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Kretanja 13-14 Engl KB.Indd
Kretanja ČASOPIS ZA PLESNU UMJETNOST Kretanja 13/14 _ 1 from Croatian stages: 09 Iva nerina Sibila Which .... ? Jelena Mihelčić Humman Error ... contents editorial: dance/ 04 art: Katja Šimunić ??? ? Maja Marjančić Anka krizmanić .... ? Maja Đurinović The Exhibition... theory: ? Katja Šimunić Three... 2 _ Kretanja 13/14 MilkoSparemblek Intro- duction ?? Maja Đurinović ?? ?? ?? Vjeran Zuppa Svjetlana Hribar Ludio doctus 2+2: Pokret je zbir svega što jesmo ?? Andreja Jeličić 77 Plesno kazalište Milka Bosiljka Perić Kempf Šparembleka u svjetlu teorije Plesati možete na glazbu, umjetnosti kao ekspresije ali i na šum, ritam, tišinu... ?? Darko Gašparović O dramaturgiji Milka Šparembleka ?? Tuga Tarle Oda ljubavi pod čizmom ideologije Kretanja 13/14 _ 3 editorial: n anticipation of the establishment of dance education at the university le- vel in Croatia, which will, according to the founders’ announcements, bring Itogether practical (i. e. classical and contemporary dance techniques) and theoretical dance studies in one institution, Kretanja (Movements), as the only Croatian journal exclusively dedicated to dance art, has from its very fi rst issue (in 2002) published a corpus of texts that can be used as a kind of basis or in- troduction into dance theory, and which should have an important place in the envisaged institution and serve as a platform for institutional and non-instituti- onal researchers of dance. Throughout issues dealing with special themes whe- re dance is positioned in relation to literature, photography, dramaturgy, fi lm or visual arts, along with translations of essays of the most important international dance theoreticians, we have introduced texts that present different examples of knowledge about dance on the path to the much needed dynamically organised dance studies, and we have also presented outstanding creations from the Croa- tian dance scene and promoted domestic authors. -
Hermitage Magazine 27 En.Pdf
VIENNA / ART DECO / REMBRANDT / THE LANGOBARDS / DYNASTIC RULE VIENNA ¶ ART DECO ¶ THE LEIDEN COLLECTION ¶ REMBRANDT ¶ issue № 27 (XXVII) THE LANGOBARDS ¶ FURNITURE ¶ BOOKS ¶ DYNASTIC RULE MAGAZINE HERMITAGE The advertising The WORLD . Fragment 6/7 CLOTHING TRUNKS OF THE MUSEUM WARDROBE 10/18 THE INTERNATIONAL ADVISORY BOARD OF THE STATE HERMITAGE Game of Bowls 20/29 EXHIBITIONS 30/34 OMAN IN THE HERMITAGE The State Hermitage Museum, St. Petersburg. Inv. № ГЭ 9154 The State Hermitage Museum, St. Petersburg. Inv. Henri Matisse. 27 (XXVII) Official partners of the magazine: DECEMBER 2018 HERMITAGE ISSUE № St. Petersburg State University MAGAZINE Tovstonogov Russian State Academic Bolshoi Drama Theatre The Hermitage Museum XXI Century Foundation would like to thank the project “New Holland: Cultural Urbanization”, Aleksandra Rytova (Stella Art Foundation, Moscow) for the attention and friendly support of the magazine. FOUNDER: THE STATE HERMITAGE MUSEUM Special thanks to Svetlana Adaksina, Marina Antipova, Elena Getmanskaya, Alexander Dydykin, Larisa Korabelnikova, Ekaterina Sirakonyan, Vyacheslav Fedorov, Maria Khaltunen, Marina Tsiguleva (The State Hermitage Museum); CHAIRMAN OF THE EDITORIAL BOARD Swetlana Datsenko (The Exhibition Centre “Hermitage Amsterdam”) Mikhail Piotrovsky The project is realized by the means of the grant of the city of St. Petersburg EDITORIAL: AUTHORS Editor-in-Chief Zorina Myskova Executive editor Vladislav Bachurov STAFF OF THE STATE HERMITAGE MUSEUM: Editor of the English version Simon Patterson Mikhail Piotrovsky -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community. -
