Taoiseach Launches Ambitious 5-Year Culture Plan
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311.Egyéb Gyűjtési Területek
Egyéb gyűjtési 311. területek Az árverés anyaga megtekinthető weboldalunkon és irodánkban (VI. Andrássy út 16. III. emelet. Nyitva tartás: H-Sz: 10-17, Cs: 10-19 óráig, P: Zárva) november 28-tól december 7-ig. AJÁNLATTÉTELI HATÁRIDŐ: 2017. december 7. 19 óra. Ajánlatokat elfogadunk írásban, személyesen, vagy postai úton, telefonon a 317-4757, 266-4154 számokon, faxon a 318-4035 számon, e-mailben az [email protected], illetve honlapunkon (darabanth.com), ahol online ajánlatot tehet. ÍRÁSBELI (fax, email) ÉS TELEFONOS AJÁNLATOKAT 18:30-IG VÁRUNK. A megvásárolt tételek átvehetők 2017. december 11-én 10 órától. Utólagos eladás december 7-14-ig. (Nyitvatartási időn kívül honlapunkon vásárolhat a megmaradt tételekből.) Anyagbeadási határidő a 312. gyorsárverésre: december 3. Az árverés FILATÉLIA, NUMIZMATIKA, KÉPESLAP és az EGYÉB GYŰJTÉSI TERÜLETEK tételei külön katalógusokban szerepelnek! A vásárlói jutalék 22% Részletes árverési szabályzat weboldalunkon és irodánkban megtekinthető. darabanth.com Tisztelt Ügyfelünk! Kedvezményes vásár! Fotytatódik nagy sikerű ajánlatunk. Immár 39. ajánlatunk tételeiből most összeghatár nélkül minden tételre 25% KEDVEZMÉNYT biztosítunk. Természetesen jutalék sincs. Az ajánlat anyaga megtalálható honlapunkon az árverések alatt, vagy irodánkban nyomtatott listát biztosítunk! 311. aukció: Megtekintés: december 4-7-ig! Tételek átvétele december 11-től 10 órától! 310. aukció elszámolás december 12-től! Amennyiben átutalással kéri az elszámolását, kérjük jelezze e-mailben, vagy telefonon. Kérjük az elszámoláshoz -
Ev2 D2.1 Europeana Partner Development
D2.1: Europeana Partner Strategy and Development Plan DELIVERABLE Project Acronym: Europeana v2 Grant Agreement number: 270902 Project Title: Europeana Version 2 D2.1: Europeana Partner Strategy and Development Plan Revision Final Date of submission July 2012 Annette Friberg, David Smith, Lea Brunelle – Europeana Author(s) Foundation Dissemination Level Public Project co-funded by the European Commission within the ICT Policy Support Programme 1 D2.1: Europeana Partner Strategy and Development Plan Index 1. Executive Summary......................................................................................................3 2. Introduction...................................................................................................................6 3. Background ..................................................................................................................8 3.1. Europeana Business Model........................................................................................10 4. The European Landscape ..........................................................................................11 4.1. The Aggregation Space..............................................................................................12 4.2. Europeana Network....................................................................................................13 4.3. Cultural Commons......................................................................................................14 5. State of Aggregation...................................................................................................15 -
GOLNIK LEENA Graphic Artist
GOLNIK LEENA Graphic artist Born 1946 in Helsinki Address: 01400 Vantaa, Finland Phone: +358 50 5882171 E-mail: leena.golnik(at)kolumbus.fi Home page: www.leenagolnik.fi www.kuvataiteilijamatrikkeli.fi/en/artists/2405 Main mediums of prints: etching, aquatint, dry point, soft ground, pvc-graphics Studies: High school graduate: 1966 Tikkurila, Vantaa Art studies: Several courses of art 1978-1993 University of Art and Design Helsinki (UIAH) 1993-94 Solo shows: 2015 Vantaa, Peijas hospital, The artist of the month 2014 Stockholm Sweden, Galleri Ängel 2011 Vantaa, Pisto Gallery 2009 Helsinki, Gallery Dix / Studio 2009 Vantaa, Peijas hospital, The artist of the month 