Estonia 1975
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS. -
Views Before That August Body and the Parliament Which Was Back of It, in Hopes That He Might Inñuence the Final Form of the Church Discipline
1936.] Report of the Librarian 153 REPORT OF THE LIBRARIAN THE USE OF THE LIBRARY TN accepting membership in the American Anti- -•• quarian Society in 1915, the Right Honorable Sir George Otto Trevelyan, distinguished historian of the American Revolution, said: "Recognition from such a body as the American Antiquarian Society has for me a value of a rare character. I shall never see Worcester or enter the Library in which henceforth I should have the privilege of reading but I accept the position of membership with gratitude and pleasure." Many other English and Continental scholars have been more fortunate than Sir George and have spent happy and profitable hours within these walls. This summer as never before our reading room has, at times, been thronged with historical students occupying every available seat. The follower of the curious hobby of license plate hunting would have been richly re- warded by an examination of the cars parked about our building, for he would have found plates from almost every state in the union in the course of a few midsummer visits. As soon as the last college class has been dismissed many a historian packs his travelling bag and the notes for his forthcoming volume and turns the prow of his trusty car toward Worcester. The subjects of their inquiries are of infinite variety and all of their problems are interesting. A scholar from the University of Kansas wished to know when aerial photography began and was delighted when we produced a balloon photograph of Boston taken, believe it or not, in 1860. -
Download the Catalogue
Five Hundred Years of Fine, Fancy and Frivolous Bindings George bayntun Manvers Street • Bath • BA1 1JW • UK Tel: 01225 466000 • Fax: 01225 482122 Email: [email protected] www.georgebayntun.com BOUND BY BROCA 1. AINSWORTH (William Harrison). The Miser's Daughter: A Tale. 20 engraved plates by George Cruikshank. First Edition. Three volumes. 8vo. [198 x 120 x 66 mm]. vii, [i], 296 pp; iv, 291 pp; iv, 311 pp. Bound c.1900 by L. Broca (signed on the front endleaves) in half red goatskin, marbled paper sides, the spines divided into six panels with gilt compartments, lettered in the second and third and dated at the foot, the others tooled with a rose and leaves on a dotted background, marbled endleaves, top edges gilt. (The paper sides slightly rubbed). [ebc2209]. London: [by T. C. Savill for] Cunningham and Mortimer, 1842. £750 A fine copy in a very handsome binding. Lucien Broca was a Frenchman who came to London to work for Antoine Chatelin, and from 1876 to 1889 he was in partnership with Simon Kaufmann. From 1890 he appears under his own name in Shaftesbury Avenue, and in 1901 he was at Percy Street, calling himself an "Art Binder". He was recognised as a superb trade finisher, and Marianne Tidcombe has confirmed that he actually executed most of Sarah Prideaux's bindings from the mid-1890s. Circular leather bookplate of Alexander Lawson Duncan of Jordanstone House, Perthshire. STENCILLED CALF 2. AKENSIDE (Mark). The Poems. Fine mezzotint frontispiece portrait by Fisher after Pond. First Collected Edition. 4to. [300 x 240 x 42 mm]. -
Chapter 12 Tables of Contents, Indexes, and Bibliographies
Writer Guide Chapter 12 Tables of Contents, Indexes, and Bibliographies This PDF is designed to be read onscreen, two pages at a time. If you want to print a copy, your PDF viewer should have an option for printing two pages on one sheet of paper, but you may need to start with page 2 to get it to print facing pages correctly. (Print this cover page separately.) Copyright This document is Copyright © 2005–2010 by its contributors as listed in the section titled Authors. You may distribute it and/or modify it under the terms of either the GNU General Public License, version 3 or later, or the Creative Commons Attribution License, version 3.0 or later. All trademarks within this guide belong to their legitimate owners. Authors Martin Fox John Kane Sigrid Kronenberger Peter Kupfer Paul Miller Iain Roberts Gary Schnabl Rob Scott Janet Swisher Catherine Waterman Jean Hollis Weber Michele Zarri Feedback Please direct any comments or suggestions about this document to: [email protected] Acknowledgments Thanks to Sophie Gautier, author of the French native-language document, Comment insérer une Table des Matières, which was used as a reference. Publication date and software version Published 25 March 2010. Based on OpenOffice.org 3.2. You can download an editable version of this document from http://oooauthors.org/english/userguide3/published/ Contents Copyright...............................................................................................2 Introduction...........................................................................................6 -
