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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Hernandez Brothers' Love and Rockets
Critical Survey of Graphic Novels LOVE AND ROCKETS LOVE AND ROCKETS Author: Hernandez, Gilbert; Hernandez, Jaime; Her- nandez, Mario Artist: Gilbert Hernandez (illustrator); Jaime Her- nandez (illustrator); Mario Hernandez (illustrator); Jeff Johnson (colorist); Rhea Patton (colorist); Chris Brownrigg (colorist); Steven Weissman (colorist) Publisher: Fantagraphics Books First serial publication: 1982-1996; 2001-2007; 2008- First book publication: 1985- Publication History Soon after brothers Mario, Gilbert, and Jaime Her- nandez self-published their first issue of Love and Rockets in 1981, it caught the eye of Fantagraphics publisher Gary Groth. In 1982, Groth republished the inaugural issue; the first series ofLove and Rockets ran for fifty issues, ending in 1996. All issues in the orig- inal volume were magazine-size, and the comics were black and white. The art duties for the color covers al- ternated between Gilbert and Jaime; one would draw the front cover and the other the back cover, then switching responsibilities for the following issue. Love and Rockets. (Courtesy of Fantagraphics Books) After the end of the first series, Jaime and Gilbert began working on separate titles that continued many large omnibus collections, and Love and Rockets Li- of the stories in the original Love and Rockets. In brary editions. 2001, the brothers began their second series of Love and Rockets, which ran for twenty issues, until 2007. Plot Although these issues were smaller than the originals, Love and Rockets contains a variety of narrative arcs, they nonetheless retained a similar format: color covers many of which have convoluted plots. The two pri- illustrated by Jaime and Gilbert and black-and-white mary stories, however, concern the associations of the content written and illustrated by all three brothers. -
British Library Conference Centre
The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at -
PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 1 (FRAZETTA) TARZAN THE INVINCIBLE. $65,000 $13,000 2 (FRAZETTA) TARZAN AT THE EARTH’S CORE. $55,000 $11,000 3 (FRAZETTA) SUMMER OF THE COUP. $35,000 $7,000 4 (FRAZETTA) THE LION QUEEN. $140,000 $39,200 5 (FRAZETTA) CONAN AND THE SAVAGE SEA (CONAN THE BUCCANEER). $15,000 $3,000 6 (FRAZETTA) ABSTRACT. $2,000 $400 7 (FRAZETTA) FLASH GORDON “BATTLES THE MONSTER FROM MONGO”. $55,000 $15,400 8 (FRAZETTA) FLASH GORDON AND “PRINCESS OF MONGO”. $32,500 $6,500 9 (FRAZETTA) A GENTLE BREEZE. $60,000 $16,800 10 (FRAZETTA) WINDBLOWN. $20,000 $4,000 11 (FRAZETTA) SELF-PORTRAIT #1. $15,000 $3,000 12 (FRAZETTA) SELF-PORTRAIT #2. $5,000 $1,000 13 (FRAZETTA) TARZAN AT THE EARTH’S CORE COVER. $40,000 $8,000 14 (FRAZETTA) TARZAN AND THE CASTAWAYS COVER. $85,000 $23,800 15 (FRAZETTA) TARZAN AND THE CASTAWAYS. $30,000 $8,400 16 (FRAZETTA) TARZAN AND THE GOLDEN LION. $55,000 $11,000 Page 1 of 8 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 17 (FRAZETTA) LORD OF THE SAVAGE JUNGLE. $100,000 $28,000 18 (FRAZETTA) AT EARTH’S CORE. $32,500 $6,500 19 (FRAZETTA) AT THE EARTH’S CORE. $40,000 $8,000 20 (FRAZETTA) KUBLA KHAN PORTFOLIO. $55,000 $11,000 21 (FRAZETTA) KUBLA KHAN PORTFOLIO. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact -
To Outsmart an Alien Study of Comics As a Narrational Medium
