T Cartoonists

Total Page:16

File Type:pdf, Size:1020Kb

T Cartoonists Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected] TURNAROUND DISTRIBUTION Taiwan Kanchanaburi 71000 Associate Publisher Eric Reynolds Unit 3, Olympia Industrial Estate Tel (886) 2 6632 0088 Thailand [email protected] Coburg Rd., London N22 6TZ Fax (886) 2 2368 8929 Tel (66) 3451 1676 President & Publisher Gary Groth Tel.: 44 (0)20 8829-3002 email: [email protected] Fax (66) 3451 1746 [email protected] Fax: 44 (0)20 8881-5088 email: [email protected] Email: [email protected] In Hong Kong and Macau: Catalog Copyright © 2019 www.turnaround-uk.com In Mexico, South and Central America, Fantagraphics Books, Inc. www.pubeasy.com Transglobal Publishers Service Ltd. the Caribbean: 27/F Unit E Shield Industrial Centre All images © 2019 the respective author(s), In Canada: 84/92 Chai Wan Kok Street US PubRep, Inc except: Tsuen Wan, N.T. 5000 Jasmine Drive Walt Disney’s Donald Duck, Uncle Scrooge and Mickey Mouse © 2019 Disney CANADIAN MANDA GROUP Hong Kong Rockville, MD 20853, USA Enterprises 664 Annette Street Tel (852) 2413 5322 Tel (301) 838 9276 EC Comics © 2019 William M. Gaines Toronto, ON M6S 2C8 Fax (852) 2413 7049 Fax (301) 838 9278 Agent, Inc. Tel.: 416-516-0911 email: [email protected] email: [email protected] Peanuts © 2019 Peanuts Worldwide, LLC. Fax: 416-516-0917 Prince Valiant © 2019 King Features Toll-free fax: 1-888-563-8327 In People’s Republic of China: Syndicate. Email: [email protected] www.mandagroup.com Everest Internationl Publishing Services Catalog Editor Eric Reynolds Wei Zhao, Director In Australia and New Zealand: 1-1-2002 Wang Jing SOHO Catalog Design & Production No. 1 East Futong Avenue Paul Baresh, Justin Allan-Spencer, Keeli John Wiley & Sons Australia, Ltd. Chaoyang District McCarthy, and Jacob Covey 42 McDougall Street Beijing 100102 Milton, Queensland 4064 Tel: (86) 10 5707 6180 Tel (61) 7 3859 9755 Fax: (86) 10 5707 6128 Printed in Canada Fax (61) 7 3859 9715 Mobile: (86) 13 6830 18054 email: [email protected] email: [email protected] MAY BEZIMENA By Nina Bunjevac A piercing psychological exploration of the delusional mind of a sexual predator. The author’s jumping-off point is the myth of Artemis and Siproites, in which a young man is turned into a woman as a punishment for the attempted rape of one of Artemis’s virgin cohorts. Bunjevac’s retelling follows Benny, a sexually deviant man who, coming across an alluring former classmate, concocts an elaborate, disturbing rape fantasy. Inked in her lush, stippled, illustrative style, Bunjevac crafts a gripping, noirish, Nabokovian tale, by turns surreal and harrowing, that turns the male gaze inside-out. Bezimena is both a radical examination of the misconceptions surrounding rape culture and an artistic and psychological tour de force. $29.99 Hardcover Comics & Graphic Novels / Literary nina BUNJEVAC is best known for her internationally acclaimed books Heartless (2012) and Fatherland (2014). She lives in Toronto where she draws and teaches. 248 pages, black-and-white, 8 ¼" × 10 ½" Territory: E • CQ: 16 ISBN 978-1-68396-209-0 “Visually, Bunjevac employs a stippled, shadowed approach that accentuates • Original graphic novel the noirish aspects of her narratives • Major review attention while also providing a high degree of almost documentary detail. The result • Author events and festival appearances is an irony-laden tour though a seedy milieu that is as visually impressive as • ARC it is emotionally provocative.” — Quill • Age range: 18+ & Quire “Her drawing chops are stunning, yet she’s no mere illustrator, as she breathes life into her characters as they are the vessels of her bawdy but bone- dry and pitch-black sense of humor.” —The Comics Journal 1 MAY THE COMPLETE PEANUTS 1971– 1972 (VOL. 11) By Charles M. Schulz; Introduction By Kristin Chenowith WORLDWIDE, LLC. WORLDWIDE, NOT FINAL COVER NOT Peanuts propels into the strip’s most iconic decade! Peanuts surges into the 1970s with Schulz at the peak of his powers and