Taoiseach Launches Ambitious 5-Year Culture Plan
Sound Post V O L U M E 1 5 N O . 1 - S P R I N G 2 0 1 7 IN THIS ISSUE: MUI RTÉ National Symphony Orches - tra Section Committee, 2016-2017 Taoiseach launches ambitious five- year culture plan SIPTU Services Conference adopts MUI-related resolution The MUI RTÉ National Symphony Orchestra Section Committee, 2016-2017, l-r, Katie Performers call for fair treatment in Tertell (cello), Niall O’Loughlin (cello), Brona FitzGerald (violin), Mary Wheatley (violin) the digital world and Elaine Clark (violin). Photo: Nekrasius Aurimas Vision for Irish Orchestras briefs Senators on lamentable state of the RTÉ National Symphony Orchestra Taoiseach Launches Ambitious MUI backs call for Irish music quota on radio stations 5-Year Culture Plan Vanbrugh Quartet recipient of NCH 2016 Lifetime Achievement Award December 2016 saw the launch by An Taoiseach, Enda Kenny, of TG4 Gradam Awards 2017 Creative Ireland , an ambitious new five-year cultural plan. Ninetieth birthday celebration of Also present at the launch were the Minister for Arts, Heather Dermot Doolan, Secretary, Irish Humphreys, and the Minister for Public Expenditure, Paschal Actors’ Equity Association 1947-1985 Donohue. According to Humphreys, the initiative was inspired by the “extraordinary public response” to the 1916 Centenary Book on Irish-Soviet relations by SIPTU member launched in Liberty Programme. “This year thousands of cultural events were held Hall around the country”, she said. We now want to build on the success of the commemorations, she added. Reviews Times Past Significantly, the Taoiseach is chairing a new Government Obituaries committee dedicated to achieving the objectives of the plan, while a dedicated programme office is being set up within the Interval Quiz Department of Arts. -
How to Page a Document in Microsoft Word
1 HOW TO PAGE A DOCUMENT IN MICROSOFT WORD 1– PAGING A WHOLE DOCUMENT FROM 1 TO …Z (Including the first page) 1.1 – Arabic Numbers (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. 1.2 – Other Formats (Romans, letters, etc) (a) Repeat steps (a) to (c) from 1.1 above (b) At the “Header & Footer” Section, click on “Page Number” drop down menu. (C) Choose… “Format Page Numbers” (d) At the top of the box, “Number format”, click the drop down menu and choose your preference (i, ii, iii; OR a, b, c, OR A, B, C,…and etc.) an click OK. (e) You can also set it to start with any of the intermediate numbers if you want at the “Page Numbering”, “Start at” option within that box. 2 – TITLE PAGE WITHOUT A PAGE NUMBER…….. Option A – …And second page being page number 2 (a) Click the “Insert” tab. (b) Go to the “Header & Footer” Section and click on “Page Number” drop down menu (c) Choose the location on the page where you want the page to appear (i.e. top page, bottom page, etc.) (d) Once you have clicked on the “box” of your preference, the pages will be inserted automatically on each page, starting from page 1 on. -
Banners in Heraldic Art
Banners in heraldic art Magnus Backrnark Abstract The banner is very useful to heraldic art. It is a carrier of charges and colours, just like its coun terpart the shield. But where the shield can be seen as crude, heavy, flat and robust - its purpose being taking hits- the banner is brilliant, swift, full of I ife and motion. Its purpose is spiritual. It is lifted above anyone's head, above dust and confusion, for inspiration and guiding. Something of this character, I will with this article try to show by examples that the heraldic artist, if lucky, can translate in his or her work. First, we could though take a quick glance at the historical development of banners. The term banner approves, as we shall see, to a specific kind of flag, but in a wide sense of the word a banner is any ensign made of a peace of cloth, carried on a staff and with symbolic value to its owner(s). The profound nature of this innovation, which seem to be of oriental origin, makes it the mother of all kinds of flags. The etymologi cal root of the word banner is the French word banniere, derived from latin bandaria, bandum, which has German extraction, related to gothic bandwa, bandw6, 'sign'. 