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Disney Nella Nostra Sim- Po’
Anteprima » Panini Comics L'ANGOLO DI VALENTINA DA NAPOLI A TORINO SULLE ALI… DEL TOPO! • di Valentina De Poli Nelle presentazioni istituzionali dedicate al Topo - lettori… E siamo anche accolti benissimo! Così, per proprio in questi giorni in coincidenza con il re- ricambiare, non vediamo l’ora che arrivino quelle styling e la nuova campagna dedicata al giornale, occasioni in cui possiamo essere noi a invitare gli partita l’11 aprile, ne stiamo organizzando un bel appassionati dei fumetti Disney nella nostra sim- po’... - arriva sempre il momento in cui racconto bolica casa. Di solito succede in occasione delle con fierezza di come il nostro magazine sia da de- fiere. I prossimi appuntamenti saranno a Napoli cenni un compagno di svago privilegiato scelto per il Comicon, dal 28 aprile, e poi subito dopo dalle famiglie italiane. Posso garantire che è tut- al Salone del Libro di Torino dal 10 maggio. Ma to vero, a giudicare anche dai racconti raccolti e tra una tappa e l’altra sul territorio avremo tempo registrati durante i focus group in giro per l’Italia, anche di dedicarci al centro Italia visitando i ne- realizzati nei mesi scorsi per testare il gradimento gozi vincitori dell’iniziativa “Disney Point 2017” del giornale, dove è stato bello ascoltare bambini (ricordate Anteprima #310?): perché le fumetterie e adulti sostenere che “Topolino non manca mai a sono la nostra seconda casa e sarà bello accoglier- casa nostra, ce lo passiamo di mano in mano!”. È vi anche lì! Ne parleremo sui prossimi numeri… come se ogni settimana un pezzettino di noi, tra Straquack! Valentina UN GIORNO TUTTO QUESTO… redazione e autori, entrasse nelle case dei nostri SARÀ A FUMETTI! PIPPO IN: 3X2 3259 Tito Faraci/Silvia Ziche UN GIORNO TUTTO QUESTO… DALLA PARTE SBAGLIATA SARÀ A FUMETTI! Tito Faraci/Paolo Mottura PIPPO IN: 3X2 Tito Faraci/Silvia Ziche TOPOLINO E L’ESPERIMENTO DEL DOTTOR PI UN GIORNO, Francesco Artibani/Alessandro Perina DALLA PARTE SBAGLIATA Tito Faraci/Paolo Mottura TUTTO QUESTO.. -
Uncle Scrooge #9 Preview
STORY 1 Another Christmas on Bear Mountain from Italian Topolino 2717, 2007 (New to the USA) WRITER Tito Faraci ARTIST Giorgio Cavazzano INKER Sandro Zemolin COLORIST Disney Italia with Travis and Nicole Seitler LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Gary Leach STORY 2 EDITOR Sarah Gaydos Blizzard Blues from Dutch Donald Duck 50/1995 (New to the USA) ARCHIVAL EDITOR David Gerstein IFC DESIGNER Paul Hornschemeier WRITER Evert Geradts COVER DESIGNER Tom B. Long ARTIST Jaap Stavenuiter COLORIST Sanoma with Travis and Nicole Seitler REGULAR COVER Giorgio Cavazzano LETTERER Travis and Nicole Seitler REGULAR COVER colored by Ronda Pattison TRANSLATION AND DIALOGUE Maura McManus SUB COVER Daniel Branca SUB COVER colored by Derek Charm RI COVER Marco Gervasio RI COVER colored by Ronda Pattison Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Beatrice Osman, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief YouTube: youtube.com/idwpublishing Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales Instagram: instagram.com/idwpublishing Dirk Wood, VP of Marketing deviantART: idwpublishing.deviantart.com www.IDWPUBLISHING.com Lorelei Bunjes, VP of Digital Services IDW founded by Ted Adams, Alex Garner, Kris Oprisko, and Robbie Robbins Jeff Webber, VP of Digital Publishing & Business Development Pinterest: pinterest.com/idwpublishing/idw-staff-faves UNCLE SCROOGE #9 (Legacy #413), DECEMBER 2015. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2015 Disney Enterprises, Inc. All rights reserved. -
STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact -
Translations of Sound Effects in Seven Comics
KPOW, CHINK, SPLAT: Translations of Sound Effects in Seven Comics Vilma Kokko MA thesis University of Turku School of Languages and Translation Studies Department of English; English Translation and Interpreting May 2013 TURUN YLIOPISTO Kieli- ja käännöstieteiden laitos/humanistinen tiedekunta KOKKO, VILMA: KPOW, CHINK, SPLAT: Translations of Sound Effects in Seven Comics Pro gradu -tutkielma, 106 s. Englannin kieli, englannin kääntäminen ja tulkkaus Toukokuu 2013 Tämä pro gradu -tutkielma käsittelee äänitehosteiden kääntämistä sarjakuvissa. Tutkimus perustuu seitsemän eri sarjakuvan äänitehosteiden ja niiden suomennoksien vertailuun. Tutkitut tehosteet on kerätty yhdeksi korpukseksi kolmesta Aku Ankka -tarinasta, Tenavat- ja Lassi ja Leevi -stripeistä sekä Batman- ja Vartijat- sarjakuvaromaaneista. Sarjakuvat edustavat osittain eri genrejä, jotta saadaan tietoa erityyppisten sarjakuvien mahdollisesti erilaisista käännöskonventioista. Aku Ankka -sarjakuvien määrää on painotettu, jotta olisi mahdollista saada tarkempi kuva yhdestä yksittäisestä sarjakuvasta, jossa oletetaan äänitehosteiden pääsääntöisesti olevan käännettyjä. Äänitehosteita ja äänitehostekäännöksiä tutkitaan kahdesta eri näkökulmasta. Tutkielman ensimmäisessä osassa tarkastellaan äänitehosteissa käytettyjä käännösstrategioita ja etsitään seikkoja, jotka vaikuttavat eri käännösstrategioiden käyttöön ja tehosteiden kääntämiseen tai kääntämättä jättämiseen. Kaindlin (1999) esittelemää sarjakuvien käännösstrategiajaottelua verrataan Celottin (2008) kuvaan upotettuihin teksteihin -
Tutto Roma No Scarpa
PRESENTAZIONE TUTTO ROMA NO SCARPA Sera e Gazzetta dello Sport: la prima integrale lare in meno in una vignetta, se infastidisce mai realizzata su un autore italiano. Il segui- lo svolgimento della storia. Scarpa è la figu- to ideale di quelle intitolate ai due predeces- ra di riferimento di un movimento al quale ap- sori americani. partengono sceneggiatori e disegnatori: i con- temporanei Guido Martina e Giovan Battista I volumi che vi accompagneranno durante Carpi, Carlo Chendi e Luciano Bottaro, quin- questo 2014, ciascuno di 360 pagine, com- di Giorgio Pezzin e Bruno Concina, Sergio prendono, in ordine cronologico, tutta la pro- Asteriti e Pier Lorenzo e Massimo De Vita, duzione di Scarpa. Nella migliore edizione poi Giorgio Cavazzano con la sua rivoluzio- possibile e, dov’era il caso, restaurata. E non ne moderna, e i più giovani Francesco Artiba- solo le opere tratte da Topolino, Albi d’Oro, ni, Silvia Ziche, Corrado Mastantuono, Fabio Almanacco Topolino, Classici di Walt Disney, Celoni, Casty, e mi perdonino tutti quelli – albi e volumi speciali, Zio Paperone, Maestri anch’essi grandi – rimasti sulla tastiera del pc. Disney e riviste estere: sono state inserite an- arl Barks. Floyd Gottfredson. E Ro- Una parata dei personaggi creati da Scarpa, che le storie ancora inedite in Italia e alcune I quali forse sorrideranno ripensando a un’al- mano Scarpa. Non sembri sacrilego disegnati nel 1986 per i primi venti anni del addirittura mai pubblicate. In più, numerosi tra frase del grande Maestro: “Mi sento con- l’accostamento ai due storici autori Salone Internazionale dei Comics di Lucca. -
Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books. -
Preview Book
