S18-FANTAGRAPHICS.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

S18-FANTAGRAPHICS.Pdf SUMMER 2018 SUMMER 2018 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 the World’sG reatest customer service: 800-657-1100 her of Cart [email protected] • www.fantagraphics.com is oo Publ nists Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book specialty United States by: market by Diamond Comics Distribu- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd tors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre Also available via Last Gasp Books New York, NY 10110 102-0082 Tokyo Singapore 536196 (www.lastgasp.com). Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 For information on distribution Tel: (81) 90 3962 4650 Order Dept. Tel.: 800-233-4830 email: [email protected] elsewhere, please contact Martin Bland. email: [email protected] Order Dept. Fax: 800-458-6515 email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, Special Sales Dept.: Myanmar: General Inquiries 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Sales & Distribution Martin Bland B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Publicity & Marketing Jacq Cohen Sec. 4, Taipei 100 Amphur Muang [email protected] TURNAROUND DISTRIBUTION Taiwan Kanchanaburi 71000 Print Buyer Jason Miles Unit 3, Olympia Industrial Estate Tel (886) 2 6632 0088 Thailand [email protected] Coburg Rd., London N22 6TZ Fax (886) 2 2368 8929 Tel (66) 3451 1676 Associate Publisher Eric Reynolds Tel.: 44 (0)20 8829-3002 email: [email protected] Fax (66) 3451 1746 [email protected] Fax: 44 (0)20 8881-5088 email: [email protected] President & Publisher Gary Groth Email: [email protected] In Hong Kong and Macau: [email protected] www.turnaround-uk.com In Mexico, South and Central America, www.pubeasy.com Transglobal Publishers Service Ltd. the Caribbean: Catalog Copyright © 2018 27/F Unit E Shield Industrial Centre Fantagraphics Books, Inc. In Canada: 84/92 Chai Wan Kok Street US PubRep, Inc Tsuen Wan, N.T. 5000 Jasmine Drive All images © 2018 the respective author(s), CANADIAN MANDA GROUP Hong Kong Rockville, MD 20853, USA except: 664 Annette Street Tel (852) 2413 5322 Tel (301) 838 9276 Walt Disney’s Donald Duck, Uncle Scrooge and Mickey Mouse © 2018 Disney Toronto, ON M6S 2C8 Fax (852) 2413 7049 Fax (301) 838 9278 Enterprises Tel.: 416-516-0911 email: [email protected] email: [email protected] EC Comics © 2018 William M. Gaines Fax: 416-516-0917 Agent, Inc. Toll-free fax: 1-888-563-8327 In People’s Republic of China: Peanuts © 2018 Peanuts Worldwide, LLC. Email: [email protected] Prince Valiant © 2018 King Features www.mandagroup.com Everest Internationl Publishing Services Syndicate. Wei Zhao, Director In Australia and New Zealand: 2-1-503 UHN Intl Catalog Editor Eric Reynolds 2 Xi Ba He Dong Li John Wiley & Sons Australia, Ltd. Beijing 100028 Catalog Design & Production 42 McDougall Street Tel (86) 10 5130 1051 Paul Baresh, Sean Williams, Keeli Milton, Queensland 4064 Fax (86) 10 5130 1052 McCarthy, and Jacob Covey Tel (61) 7 3859 9755 Mobile (86) 13 6830 18054 Fax (61) 7 3859 9715 email: [email protected] email: [email protected] Printed in Canada MAY DISNEY MASTERS VOL. 1: ROMANO SCARPA WALT DISNEY’S MICKEY MOUSE: THE DELTA DIMENSION By Romano Scarpa From the creator of The Return of Snow White. Fantagraphics is proud to launch a new series of books devoted to Disney's greatest cartoonists, beginning with this volume of Mickey Mouse classics drawn by the great Italian artist, Romano Scarpa! When Mickey’s town is hit by a blizzard of strange glowing snow, everyone thinks it’s a publicity stunt. But genius Dr. Einmug knows better: Pegleg Pete is on the loose with Einmug’s weather-control secrets! Only Mickey and Einmug’s mysterious companion — the odd little Atomo Bleep-Bleep — can save the day before a poison rainstorm wipes Mouseton off the map! $29.99 Hardcover When Disney Legend Floyd Gottfredson stopped creating new Mickey Comics & Graphic Novels / Media Mouse adventures in 1955, Italian Disney maestro Romano Scarpa (1927– Tie-In 2005) picked up the Mickey mantle — he quickly proved himself a worthy 208 pages, full color, 7 ½" x 10 ¼" successor, spinning out decades’ worth of new Mickey action epics — most of Territory: X • CQ: 16 which have never been available in English! ISBN 978-1-68396-096-6 Now Fantagraphics is translating and anthologizing Scarpa’s best! This volume also reunites Mickey, Atomo, and Pete for Scarpa’s “The Bleep-Bleep • Mickey Mouse and Goofy remain 15” and “The Fabulous Kingdom of Shan-Grilla,” two internationally famous among Disney’s most popular tales making their North American debut! characters — with