1 The birth of heraldry in the l2 h century Western world was preceded by centuries of use of early forms of banners, called gonfanons. From Bysantium to Normandy, everywhere in the Christian world, these ensigns usually were small rectangular lance flags with tai Is (Fig. -
Chapter 15 Tables of Contents, Indexes, Bibliographies Copyright
Writer 6.0 Guide Chapter 15 Tables of Contents, Indexes, Bibliographies Copyright This document is Copyright © 2018 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors Jean Hollis Weber Bruce Byfield Gillian Pollack Acknowledgments This chapter is updated from previous versions of the LibreOffice Writer Guide. Contributors to earlier versions are: Jean Hollis Weber John A Smith Ron Faile Jr. An earlier version appeared in the OpenOffice 3.3 Writer Guide. The contributors were: Martin Fox John Kane Rachel Kartch Sigrid Kronenberger Peter Kupfer Paul Miller Iain Roberts Gary Schnabl Rob Scott Janet Swisher Catherine Waterman Jean Hollis Weber Claire Wood Michele Zarri Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Publication date and software version Published July 2018. Based on LibreOffice 6.0. Note for macOS users Some keystrokes and menu items are different on macOS from those used in Windows and Linux. The table below gives some common substitutions for the instructions in this book. For a more detailed list, see the application Help. -
Preparation of and Format for Conformed Documents
Section 16 - Preparation of and format for Conformed Documents A. Introduction - The Design and Construction Divisions contract with a wide variety and significant number of Professional Services firms (FIRM) for design and construction oversight responsibilities for both capital and non-capital projects. As a part of the Bid Phase services, the FIRMs are responsible to prepare addenda as necessary, assist HRSD with determining if the apparent low bidder is both responsive and responsible, and making a recommendation for award of a construction project. Following the recommendation for award of a construction contract and prior to the pre-construction meeting with the successful Contractor, the FIRM is to prepare “Conformed Documents”. The Conformed Document includes revisions to the Bid Documents that are referenced in the Addenda, Agreement and Questionnaire from the Contractor, and any other changes from the original Bid Documents. These Conformed Documents (Drawings and Specifications) are intended to assist HRSD, the FIRM, Inspectors, the Contractor, the subcontractors, and product vendors easily identify any of the changes made on the plan sheets or specification pages that were modified via Addenda. This memorandum establishes a protocol for Conformed Document preparation for those projects managed by and thru the Engineering Department. No changes other than those described within this memorandum shall be made with the Conformed Documents. B. Specifications - The Conformed Specifications shall include the following: 1. Specification Cover – the phrase “CONFORMED DOCUMENT” and the DATE shall be added adjacent to the Engineering’s or Architect’s Seal. 2. Revised TABLE OF CONTENTS with the heading “ADDENDA” and a listing of all addenda generated for the project. -
Australian Bookplate Society
THE NEW AUSTRALIAN BOOKPLATE SOCIETY collectors, bibliophiles, artists and others dedicated to promoting bookplates Newsletter No. 31, December 2013 Editor/President The earliest known Australian bookplate Dr Mark Ferson Matthew Fishburn, Hordern House, Sydney; 4 Sofala Ave reproduced with kind permission of Nicholas Ingleton, Sydney Riverview NSW 2066 02 9428 2863 [email protected] This is perhaps the earliest known Australian detail. P Neville Barnett in his Australian book- bookplate, engraved by convict artist Samuel plates and book-plates of interest to Australia Secretary Bronwyn Vost Clayton for the visiting American merchant (1950) lists designs