STORY 1 The Colossal Coin Calamity from Italian Topolino 3141, 2016 (First USA Publication) WRITER Simone “Sio” Albrigi ARTIST Stefano Intini COLORIST Disney Italia LETTERER Nicole and Travis Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 2 It’s All Relative from Donald Duck Sunday comic strip, 1962 WRITER Bob Karp ARTIST AND LETTERER Al Taliaferro COLORIST Digikore Studios COVER A Stefano Intini COVER B Daniel Branca COVER B colored by Susan Kolberg RI COVER Andrea Freccero RI COVER colored by Max Monteduro EDITOR Chris Cerasi PUBLISHER Greg Goldstein ARCHIVAL EDITOR David Gerstein IFC DESIGNER Paul Hornschemeier COVER DESIGNER Tom B. Long Special thanks to Stefano Ambrosio, Stefano Attardi, Julie Dorris, Julia Gabrick, Marco Ghiglione, Jodi Hammerwold, Manny Mederos, Eugene Paraszczuk, Carlotta Quattrocolo, Roberto Santillo, Christopher Troise, and Camilla Vedove. For international rights, contact [email protected] Greg Goldstein, President & Publisher • John Barber, Editor-in-Chief • Robbie Robbins, EVP/Sr. Art Director • Cara Morrison, Chief Financial Officer • Matthew Ruzicka, Chief Accounting Officer • Anita Frazier, SVP of Sales and Marketing • David Hedgecock, Associate Publisher • Jerry Bennington, VP of New Product Development • Lorelei Bunjes, VP of Digital Services • Justin Eisinger, Editorial Director, Graphic Novels and Collections • Eric Moss, Sr. Director, Licensing & Business Development Ted Adams, Founder & CEO of IDW Media Holdings Facebook: facebook.com/idwpublishing • Twitter: @idwpublishing • YouTube: youtube.com/idwpublishing www.IDWPUBLISHING.com Tumblr: tumblr.idwpublishing.com • Instagram: instagram.com/idwpublishing UNCLE SCROOGE #39 (Legacy #443), JUNE 2018. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2018 Disney Enterprises, Inc. All rights reserved. IDW Publishing, a division of Idea and Design Works, LLC. -
Ankkakielen Meemit – Analyysi Aku Ankan Suomennosten Adaptaatioperäisestä Aineksesta
Ankkakielen meemit – analyysi Aku Ankan suomennosten adaptaatioperäisestä aineksesta Ville Viitanen Tampereen yliopisto Viestintätieteiden tiedekunta Monikielisen viestinnän ja käännöstieteen maisteriopinnot Englannin kääntämisen ja tulkkauksen opintosuunta Pro gradu -tutkielma Toukokuu 2017 Tampereen yliopisto Monikielisen viestinnän ja käännöstieteen maisteriopinnot viestintätieteiden tiedekunta VIITANEN, VILLE: Ankkakielen meemit – analyysi Aku Ankan suomennosten adaptaatioperäisestä aineksesta Monikielisen viestinnän pro gradu -tutkielma, 74 sivua + englanninkielinen lyhennelmä 16 sivua Toukokuu 2017 ___________________________________________________________________________ Käsittelen tutkielmassani Aku Ankka -sarjakuvalehden käännöskielelle ominaisia piirteitä ja niiden alkuperää. Selvitän vertailevan tekstianalyysin keinoin, millä tavoin lehdessä julkaistut suomennokset poikkeavat lähtöteksteistä, ja pohdin havaintojeni pohjalta, millaiset mekanismit kohdetekstiä mukauttavien käytäntöjen taustalla vaikuttavat. Taustoitan tutkimustani esittelemällä sarjakuvakääntämisen erityispiirteitä ja käytäntöjä sekä tutkimusaineistooni monin tavoin rinnastuvassa käännetyssä lastenkirjallisuudessa yleisiä adaptaatiota hyödyntäviä toimintatapoja. Teoreettisena viitekehyksenä käytän Georges L. Bastinin, Göte Klingbergin ja Zohar Shavitin adaptaatiotutkimusta ja havaintojeni erittelyn apuvälineenä Andrew Chestermanin esittämää Richard Dawkinsin kehittämään memetiikan käsitteeseen pohjautuvaa analyysimallia. Muodostan aiempien tutkimusten sekä ei-tieteellisten -
Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy. -
Disney Comics from Italy♦ © Francesco Stajano 1997-1999
Disney comics from Italy♦ © Francesco Stajano 1997-1999 http://i.am/filologo.disneyano/ A Roberto, amico e cugino So what exactly shall we look at? First of all, the Introduction fascinating “prehistory” (early Thirties) where a few pioneering publishers and creators established a Disney Most of us die-hard Disney fans are in love with those presence in Italy. Then a look at some of the authors, seen comics since our earliest childhood; indeed, many of us through their creations. Because comics are such an learnt to read from the words in Donald’s and Mickey’s obviously visual medium, the graphical artists tend to get balloons. Few of us, though, knew anything about the the lion’s share of the critics’ attention; to compensate for creators of these wonderful comics: they were all this, I have decided to concentrate on the people who calligraphically signed by that “Walt Disney” guy in the actually invent the stories, the script writers (though even first page so we confidently believed that, somewhere in thus I’ve had to miss out many good ones). This seems to America, a man by that name invented and drew each and be a more significant contribution to Disney comics every one of those different stories every week. As we studies since, after all, it will be much easier for you to grew up, the quantity (too many) and quality (too read a lot about the graphical artists somewhere else. And different) of the stories made us realise that this man of course, by discussing stories I will also necessarily could not be doing all this by himself; but still, we touch on the work of the artists anyway. -
T Cartoonists
Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected] -
Set , T He Big Sneeze
HERE BE DRAGONS! Hold onto your swords and shields… Donald and his naughty nephews are meeting mythic menaces by the megaton! First, set Big Sneeze The sail for dragon-ravaged Kooka Boola Island, where a fractious Fountain of Youth turns sailors into babies—and Don and the boys into geezers! Next, Donald rejoins the Tamers of Nonhu- man Threats to save an air fleet from plane-wrecking gremlins… but can he save his own tail feathers from a crash? Finally, in “The Call of C’rruso,” in the city of Sp’too, deep under the sea, dread Pf’legmwad lies dreaming… until Donald wakes the leg- endary monster-god up! Collects IDW’s Donald Duck #16-18 The Big Sneeze From Dutch Donald Duck Vakantiebok, 1980 Writer and Artist: Freddy Milton Colorists: Sanoma with David Gerstein and Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Freddy Milton and David Gerstein Bath Pooling From Danish Anders And & Co. #28/2013 Writer and Artist: Daan Jippes Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Translation and Dialogue: David Gerstein Dog Meet Dog From Italian Topolino #2872, 2010 Writer and Artist: Enrico Faccini Colorist: Disney Italia Letterer and Translation: David Gerstein Rue Britannia From Swedish Kalle Ankas Pocket #330, 2004 Writer: Lars Jensen Artist: Flemming Andersen Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Lars Jensen and David Gerstein Special thanks to Daniel Saeva, Julie Dorris, Manny Mederos, Roberto Santillo, Chris Troise, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. For international rights, contact [email protected] ISBN: 978-1-63140-832-8 20 19 18 17 1 2 3 4 Ted Adams, CEO & Publisher • Greg Goldstein, President & COO • Robbie Robbins, EVP/Sr.