the current Mickey Mouse TV series now a sensation on Disney Channel and online! ROMANO SCARPA (1927–2005) was one of the most famous Italian creators • Great gift idea for Disneyana fans of Disney comics. • Digital ARC • Age range: 5+ ALSO AVAILABLE: The Return of Snow White and the Seven Dwarfs $19.99 Hardcover, ISBN 978-1-68396-075-1 1 MAY DULL MARGARET By Jim Broadbent & Dix An eerie tale of loneliness, greed, and selfishness. Inspired by Dulle Griet (aka “Mad Meg”), Pieter Bruegel the Elder’s 16th-century painting of a “strong, intense woman striding determinedly across a violent landscape,” Dull Margaret is the first graphic novel by Academy Award winning actor Jim Broadbent (Harry Potter, Game of Thrones) and artist Dix (perhaps best known for his Roll Up! Roll Up! comics in the Guardian newspaper). The Dulle Griet painting shows a breastplated woman with a sword in one hand in front of the mouth of hell, and Broadbent uses that single, vivid image as a launching point to explore what the rest of Dull Margaret’s bleak existence may have been like. As he puts it, “I come from Lincolnshire and have long been fixated on the flat coastal marshes. The story began to unfold from there, incorporating images from more of my favorite artists: Goya’s witches, Daumier’s pictures of travelling players, Rembrandt’s flat, low country landscapes. About the time I was writing, I fell for Dix’s strip in the Guardian. $29.99 Hardcover I felt we shared a particular sort of dark humour.” The resulting collaboration Comics & Graphic Novels / Literary is one of the most unexpected and original graphic novels of 2018. 152 pages, full-color, 6 ¾" x 9 ½" Territory: E • CQ: 18 ISBN 978-1-68396-098-0 JIM BROADBENT is one of his generation’s most acclaimed actors, on stage or screen. He lives in England. DIX is an illustrator and comic book artist • Original graphic novel living in Wales. He has created strips for the Guardian, Crisis, and many more • Review attention publications. He lives in Hay-on-Wye, Wales. • Off-the-book-page features • Author events and festival appearances • Digital ARC • Age range: 15+ 2 MAY GARLANDIA What’s happening to Garlandia? What kind of world will my baby girl By Lorenzo Mattotti & Jerry Kramsky grow up in? A major new work from a contemporary master of the form. The gars are peaceful, happy animals living alongside all kinds of wondrous creatures in their Edenic, animistic home, Garland. Their shaman, Zachariah, helps them to interpret the spirits that foretell their future. But a strange vision bodes ill, and soon an unctuous newcomer takes advantage, endangering their halcyon existence. Meanwhile, the shaman’s son, the sweet, bumbling Hippolytes, can’t find his wife Cochineal. He goes off in search of her and Dark times lie ahead for us Gars. winds up on a perilous odyssey that takes him far from home, setting in motion a series of events that will change all of their lives forever. This long-awaited second collaboration between Italian artists Lorenzo Mattotti and Jerry Kramsky is masterfully drawn in soft, psychedelic black and white. Ten years in the making, its characters evoke Tove Jansson’s moomins and its settings the dreamscapes of Moebius and Hayao Miyazaki. Garlandia Do you think we’ll ever see Hippolytes $39.99 Hardcover is a major work by a master cartoonist, an enchanting graphic poem of mythic again ? Comics & Graphic Novels / Literary scope and surprising political relevance. 400 pages, Black-and-white, 8 ¼" x 11" Territory: E • CQ: 8 ISBN 978-1-68396-097-3 LORENZO MATTOTTI is an Italian cartoonist whose work is revered internationally. JERRY KRAMSKY, aka Fabrizio Ostani, is an Italian comic • Original graphic novel book writer whose previous collaboration with Mattotti, Dr. Jeckyll and Mr. • Review attention Hyde, won the 2003 Eisner Award for Best U.S. Edition of Foreign Material. • Digital ARC • Age range: 15+ “Mattotti is a master. It's obvious at one glance.” — Craig Thompson (Blankets) And even if he does come back, where will we be ? ALSO AVAILABLE: How will he find us ? The Crackle of the Frost $19.99 Hardcover, ISBN 978-1-60699-543-3 3 MAY NOW #3 By Various; Edited by Eric Reynolds A new, ongoing showcase of the world's best cartoonists. The third issue of Now showcases a cover by acclaimed cartoonist Al Columbia (Pim & Francie) as well as more than 100 pages of all new short comics fiction by a host of established and up-and-coming talent from around the globe, including: Anna Haifisch (Germany), Roman Muradov (San Francisco), Jesse Reklaw (Portland), Lucas Varela (France), Marcello Quintanhila (Brazil), Anne Simon (France), Roberta Scomparsa (Italy), and J.C.
