russia, Italia E Impero Ottomano
E IMPERO OTTOMANO E IMPERO LA CRIMEA TRA RUSSIA, ITALIA RUSSIA, TRA CRIMEA LA Eurasiatica Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale 8 — La Crimea tra Russia, Italia e Impero FERRARI, PUPULIN ottomano a cura di Aldo Ferrari ed Elena Pupulin Edizioni Ca’Foscari La Crimea tra Russia, Italia e Impero ottomano Eurasiatica Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale Collana diretta da Aldo Ferrari 8 Eurasiatica Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale Direttore Aldo Ferrari (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Gianfranco Giraudo (Università Ca’ Foscari Venezia, Italia) Aleksander Naumow (Università Ca’ Foscari Venezia, Italia) Antonio Panaino (Università di Bologna, Italia) Valeria Fiorani Piacentini (Università Cattolica del Sacro Cuore, Milano, Italia) Adriano Rossi (Università degli Studi di Napoli «L’Orientale», Italia) Boghos Levon Zekiyan (Università Ca’ Foscari Venezia, Italia) Comitato di redazione Alessandra Andolfo (Università Ca’ Foscari Venezia, Italia) Giampiero Bellingeri (Università Ca’ Foscari Venezia, Ita- lia) Giorgio Comai (Dublin City University, Ireland) Simone Cristoforetti (Università Ca’ Foscari Venezia, Italia) Erica Ianiro (Università Ca’ Foscari Venezia, Italia) Gianclaudio Macchiarella † (Università Ca’ Foscari Venezia, Italia) Stefa- no Pellò (Università Ca’ Foscari Venezia, Italia) Gaga Shurgaia (Università Ca’ Foscari Venezia, Italia) Vittorio Tomelleri (Università degli Studi di Macerata, Italia) Direzione -
(8-13Th C.): Contributing to a Reassessment List of Images
Ethnicity and Statehood in Pontic-Caspian Eurasia (8-13th c.): Contributing to a Reassessment Alex M. Feldman 2018 PhD Thesis – University of Birmingham – Centre for Byzantine, Ottoman and Modern Greek Studies List of Images Figure 1: Reproduced from Androshchuk, 2015, “Byzantine Imperial Seals in Southern Rus’,” 43-54: a typical example of “Nordic” rune-writing. Figure 2: Reproduced from Callmer, 2000, “From West to East. The Penetration of Scandinavians into Eastern Europe ca. 500-900,” 45-94: the riverine urbanization and sedentarization of Khazaria. Figures 3-13: A collection of archaeological material dating to the Khazarian period and correlating either with Khazarian “wares” or products typical of the correlative Saltovo-Majacki archaeological culture, which includes glass and bead jewellery found at the Dimitrievskij Complex (top left and center – reproduced from Zalesskaja, et al., 1989, Съкровище на хан Кубрат, cat. nos. 198-203), silver strap ornaments found in Taman (top right – reproduced from Leskov, 2008, The Maikop Treasure, cat. no. 275), and numerous finds from Sarkel, including several silver and bronze belt buckles (bottom right – reproduced from Zalesskaja, et al., 1989, cat. nos. 230 and 275) and even one entire ornamentally carved silver belt itself (reproduced from Pletnëva and Makarova, 1983, “Пояс знатного воина из Саркела,” 62-77, and Artamonov, 1962, История хазар, 340, although Artamonov interprets the find as “Hungarian,” without qualifying his statement), a silver and glass ring (bottom center-right – reproduced from Zalesskaja, et al., 1989, cat. no. 267), as well as imported luxury goods including a Byzantine-made glazed serving plate (center left – reproduced from Zalesskaja, et al., 1989, cat. -
Remilitarising the Byzantine Imperial Image: a Study of Numismatic Evidence and Other Visual Media 1042-1453
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository REMILITARISING THE BYZANTINE IMPERIAL IMAGE: A STUDY OF NUMISMATIC EVIDENCE AND OTHER VISUAL MEDIA 1042-1453 by MICHAEL STEPHEN SAXBY A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The messages in the imagery on Byzantine coins, although often neglected by scholars, were a key means of projecting imperial power. Emperors could project power via dress, ceremonial, and displays, but these methods would not have reached all subjects. Byzantine coins had the advantage of reaching all subjects, as the Byzantine economy was fundamentally monetized. Military symbols (figures, dress, and weapons), whose study has been rather overlooked, formed an important part of this imagery. Whilst military symbols disappeared from Byzantine coins in the early eighth century, and were absent for some three centuries, they were reintroduced in the mid-eleventh century and appeared until 1394/5. -
La Tataroj De Krimeo
La tataroj de Krimeo kaj ties komplika historia de la lukto por ekzistado kaj propraj rajtoj kiun la homaro pli malpli ignoras Historiaj, etnodemografiaj, onomastikaj, politikaj, kulturaj kaj juraj aspektoj Originale verkita en Esperanto de Andreas Künzli (Svislando) Krimeo en antikvaj tempoj La nomo Krimeo (tatarlingve Qırım, ruslingve Крым, ukrainlingve Крим) eble devenas de la mongol- tatara lingvo (qrım) kaj signifas „fortikaĵo“,1 aŭ ĝi havas aŭtentikan krime-tataran originon kun la signifo „roko“. Povas ankaŭ esti, ke tiu nomo estas ligita kun la legendeca antikva popolo de la cimeroj,2 kiu vivis sur la Krimea duoninsulo en la 12a jc. a.Kr. Kun la cimeroj la mitologiaj taŭridanoj3 estas konsiderataj kiel prapopoloj de Krimeo, kiu iam estis nomata Taŭrido. La klimataj kaj geostrategiaj kondiĉoj de la duoninsulo helpis al Taŭrido aŭ Krimeo fariĝi alloga kaj dezirinda loĝejo por multaj popoloj. Krom la cimeroj kaj taŭridanoj sur Krimeo aperis grekoj (8a jc. a.Kr.), ´bosporanoj´4 kaj ´sarmatoj´5 (5a jc. a.Kr.), ´skitoj´ (3a jc. a.Kr.), romianoj (1a jc. a.Kr.), alanoj (1a jc. p.Kr. ),6 gotoj (3a jc.),7 hunoj kaj bizancanoj (4a jc.), bulgaroj (bolgaroj) kaj ĥazaroj (7a jc.),8 peĉenegoj kaj kipĉakoj (10a jc.),9 armenoj (12 jc.), italoj (t.e. precipe ĝenovanoj kaj venecianoj, 13a jc.), adigeoj-ĉerkesoj kaj, finfine, tataroj (14a jc.).10 Krimeo en la helena tempo (5jc a.K.) kaj en la tempo de Kieva Rusio (9-10aj jc.) Piednotoj: 1 Laŭ iuj etimologoj la saman originon eble havas la rusa vorto kreml´. 2 Vd. https://eo.wikipedia.org/wiki/Cimeroj. -
