Christianity, Islam, and Nationalism in Indonesia
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Characteristics of Indonesian Intercultural Sensitivity in Multicultural and International Work Groups Hana Panggabean Atma Jaya Indonesia Catholic University
Grand Valley State University ScholarWorks@GVSU Papers from the International Association for Cross- IACCP Cultural Psychology Conferences 2004 Characteristics of Indonesian Intercultural Sensitivity in Multicultural and International Work Groups Hana Panggabean Atma Jaya Indonesia Catholic University Follow this and additional works at: https://scholarworks.gvsu.edu/iaccp_papers Part of the Psychology Commons Recommended Citation Panggabean, H. (2004). Characteristics of Indonesian intercultural sensitivity in multicultural and international work groups. In B. N. Setiadi, A. Supratiknya, W. J. Lonner, & Y. H. Poortinga (Eds.), Ongoing themes in psychology and culture: Proceedings from the 16th International Congress of the International Association for Cross-Cultural Psychology. https://scholarworks.gvsu.edu/iaccp_papers/239 This Article is brought to you for free and open access by the IACCP at ScholarWorks@GVSU. It has been accepted for inclusion in Papers from the International Association for Cross-Cultural Psychology Conferences by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. 565 CHARACTERISTICS OF INDONESIAN INTERCULTURAL SENSITIVITY IN MULTICULTURAL AND INTERNATIONAL WORKGROUPS Hana Panggabean Atma Jaya Indonesia Catholic University Jakarta, Indonesia Intercultural Sensitivity (JCS) is an important socio-cultural variable in dealing with intercultural contexts such as multicultural societies and over seas assignments. The variable covers skills to manage and make -
Conserving the Past, Mobilizing the Indonesian Future Archaeological Sites, Regime Change and Heritage Politics in Indonesia in the 1950S
Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 167, no. 4 (2011), pp. 405-436 URL: http://www.kitlv-journals.nl/index.php/btlv URN:NBN:NL:UI:10-1-101399 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0006-2294 MARIEKE BLOEMBERGEN AND MARTIJN EICKHOFF Conserving the past, mobilizing the Indonesian future Archaeological sites, regime change and heritage politics in Indonesia in the 1950s Sites were not my problem1 On 20 December 1953, during a festive ceremony with more than a thousand spectators, and with hundreds of children waving their red and white flags, President Soekarno officially inaugurated the temple of Śiwa, the largest tem- ple of the immense Loro Jonggrang complex at Prambanan, near Yogyakarta. This ninth-century Hindu temple complex, which since 1991 has been listed as a world heritage site, was a professional archaeological reconstruction. The method employed for the reconstruction was anastylosis,2 however, when it came to the roof top, a bit of fantasy was also employed. For a long time the site had been not much more than a pile of stones. But now, to a new 1 The historian Sunario, a former Indonesian ambassador to England, in an interview with Jacques Leclerc on 23-10-1974, quoted in Leclerc 2000:43. 2 Anastylosis, first developed in Greece, proceeds on the principle that reconstruction is only possible with the use of original elements, which by three-dimensional deduction on the site have to be replaced in their original position. The Dutch East Indies’ Archaeological Service – which never employed the term – developed this method in an Asian setting by trial and error (for the first time systematically at Candi Panataran in 1917-1918). -
Surrealist Painting in Yogyakarta Martinus Dwi Marianto University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Surrealist painting in Yogyakarta Martinus Dwi Marianto University of Wollongong Recommended Citation Marianto, Martinus Dwi, Surrealist painting in Yogyakarta, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/1757 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] SURREALIST PAINTING IN YOGYAKARTA A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by MARTINUS DWI MARIANTO B.F.A (STSRI 'ASRT, Yogyakarta) M.F.A. (Rhode Island School of Design, USA) FACULTY OF CREATIVE ARTS 1995 CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Martinus Dwi Marianto July 1995 ABSTRACT Surrealist painting flourished in Yogyakarta around the middle of the 1980s to early 1990s. It became popular amongst art students in Yogyakarta, and formed a significant style of painting which generally is characterised by the use of casual juxtapositions of disparate ideas and subjects resulting in absurd, startling, and sometimes disturbing images. In this thesis, Yogyakartan Surrealism is seen as the expression in painting of various social, cultural, and economic developments taking place rapidly and simultaneously in Yogyakarta's urban landscape. -
A Short History of Indonesia: the Unlikely Nation?