influence: a few jokes about Bob Dylan, Women’s © PEANUTS © PEANUTS Liberation, and Everything You Always Wanted to Know About Sex (!) aside, these two years are as timeless as Peanuts ever was. Sally Brown — school phobia, malapropisms, unrequited love for Linus and all — elbows her way to center stage. Two long Summer-camp sequences involve Charlie Brown and Peppermint Patty, who has decided that Charlie Brown is madly in love with her, much to his clueless confusion. Snoopy shows up at camp as well, as does Peppermint Patty’s new permanent sidekick, the one and only Marcie. The eternally mutable Snoopy mostly shakes off his World War I Flying Ace identity and turns into Joe Cool, college hipster extraordinaire. And in three long sequences he writes a fan letter to his favorite author, Miss Helen Sweetstory, $22.99 Paperback then goes on a journey to meet her, and finally enlists Charlie Brown’s help when her latest opus, The Six Bunny-Wunnies Humor / Comic Strips & Cartoons Freak Out, falls afoul of censors. Plus, much more! 320 pages, black and white, 8 ¼" × 6 ½" Territory: F • CQ: 20 ISBN 978-1-68396-200-7 charles M. schulz created nearly 18,000 Peanuts strips from 1950–2000. (Previous hardcover edition: ISBN 978-1-60699-145-9) • Our most beloved series of all time “The Complete Peanuts has framed Charles Schulz’s enduring masterpiece about as well as any lifelong fan could’ve hoped.” — The A.V. Club • Great gift idea • Age range: all ages For more books in this series, see pages 24–25. 2 MAY THE STRUCTURE IS ROTTEN, COMRADE By Viken BerBerian and Yann KeBBi A young man’s arrogance and ambition collide with revolutionary politics in a visually groundbreaking graphic novel. More in love with the alluring properties of cement than he is with his girlfriend, Frunz’s overriding ambition is to become the next legendary architect. If only life was that simple. His father, known as Mr. Cement, is a builder in bed with the autocrats who run Yerevan, the capital of post-Soviet Armenia. As father and son team up to transform the city into a post-modern mecca of Trumpian high-rises, outraged citizens rise up in Revolution against them and Yerevan’s corrupt regime. Will Frunz and his father realize their architectural dreams or come crashing down to Earth in the chaos of the Revolution? Written by Viken Berberian with his signature originality and verve and drawn with audacious compositions, delirious colors, and a kinetic expressionistic technique by the acclaimed painter and illustrator Yann Kebbi, The Structure is Rotten, Comrade is a formally innovative $34.99 Hardcover and politically resonant work, by turns prescient, punchy, cautionary, and fearless. Comics & Graphic Novels / Literary 320 pages, full color, 7" × 9 ½" YANN keBBi is a painter and illustrator Territory: E • CQ: 10 whose work has appeared in The New ISBN: 978-1-68396-215-1 Yorker, The New York Times, The Guardian, and The Washington Post. He lives in Aremnia. • Original graphic novel • Major review attention viken BerBerian is a writer whose work has appeared in The New York Times, • Instagram: @yannkebbi The Los Angeles Times, The New York • Digital ARC Review of Books, and The Believer and • Age range: 16+ his novels inlcude The Cyclist, and Das Kapital: A Novel of Love and Money Markets. He lives in France. “A painfully beautiful book.” — Etgar Keret (Suddenly, a Knock on the Door) “Frunz’s love of cement is contagious.” — Leanne Shapton (Swimming Studies) 3 MAY The Duck Avenger! Look! Up in it’s a bird Halp! DONALD DUCK: the sky! and a plane! Call the police! DUCK AVENGER STRIKES AGAIN! DISNEY MASTERS VOL. 8 NOT FINAL COVER NOT By RoMano Scarpa with Carl Barks Donald’s super secret identity is back — times two! © 2019 DISNEY ENTERPRISES, INC. ENTERPRISES, DISNEY 2019 © Every diehard Disney Duck fan knows that Donald is secretly that infamous super-anti-hero, Duck Avenger! But when Uncle Scrooge, to promote his wax museum, sends a robot double of Duck Avenger flying past Donald’s house, Donald’s secret is threatened!