Führt Der Weg Zum Ziel? Überlegungen Zur Verbindung Des Modernen Yoga*) Mit Patanjalis Yoga-Sutra Annette Blühdorn
erschienen in zwei Teilen in: Deutsches Yoga-Forum 6/2019, S.30-33 und 1/2020, S.26-31 © Dr. Annette Blühdorn Führt der Weg zum Ziel? Überlegungen zur Verbindung des Modernen Yoga*) mit Patanjalis Yoga-Sutra Annette Blühdorn Er hatte es schon in sich erfahren, dass Glaube und Zweifel zusammengehören, dass sie einander bedingen wie Ein- und Ausatmen. (Hermann Hesse, Das Glasperlenspiel) Als im Juni 2015 zum ersten Mal weltweit der Internationale Yoga-Tag begangen wurde, traten sehr schnell Kritiker auf den Plan, die dieses Ereignis als politische Machtdemonstration der national- konservativen indischen Regierung interpretierten. Yoga solle hier als ausschließlich indisches Erbe und Kulturgut dargestellt werden, während doch tatsächlich der heute überall auf der Welt praktizierte moderne Yoga auch von vielfältigen Strömungen und Einflüssen des Westens geprägt worden sei. So ungefähr lautete damals die Kritik, die mir geradezu ketzerisch erschien; ziemlich heftig wurde da an den Grundfesten meiner heilen Yoga-Welt gerüttelt. Weil aber, wie Hermann Hesse im Glasperlenspiel erklärt, Glaube und Zweifel sich gegenseitig bedingen, wurde es mir bald ein Bedürfnis, mich mit dieser Kritik konstruktiv auseinanderzusetzen. Inzwischen sind die Inhalte dieses Forschungszweigs, der sich mit der Tradition und Entwicklung des Yoga beschäftigt, bei mir angekommen. Ich habe von dem soge- nannten Hatha-Yoga-Project der School of Oriental and African Studies der University of London erfahren, in der groß aufgestellten Webseite von Modern Yoga Research gestöbert -
Taoiseach Launches Ambitious 5-Year Culture Plan
Sound Post V O L U M E 1 5 N O . 1 - S P R I N G 2 0 1 7 IN THIS ISSUE: MUI RTÉ National Symphony Orches - tra Section Committee, 2016-2017 Taoiseach launches ambitious five- year culture plan SIPTU Services Conference adopts MUI-related resolution The MUI RTÉ National Symphony Orchestra Section Committee, 2016-2017, l-r, Katie Performers call for fair treatment in Tertell (cello), Niall O’Loughlin (cello), Brona FitzGerald (violin), Mary Wheatley (violin) the digital world and Elaine Clark (violin). Photo: Nekrasius Aurimas Vision for Irish Orchestras briefs Senators on lamentable state of the RTÉ National Symphony Orchestra Taoiseach Launches Ambitious MUI backs call for Irish music quota on radio stations 5-Year Culture Plan Vanbrugh Quartet recipient of NCH 2016 Lifetime Achievement Award December 2016 saw the launch by An Taoiseach, Enda Kenny, of TG4 Gradam Awards 2017 Creative Ireland , an ambitious new five-year cultural plan. Ninetieth birthday celebration of Also present at the launch were the Minister for Arts, Heather Dermot Doolan, Secretary, Irish Humphreys, and the Minister for Public Expenditure, Paschal Actors’ Equity Association 1947-1985 Donohue. According to Humphreys, the initiative was inspired by the “extraordinary public response” to the 1916 Centenary Book on Irish-Soviet relations by SIPTU member launched in Liberty Programme. “This year thousands of cultural events were held Hall around the country”, she said. We now want to build on the success of the commemorations, she added. Reviews Times Past Significantly, the Taoiseach is chairing a new Government Obituaries committee dedicated to achieving the objectives of the plan, while a dedicated programme office is being set up within the Interval Quiz Department of Arts. -
Easter Eggs: a Narrative Chronology