Faculty of New Media Arts Graphic Design 2D Visualisation Inga Siek S17419 Bachelor diploma work To Outsmart An Alien Matt Subieta Chief Supervisor Marcin Wichrowski Technical Supervisor Study of Comics as a Narrational Medium Anna Machwic Theoretical Supervisor Klaudiusz Ślusarczyk Language Supervisor Warsaw, July, 2020 1 Wydział Nowych Mediów Grafika Komputerowa Wizualizacja 2D Inga Siek S17419 Praca Licencjacka Przechytrzyć Kosmitę Matt Subieta Główny Promotor Marcin Wichrowski Techniczny Promotor Badanie Komiksów jako Medium Narracji Anna Machwic Teoretyczny Promotor Klaudiusz Ślusarczyk Promotor Językowy Warszawa, Lipiec, 2020 2 This thesis is dedicated to the study and analysis of comics, both in terms of history and practice, as well as it is an attempt to change the common view of the practice as immature and primitive. In order to develop a good understanding of what comics are and their origins, this work starts by giving the reader a quick historical overview of the genre and its predecessor, sequential art. The reader will learn not only about the roots of comic illustration design but also its modern influences. The paper will refer to major names in the industry, and well as identify important historical events, both of which helped steer comics into the direction they are today. Additionally, descriptions of the main elements of comics will be provided. The last chapter will supply a number of examples in the utilizations of comic design components that include story, characters, panels and text by different artists who helped shape the craft of comics, and hopefully this will inspire the reader as well as provoke them to start viewing comics in a different, or perhaps even more positive light. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Paperinik, Ou Comment Les Italiens Sont Parvenus À Mettre Des Pantalons À Donald Duck
Paperinik, ou comment les Italiens sont parvenus à mettre des pantalons à Donald Duck Gianni Haver et Michaël Meyer Parmi la production des bandes dessinées Disney, un personnage peu connu dans le contexte francophone est pourtant un véritable mythe en Italie. Il est à la fois un héros apprécié pour les histoires dans lesquelles il apparaît et un ambassadeur de l’école Disney italienne. Il s’agit de Paperinik, le double super-héroïque de Donald Duck. Du point de vue de l’étude de la bande des- sinée, il constitue une figure très pertinente pour interroger la circulation des modèles visuels et narratifs de la culture de masse américaine, et leurs réap- propriations par le Vieux Continent. Pour faire apparaître les échanges et les hybridations qui sont à l’ori- gine du personnage de Paperinik, il est nécessaire d’effectuer un itinéraire qui tient compte à la fois de l’arrivée des productions Disney en Italie et de la diffusion des récits de super-héros américains. L’intégration de ces produc- tions dans le paysage culturel italien est démontrée par une appropriation rapide qui donne lieu à une production locale, aussi bien de récits Disney que d’aventures super-héroïques. Dans le cadre du personnage de Paperinik, ces influences vont se combiner avec des motifs issus de productions autochtones, en particulier les bandes dessinées mettant en scène des héros criminels. BD-US : les comics vus par Europe Disney en l’Italie Les personnages de Disney naissent aux États-Unis dans le cinéma d’anima- tion des années 1920, avant de connaître un rapide succès sous la forme de comic strips dès janvier 1930, puis de comic books. -
Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol
WALT DISNEYS DONALD DUCK: SCANDAL ON THE EPOCH EXPRESS : DISNEY MASTERS VOL. 10 PDF, EPUB, EBOOK Mau Heymans | 192 pages | 14 Apr 2020 | FANTAGRAPHICS BOOKS | 9781683962496 | English | United States Walt Disneys Donald Duck: Scandal on the Epoch Express : Disney Masters Vol. 10 PDF Book Donald Duck Adventures Disney. Donald Duck Coloring Book Whitman Disney Comics Special Donald Duck Of course, once again all the stories have been shot from crisp originals, then re-colored and printed to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals-and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world! Anthropomorphic animals Adventure. You can help Wikipedia by expanding it. I love the Disney Masters series because we get treated to stories and illustrations from other great Duck comic creators besides the legendary Barks and Rosa. Donald Duck Beach Party Bas Heymans was born in in Veldhoven, Netherlands. Post was not sent - check your email addresses! Email required Address never made public. Published Nov by Fantagraphics. Notify me of new posts via email. Date This week Last week Past month 2 months 3 months 6 months 1 year 2 years Pre Pre Pre Pre Pre s s s s s s Search Advanced. Other books in the series. In this collection of comics stories, Donald battles master spies and his own Uncle Scrooge! There was a dinner meeting that took place in September that they both attended among some Disney comic greats from California and Italy. -