2007 Vantaa, Gallery Gjutars, Taidelainaamo, The artist of the month 2004 Oulu, Neliö-Gallery 2003 Vantaa, Gallery Gjutars 2002 Helsinki, Galerie Oljemark 2001 Helsinki, Gallery Dix 2000 Vantaa, ”Nowå” travelling exhibition in Tikkurila, Helsinki - European city of Culture programm 2000 Vantaa, Nygårds 1999 Vantaa, Peijas hospital, The artist of the month 1999 / 2000 Vantaa, Urbaari, EU:s Urban -projekt 1998 Helsinki, Galerie Oljemark 1997 Helsinki, Kriittinen Tila 1992 Hamina, Library Gallery 1991 Lohja, Gallery Taidepaja 1991 Helsinki, Gallery Taideholvi 1990 Järvenpää Art House National exhibitions: 2015 Helsinki,”Vitas85”, Gallery Rantakasarmi in Suomenlinna 2015 Vantaa, Exhibition by the streets in Kivistö 2015, 2014 Helsinki, Kaapelitehdas, Seniors’ 37. and 36. Salon 2014 Hauho, Hovinkartano Art Center 2014 Helsinki, Gallery Dix 2014 Helsinki, Gallery Artika 2014 Nokia, Printti, -
Playing Cards
PLAYING CARDS The first session of this sale is comprised in large part of the playing card and ephemera collection of Bob and Rhonda Hawes, of Hamden, Conn. The couple met in 1976, married two years later, and have jointly pursued their shared love of cards and card games ever since. Their introduction to collecting came in the early 1980s through Robert Kissel, a bridge- playing friend and student at Yale studying old European card games. Robert taught them gameplay of Tarock and Skat, and in 1986 encouraged the Haweses to attend their first playing card conference, held in nearby New Haven by the International Playing Card Society. Reluctantly, the Haweses agreed to go. The rest, so they say, is history. At the IPCS conference the Haweses met Gene Hochman, an authority on early American playing cards and author of The Encyclopedia of American Playing Cards. Through conversations with him, they were inspired to form a private collection and dedicated themselves to ferreting out 1 top material along the flea market and antique show circuits. They collected widely in books, advertising, postcards, trade cards, stamps, bridge tallies, and more, but eventually narrowed their focus to more specialized areas, most notably non-standard artistic decks, and particularly transformation decks. After more than two decades of active collecting, and following retirement from their previous careers, the couple decided to auction the material as they prepare for the next phase in life, including travel, new hobbies, and volunteer work. Of course, this phase will go on to include attendance at several annual playing card conferences, regular get- togethers with the many friends they’ve made along the way – and lots of games of cards. -
Exotik, Erotik Und Haremkultur: Zur Gender-Problematik Im Deutschen Orientalismus Des 19
ABSTRACT Title of Document: EXOTIK, EROTIK UND HAREMKULTUR: ZUR GENDER-PROBLEMATIK IM DEUTSCHEN ORIENTALISMUS DES 19. UND FRÜHEN 20. JAHRHUNDERTS Melda Ina Baysal Walsh, Doctor of Philosophy, 2014 Directed By: Professor Dr. Elke P. Frederiksen, Department of Germanic Studies Arabian nights, oriental women, the harem, exoticism, and eroticism: what else comes to mind when thinking of the colorful world of the Orient? In order to challenge these Western stereotypes, which have been abundant since the Middle Ages and reflect only a few of the many prejudices contained in the Western understanding of “Orientalism”1, my study examines cultural representations of oriental, African and occidental women in literary texts by nineteenth- and early twentieth-century German and Austrian writers (Hugo von Hofmannsthal, Ida Hahn-Hahn, Peter Altenberg, Else Lasker-Schüler) as well as in the visual arts. Stereotypical images of oriental women are 1 “Orientalism”, a term used by Edward Said in his book Orientalism (1978) to describe a Western tradition which has been influenced by 18th and 19th Century European imperialism in both academia and the arts, represents a Western view which is full of prejudices towards the East. According to Said, Orientalism is a product of empire and the belief by the Western world of outclassing Eastern cultures in power and knowledge. Said claims that “at no time in German scholarship during the first two-thirds of the nineteenth century could a close partnership have developed between Orientalists and a protracted, sustained national interest in the Orient. […] What German Oriental scholarship did was to refine and elaborate techniques whose application was to texts, myths, ideas, and languages almost literally gathered from the Orient by imperial Britain and France.” (Orientalism, 1979. -