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Hernandez Brothers' Love and Rockets
    Critical Survey of Graphic Novels LOVE AND ROCKETS LOVE AND ROCKETS Author: Hernandez, Gilbert; Hernandez, Jaime; Her- nandez, Mario Artist: Gilbert Hernandez (illustrator); Jaime Her- nandez (illustrator); Mario Hernandez (illustrator); Jeff Johnson (colorist); Rhea Patton (colorist); Chris Brownrigg (colorist); Steven Weissman (colorist) Publisher: Fantagraphics Books First serial publication: 1982-1996; 2001-2007; 2008- First book publication: 1985- Publication History Soon after brothers Mario, Gilbert, and Jaime Her- nandez self-published their first issue of Love and Rockets in 1981, it caught the eye of Fantagraphics publisher Gary Groth. In 1982, Groth republished the inaugural issue; the first series ofLove and Rockets ran for fifty issues, ending in 1996. All issues in the orig- inal volume were magazine-size, and the comics were black and white. The art duties for the color covers al- ternated between Gilbert and Jaime; one would draw the front cover and the other the back cover, then switching responsibilities for the following issue. Love and Rockets. (Courtesy of Fantagraphics Books) After the end of the first series, Jaime and Gilbert began working on separate titles that continued many large omnibus collections, and Love and Rockets Li- of the stories in the original Love and Rockets. In brary editions. 2001, the brothers began their second series of Love and Rockets, which ran for twenty issues, until 2007. Plot Although these issues were smaller than the originals, Love and Rockets contains a variety of narrative arcs, they nonetheless retained a similar format: color covers many of which have convoluted plots. The two pri- illustrated by Jaime and Gilbert and black-and-white mary stories, however, concern the associations of the content written and illustrated by all three brothers.
    [Show full text]
  • British Library Conference Centre
    The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at
    [Show full text]
  • PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 1 (FRAZETTA) TARZAN THE INVINCIBLE. $65,000 $13,000 2 (FRAZETTA) TARZAN AT THE EARTH’S CORE. $55,000 $11,000 3 (FRAZETTA) SUMMER OF THE COUP. $35,000 $7,000 4 (FRAZETTA) THE LION QUEEN. $140,000 $39,200 5 (FRAZETTA) CONAN AND THE SAVAGE SEA (CONAN THE BUCCANEER). $15,000 $3,000 6 (FRAZETTA) ABSTRACT. $2,000 $400 7 (FRAZETTA) FLASH GORDON “BATTLES THE MONSTER FROM MONGO”. $55,000 $15,400 8 (FRAZETTA) FLASH GORDON AND “PRINCESS OF MONGO”. $32,500 $6,500 9 (FRAZETTA) A GENTLE BREEZE. $60,000 $16,800 10 (FRAZETTA) WINDBLOWN. $20,000 $4,000 11 (FRAZETTA) SELF-PORTRAIT #1. $15,000 $3,000 12 (FRAZETTA) SELF-PORTRAIT #2. $5,000 $1,000 13 (FRAZETTA) TARZAN AT THE EARTH’S CORE COVER. $40,000 $8,000 14 (FRAZETTA) TARZAN AND THE CASTAWAYS COVER. $85,000 $23,800 15 (FRAZETTA) TARZAN AND THE CASTAWAYS. $30,000 $8,400 16 (FRAZETTA) TARZAN AND THE GOLDEN LION. $55,000 $11,000 Page 1 of 8 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 17 (FRAZETTA) LORD OF THE SAVAGE JUNGLE. $100,000 $28,000 18 (FRAZETTA) AT EARTH’S CORE. $32,500 $6,500 19 (FRAZETTA) AT THE EARTH’S CORE. $40,000 $8,000 20 (FRAZETTA) KUBLA KHAN PORTFOLIO. $55,000 $11,000 21 (FRAZETTA) KUBLA KHAN PORTFOLIO.
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
    STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact
    [Show full text]
  • To Outsmart an Alien Study of Comics As a Narrational Medium
    Faculty of New Media Arts Graphic Design 2D Visualisation Inga Siek S17419 Bachelor diploma work To Outsmart An Alien Matt Subieta Chief Supervisor Marcin Wichrowski Technical Supervisor Study of Comics as a Narrational Medium Anna Machwic Theoretical Supervisor Klaudiusz Ślusarczyk Language Supervisor Warsaw, July, 2020 1 Wydział Nowych Mediów Grafika Komputerowa Wizualizacja 2D Inga Siek S17419 Praca Licencjacka Przechytrzyć Kosmitę Matt Subieta Główny Promotor Marcin Wichrowski Techniczny Promotor Badanie Komiksów jako Medium Narracji Anna Machwic Teoretyczny Promotor Klaudiusz Ślusarczyk Promotor Językowy Warszawa, Lipiec, 2020 2 This thesis is dedicated to the study and analysis of comics, both in terms of history and practice, as well as it is an attempt to change the common view of the practice as immature and primitive. In order to develop a good understanding of what comics are and their origins, this work starts by giving the reader a quick historical overview of the genre and its predecessor, sequential art. The reader will learn not only about the roots of comic illustration design but also its modern influences. The paper will refer to major names in the industry, and well as identify important historical events, both of which helped steer comics into the direction they are today. Additionally, descriptions of the main elements of comics will be provided. The last chapter will supply a number of examples in the utilizations of comic design components that include story, characters, panels and text by different artists who helped shape the craft of comics, and hopefully this will inspire the reader as well as provoke them to start viewing comics in a different, or perhaps even more positive light.