EASTER EGGS: A NARRATIVE CHRONOLOGY Adrienne Edwards and Thomas J. Lax Collaboration is a touchstone for Ralph, who has turned family members into participants and made lifelong artistic affiliations with strangers. As a young girl, Chelsea Lemon Fetzer, the artist’s daughter and one of his first collaborators, remembers methodically taking a bite out of dozens of apples used as props in his Wanda in the Awkward Age, of 1982. Twenty years later, her video documents of his Living Room Dances—in which Lemon cold called the oldest living descendants of blues musicians, showing up to dance in their living rooms and record their reactions—are fruits of an exercise in supreme observation. Under the auspices of the Ralph Lemon Company, founded in 1985 and dissolved in 1995, and of Cross Performance, Inc., founded in 1995 with the support of Ann Rosenthal and MAPP International Productions, Ralph has worked with movement artists and storytellers across the places he has traveled and then stayed: Minneapolis; New York; Port-au-Prince, Haiti; Abidjan, Côte d’Ivoire; Accra, Ghana; Nrityagram, India; Nagoya, Japan; Kunming, China; Little Yazoo, Mississippi; and many more. It seemed only fitting that the story of Ralph’s work be narrated by those whose words, gestures, and likenesses have helped to make it. What follows is a roughly chronological, wholly partial account of Ralph’s forty years of art making, compiled through in-person, telephone, and email conversations conducted on the occasion of this publication. It is an imitation of Ralph’s work, which, as Kathy Halbreich told us, always walks that very fine line between the carefully crafted and the amateur, engaging muscle knowledge so sedimented it looks untaught. -
Auf Freiheit Zugeschnitten
Léon Bakst BEGLEITPROGRAMM BESONDERE VERANSTALTUNGEN KUNSTMUSEEN KREFELD Giacomo Balla ACCOMPANYING PROGRAM SPECIAL EVENTS KAISER WILHELM MUSEUM Vanessa Bell Edward Burne-Jones In einem umfangreichen Führungs- und Begleitprogramm werden KÜNSTLER*INNEN DER Walter Crane die vielfältigen Aspekte der Ausstellung theoretisch und praktisch KUNSTIMPULS AUSSTELLUNG Sonia Delaunay vertieft: Im Fokus stehen beispielsweise das Ausprobieren unter- Museum live erleben mit SWK und Sparkasse Krefeld, Eintritt frei ARTISTS Clotilde von Derp schiedlicher Gestaltungstechniken wie Nähen, Sticken, Batik, Buch- 1.11.2018, 17–21 Uhr IN THE EXHIBITION Isadora Duncan gestaltung, Modezeichnung oder Raumdekoration, das Entwerfen Dress-Code – Nieder mit dem Mieder Emilie Flöge utopischer und visionärer Kleidung, Fragen nach Selbst- und Fremd- Unter anderem mit einer Lesung von Margret Greiner, Autorin Mariano Fortuny bild. Innerhalb der Ausstellung entsteht ein Atelier, in dem entspre- des Buches »Auf Freiheit zugeschnitten. Emilie Flöge: Mode- Josef Hoffmann chende Workshops stattfinden. Regelmäßige öffentliche Führungen, schöpferin und Gefährtin Gustav Klimts« sowie musikalischen Ludwig von Hofmann historische Erlebnisführungen mit Lesungen, Veranstaltungen für Darbietungen aus der Zeit um 1900 Wassily Kandinsky Erwachsene, Familien und Kinder, ein Projekt für Jugendliche sowie Gustav Klimt spezielle Schulprogramme begleiten die Ausstellung. Mela Köhler HISTORISCHE ERLEBNISFÜHRUNGEN Frances Macdonald MacNair The broad accompanying program and guided tours will -
The Experience Theater Choreographed by Pina Bausch