Mihail Mitrea a LATE BYZANTINE SWAN SONG
Mihail Mitrea A LATE BYZANTINE SWAN SONG: MAXIMOS NEAMONITES AND HIS LETTERS MA Thesis in Comparative History with the specialization in Interdisciplinary Medieval Studies CEU eTD Collection Central European University Budapest May 2011 A LATE BYZANTINE SWAN SONG: MAXIMOS NEAMONITES AND HIS LETTERS by Mihail Mitrea (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies. Accepted in conformance with the standards of the CEU ____________________________________________________________ Chair, Examination Committee ____________________________________________________________ Thesis Supervisor ____________________________________________________________ Examiner CEU eTD Collection ____________________________________________________________ Examiner Budapest May 2011 A LATE BYZANTINE SWAN SONG: MAXIMOS NEAMONITES AND HIS LETTERS by Mihail Mitrea (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Comparative History, with the specialization in Interdisciplinary Medieval Studies. Accepted in conformance with the standards of the CEU ____________________________________________________________ External Examiner CEU eTD Collection Budapest May 2011 A LATE BYZANTINE SWAN SONG: MAXIMOS NEAMONITES AND HIS LETTERS by -
Of Mahperi Khatun: Piety, Patronage and Marriage Across Frontiers in Seljuk Anatolia Chapter Author(S): Suzan Yalman
Edinburgh University Press Chapter Title: The ‘Dual Identity’ of Mahperi Khatun: Piety, Patronage and Marriage across Frontiers in Seljuk Anatolia Chapter Author(s): Suzan Yalman Book Title: Architecture and Landscape in Medieval Anatolia, 1100-1500 Book Editor(s): Patricia Blessing, Rachel Goshgarian Published by: Edinburgh University Press. (2017) Stable URL: http://www.jstor.org/stable/10.3366/j.ctt1g051tq.17 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Edinburgh University Press is collaborating with JSTOR to digitize, preserve and extend access to Architecture and Landscape in Medieval Anatolia, 1100-1500 This content downloaded from 129.128.216.34 on Sun, 09 Apr 2017 00:51:03 UTC All use subject to http://about.jstor.org/terms CHAPTER TEN The ‘Dual Identity’ of Mahperi Khatun: Piety, Patronage and Marriage across Frontiers in Seljuk Anatolia1 Suzan Yalman In surveys of Islamic art, Turkic dynasties are often credited for the prominent role women enjoyed as patrons of architecture. This appears to be true for Seljuk Anatolia: the mothers, daughters and wives of the Seljuk sultans studded the urban and rural landscape with an array of buildings, leaving their names and legacies for posterity. Even though the Seljuks are known for their patrilineal genealogy that traces them back to Central Asia and Iran, their mat- rilineal genealogy – often characterised by local political alliances in the form of marriages – rooted the dynasty in Anatolia. -
The Political Opposition to Alexios I Komnenos (1081–1118)
The Political Opposition to Alexios I Komnenos (1081–1118) Inauguraldissertation zur Erlangung des Akademischen Grades eines Dr. phil., vorgelegt dem Fachbereich 07 Geschichts- und Kulturwissenschaften der Johannes Gutenberg-Universität Mainz von João Vicente de Medeiros Publio Dias aus São Paulo, Brasilien 2020 Dekan: 1. Gutachter: 2. Gutachter: Tag des Prüfungskolloquiums: 18. Juli 2018 Dedicado a Dai Table of Contents Acknowledgements ............................................................................................................... 1 Note on translation and transliteration .................................................................................. 2 i. Introduction ........................................................................................................................ 3 i.i. Bibliographic Review ...................................................................................................... 4 i.ii Conceptual and Theoretical Issues on Political Opposition in Byzantium ...................... 7 i.iii Sources .......................................................................................................................... 18 i.iii.i Material for History of Nikephoros Bryennios .......................................................... 24 i.iii.ii The Alexiad of Anna Komnene ................................................................................. 26 i.iii.iii The Epitome Historion of Ioannes Zonaras .............................................................. 30 i.iii.iv The Chronike