    [Show full text]
  • Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
    WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................
    [Show full text]
  • Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
    Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books.
    [Show full text]
  • Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
    WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy.
    [Show full text]
  • Friday, October 29Th
    fridayprogramming fridayprogramming FRIDAY, OCTOBER 29TH 2 p.m.-2:45 p.m. Jackendoff as he talks with comic kingpin Marv WEBCOMICS: LIGHTING ROUND! Wolfman (Teen Titans), veteran comic writer WRITERS WORKSHOP PRESENTED by Seaside Lobby and editor Barbara Randall Kesel (Watchman, ASPEN Comics Thinking of starting a webcomic, or just curious Hellboy), comic writer Jimmy Palmiotti (Jonah Room 301 as to how the world of webcomics differs Hex), Tom Pinchuk (Hybrid Bastards) and Mickey Join comic book writers J.T. Krul, Scott Lobdell, from print counter-parts? Join these three Neilson (World of Warcraft). David Schwartz, David Wohl, Frank Mastromauro, webcomics pros [Harvey-nominated Dave Kellett and Vince Hernandez as they discuss the ins and (SheldonComics.com /DriveComic.com), Eisner- HOW TO SURVIVE AS AN ARTIST outs of writing stories for comics. Also, learn tips nominated David Malki (Wondermark.com) and WITH Scott Koblish of the trade firsthand from these experienced Bill Barnes (Unshelved.com / NotInventedHere. Room 301 writers as they detail the pitfalls and challenges of com)] as they take you through a 25-minute A panel focusing on the lifelong practical questions breaking into the industry. Also, they will answer guided tour of how to make webcomics work an artist faces. Scott Koblish gives you tips on questions directly in this special intimate workshop as a hobby, part-time job, or full-time career. how to navigate a career that can be fraught with that aspiring writers will not want to miss. Then the action really heats up: 20 minutes of unusual stress. With particular attention paid to fast-paced Q&A, designed to transmit as much thinking about finances in a realistic way, stressing 5 p.m.-7 p.m.
    [Show full text]
  • Set , T He Big Sneeze
    HERE BE DRAGONS! Hold onto your swords and shields… Donald and his naughty nephews are meeting mythic menaces by the megaton! First, set Big Sneeze The sail for dragon-ravaged Kooka Boola Island, where a fractious Fountain of Youth turns sailors into babies—and Don and the boys into geezers! Next, Donald rejoins the Tamers of Nonhu- man Threats to save an air fleet from plane-wrecking gremlins… but can he save his own tail feathers from a crash? Finally, in “The Call of C’rruso,” in the city of Sp’too, deep under the sea, dread Pf’legmwad lies dreaming… until Donald wakes the leg- endary monster-god up! Collects IDW’s Donald Duck #16-18 The Big Sneeze From Dutch Donald Duck Vakantiebok, 1980 Writer and Artist: Freddy Milton Colorists: Sanoma with David Gerstein and Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Freddy Milton and David Gerstein Bath Pooling From Danish Anders And & Co. #28/2013 Writer and Artist: Daan Jippes Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Translation and Dialogue: David Gerstein Dog Meet Dog From Italian Topolino #2872, 2010 Writer and Artist: Enrico Faccini Colorist: Disney Italia Letterer and Translation: David Gerstein Rue Britannia From Swedish Kalle Ankas Pocket #330, 2004 Writer: Lars Jensen Artist: Flemming Andersen Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Lars Jensen and David Gerstein Special thanks to Daniel Saeva, Julie Dorris, Manny Mederos, Roberto Santillo, Chris Troise, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. For international rights, contact [email protected] ISBN: 978-1-63140-832-8 20 19 18 17 1 2 3 4 Ted Adams, CEO & Publisher • Greg Goldstein, President & COO • Robbie Robbins, EVP/Sr.
    [Show full text]