Revista Brasileira de Estudos da Presença ISSN: 2237-2660 Universidade Federal do Rio Grande do Sul Pereira, Sayonara O Teatro da Experiência coreografado por Pina Bausch Revista Brasileira de Estudos da Presença, vol. 8, núm. 3, 2018, Julho-Setembro, pp. 487-521 Universidade Federal do Rio Grande do Sul DOI: 10.1590/2237-266076215 Disponível em: http://www.redalyc.org/articulo.oa?id=463556259005 Como citar este artigo Número completo Sistema de Informação Científica Redalyc Mais informações do artigo Rede de Revistas Científicas da América Latina e do Caribe, Espanha e Portugal Site da revista em redalyc.org Sem fins lucrativos acadêmica projeto, desenvolvido no âmbito da iniciativa acesso aberto E‐ISSN 2237‐2660 The Experience Theater choreographed by Pina Bausch Sayonara Pereira Universidade de São Paulo – USP, São Paulo/SP, Brazil ABSTRACT – The Experience Theater choreographed by Pina Bausch – A theater where the spectator is involved in all senses, offering welcoming conditions. In the work of Pina Bausch, everyday body behavior is not just a matter of style; her dance develops content with a proper writing, inviting the spectator to experience a poetic reality. For this purpose, the article initially presents a historical line of Tanztheater, its attributes and interrelationships, closing with the specific characteristics of four works of the choreographer, created in the period comprising the initial two decades (1974-1989) of her fruitful production, and which were watched live by the author of the text. Keywords: Tanztheater. Pina Bausch. Experience Theater. Choreographies. RÉSUMÉ – Le Théâtre de l’Expérience chorégraphié par Pina Bausch – Un théâtre où le spectateur est impliqué dans tous vos sens, en offrant des conditions d’accueil. -
1895. Mille Huit Cent Quatre-Vingt-Quinze, 31 | 2000, « Abel Gance, Nouveaux Regards » [En Ligne], Mis En Ligne Le 06 Mars 2006, Consulté Le 13 Août 2020
1895. Mille huit cent quatre-vingt-quinze Revue de l'association française de recherche sur l'histoire du cinéma 31 | 2000 Abel Gance, nouveaux regards Laurent Véray (dir.) Édition électronique URL : http://journals.openedition.org/1895/51 DOI : 10.4000/1895.51 ISBN : 978-2-8218-1038-9 ISSN : 1960-6176 Éditeur Association française de recherche sur l’histoire du cinéma (AFRHC) Édition imprimée Date de publication : 1 octobre 2000 ISBN : 2-913758-07-X ISSN : 0769-0959 Référence électronique Laurent Véray (dir.), 1895. Mille huit cent quatre-vingt-quinze, 31 | 2000, « Abel Gance, nouveaux regards » [En ligne], mis en ligne le 06 mars 2006, consulté le 13 août 2020. URL : http:// journals.openedition.org/1895/51 ; DOI : https://doi.org/10.4000/1895.51 Ce document a été généré automatiquement le 13 août 2020. © AFRHC 1 SOMMAIRE Approches transversales Mensonge romantique et vérité cinématographique Abel Gance et le « langage du silence » Christophe Gauthier Abel Gance, cinéaste à l’œuvre cicatricielle Laurent Véray Boîter avec toute l’humanité Ou la filmographie gancienne et son golem Sylvie Dallet Abel Gance, auteur et ses films alimentaires Roger Icart L’utopie gancienne Gérard Leblanc Etudes particulières Le celluloïd et le papier Les livres tirés des films d’Abel Gance Alain Carou Les grandes espérances Abel Gance, la Société des Nations et le cinéma européen à la fin des années vingt Dimitri Vezyroglou Abel Gance vu par huit cinéastes des années vingt Bernard Bastide La Polyvision, espoir oublié d’un cinéma nouveau Jean-Jacques Meusy Autour de Napoléon : l’emprunt russe Traduit du russe par Antoine Cattin Rachid Ianguirov Gance/Eisenstein, un imaginaire, un espace-temps Christian-Marc Bosséno et Myriam Tsikounas Transcrire pour composer : le Beethoven d’Abel Gance Philippe Roger Une certaine idée des grands hommes… Abel Gance et de Gaulle Bruno Bertheuil Étude sur une longue copie teintée de La Roue Roger Icart La troisième restauration de Napoléon Kevin Brownlow 1895. -
A History of Indian Music by the Same Author