History Indonesia PAGES 13/2/03 8:28 AM Page i A SHORT HISTORY OF INDONESIA History Indonesia PAGES 13/2/03 8:28 AM Page ii Short History of Asia Series Series Editor: Milton Osborne Milton Osborne has had an association with the Asian region for over 40 years as an academic, public servant and independent writer. He is the author of eight books on Asian topics, including Southeast Asia: An Introductory History, first published in 1979 and now in its eighth edition, and, most recently, The Mekong: Turbulent Past, Uncertain Future, published in 2000. History Indonesia PAGES 13/2/03 8:28 AM Page iii A SHORT HISTORY OF INDONESIA THE UNLIKELY NATION? Colin Brown History Indonesia PAGES 13/2/03 8:28 AM Page iv First published in 2003 Copyright © Colin Brown 2003 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. Allen & Unwin 83 Alexander Street Crows Nest NSW 2065 Australia Phone: (61 2) 8425 0100 Fax: (61 2) 9906 2218 Email: [email protected] Web: www.allenandunwin.com National Library of Australia Cataloguing-in-Publication entry: Brown, Colin, A short history of Indonesia : the unlikely nation? Bibliography. -
The Protection of Indonesian Batik Products in Economic Globalization
Advances in Social Science, Education and Humanities Research, volume 192 1st International Conference on Indonesian Legal Studies (ICILS 2018) The Protection of Indonesian Batik Products in Economic Globalization Dewi Sulistianingsih1a, Pujiono1b 1Department of Private and Commercial Law , Faculty of Law, Universitas Negeri Semarang (UNNES), Indonesia a [email protected], b [email protected] Abstract— Batik is one of Indonesia’s cultural heritage whose existence has been recognized by UNESCO since 2009. It has become the identity and characteristic of Indonesia that needs to be preserved and developed. Indonesian people can preserve it by recognizing its products’ existence and conducting development efforts by improving the quality of its products. In Indonesia, batik has been passed down from generations by wearing, producing and marketing its products. The article is the result of a study using a socio-legal method. The data collection was conducted through interview and observation techniques. The research subjects are batik business owners in Indonesia. This paper reveals the challenges and obstacles faced by the local batik product business people in Indonesia in the face of economic globalization. There have been legal efforts to provide protection for the Indonesian batik products. The problems are how the protection is applied and how the country and the community perform the protection. The other objective of this paper is to analyze the readiness of the local batik businesspeople in Indonesia in the face of economic globalization especially from the legal perspective. The article exposes the batik business owners’ weaknesses and seeks to give sound solutions which is hoped to be applied by the batik business owners in Indonesia in order to survive in the globalization era. -
Mata Sebagai Sumber Ide Penciptaan Motif Dalam Busana Modern
E-ISSN : 2685-2780 P-ISSN : 2685-4260 MATA SEBAGAI SUMBER IDE PENCIPTAAN MOTIF DALAM BUSANA MODERN Volume 2, Nomor 1 Putri Utami Mukti Januari 2020, (1-8) Pascasarjana ISI Yogyakarta Institut Seni Indonesia Yogyakarta e-mail : [email protected] ABSTRAK Mata adalah jendela jiwa dan jendela dunia ke dalam kehidupan, dengan semua peristiwa dapat dilihat dan dihargai itu memiliki bentuk estetika, filosofis konten dan nilai yang tinggi bagi kehidupan, maka dari itu menjadi penting untuk menyampaikan mata lewat media yang mudah diterima oleh masyarakat. Salah satu media yang dapat mewakili seluruh isi mata adalah seni kriya tekstil, karena memiliki turunan berupa busana yang menjadi kebutuhan utama bagi kehidupan manusia. Busana tidak hanya berfungsi sebagai pelindung tubuh tetapi bisa menjadi media komunikasi untuk menyampaikan pesan estetis. Mata akan digunakan sebagai sumber ide penciptaan motif dan diterapkan pada busana modern untuk menyampaikan konten makna dan filosofis yang terkandung di dalamnya dengan menggunakan pendekatan estetika dan ergonomi. Kata kunci: Mata, busana, kriya tekstil ABSTRACT The eyes are the Windows of the soul and the world's window into life, with all the events can be seen and appreciated it has a form of aesthetic, philosophical content and high value for life, therefore becomes essential to convey the eyes through the media that is easily accepted by the society. One of the media that can represent the entire contents of the eye is the art of textile craft, because it has a derivative form of clothing that became the main needs for human life. The clothes not only serves as a protector of the body but it can be a medium of communication to convey messages aesthetically. -
MALAY HEALING PRACTICES Ubat-Ubatan As Remedies Administered Hybridised Form of Islam