Wilhelm Arntz Papers Date (Inclusive): 1898-1986 Number: 840001 Creator/Collector: Arntz, Wilhelm F
http://oac.cdlib.org/findaid/ark:/13030/kt8d5nf2w0 No online items Finding aid for the Wilhem Arntz papers, 1898-1986 Isabella Zuralski. Finding aid for the Wilhem Arntz 840001 1 papers, 1898-1986 Descriptive Summary Title: Wilhelm Arntz papers Date (inclusive): 1898-1986 Number: 840001 Creator/Collector: Arntz, Wilhelm F. Physical Description: 159 Linear Feet(295 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Comprehensive research collection on twentieth century art, especially German Expressionism, compiled by the art expert Wilhelm Friedrich Arntz. A vast portion of the collection consists of research files on individual artists. Of particular interest are files concerning the so-called degenerate art campaign by the Nazis and the recovery of confiscated artwork after World War II. Extensive material documents Arntz's professional activities. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in German Biographical/Historical Note Wilhelm Friedrich Arntz (1903-1985) was a German lawyer, art expert and independent researcher of twentieth century art. He was also one of the early collectors of German Expressionism. Parallel to collecting artworks, he aquired publications on 20th century art and compiled a wealth of archival material, including newspaper clippings, correspondence of artists, art historians and dealers, and ephemeral items such as invitations to exhibition openings. Trained as a lawyer, Arntz began his professional career as political editor for the newspaper Frankurter Generalanzeiger, but he lost his job in 1933 after the Nazis came to power. -
341.Egyéb Gyűjtési Területek
Egyéb gyűjtési 341. területek Az árverés anyaga megtekinthető weboldalunkon és irodánkban (VI. Andrássy út 16. III. emelet. Nyitva tartás: H-Sz: 10-17, Cs: 10-19 óráig, P: Zárva) 2019. március 4-7-ig. AJÁNLATTÉTELI HATÁRIDŐ: 2019. március 7. 19 óra. Ajánlatokat elfogadunk írásban, személyesen, vagy postai úton, telefonon a 317-4757, 266-4154 számokon, faxon a 318-4035 számon, e-mailben az [email protected], illetve honlapunkon (darabanth.com), ahol online ajánlatot tehet. ÍRÁSBELI (fax, email) ÉS TELEFONOS AJÁNLATOKAT 18:30-IG VÁRUNK. A megvásárolt tételek átvehetők 2019. március 11-én 10 órától. Utólagos eladás február március 8-14-ig. (Nyitvatartási időn kívül honlapunkon vásárolhat a megmaradt tételekből.) Anyagbeadási határidő a 342 gyorsárverésre: március 7. Az árverés FILATÉLIA, NUMIZMATIKA, KÉPESLAP és az EGYÉB GYŰJTÉSI TERÜLETEK tételei külön katalógusokban szerepelnek! A vásárlói jutalék 22% Részletes árverési szabályzat weboldalunkon és irodánkban megtekinthető darabanth.com Tisztelt Ügyfelünk! Megkezdtük tavaszi, 31. nagyaukciónk előkészítését. Már várjuk az árverésre az egyes tételeket, gyűjteményeket, összeállításokat. Külön felhívnánk a figyelmet arra, hogy szívesen vállaljuk teljes gyűjtemények, komoly gyűjteményrészek árverezését, akár külön árverésként, külön fejezetként nevesítve, vagy név nélkül is. A beadási határidő március 25. Kezdjen el beadni most, érdeklődjön a részletekről kollégáinknál. 341. aukció: Megtekintés: március 4-7-ig! Tételek átvétele: március 11. 10 órától 340. aukció elszámolás: március 12-tól! -
Michael Steinbach Buch- Und Kunstantiquariat