68253 > OUP 880 5-8-74 10,000 . OSMANIA UNIVERSITY LIBRARY Call No.' poa U Accession No. Author'P OU H Title H; This bookok should bHeturned on or befoAbefoifc the marked * ^^k^t' below, nfro . ] A HISTORY OF INDIAN MUSIC BY THE SAME AUTHOR On Music : 1. Historical Development of Indian Music (Awarded the Rabindra Prize in 1960). 2. Bharatiya Sangiter Itihasa (Sanglta O Samskriti), Vols. I & II. (Awarded the Stisir Memorial Prize In 1958). 3. Raga O Rupa (Melody and Form), Vols. I & II. 4. Dhrupada-mala (with Notations). 5. Sangite Rabindranath. 6. Sangita-sarasamgraha by Ghanashyama Narahari (edited). 7. Historical Study of Indian Music ( ....in the press). On Philosophy : 1. Philosophy of Progress and Perfection. (A Comparative Study) 2. Philosophy of the World and the Absolute. 3. Abhedananda-darshana. 4. Tirtharenu. Other Books : 1. Mana O Manusha. 2. Sri Durga (An Iconographical Study). 3. Christ the Saviour. u PQ O o VM o Si < |o l "" c 13 o U 'ij 15 1 I "S S 4-> > >-J 3 'C (J o I A HISTORY OF INDIAN MUSIC' b SWAMI PRAJNANANANDA VOLUME ONE ( Ancient Period ) RAMAKRISHNA VEDANTA MATH CALCUTTA : INDIA. Published by Swaxni Adytaanda Ramakrishna Vedanta Math, Calcutta-6. First Published in May, 1963 All Rights Reserved by Ramakrishna Vedanta Math, Calcutta. Printed by Benoy Ratan Sinha at Bharati Printing Works, 141, Vivekananda Road, Calcutta-6. Plates printed by Messrs. Bengal Autotype Co. Private Ltd. Cornwallis Street, Calcutta. DEDICATED TO SWAMI VIVEKANANDA AND HIS SPIRITUAL BROTHER SWAMI ABHEDANANDA PREFACE Before attempting to write an elaborate history of Indian Music, I had a mind to write a concise one for the students. -
Edition 31 Berliner Festspiele 2021
Ed. 31 '21 Die Editionsreihe der Berliner Festspiele erscheint bis zu sechsmal jährlich und präsentiert Originaltexte und Kunstpositionen. Bislang erschienen: Edition 1 Hanns Zischler, Großer Bahnhof (2012) Christiane Baumgartner, Nachtfahrt (2009) Edition 2 Mark Z. Danielewski, Only Revolutions Journals (2002 – 2004) Jorinde Voigt, Symphonic Area (2009) Edition 3 Marcel van Eeden, The Photographer (1945 – 1947), (2011 – 2012) Edition 4 Mark Greif, Thoreau Trailer Park (2012) Christian Riis Ruggaber, Contemplatio I–VII: The Act of Noting and Recording (2009 – 2010) Edition 5 David Foster Wallace, Kirche, nicht von Menschenhand erbaut (1999) Brigitte Waldach, Flashfiction (2012) Edition 6 Peter Kurzeck, Angehalten die Zeit (2013) Hans Könings, Spaziergang im Wald (2012) Edition 7 Botho Strauß, Kleists Traum vom Prinzen Homburg (1972) Yehudit Sasportas, SHICHECHA (2012) Edition 8 Phil Collins, my heart’s in my hand, and my hand is pierced, and my hand’s in the bag, and the bag is shut, and my heart is caught (2013) Edition 9 Strawalde, Nebengekritzle (2013) Edition 10 David Lynch, The Factory Photographs (1986–2000) Georg Klein, Der Wanderer (2014) Edition 11 Mark Lammert, Dimiter Gotscheff – Fünf Sitzungen / Five Sessions (2013) Edition 12 Tobias Rüther, Bowierise (2014) Esther Friedman, No Idiot (1976–1979) Edition 13 Michelangelo Antonioni, Zwei Telegramme (1983) Vuk D. Karadžić, Persona (2013) Edition 14 Patrick Ness, Every Age I Ever Was (2014) Clemens Krauss, Metabolizing History (2011 – 2014) Edition 15 Herta Müller, Pepita (2015) Edition 16 Tacita Dean, Event for a Stage (2015) Edition 17 Angélica Liddell, Via Lucis (2015) Edition 18 Karl Ove Knausgård, Die Rückseite des Gesichts (2014) Thomas Wågström, Nackar / Necks (2014) Edition 31 Berliner Festspiele 2021 Angela Rosenberg Pragmatiker auf heißem Boden Gerhart von Westerman, Kunstmanager und erster Intendant der Berliner Festwochen. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7.