BIBLIOASIA OCT – DEC 2018 Vol. 14 / Issue 03 / Feature Nadirah Norruddin is an Associate Librarian with the National Library, Singapore. Her PAWANG, BOMOH AND BIDAN gathering and preparing ubat-ubatan main responsibility lies in managing and Traditional Malay healers are the from plants and herbs developing the Singapore and Southeast Asian collections. main providers of Malay medicine. In his book, A Descriptive Diction- To achieve the necessary credentials, ary of British Malaya (1894), Nicholas some have resorted to living in soli- B. Dennys compares the dukun to tude, spending their time meditating, “being on par with witch doctors of fasting or putting themselves through history”. Although the dukun has been strict dietary regimens – all in the generally described in disparaging name of spiritual cleansing. Healers terms by Western scholars, a small are also expected to have an extensive minority saw the merits of these knowledge of botany and nature so traditional healers. Percy N. Gerrard that they can classify and identify the defines the “doctor” as a bomoh, dukun right plants and herbs as well as their or pawang in his dictionary, A Vocabu- healing properties, and prescribe the lary of Malay Medical Terms (1905). correct remedies. Bidan Pawang Also known as “Mak Bidan” or “dukun A pawang is commonly defined as a beranak”, these midwives specialise shaman or general practitioner of in women’s health matters, including magic who incorporates incantations fecundity, midwifery and contraception, (Facing page) The betel vine, prayer bowl engraved into his craft. He is usually involved in along with a variety of beauty-related with Quranic verses and invocations, and the mortar conducting agricultural rituals and disorders. -
Humiliation and Education in a Dani Modernity
Dreams Made Small: Humiliation and Education in a Dani Modernity Jenny Munro A thesis submitted for the degree of Doctor of Philosophy at The Australian National University December 2009 **This electronic version has been edited to reduce digital size and is not the same as the printed version or the full electronic version with images** This thesis is the original work of the author except where otherwise acknowledged. Jenny Munro Department of Anthropology Research School of Pacific and Asian Studies The Australian National University i Abstract Indigenous youth from the Baliem Valley area of Papua, Indonesia aspire to be part of ‘progress’ ( kemajuan ) in their isolated region but are constrained by colonial conditions that favour migrant Indonesians. In this thesis, indigenous Dani students leave the tense social and political setting of highlands Papua in order, they say, to broaden their horizons in North Sulawesi, a relatively prosperous, peaceful province four days west of Papua by passenger ship. Based on 16 months of fieldwork conducted in 2005-2006 and 2009, this thesis explores Dani efforts to gain university degrees and obtain ‘modern’ skills and capabilities in a tangled web of racial stigma, prejudice, institutionalized corruption, and intense relationships with other Papuan highlanders. It follows Dani graduates back to the Baliem Valley to see what results they create from a university degree. This exploration of the personal histories and life chances of stigmatized individuals sheds light on Papuan nationalism, the everyday production and negotiation of racial hierarchies, and how affect, in this case humiliation, fuels the formation of a particular vision of identity and the future. -
Papau New Guinea, Soloman Islands, and Vanuatu
PAPUA NEW GUINEA COUNTRY READER TABLE OF CONTENTS Mary Seymour Olmsted 1975-1979 Ambassador, Papua New Guinea Harvey Feldman 1979-1981 Ambassador, Papua New Guinea Morton R. Dworken, Jr. 1983-1985 Deputy Chief of Mission, Port Moresby Paul F. Gardner 1984-1986 Ambassador, Papua New Guinea Robert Pringle 1985-1987 Deputy Chief of Mission, Port Moresby Everett E. Bierman 1986-1989 Ambassador, Papua New Guinea William Farrand 1990-1993 Ambassador, Papua New Guinea Richard W. Teare 1993-1996 Ambassador, Papua New Guinea John Allen Cushing 1997-1998 Consular/Political Officer, Port Moresby Arma Jane Karaer 1997-2000 Ambassador, Papua New Guinea MARY SEYMOUR OLMSTED Ambassador Papua New Guinea (1975-1979) Ambassador Mary Seymour Olmsted was born in Duluth, Minnesota and raised in Florida. She received a bachelor's degree in economics from Mount Holyoke College and a master's degree from Columbia University. Ambassador Olmsted's Foreign Service career included positions in India, Iceland, Austria, Washington, DC, and an ambassadorship to Papua New Guinea. Ambassador Olmsted was interviewed by Charles Stuart Kennedy in 1992. Q: That's an awful lot of responsibility, I would think. Now you went out to Port Moresby. That was in June of '74? OLMSTED: Yes. Q: As principal officer. So in other words, you were made Consul General. Sworn in and so forth. 1 OLMSTED: Yes. Q: At that time, did you know that was going to become an Embassy? OLMSTED: It seemed quite likely. Papua New Guinea, in the beginning, was obviously on the road to independence, and no one knew exactly when it would take place. -