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • The Art of Storytelling: a Peek Into the Graphic Literary World Literary World Has Never Been Only Black and White
    Mgr. et Mgr. Jana Kasparova; University of West Bohemia, Faculty of Philosophy and Arts, Dept. of English Lang. and Lit. The Art of Storytelling: A Peek Into the Graphic Literary World Literary world has never been only black and white. The characters we love to read about have never been only good and bad. Let us peek into the world where graphics and colours play as important role as the words and letters written on the page. Let us explore the world of contemporary comic books and graphic novels, learn about their characteristics and specifics and meet the authors who are considered to be the superheroes of this rediscovered literary genre. Someone might think that comics and graphic novels are just for children and young adults. But that would be a mistake! Look at a few examples of graphic novels which may blow your mind and teach you about real world! Graphic novel VERSUS Comic Book Before talking about particular representatives of contemporary graphic literature, learn a bit about the basics of the genre. Do you know the terminology? Can you define the following terms, pointing at possible differences between them? comic book - graphic novel - A brief historical overview combination of words and pictures stretches back into antiquity (ancient Egyptian wall paintings) current vocabulary shaped with the rise of the comic strip popularized in newspapers at the start of the 20th century introduction of the fundamentals of the comics language — (balloons, panel to panel narrative progression) Winsor McCay, George Herriman, E.C.
    [Show full text]
  • Graphic Novels for Children and Teens
    J/YA Graphic Novel Titles The 9/11 Report: A Graphic Adaptation Sid Jacobson Hill & Wang Gr. 9+ Age of Bronze, Volume 1: A Thousand Ships Eric Shanower Image Comics Gr. 9+ The Amazing “True” Story of a Teenage Single Mom Katherine Arnoldi Hyperion Gr. 9+ American Born Chinese Gene Yang First Second Gr. 7+ American Splendor Harvey Pekar Vertigo Gr. 10+ Amy Unbounded: Belondweg Blossoming Rachel Hartman Pug House Press Gr. 3+ The Arrival Shaun Tan A.A. Levine Gr. 6+ Astonishing X-Men Joss Whedon Marvel Gr. 9+ Astro City: Life in the Big City Kurt Busiek DC Comics Gr. 10+ Babymouse Holm, Jennifer Random House Children’s Gr. 1-5 Baby-Sitter’s Club Graphix (nos. 1-4) Ann M. Martin & Raina Telgemeier Scholastic Gr. 3-7 Barefoot Gen, Volume 1: A Cartoon Story of Hiroshima Keiji Nakazawa Last Gasp Gr. 9+ Beowulf (graphic adaptation of epic poem) Gareth Hinds Candlewick Press Gr. 7+ Berlin: City of Stones Berlin: City of Smoke Jason Lutes Drawn & Quarterly Gr. 9+ Blankets Craig Thompson Top Shelf Gr. 10+ Bluesman (vols. 1, 2, & 3) Rob Vollmar NBM Publishing Gr. 10+ Bone Jeff Smith Cartoon Books Gr. 3+ Breaking Up: a Fashion High graphic novel Aimee Friedman Graphix Gr. 5+ Buffy the Vampire Slayer (Season 8) Joss Whedon Dark Horse Gr. 7+ Castle Waiting Linda Medley Fantagraphics Gr. 5+ Chiggers Hope Larson Aladdin Mix Gr. 5-9 Cirque du Freak: the Manga Darren Shan Yen Press Gr. 7+ City of Light, City of Dark: A Comic Book Novel Avi Orchard Books Gr.