used by figures prominent 59 Gladstone St, Charles Izard Manigault (1795-1874). While in the early years of the Colony of New South Enmore NSW 2042 visiting Sydney on a trading voyage in 1818, Wales: John Palmer, C Grimes, John Blaxland [email protected] Manigault, an American merchant, and book and Ellis Bent – however, Barnett argues that all Designer and antiquarian collector, from Charleston, seem to have migrated here with their owners. Mary Keep South Carolina, commissioned Clayton to In the following chapter, ‘Early engravers’, he PO Box 555 produce a bookplate for him. As Manigault shows some bookplates engraved by Raphael Dulwich Hill NSW 2203 [email protected] wrote to his family, Clint who started a business in Sydney around 1835 and died in 1849. Clayton’s design for I had some of my visiting cards engraved by Manigault pre-dates Clint’s work by possibly two one of those talented convicts, S. Clayton of decades (or more) and is currently the earliest New South Wales, by placing my signature documented bookplate of Australian origin. -
Creating Tables of Contents, Indexes and Bibliographies 3 Chapter Info
Writer Guide Chapter 12 Tables of Contents, Indexes, and Bibliographies Copyright This document is Copyright © 2012-2014 by the LibreOffice Documentation Team. Contributors are listed below. You may distribute it and/or modify it under the terms of either the GNU General Public License (http://www.gnu.org/licenses/gpl.html), version 3 or later, or the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), version 4.0 or later. All trademarks within this guide belong to their legitimate owners. Contributors Jean Hollis Weber John A Smith Ron Faile Jr. Feedback Please direct any comments or suggestions about this document to the Documentation Team’s mailing list: [email protected] Note: Everything you send to a mailing list, including your email address and any other personal information that is written in the message, is publicly archived and cannot be deleted. Acknowledgments This chapter is based on Chapter 12 of the OpenOffice.org 3.3 Writer Guide. The contributors to that chapter are: Martin Fox John Kane Rachel Kartch Sigrid Kronenberger Peter Kupfer Paul Miller Iain Roberts Gary Schnabl Rob Scott Janet Swisher Catherine Waterman Jean Hollis Weber Claire Wood Michele Zarri Publication date and software version Published 30 September 2014. Based on LibreOffice 4.2. Note for Mac users Some keystrokes and menu items are different on a Mac from those used in Windows and Linux. The table below gives some common substitutions for the instructions in this chapter. For a more detailed list, -
STANDARD PAGE ORDER for a BOOK These Are Guidelines, Not Rules, but Are Useful in Making Your Book Look Professional
STANDARD PAGE ORDER FOR A BOOK These are guidelines, not rules, but are useful in making your book look professional. More extensive descriptions are available in the “Chicago Manual of Style”. (Note: CMS uses the classic terms recto for right handed and verso for left handed pages.) FRONT MATTER PRE PAGES: are usually numbered with lower case roman numerals Blank A blank page is often needed to force the first page of the book to fall on a right hand page. Half title page (contains only the title) - OPTIONAL Introduction (OPTIONAL) A blank page is often Blank page (back of title page) needed to force the first page of the book to fall on a right hand page. Title page title author, illustrator where appropriate Copyright page (back of the Title page): Usually BODY OF THE BOOK contains Copyright information, ISBN, LCCN if using, Text pages are usually numbered with normal fonts. design credits, disclaimers about fictional characters, permission granted to use information or illustrations TEXT: from another source Chapter One: In a “classic book” all chapter heads start on the right hand page. In novels where continuity Dedication is important, chapters may start on the right or left but the first chapter should always start on the right. Blank PARTS: Epigraph (quote pertinent to the book) OPTIONAL Book One or Section One: In large books it is May be used instead of, or after a Dedication. common for the book to be divided into Parts or Units. Some Section pages carry their own titles. These are Blank styled like title pages and are always on the right hand page, usually followed by a blank.