MJT 28-1 Full OK
Melanesian Journal of Theology 28-1 (2012) MANSINAM: CENTRE OF PILGRIMAGE, UNITY, AND POLARISATION IN WEST PAPUA1 Uwe Hummel Dr Uwe Hummel is a pastor of the Evangelical-Lutheran church, and, since April, 2010, has served as Lecturer in Theology at the Lutheran Highlands Seminary in Ogelbeng, near Mt Hagen Papua New Guinea. In previous years, he served as Coordinator of the German West Papua Netzwerk (2004-2009), and as Asia Secretary of the United Evangelical Mission (2007-2010). INTRODUCTION Annually, on February 5, especially in every round fifth year, thousands of pilgrims populate the tiny island of Mansinam in the Dorehri Bay in the Regency of Manokwari, West Papua, Indonesia. While the mainly Protestant Christians commemorate the arrival of the first missionaries in 1855, the local hotel industry has its peak season. Coming from Manokwari town on the mainland – some having travelled from neighbouring Papua New Guinea,2 or farther abroad – the pilgrims reach Mansinam by traditional canoe in less than 30 minutes. Because an islet of 450 hectares is not very well suited to accommodate thousands of people, the worshippers, often including the governors, and other VIPs, of 1 The author presented this paper in abbreviated form on June 23, 2011, during the Inaugural Conference of the Melanesian Association of Theological Schools (MATS), held from June 21-24, at the Pacific Adventist University in Port Moresby, Papua New Guinea. A special word of gratitude goes to Mr Wolfgang Apelt, librarian at the Archive of the Rhenish Mission/United Evangelical Mission (UEM) in Wuppertal Germany, who provided the author with some of the bibliographical data. -
"Christian Life and the Living Dead," Melanesian Journal of Theology 13.2
Melanesian Journal of Theology 13-2 (1997) CHRISTIAN LIFE AND THE LIVING DEAD Russell Thorp Russell Thorp is a New Zealander, who was born in Papua New Guinea. He holds a Bachelor of Ministries from the Bible College of New Zealand. He is currently teaching at the Christian Leaders’ Training College. The following article was written as part of a Master’s degree program. Question: Can primal funeral rites be used in some way to convey a Christian message? To explore this issue we will compare the funeral rites of a Papuan cultural group with those of an African group.1 I will first summarise the African funeral ceremony, as Don Brown relates it in his article. Then I will describe and analyse the funeral ritual of the “Dugum Dani”,2 a Papuan culture in the Highlands of Western Papua New Guinea.3 Once we have a picture of both rituals, we will then use the work of Arnold Van Gennep4 and Ronald Grimes5 to analyse the Dugum Dani ritual. By then, we will be able to draw on our findings, to work out if some aspects of the Dugum Dani funeral rites can be used in conveying a Christian message. 1 Don Brown, “The African Funeral Ceremony: Stumbling Block or Redemptive Analogy?”, in International Journal for Frontier Missions 2-3 (July 1985), p. 255. 2 It has since come to the attention of the author of this article that the name of the tribal group is now recognised as the Dugum Lani people. 3 Karl G. Heider, The Dugum Dani, New York NY: Wenner-Gren Foundation for Anthropological Research, 1970. -
The West Papua Dilemma Leslie B
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2010 The West Papua dilemma Leslie B. Rollings University of Wollongong Recommended Citation Rollings, Leslie B., The West Papua dilemma, Master of Arts thesis, University of Wollongong. School of History and Politics, University of Wollongong, 2010. http://ro.uow.edu.au/theses/3276 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. School of History and Politics University of Wollongong THE WEST PAPUA DILEMMA Leslie B. Rollings This Thesis is presented for Degree of Master of Arts - Research University of Wollongong December 2010 For Adam who provided the inspiration. TABLE OF CONTENTS DECLARATION................................................................................................................................ i ACKNOWLEDGEMENTS ............................................................................................................. ii ABSTRACT ...................................................................................................................................... iii Figure 1. Map of West Papua......................................................................................................v SUMMARY OF ACRONYMS ....................................................................................................... vi INTRODUCTION ..............................................................................................................................1