Friday, October 29Th
fridayprogramming fridayprogramming FRIDAY, OCTOBER 29TH 2 p.m.-2:45 p.m. Jackendoff as he talks with comic kingpin Marv WEBCOMICS: LIGHTING ROUND! Wolfman (Teen Titans), veteran comic writer WRITERS WORKSHOP PRESENTED by Seaside Lobby and editor Barbara Randall Kesel (Watchman, ASPEN Comics Thinking of starting a webcomic, or just curious Hellboy), comic writer Jimmy Palmiotti (Jonah Room 301 as to how the world of webcomics differs Hex), Tom Pinchuk (Hybrid Bastards) and Mickey Join comic book writers J.T. Krul, Scott Lobdell, from print counter-parts? Join these three Neilson (World of Warcraft). David Schwartz, David Wohl, Frank Mastromauro, webcomics pros [Harvey-nominated Dave Kellett and Vince Hernandez as they discuss the ins and (SheldonComics.com /DriveComic.com), Eisner- HOW TO SURVIVE AS AN ARTIST outs of writing stories for comics. Also, learn tips nominated David Malki (Wondermark.com) and WITH Scott Koblish of the trade firsthand from these experienced Bill Barnes (Unshelved.com / NotInventedHere. Room 301 writers as they detail the pitfalls and challenges of com)] as they take you through a 25-minute A panel focusing on the lifelong practical questions breaking into the industry. Also, they will answer guided tour of how to make webcomics work an artist faces. Scott Koblish gives you tips on questions directly in this special intimate workshop as a hobby, part-time job, or full-time career. how to navigate a career that can be fraught with that aspiring writers will not want to miss. Then the action really heats up: 20 minutes of unusual stress. With particular attention paid to fast-paced Q&A, designed to transmit as much thinking about finances in a realistic way, stressing 5 p.m.-7 p.m. -
Set , T He Big Sneeze
HERE BE DRAGONS! Hold onto your swords and shields… Donald and his naughty nephews are meeting mythic menaces by the megaton! First, set Big Sneeze The sail for dragon-ravaged Kooka Boola Island, where a fractious Fountain of Youth turns sailors into babies—and Don and the boys into geezers! Next, Donald rejoins the Tamers of Nonhu- man Threats to save an air fleet from plane-wrecking gremlins… but can he save his own tail feathers from a crash? Finally, in “The Call of C’rruso,” in the city of Sp’too, deep under the sea, dread Pf’legmwad lies dreaming… until Donald wakes the leg- endary monster-god up! Collects IDW’s Donald Duck #16-18 The Big Sneeze From Dutch Donald Duck Vakantiebok, 1980 Writer and Artist: Freddy Milton Colorists: Sanoma with David Gerstein and Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Freddy Milton and David Gerstein Bath Pooling From Danish Anders And & Co. #28/2013 Writer and Artist: Daan Jippes Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Translation and Dialogue: David Gerstein Dog Meet Dog From Italian Topolino #2872, 2010 Writer and Artist: Enrico Faccini Colorist: Disney Italia Letterer and Translation: David Gerstein Rue Britannia From Swedish Kalle Ankas Pocket #330, 2004 Writer: Lars Jensen Artist: Flemming Andersen Colorist: Digikore Studios Letterers: Nicole and Travis Seitler Dialogue: Lars Jensen and David Gerstein Special thanks to Daniel Saeva, Julie Dorris, Manny Mederos, Roberto Santillo, Chris Troise, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo. For international rights, contact [email protected] ISBN: 978-1-63140-832-8 20 19 18 17 1 2 3 4 Ted Adams, CEO & Publisher • Greg Goldstein, President & COO • Robbie Robbins, EVP/Sr.