    [Show full text]
  • Englehart Steve
    AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade
    [Show full text]
  • The University of Chicago Looking at Cartoons
    THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
    [Show full text]
  • Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
    RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y.
    [Show full text]
  • Cosmopolitanism, Remediation and the Ghost World of Bollywood
    COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD DAVID NOVAK CUniversity ofA California, Santa Barbara Over the past two decades, there has been unprecedented interest in Asian popular media in the United States. Regionally identified productions such as Japanese anime, Hong Kong action movies, and Bollywood film have developed substantial nondiasporic fan bases in North America and Europe. This transnational consumption has passed largely under the radar of culturalist interpretations, to be described as an ephemeral by-product of media circulation and its eclectic overproduction of images and signifiers. But culture is produced anew in these “foreign takes” on popular media, in which acts of cultural borrowing channel emergent forms of cosmopolitan subjectivity. Bollywood’s global circulations have been especially complex and surprising in reaching beyond South Asian diasporas to connect with audiences throughout the world. But unlike markets in Africa, Eastern Europe, and Southeast Asia, the growing North American reception of Bollywood is not necessarily based on the films themselves but on excerpts from classic Bollywood films, especially song-and- dance sequences. The music is redistributed on Western-produced compilations andsampledonDJremixCDssuchasBollywood Beats, Bollywood Breaks, and Bollywood Funk; costumes and choreography are parodied on mainstream television programs; “Bollywood dancing” is all over YouTube and classes are offered both in India and the United States.1 In this essay, I trace the circulation of Jaan Pehechaan Ho, a song-and-dance sequence from the 1965 Raja Nawathe film Gumnaam that has been widely recircu- lated in an “alternative” nondiasporic reception in the United States. I begin with CULTURAL ANTHROPOLOGY, Vol. 25, Issue 1, pp.
    [Show full text]
  • English-Language Graphic Narratives in Canada
    Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411).
    [Show full text]
  • Tutto Roma No Scarpa
    PRESENTAZIONE TUTTO ROMA NO SCARPA Sera e Gazzetta dello Sport: la prima integrale lare in meno in una vignetta, se infastidisce mai realizzata su un autore italiano. Il segui- lo svolgimento della storia. Scarpa è la figu- to ideale di quelle intitolate ai due predeces- ra di riferimento di un movimento al quale ap- sori americani. partengono sceneggiatori e disegnatori: i con- temporanei Guido Martina e Giovan Battista I volumi che vi accompagneranno durante Carpi, Carlo Chendi e Luciano Bottaro, quin- questo 2014, ciascuno di 360 pagine, com- di Giorgio Pezzin e Bruno Concina, Sergio prendono, in ordine cronologico, tutta la pro- Asteriti e Pier Lorenzo e Massimo De Vita, duzione di Scarpa. Nella migliore edizione poi Giorgio Cavazzano con la sua rivoluzio- possibile e, dov’era il caso, restaurata. E non ne moderna, e i più giovani Francesco Artiba- solo le opere tratte da Topolino, Albi d’Oro, ni, Silvia Ziche, Corrado Mastantuono, Fabio Almanacco Topolino, Classici di Walt Disney, Celoni, Casty, e mi perdonino tutti quelli – albi e volumi speciali, Zio Paperone, Maestri anch’essi grandi – rimasti sulla tastiera del pc. Disney e riviste estere: sono state inserite an- arl Barks. Floyd Gottfredson. E Ro- Una parata dei personaggi creati da Scarpa, che le storie ancora inedite in Italia e alcune I quali forse sorrideranno ripensando a un’al- mano Scarpa. Non sembri sacrilego disegnati nel 1986 per i primi venti anni del addirittura mai pubblicate. In più, numerosi tra frase del grande Maestro: “Mi sento con- l’accostamento ai due storici autori Salone Internazionale dei Comics di Lucca.
    [Show full text]
  • Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
    Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
    WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy.
    [Show full text]