Michael Steinbach Buch- und Kunstantiquariat Books to be exhibited at the Salon International du Livre Ancien Grand Palais, Paris, April 25th – 28th, 2013 Please visit me at booth G 6 from 11 am to 8 pm (Thursday from 5 to 9 pm). ___________________________________________________________________________ With drawings by Daniel Chodowiecki 1 Album with ca. 70 water-colours, pencil- and pen-drawings, photographs etc. from the late 18th to the early 20th century. n.pl, 11,5 : 17 cm. Half cloth around 1900 using leather-binding from an album Amicorum from the late 18th century. 1400,- Contains: 2 oval double-portraits (two young woman and 2 girls), ink-drawings marked Daniel Chodowiecki, as well as a portrait of Friedric the Great, pencil-drawing also marked Daniel Chodowiecki; the escape to Egypt, signed ink-drawing by Karl von Binzer (1824-1902); two troopers, 2 signed water-colours by Johann Nepomuk Höchle (1790-1835); Schloss Pölnitz near Dresden, water-colour from 1847; reading woman, signed charcoal-drawing by Alexander Demetrius Goltz (1857-1944); Portrait of Count Olivarez after Velazquez, signed charcoal-drawing by Erich Hermès (1881-1971); House in Nepals, Gouache around 1830; Man with pipe, signed water-colour over charcoal by Karl Alexander Wilke (1879-1954); two Portraits (one water-colour, one gouache) of the actor Christian Rub (1886-1956), further portraits and theatre scenes, flowers, views, Scenes of daily life, genre, allegories etc. The pictures mostly mounted on leafs from an album Amicorum. - Binding a bit rubbed. - A very charming album of high artistic value. 2 Alechinsky - Frénaud, André. La vie comme elle tourne. -
Black Venus 2010 They Called Her “Hottentot”
Black Venus 2010 They Called Her “Hottentot” Edited by DEBORAH WILLIS With research assistance by Carla Williams TEMPLE UNIVERSITY PRESS Philadelphia TEMPLE UNIVERSITY PRESS 1601 North Broad Street Philadelphia, Pennsylvania 19122 www.temple.edu/tempress Copyright © 2010 by Temple University All rights reserved Published 2010 Chapter 11 copyright © 1998/2004 by Kellie Jones and the artists Text design by Lynne Frost Library of Congress Cataloging-in-Publication Data Black Venus 2010 : they called her “Hottentot” / edited by Deborah Willis. p. cm. Includes bibliographical references and index. ISBN 978-1-4399-0204-2 (cloth : alk. paper) ISBN 978-1-4399-0205-9 (pbk. : alk. paper) 1. Baartman, Sarah. 2. Arts, Modern. I. Willis, Deborah, 1948– NX652.B33B58 2010 305.48'8961—dc22 2009036736 This book is printed on acid-free paper for greater strength and durability. Printed in the United States of America 2 4 6 8 9 7 5 3 1 Contents Acknowledgments ix Prologue: The Venus Hottentot (1825) 1 Elizabeth Alexander Introduction: The Notion of Venus 3 Deborah Willis PART I Sarah Baartman in Context 1 The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality 15 Sander Gilman 2 Another Means of Understanding the Gaze: Sarah Bartmann in the Development of Nineteenth-Century French National Identity 32 Robin Mitchell 3 Which Bodies Matter? Feminism, Post-Structuralism, Race, and the Curious Theoretical Odyssey of the “Hottentot Venus” 47 Zine Magubane 4 Exhibit A: Private Life without a Narrative 62 J. Yolande Daniels 5 crucifi x 68 Holly Bass PART II Sarah Baartman’s Legacy in Art and Art History 6 Historic Retrievals: Confronting Visual Evidence and the Imaging of Truth 71 Lisa Gail Collins 7 Reclaiming Venus: The Presence of Sarah Bartmann in Contemporary Art 87 Debra S. -
Estonia 1975
The Art of the Ex Libris - Ex Libris Bibliography [ Home ] [ Introduction ] [ Table of Contents ] [ Heraldic Bookplates ] [ Ex Libris/Bookplates ] [ What's New 2005 ] [ News 2005 ] [ Bibliography ] [ Contact ] [ Ex Libris Ring HP ] This Bibliography on Ex Libris does not pretend to be exhaustive and generally does not include references to the numerous articles (and sometimes of essential reading) included regularly on Ex Libris periodical literature of the various countries where Ex Libris societies are active. Countries not included, do not necessarily mean absence of books on the subject. Also, we believe that many more books have been published all over the world, but we haven't had access to them. © 2005, by José Vicente de Bragança Bibliographies Bibliographies Arellanes, Audrey Spencer, Bookplates; a selective annotated bibliography of the periodical literature, Detroit, Gale Research Co., c. 1971 Australia Bragaglia, Egisto,Bibliografia italiana dell'ex libris, Trento, 1987 Argentina Ferson, Mark J., Australian literature on bookplates: a bibliography (1899-1988), Sydney, Book Austria Collectors' Society of Australia, 1988 Belgium Rödel, Klaus, Bibliografi over Skandinavisk Exlibrislitteratur, Frederikshavn 1968 (Exlibristen 14) Brazil Scheffer, Heinrich, Österreich - 100 Jahre Österreichische Exlibris, Wien, 2004) Bulgaria Schwencke, Johan, Bibliographie En Andere Gegevens Over Het Nederlandsche Exlibris, Maastricht, Uitgeverijfa. Boosten & Stols, (1933) Canada Stock, Karl F., Österreichische Exlibris-Bibliographie 1881– 2003, -
D3.7 Collections and Data Analysis, Strategy And
D3.7: Content Strategy Update MS11: Content Acquisition and Development Plan DELIVERABLE Project Acronym: Europeana v2 Grant Agreement number: 270902 Project Title: Europeana Version 2 D3.7: Content Strategy Update MS11: Content Acquisition & Development Plan Merged and renamed to: Collections and Data Analysis, Strategy and Plan Revision Final Date of submission 18 July 2012 Lea Brunelle, Annette Friberg, Harry Verwayen – Europeana Author(s) Foundation Dissemination Level Public Project co-funded by the European Commission within the ICT Policy Support Programme 1 D3.7: Content Strategy Update MS11: Content Acquisition and Development Plan REVISION HISTORY AND STATEMENT OF ORIGINALITY Revision History Revision No. Date Author Organisation Description 1 24 May 2012 Harry Verwayen Europeana Various 2 12 June Paul Keller Kennisland Various, 20th century black hole 3 16 July Annette Friberg Europeana Various 4 16 July Beth Daley Europeana Various Statement of originality: This deliverable contains original unpublished work except where clearly indicated otherwise. Acknowledgement of previously published material and of the work of others has been made through appropriate citation, quotation or both. 2 D3.7: Content Strategy Update MS11: Content Acquisition and Development Plan Table of contents 1. Executive summary..............................................................4 2. Introduction...........................................................................6 3. Content and collection analysis .........................................8 -
Traduzione in Inglese Di Sette Secoli Di Storia
SEVEN CENTURIES OF HISTORY The Collections of the d’Este Library THE LIBRARY PERMANENT EXHIBITION FOREWORD by Luca Bellingeri Director of the d’Este Library In year 1924 the famous illuminated manuscript of the Borso d’Este’s Bible returned to the Library after 65 years of “exile” in Vienna, where it had been brought in 1859 among the belongings of the last Duke of Modena, the fugitive Francesco V of Austria-Este. Consequently Domenico Fava, the Library Director, decided to open a Permanent Exhibition in a hall of the Library in order to allow the view of the Borso’s Bible, the “most beautiful Italian illuminated book ”, not only to scholars, but also to ordinary people. Hence, from its beginning this display was aimed to the artistic and cultural promotion of ordinary people more than to the technical interest and study of specialists and scholars. The Exhibition Hall opened to the public on 19-04-1925. The Borso’s Bible could be admired within a proper context of several magnificent masterpieces, selected among many others from the rich collections of ancient books preserved on the Library shelves. The 450 items on display had been divided in 5 sections: Illuminated Manuscripts , Illuminated Printed Books , Printed Books with Engravings either by a wood or by a copper moulding, Ancient Bindings and an Appendix about the beginnings of the printing techniques in both Modena and in the whole d’Este Duchy. The exhibition was mainly based on the antiques of the great illuminated codex from Humanism and Renaissance and the best printed editions from the XV and XVI Centuries.